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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>This building is at 38 Davey Street in central Hobart. It is at the rear of Parliament House and is part of the proposed Parliament Square redevelopment. The building adjoins the former St Maryâ€™s Hospital building and early photographs show that it was built sometime between 1870 and 1890. The three-storey sandstone building combines Romanesque and Gothic Revival architecture. Romanesque features are the semi-circular arched entrance and rounded arch windows on the top level. The four lancet windows in the centre of the top level are Gothic in style. The building also has a crenelated parapet.   </text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>This Congregational Church is in the town of Richmond, Tasmania. It was built in 1873 after the previous church, built in 1844, was damaged in a storm. The sandstone building is in the Gothic Revival style with buttresses, and a pointed arch doorway and lancet windows accentuated by the use of moulding. The congregation of the Richmond church decided to remain independent when most other Congregational Churches became part of the Uniting Church in 1977.</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>St Josephâ€™s Catholic Church interior, Hobart, Tasmania</text>
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                <text>Blind arcading, Catholic, convict, gallery, Gothic, Gothic Revival, Hobart, Henry Hunter, lancet windows, Walter McEntee, pointed arch, roof trusses, Tas, Tasmania, John Joseph Therry, James Alexander Thompson, tower, Robert William Willson, Bishop Willson.</text>
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                <text>&lt;p&gt;St Joseph&amp;rsquo;s Catholic Church is on the corner of MacQuarie and Harrington Streets in Hobart,&lt;br /&gt;Tasmania. The foundation stone for the sandstone church was laid in 1840 and it was opened by Fr. John Joseph Therry (1790-1864) on Christmas day, 1841. It was the principal Catholic church in Tasmania until St Mary&amp;rsquo;s Cathedral was completed in 1866, so Tasmania&amp;rsquo;s first Catholic bishop, Robert William Willson (1794-1866), was installed there when he arrived from England in 1844. The church was designed by ex-convict James Alexander Thompson (1805-1860), and it was built using convict labour. Alterations to the interior were made under the direction of Bishop Willson in 1856 by Henry Hunter (1832-1892). The interior is in the Gothic Revival style and features pointed arch windows and doorway, blind arcading, a gallery supported by rounded clustered gothic columns, and lancet windows. The timber trusses of the roof were painted brown to make them resemble English oak. The large brass electric lights were designed in the Gothic style by Fr Walter McEntee and added in 1972.&lt;/p&gt;&#13;
&lt;p&gt;For the exterior see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1125" target="_self"&gt;http://ausmed.arts.uwa.edu.au/items/show/1125&lt;/a&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/p&gt;&#13;
&lt;p&gt;For more on St Joseph&amp;rsquo;s see &lt;a href="http://www.passionistshobart.org.au/"&gt;http://www.passionistshobart.org.au/&lt;/a&gt;&lt;/p&gt;</text>
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                <text>This article from &lt;em&gt;The West Australian&lt;/em&gt; in 1937 reports on a number of new knighthoods awarded as part of the King&amp;rsquo;s Coronation Honours. For the first time, the article informs readers, the recipients were &amp;lsquo;dubbed&amp;rsquo; by the Governor-General, Lord Gowrie, at Parliament House during a &amp;lsquo;ceremony of medieval pageantry&amp;rsquo;. The ceremony was undertaken with the permission of the King, who was traditionally the only figure with the authority to confer honours with a sword. The act of dubbing involves a light blow to the shoulders of a kneeling recipient with the flat side of a sword. Dubbing is an essential part of the public investiture ceremony and dates to the medieval period.</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>&lt;p&gt;St Joseph&amp;rsquo;s Catholic Church is on the corner of MacQuarie and Harrington Streets in Hobart, Tasmania. The foundation stone for the sandstone church was laid in 1840 and it was opened by Fr. John Joseph Therry (1790-1864) on Christmas day, 1841. The tower was completed in 1843 and a side chapel added in 1877. It was the principal Catholic church in Tasmania until St Mary&amp;rsquo;s Cathedral was completed in 1866, so Tasmania&amp;rsquo;s first Catholic bishop, Robert William Willson (1794-1866), was installed there when he arrived from England in 1844. The church was designed by ex-convict Alexander Thompson (1805-1860), and it was built using convict labour. It is in the Gothic Revival style with pointed arch windows and doorways, buttresses, a crenelated parapet on top of the tower, lancet windows, and pointed corner finials on the tower and the side of the church.&lt;/p&gt;&#13;
&lt;p&gt;For the interior see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1129" target="_self"&gt;http://ausmed.arts.uwa.edu.au/items/show/1129&lt;/a&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/p&gt;&#13;
&lt;p&gt;For more on St Joseph&amp;rsquo;s see &lt;a href="http://www.passionistshobart.org.au/"&gt;http://www.passionistshobart.org.au/&lt;/a&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;St Luke the Physician&amp;rsquo;s Anglican Church is in the town of Richmond, Tasmania. It was designed by architect John Lee Archer and built with convict labour. It was completed in 1836 and consecrated by Bishop Broughton in 1838. The building is primarily in the Romanesque style with semi-circular windows, although the pointed arch stained glass window with tracery in the chancel is Gothic in style. The timber work inside the building was done by convict James Thompson, who was granted his freedom as reward. The ceiling of the church feature timber trusses, derived from Old French &amp;lsquo;trousse&amp;rsquo;: &amp;lsquo;a collection of things bound together&amp;rsquo;.&lt;/p&gt;&#13;
&lt;p&gt;For the exterior see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1121"&gt;http://ausmed.arts.uwa.edu.au/items/show/1121&lt;/a&gt;&lt;/p&gt;&#13;
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                <text>&lt;p&gt;This monument to William Bedford (1781-1852) is situated in St David&amp;rsquo;s Park (previously a cemetery), Hobart. Bedford was arrived in Hobart in 1823 and became the senior chaplain of St David&amp;rsquo;s Church, the main Church of England church in the colony. The cenotaph was raised by public subscription in 1853 and placed over his remains. It is in the Gothic style and features delicate pointed arches and the elaborate stonework often associated with ecclesiastical architecture.&lt;/p&gt;&#13;
&lt;p&gt;For more on William Bedford see: &lt;a href="http://adb.anu.edu.au/biography/bedford-william-1760"&gt;http://adb.anu.edu.au/biography/bedford-william-1760&lt;/a&gt;&lt;/p&gt;&#13;
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                <text>&lt;p&gt;St Luke the Physician&amp;rsquo;s Anglican Church is in the town of Richmond, Tasmania. The sandstone building was designed by architect John Lee Archer and built by convict labour. It was completed in 1836 and consecrated by Bishop Broughton in 1838. The clock came from St David&amp;rsquo;s Church in Hobart and was added to the tower in 1922. The building is primarily in the Romanesque style with semi-circular windows and entrance doorway, although the pointed arch stained glass window with tracery in the chancel is Gothic in style. Other medieval inspired features are the central tower and the two small solid towers at the rear, all with crenellation.&lt;/p&gt;&#13;
&lt;p&gt;For the interior see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1124" target="_self"&gt;http://ausmed.arts.uwa.edu.au/items/show/1124&lt;/a&gt;&lt;/p&gt;</text>
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