17
8
730
-
https://ausmed.arts.uwa.edu.au/files/original/7d21ec72d0c2e3df44ad89c011425fa7.JPG
01360cc98410f002a17ce7f1c691cf85
Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
8
Channels
3
Height
2592
Width
1944
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Medievalism at the Foundations
Description
An account of the resource
This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
Digital Photograph; JPEG
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Kodak House, Hobart, Tasmania
Subject
The topic of the resource
Bay window, commercial architecture, crenellation, Kodak House, Gothic Revival, Hobart, parapet, shield, Tas, Tasmania, tower.
Description
An account of the resource
Kodak House is in the Elizabeth Street mall in central Hobart. The top of the narrow five storey building has two narrow ‘towers’ on each end with a crenelated parapet running between them. In the centre is a shield bearing a ‘K’. The upper storeys have bay windows, a common feature of Gothic Revival architecture, although they are more commonly found in domestic buildings.
Creator
An entity primarily responsible for making the resource
McLeod, Shane
Date
A point or period of time associated with an event in the lifecycle of the resource
October 6, 2012
Rights
Information about rights held in and over the resource
No Copyright
Format
The file format, physical medium, or dimensions of the resource
Digital Photograph
Bay window
commercial architecture
crenellation
Gothic Revival
Hobart
Kodak House
parapet
shield
Tas
Tasmania
tower.
-
https://ausmed.arts.uwa.edu.au/files/original/e10ac942225a34cd7a483155cd0613b0.JPG
11ab1b1a7f3871ec046da41f9c0d2f81
Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
8
Channels
3
Height
2592
Width
1944
https://ausmed.arts.uwa.edu.au/files/original/3eef2bea0ce8b91b0b67e08767c67596.JPG
e2418c843c4645b1479c983f21361822
Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
8
Channels
3
Height
2592
Width
1944
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Medievalism at the Foundations
Description
An account of the resource
This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
Digital Photograph; JPEG
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
St John the Evangelist’s Church interior, Richmond, Tasmania
Subject
The topic of the resource
Brian Andrews, baptismal font, Catholic, font, Henry Edmund Goodridge, Gothic, Gothic Revival, lancet windows, John Bede Polding, pointed arch, Augustus Welby Northmore Pugin, Pugin, Richmond, St John the Evangelist’s Church, Tas, Tasmania, Frederick Thomas, tiles, tracery, Robert William Willson, Bishop Willson.
Description
An account of the resource
<p>St John the Evangelist’s Church is in the village of Richmond, Tasmania, and is the oldest continuously used Catholic church in Australia. The present building is an amalgam of two designs. The earliest building was designed by the English (Bath) architect Henry Edmund Goodbridge (1800-1863) after John Bede Polding (1794-1877), Australia’s first Catholic bishop, obtained plans for several churches from Goodbridge before sailing to Australia in 1835. Polding laid the foundation stone in 1835 and the church was completed in 1837. The nave of the present building is from the original church. In 1859 additions were completed under the supervision of architect Frederick Thomas (1817-1885) from a parts of a detailed scale model made by the English architect Augustus Welby Northmore Pugin (1812-1852) in 1843. The model was made for Pugin’s friend Robert William Willson (1794-1866) who was the first Catholic Bishop in Tasmania. From Pugin’s design come the chancel (including the rear stained glass window with tracery seen in photograph two), sacristy and spire. Thomas designed the communion rails as the rood screen in Pugin’s model was too large for the building, as well as the pointed chancel arch. The interior also includes a font designed by Pugin in 1843. It was carved in England and brought to Tasmania by Bishop Wilson, and sits atop a platform of simple medieval-style tiles. </p>
<p>Augustus Welby Northmore Pugin (1812-1852) played a central role in establishing the Gothic Revival style and is best remembered for his work on the Houses of Parliament in London, and the interior of the Palace of Westminster.</p>
<p>For the exterior see <a href="http://ausmed.arts.uwa.edu.au/admin/items/show/1117" target="_self">http://ausmed.arts.uwa.edu.au/items/show/1117</a></p>
<p>For an essay on the church by Brian Andrews see <a href="http://www.puginfoundation.org/assets/Richmond_Essay.pdf" target="_self">http://www.puginfoundation.org/assets/Richmond_Essay.pdf</a></p>
<br />
Creator
An entity primarily responsible for making the resource
McLeod, Shane (essay by Brian Andrews)
Date
A point or period of time associated with an event in the lifecycle of the resource
October 5, 2012
Rights
Information about rights held in and over the resource
No Copyright (essay copyright Brian Andrews and the Pugin Foundation)
Relation
A related resource
<a href="http://ausmed.arts.uwa.edu.au/admin/items/show/1117">http://ausmed.arts.uwa.edu.au/items/show/1117</a>
Format
The file format, physical medium, or dimensions of the resource
2xDigital Photograph
Augustus Welby Northmore Pugin
baptismal font
Bishop Willson.
