15 8 730 https://ausmed.arts.uwa.edu.au/files/original/57898b6e12b67098982ebc41811ff890.JPG f434767cd9fd534dfdb1b94eea357abc Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 1944 Width 2592 https://ausmed.arts.uwa.edu.au/files/original/56b896ae51d90848e2233539138b3d5b.JPG a516869bdd36b02e751de20f9daa7d93 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 1944 Width 2592 https://ausmed.arts.uwa.edu.au/files/original/0e8b3522f845fd4d7d01c60f68abb56d.JPG 360f8c8fdf71b345390155db82c56fbd Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 1944 Width 2592 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Military Complex, Port Arthur, Tasmania Subject The topic of the resource Castle, Charles Oâ€™Hara Booth, convict, crenellation, Guard Tower, Military Complex, parapet, Point Puer, Port Arthur, Tas, Tasmania, tower. Description An account of the resource The Military Complex at the penal colony of Port Arthur, Tasmania, is situated in a prominent position overlooking the harbour. It is the third military complex on the site and was built in 1847, with the central tower built in 1836. Both were built during the rule of Commandant Charles O’Hara Booth (1800-1851) and they are situated next to the Commandant’s House which was built for him. The complex was built with convict labour, and the stones of the central tower were shaped by the boys at the nearby Point Puer Juvenile Establishment. No doubt in part due to practical considerations, the Military Complex resembles a medieval castle, with the central round Guard Tower flanked by two smaller round towers, all of which are topped by crenelated parapets. The towers are separated by a strong stone wall. For the Guard Tower see <a href="http://ausmed.arts.uwa.edu.au/items/show/1139">http://ausmed.arts.uwa.edu.au/items/show/1139</a> For a smaller round tower see <a href="http://ausmed.arts.uwa.edu.au/items/show/1144">http://ausmed.arts.uwa.edu.au/items/show/1144</a> Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource October 7, 2012 Rights Information about rights held in and over the resource No Copyright Relation A related resource <a href="http://ausmed.arts.uwa.edu.au/items/show/1139">http://ausmed.arts.uwa.edu.au/items/show/1139</a> <a href="http://ausmed.arts.uwa.edu.au/items/show/1144">http://ausmed.arts.uwa.edu.au/items/show/1144</a> Format The file format, physical medium, or dimensions of the resource 3xDigital Photograph castle Charles Oâ€™Hara Booth convict crenellation Guard Tower Military Complex parapet Point Puer Port Arthur Tas Tasmania tower. https://ausmed.arts.uwa.edu.au/files/original/9bed9650818579aa372a53aa6987b697.JPG 31c8531d170e3089a7bf621cfbfd19f1 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 1944 Width 2592 https://ausmed.arts.uwa.edu.au/files/original/6b76f5b06f615d46c6c43eeadc105172.JPG a37313413d29ee2053497fc7de0a9e38 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2592 Width 1944 https://ausmed.arts.uwa.edu.au/files/original/eb1940bb626e208704c0678ec91b3d58.JPG 1d8410e485a90026911b25ff48834c29 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 1944 Width 2592 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource St Maryâ€™s College, Hobart, Tasmania Subject The topic of the resource Buttress, Catholic, education, Gothic, Gothic Revival, Hobart, Henry Hunter, lancet window, St Maryâ€™s Cathedral, St Maryâ€™s College, Daniel Murphy, niche, lancet windows, pointed arch, Presentation Sisters, school, Tas, Tasmania, tower, tracery. Description An account of the resource St Maryâ€™s College is a day school for girls is located beside St Maryâ€™s Catholic Cathedral in Hobart, Tasmania. The opening of the college was instigated by Bishop Daniel Murphy (1815-1907) in 1866 when he invited his sister Mother Superior Francis Murphy and four other Presentation Sisters to Hobart from Ireland. The school opened in February 1868. The original convent and school rooms were designed by architect Henry Hunter (1832-1892) and are still in use. The school is still administered by the Presentation Sisters. The large convent building (photograph one and two) includes Gothic features such as the pointed arch doorway, buttresses, pointed arch windows with tracery on the third storey, and three lancet windows in the tower. The smaller school building (photograph three) is in the Gothic Revival style and includes corner buttresses and groups of three lancet windows. Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource October 6, 2012 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource 3xDigital Photograph buttress Catholic Daniel Murphy education Gothic Gothic Revival Henry Hunter Hobart lancet window lancet windows niche pointed arch Presentation Sisters school St Maryâ€™s Cathedral St Maryâ€™s College Tas Tasmania tower tracery. https://ausmed.arts.uwa.edu.au/files/original/729e3bb60add624f743ad69cf9e3db5d.JPG 89fcaae902cc004ba48e45242d88bb19 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2592 Width 1944 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource St Maryâ€™s Cathedral interior, Hobart, Tasmania Subject The topic of the resource Catholic, Gothic, Gothic Revival, William Hall, John Hardman, Hardman Studio, high alter, Hobart, Henry Hunter, lancet window, St Maryâ€™s Cathedral, Byron Malloy, tabernacle, Tas, Tasmania, tower, tracery, William Wardell, Robert William Willson, Bishop Willson. Description An account of the resource The building of St Mary’s Catholic Cathedral, Hobart, Tasmania, was instigated by Tasmania’s first Catholic bishop, Robert William Willson (1794-1866). The building was designed by William Wardell and built between 1860 and 1866, supervised by Henry Hunter (1832-1892). It was opened by Willson's successor Bishop Daniel Murphy (1815-1907). However the building was found to be faulty and had to be largely dismantled and rebuilt to a modified design by Hunter between 1876 and 1881. The building is in the Gothic Revival style. The interior includes pointed arch windows and columns supporting pointed arch openings within the nave. A survival from the original cathedral is the Hardman window. The stained glass window was made by the Hardman Studio run by John Hardman in Birmingham, England. It is based on Gothic windows of the fourteenth century and features five lancet windows and tracery. It is a memorial to Bishop William and his Vicar-General William Hall (1807-1866). Below the window is the tabernacle. It is made from the remains of the high alter carved by Byron Malloy that was installed at the re-opening of the cathedral in 1881. For the exterior see <a href="http://ausmed.arts.uwa.edu.au/items/show/1138">http://ausmed.arts.uwa.edu.au/items/show/1138</a> For the Norman font see <a href="http://ausmed.arts.uwa.edu.au/items/show/1133">http://ausmed.arts.uwa.edu.au/items/show/1133</a> Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource October 6, 2012 Rights Information about rights held in and over the resource No Copyright Relation A related resource <a href="http://ausmed.arts.uwa.edu.au/items/show/1138">http://ausmed.arts.uwa.edu.au/items/show/1138</a> <a href="http://ausmed.arts.uwa.edu.au/items/show/1133">http://ausmed.arts.uwa.edu.au/items/show/1133</a> Format The file format, physical medium, or dimensions of the resource Digital Photograph Bishop Willson. Byron Malloy Catholic Gothic Gothic Revival Hardman Studio Henry Hunter high alter Hobart John Hardman lancet window Robert William Willson St Maryâ€™s Cathedral tabernacle Tas Tasmania tower tracery William Hall William Wardell https://ausmed.arts.uwa.edu.au/files/original/8b61ef7242ab2cebbb6229f05e58b4c0.JPG 71682468f0de1c0ec285bebba21643e3 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2592 Width 1944 https://ausmed.arts.uwa.edu.au/files/original/191ba9176ebd6dd0c2a80dd0cf47aabf.JPG e3477f47718a56addc824d8b868e8f90 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2592 Width 1944 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Guard Tower, Port Arthur, Tasmania Subject The topic of the resource Castle, Charles Oâ€™Hara Booth, convict, crenellation, Guard Tower, Military Complex, parapet, Point Puer, Port Arthur, Tas, Tasmania, tower. Description An account of the resource The well preserved Guard Tower at Port Arthur, Tasmania, was a central part of the penal colony’s Military Complex. The tower was built in 1836 during the rule of Commandant Charles O’Hara Booth (1800-1851). It was built with convict labour, and the stones were shaped by the boys at the nearby Point Puer Juvenile Establishment. The guard tower is in a prominent elevated position and resembles a medieval castle tower with its crenelated parapet. For the Military