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                <text>&lt;p&gt;St Patrick&amp;rsquo;s Catholic Church is in the village of Colebrook, Tasmania. The sandstone building was built in 1855-7 under the supervision of architect Frederick Thomas from a detailed scale model made by the English architect Augustus Welby Northmore Pugin (1812-1852) in 1843. The model was made for Pugin&amp;rsquo;s friend Robert William Willson (1794-1866) who was the first Catholic Bishop in Tasmania. The building is in the Gothic Revival style with pointed arch doorways, buttresses, tracery, porch, and lancet windows. A noticeable feature is the triple bellcote which was reinstated in 2007 after falling in a storm in 1895. The elaborate balustrade was not part of Pugin&amp;rsquo;s design and was added by Thomas due to the sloping site. St Patrick&amp;rsquo;s represents Pugin&amp;rsquo;s idea of an early fourteenth century English village church.&lt;/p&gt;&#13;
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&lt;p&gt;For an essay on the church by Brian Andrews see &lt;a href="http://www.puginfoundation.org/assets/Colebrook_Essay.pdf" target="_self"&gt;http://www.puginfoundation.org/assets/Colebrook_Essay.pdf&lt;/a&gt;&lt;/p&gt;</text>
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                <text>St Barnabas Church is in the town of Scottsdale, Tasmania. The weatherboard building was built as a Church of England (now Anglican) church in 1892. The church is in the Gothic Revival style with a steeply pitched roof, porch, small spire, and an apse. </text>
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              <text>&lt;a href="http://www.artgallery.nsw.gov.au/work/182.2002.20/" target="_self"&gt;http://www.artgallery.nsw.gov.au/work/182.2002.20/&lt;/a&gt;</text>
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                <text>â€˜Afternoon in Chartres Cathedralâ€™ by Salvatore Zofrea</text>
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                <text>This woodblock print, from Salvatore Zofrea&amp;rsquo;s &lt;em&gt;Appassionata&lt;/em&gt; collection, was gifted to the Art Gallery of New South Wales by the Italian-Australian artist in 2002. Depicting a scene in Chartres Cathedral, it features the gothic arches, vaulted ceilings and, especially, some of the magnificent 12th-13th century stained glass that remains intact and for which Chartres Cathedral is famous. Chartres Cathedral was constructed between 1194 and 1250 in the French High Gothic style, and its architecture has only undergone minor changes since the 13th century. It is commonly held to be one of the finest surviving examples of this style.</text>
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                <text>c.1994-1999</text>
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                <text>Art Gallery of New South Wales</text>
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                <text>Woodblock Print, black ink on white Japanese Hitachi paper, 45cm x 59.5cm block mark</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>Carr Villa Memorial Park Entrance Chapel, Launceston, Tasmania </text>
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&lt;p&gt;Carr Villa Memorial Park is the largest cemetery in the Tasmanian city of Launceston. It features an impressive Entrance Chapel built in 1938 in the Gothic Revival style. The red brick building has pointed arch doorways and windows, buttresses, and blind lancet windows above the large front and rear pointed arch entrances. It is topped by a square tower and spire. These photographs shows the rear of the building and the vaulted timber ceiling. As can be seen in the photograph of the rear, the building acts as a large entrance through which funeral processions can pass.&lt;/p&gt;&#13;
&lt;p&gt;For the front and side of the building see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1092" target="_self"&gt;http://ausmed.arts.uwa.edu.au/items/show/1092&lt;/a&gt;&lt;/p&gt;&#13;
&lt;/div&gt;&#13;
&lt;br /&gt;</text>
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                <text>&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1092" target="_self"&gt;http://ausmed.arts.uwa.edu.au/items/show/1092&lt;/a&gt;</text>
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                <text>2xDigital Photograph</text>
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