Brian Andrews
Catholic
font
Frederick Thomas
Gothic
Gothic Revival
Henry Edmund Goodridge
John Bede Polding
lancet windows
pointed arch
Pugin
Richmond
Robert William Willson
St John the Evangelist’s Church
Tas
Tasmania
tiles
tracery
-
https://ausmed.arts.uwa.edu.au/files/original/a95de8ef999f67b31d45fca5cdd46801.JPG
79dff599d567fff5122f69e9c4c79027
Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
8
Channels
3
Height
2592
Width
1944
https://ausmed.arts.uwa.edu.au/files/original/f2df53f96ede6fde697439e630885576.JPG
404698b929bd2457b0283ed6fecf20c3
Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
8
Channels
3
Height
1944
Width
2592
https://ausmed.arts.uwa.edu.au/files/original/d81c864e73fe6828c12dd7812f07c959.JPG
d757e2014f52fbb3a517e70e29aa5e9c
Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
8
Channels
3
Height
2592
Width
1944
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Medievalism at the Foundations
Description
An account of the resource
This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
Digital Photograph; JPEG
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
St John the Evangelist’s Church exterior, Richmond, Tasmania
Subject
The topic of the resource
Brian Andrews, buttress, Catholic, Rod Cooper, Henry Edmund Goodridge, Gothic, Gothic Revival, lancet windows, Alexander North, John Bede Polding, pointed arch, porch, Augustus Welby Northmore Pugin, Pugin, Richmond, St John the Evangelist’s Church, spire, Tas, Tasmania, Frederick Thomas, tracery, turret, Robert William Willson, Bishop Willson.
Description
An account of the resource
<p>St John the Evangelist’s Church is in the village of Richmond, Tasmania, and is the oldest continuously used Catholic church in Australia. The present building is an amalgam of two designs. The earliest building was designed by the English (Bath) architect Henry Edmund Goodbridge (1800-1863) after John Bede Polding (1794-1877), Australia’s first Catholic bishop, obtained plans for several churches from Goodbridge before sailing to Australia in 1835. Polding laid the foundation stone in 1835 and the church was completed in 1837. The nave of the present building is from the original church. In 1859 additions were completed under the supervision of architect Frederick Thomas (1817-1885) from a detailed scale model made by the English architect Augustus Welby Northmore Pugin (1812-1852) in 1843. The model was made for Pugin’s friend Robert William Willson (1794-1866) who was the first Catholic Bishop in Tasmania. From Pugin’s design come the chancel (including the rear window with tracery), sacristy and spire. The building is in the Gothic Revival style with pointed arch doorways, buttresses, tracery, spire, stair turret, and lancet windows. The present spire is the third and a scaled down version of Pugin's original designed by architect Rod Cooper and added in 1972. The cross on top of the spire is all that remains of the second spire, designed by Alexander North (1858-1945) in 1893.</p>
<p>Augustus Welby Northmore Pugin (1812-1852) played a central role in establishing the Gothic Revival style and is best remembered for his work on the Houses of Parliament in London, and the interior of the Palace of Westminster.</p>
<p>For the interior see <a href="http://ausmed.arts.uwa.edu.au/items/show/1119" target="_self">http://ausmed.arts.uwa.edu.au/items/show/1119</a></p>
<p> For an essay on the church by Brian Andrews see <a href="http://www.puginfoundation.org/assets/Richmond_Essay.pdf" target="_self">http://www.puginfoundation.org/assets/Richmond_Essay.pdf</a></p>
Creator
An entity primarily responsible for making the resource
McLeod, Shane (Essay by Brian Andrews)
Date
A point or period of time associated with an event in the lifecycle of the resource
October 5, 2012
Rights
Information about rights held in and over the resource
No Copyright (Essay copyright Brian Andrews; Pugin Foundation)
Relation
A related resource
<a href="http://ausmed.arts.uwa.edu.au/items/show/1119" target="_self">http://ausmed.arts.uwa.edu.au/items/show/1119</a>
Format
The file format, physical medium, or dimensions of the resource
3xDigital Photograph
Alexander North
Augustus Welby Northmore Pugin
Bishop Willson.
Brian Andrews
buttress
Catholic
Frederick Thomas
Gothic
Gothic Revival
Henry Edmund Goodridge
John Bede Polding
lancet windows
pointed arch
porch
Pugin
Richmond
Robert William Willson
Rod Cooper
spire
St John the Evangelist’s Church
Tas
Tasmania
tracery
turret
-
https://ausmed.arts.uwa.edu.au/files/original/70feabe4951219ade9b8354439188ff8.JPG
c692bfc83639f2cc526a9b6bfbfab834
Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
8
Channels
3
Height
1944
Width
2592
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Medievalism at the Foundations
Description
An account of the resource
This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
Digital Photograph; JPEG
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
(Former) St Mary’s Hospital, Hobart, Tasmania
Subject
The topic of the resource
Edward Samuel Pickard Bedford, crenelation, Health Department, Hobart, hospital, William Porden Kay, Lands and Survey Department, parapet, St Mary’s Hospital, Tas, Tasmania.