Complex see <a href="http://ausmed.arts.uwa.edu.au/items/show/1142">http://ausmed.arts.uwa.edu.au/items/show/1142</a> Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource October 7, 2012 Rights Information about rights held in and over the resource No Copyright Relation A related resource <a href="http://ausmed.arts.uwa.edu.au/items/show/1142">http://ausmed.arts.uwa.edu.au/items/show/1142</a> Format The file format, physical medium, or dimensions of the resource 2xDigital Photograph castle Charles Oâ€™Hara Booth convict crenellation Guard Tower Military Complex parapet Point Puer Port Arthur Tas Tasmania tower. https://ausmed.arts.uwa.edu.au/files/original/bfd1136202794b03ee2c6f9085551f2f.JPG 52564462e7cdc950fdb01a72e58b89d0 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 1944 Width 2592 https://ausmed.arts.uwa.edu.au/files/original/e7e0357024bdd0a7f53ed1e041cb64f0.JPG 007d8f8e595501e641ae4267bd5161f2 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 1944 Width 2592 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource St Maryâ€™s Cathedral exterior, Hobart, Tasmania Subject The topic of the resource Blind arcading, buttress, Catholic, finial, Gothic, Gothic Revival, Hobart, Henry Hunter, lancet window, Daniel Murphy, niche, rose window, St Maryâ€™s Cathedral, Tas, Tasmania, tower, tracery, William Wardell, Robert William Willson, Bishop Willson. Description An account of the resource The building of St Mary’s Catholic Cathedral, Hobart, Tasmania, was instigated by Tasmania’s first Catholic bishop, Robert William Willson (1794-1866). The building was designed by William Wardell and built between 1860 and 1866, supervised by Henry Hunter (1832-1892). It was opened by Willson's successor Bishop Daniel Murphy(1815-1907). However the building was found to be faulty and had to be largely dismantled and rebuilt to a modified design by Hunter between 1876 and 1881. The sandstone building is in the Gothic Revival style with blind arcading, buttresses, a rose window, niches, pointed arch doorways and windows (with tracery), pointed finials, lancet windows. The tower of the original cathedral did not survive the redesign. The extension to the right of the cathedral was added in 2010. For the interior see <a href="http://ausmed.arts.uwa.edu.au/items/show/1140">http://ausmed.arts.uwa.edu.au/items/show/1140</a> For the Norman font see <a href="http://ausmed.arts.uwa.edu.au/items/show/1133">http://ausmed.arts.uwa.edu.au/items/show/1133</a>   Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource October 6, 2012 Rights Information about rights held in and over the resource No Copyright Relation A related resource <a href="http://ausmed.arts.uwa.edu.au/items/show/1133">http://ausmed.arts.uwa.edu.au/items/show/1133</a> <a href="http://ausmed.arts.uwa.edu.au/items/show/1140">http://ausmed.arts.uwa.edu.au/items/show/1140</a> Format The file format, physical medium, or dimensions of the resource 2xDigital Photograph Bishop Willson. blind arcading buttress Catholic Daniel Murphy finial Gothic Gothic Revival Henry Hunter Hobart lancet window niche Robert William Willson rose window St Maryâ€™s Cathedral Tas Tasmania tower tracery William Wardell https://ausmed.arts.uwa.edu.au/files/original/0c7c73e3871ffadc31c9c4cc53eff66b.JPG c0416cc0fdde9812ea4d6983930efa10 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 1944 Width 2592 https://ausmed.arts.uwa.edu.au/files/original/c94f7228fdb14bb123209fee7dfa4c61.JPG a67516b04a55700b7a6a0232afa509b8 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2592 Width 1944 https://ausmed.arts.uwa.edu.au/files/original/32fca413a8e27c732991a8f6c68d8dd2.JPG f28a0fb7bfcfc39a4c4d1df4213690ef Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2592 Width 1944 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Convict Church tower, Port Arthur, Tasmania Subject The topic of the resource George Arthur, Convict Church, convict, crenellation, Gothic, Gothic Revival, Henry Laing, lancet window, Thomas Lempiere, pointed arch, Port Arthur, spire, steeple, Tas, Tasmania, tower. Description An account of the resource The foundation stone for the Convict Church at the former penal settlement of Port Arthur, Tasmania, was laid by Lieutenant Governor George Arthur (1784-1854) in 1836. The church was possibly designed by the Deputy Commissariat Officer Thomas Lempiere (1796-1852) and convict architect Henry Laing (1803-1842). It was built with convict labour.  