Description
An account of the resource
The former St Mary’s Hospital is on the corner of Davey Street and Salamanca Place, at the rear of Parliament House, in Hobart, Tasmania. Designed by William Porden Kay (1809-1870), it was built as a private sixty bed hospital for Dr Edward Samuel Pickard Bedford (1809-1876), with the foundation stone being laid in 1847. After the hospital closed in 1862 the building was used by the Lands and Survey Department and then the Health Department. The building has a crenelated parapet above the second storey, and another above the pointed arch entrance.
Creator
An entity primarily responsible for making the resource
McLeod, Shane
Date
A point or period of time associated with an event in the lifecycle of the resource
October 6, 2012
Rights
Information about rights held in and over the resource
No Copyright
Format
The file format, physical medium, or dimensions of the resource
Digital Photograph
crenelation
Edward Samuel Pickard Bedford
Health Department
Hobart
hospital
Lands and Survey Department
parapet
St Mary’s Hospital
Tas
Tasmania
William Porden Kay
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Medievalism at the Foundations
Description
An account of the resource
This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.
Hyperlink
Title, URL, Description or annotation.
URL
This artwork can be viewed online at: <a href="http://www.artwhatson.com.au/hawkesbury/the-long-paddock-a-30-year-survey/mother-and-child" target="_self">http://www.artwhatson.com.au/hawkesbury/the-long-paddock-a-30-year-survey/mother-and-child</a>, or in The Long Paddock: A 30 Year Survey Exhibition Catalogue at:<a href="%20http://www.grag.com.au/userfiles/file/4569%20GW%20BOT%20-%20Catalogue_v12.pdf" target="_self"> http://www.grag.com.au/userfiles/file/4569%20GW%20BOT%20-%20Catalogue_v12.pdf</a>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
‘Mother and Child’ by G. W. Bot
Subject
The topic of the resource
Art, child, Christ, devotional, exhibition, G. W. Bot, icon, infant Jesus, Madonna, Mary, medieval painters, Mother, Mother and Child, religious art, spirituality, Virgin Mary.
Description
An account of the resource
<p>This linocut print, <em>Mother and Child</em> (1985), by artist G. W. Bot depicts a Madonna and child scene in which the frame is occupied almost exclusively by a Virgin Mary figure holding a child. Although held by a private collector, the piece was exhibited in a number of regional Australian art galleries between 2010 and 2013 as part of a touring exhibition of G. W. Bot’s work – <em>The Long Paddock: A 30 Year Survey</em> – developed by the Goulburn Regional Art Gallery and curated by Peter Haynes. Bot’s inspiration for this work derives from the status of the Madonna and Child as a powerful Christian icon, especially in medieval religious art. During an interview conducted for the educational resource kit accompanying the exhibition, G. W Bot acknowledged this medieval influence: ‘I’ve also found inspiration in the medieval icon painters – I’ve always been fascinated by the question of how to encode spirituality in the visual arts’ (see: <a href="http://www.grag.com.au/userfiles/file/GW%20BOT%20Education%20Kit.pdf" target="_self">http://www.grag.com.au/userfiles/file/GW%20BOT%20Education%20Kit.pdf</a>).</p>
<p>For more on this artwork and other works featured in the exhibition, see the Exhibition Catalogue at: <a href="http://www.grag.com.au/userfiles/file/4569%20GW%20BOT%20-%20Catalogue_v12.pdf" target="_self">http://www.grag.com.au/userfiles/file/4569%20GW%20BOT%20-%20Catalogue_v12.pdf</a></p>
Creator
An entity primarily responsible for making the resource
G. W. Bot (Chrissy Gishkin)
Source
A related resource from which the described resource is derived
<em>The Long Paddock: A 30 Year Survey</em> Exhibition (<a href="http://www.grag.com.au/site/exhibition.php?id=3" target="_self">http://www.grag.com.au/site/exhibition.php?id=3</a>)
Date
A point or period of time associated with an event in the lifecycle of the resource
1985
Rights
Information about rights held in and over the resource
Goulburn Regional Art Gallery
Format
The file format, physical medium, or dimensions of the resource
Linocut on BFK Paper, 62cm x 55.5cm
art
child
Christ
devotional
exhibition
G. W. Bot
icon
infant Jesus
Madonna
Mary
medieval painters
Mother
Mother and Child
religious art
spirituality
Virgin Mary
-
https://ausmed.arts.uwa.edu.au/files/original/10c8ffc3278650d47979c8cfa70bee43.jpg
8f95dd699b419359c79174efd2fd25cf
Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
8
Channels
3
Height
972
Width
648
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Medievalism at the Foundations
Description
An account of the resource
This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
Digital Photograph; JPEG
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Bell Tower, St Andrew’s Presbyterian Church, Manly, Sydney.
Subject
The topic of the resource
arched windows, bell tower, blind arcade, capital, column, gargoyle, Manly, New South Wales, NSW, Presbyterian Church, Romanesque, Romanesque Revival, St Andrew’s Presbyterian Church, semi-circular arch, John Sulman, Sydney, tower, St. Andrew, Saint Andrew, St Andrew
Description
An account of the resource
A close up image of the bell tower of St Andrew’s Presbyterian Church on Raglan Road in the Sydney suburb of Manly. The building was designed by John Sulman in the Romanesque Revival style and was completed in 1890. The carved white sandstone building features a prominent bell tower (shown) with gargoyles, semi-circular arched windows and blind arcading with columns with decorated capitals.
Creator
An entity primarily responsible for making the resource
McLeod, Shane
Date
A point or period of time associated with an event in the lifecycle of the resource
05 February 2012
Rights
Information about rights held in and over the resource
No Copyright
Format
The file format, physical medium, or dimensions of the resource
Digital Photograph; JPEG
arched windows
bell tower
blind arcade
capital
column
gargoyle
John Sulman
Manly
New South Wales
NSW
Presbyterian Church
Romanesque
Romanesque Revival
Saint Andrew
semi-circular arch
St Andrew
St Andrew’s Presbyterian Church
St. Andrew
Sydney
tower
-
https://ausmed.arts.uwa.edu.au/files/original/5278365e7814f89d42b20b602022e6a0.jpg
d7a649bb923be1314ecbbc8ff259accd
Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
8
Channels
3
Height
933
Width
622
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Medievalism at the Foundations
Description
An account of the resource
This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
Digital Photograph; JPEG
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
St Andrew’s Presbyterian Church, Manly, Sydney.
Subject
The topic of the resource
arched windows, bell tower, blind arcade, gargoyle, Manly, New South Wales, NSW, Presbyterian Church, Romanesque, Romanesque Revival, St Andrew’s Presbyterian Church, semi-circular arches, John Sulman, Sydney, tower, St. Andrew, Saint Andrew, St Andrew
Description
An account of the resource
An image of St Andrew’s Presbyterian Church on Raglan Road in the Sydney suburb of Manly. The building was designed by John Sulman in the Romanesque Revival style and was completed in 1890. The carved white sandstone building features a prominent bell tower with gargoyles, semi-circular arched windows and blind arcading, and a porch with an arched entrance.
Creator
An entity primarily responsible for making the resource
McLeod, Shane
Date
A point or period of time associated with an event in the lifecycle of the resource
05 February 2012
Rights
Information about rights held in and over the resource
No Copyright
Format
The file format, physical medium, or dimensions of the resource
Digital Photograph; JPEG
arched windows
bell tower
blind arcade
gargoyle
John Sulman
Manly
New South Wales
NSW
Presbyterian Church
Romanesque
Romanesque Revival
saint
Saint Andrew
semi-circular arch
St Andrew
St Andrew’s Presbyterian Church
St. Andrew
Sydney
tower
-
https://ausmed.arts.uwa.edu.au/files/original/ad6b0ea9aebd93a196b5c8d1a572cdab.jpg
a88b5195b25043c903849c6de0a65af5
Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
8
Channels
3
Height
640
Width
480
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Medievalism at the Foundations
Description
An account of the resource
This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
Digital Photograph; JPEG
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Uniting Church, York, Western Australia
Subject
The topic of the resource
Gothic, Gothic Revival, architecture, lancet windows, arch, arches, Wesleyan, Uniting Church, church, Methodist, Methodists, religion, religious, York, Perth, WA, Western Australia
Description
An account of the resource
The Uniting Church in York, Western Australia was erected in 1888. It was built as a chapel by followers of the Wesleyan Denomination of the Methodist faith. It exhibits architectural features which are typical of the nineteenth-century Gothic Revival style. The most obvious of these features are its lancet windows and arched doorways.
Creator
An entity primarily responsible for making the resource
Carter, Bree
Date
A point or period of time associated with an event in the lifecycle of the resource
2011
Rights
Information about rights held in and over the resource
No Copyright
Format
The file format, physical medium, or dimensions of the resource
Digital Photograph; JPEG
arch
arches
architecture
Church
Gothic
Gothic Revival
lancet windows
Methodist
Methodists
Perth
religion
religious
Uniting Church
WA
Wesleyan
Western Australia
York