The church opened in 1837 and was never consecrated as it was used by different denominations during the compulsory Sunday services. It could accommodate one thousand people. The former steeple on top of the tower blew down in 1876, and the church was gutted by fire in 1884. Since then it has been a picturesque ruin, similar to many actual medieval churches in Europe. The church is in the Gothic Revival style and features a prominent tower with crenellation, pointed arch doorways, lancet windows, and corner spires. For the rest of the church see <a href="http://ausmed.arts.uwa.edu.au/items/show/1134">http://ausmed.arts.uwa.edu.au/items/show/1134</a> Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource October 7, 2012 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource 3xDigital Photograph convict Convict Church crenellation George Arthur Gothic Gothic Revival Henry Laing lancet window pointed arch Port Arthur spire steeple Tas Tasmania Thomas Lempriere tower. https://ausmed.arts.uwa.edu.au/files/original/0257752b32f8196e44ec8370d94c3e45.jpg 53a41360cdcf8a4226d5dbbd483a6cb3 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2592 Width 3888 https://ausmed.arts.uwa.edu.au/files/original/d2203ca27e4e99166b0274d1e31572bf.jpg 572f8d55476cb25ed73e503a74ddd953 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2592 Width 1944 https://ausmed.arts.uwa.edu.au/files/original/0770a13ed6178c44d40c2ee774a1d888.JPG f563f35ec1e2d15302e1afee893083f4 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 1944 Width 2592 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Convict Church, Port Arthur, Tasmania Subject The topic of the resource George Arthur, Convict Church, convict, crenellation, Gothic, Gothic Revival, Henry Laing, lancet window, Thomas Lempriere, pointed arch, Point Puer, Port Arthur, spire, steeple, Tas, Tasmania, tower. Description An account of the resource The foundation stone for the Convict Church at the former penal settlement of Port Arthur, Tasmania, was laid by Lieutenant Governor George Arthur (1784-1854) in 1836. The church was possibly designed by the Deputy Commissariat Officer Thomas Lempiere (1796-1852) and convict architect Henry Laing (1803-1842). It was built with convict labour, with some of the decorative stonework and pews done by the boys at the nearby Point Puer Juvenile Establishment. The church opened in 1837 and was never consecrated as it was used by different denominations for the compulsory Sunday services. It could accommodate one thousand people. The former steeple on top of the tower blew down in 1876, and the church was gutted by fire in 1884. Since then it has been a picturesque ruin, similar to many actual medieval churches in Europe. The church is in the Gothic Revival style, with a tower with crenellation, pointed arch windows and doorways, lancet windows, and numerous spires. For the church tower see <a href="http://ausmed.arts.uwa.edu.au/items/show/1136">http://ausmed.arts.uwa.edu.au/items/show/1136</a> Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource October 7, 2012 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource 3xDigital Photograph convict Convict Church crenellation George Arthur Gothic Gothic Revival Henry Laing lancet window Point Puer pointed arch Port Arthur spire steeple Tas Tasmania Thomas Lempriere tower. https://ausmed.arts.uwa.edu.au/files/original/7f2a68483646fa55338556add699127c.JPG e3e480398b61e7926603361e87cbb226 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2592 Width 1944 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Norman baptismal font, St Maryâ€™s Cathedral, Hobart, Tasmania Subject The topic of the resource Arch, baptismal font, Catholic, column, font, Hobart, Norman, Norman font, Romanesque, St Maryâ€™s Cathedral, Tas, Tasmania, Robert William Willson, Bishop Willson. Description An account of the resource Repair work on St Mary’s Catholic Cathedral, Hobart, in 2008 brought to light the possibility that a baptismal font in the Cathedral may be from the medieval Norman period. The cylindrical font has elaborately carved columns and Romanesque arches. The Romanesque style was popular in Normandy and was introduced to England following the Norman conquest in 1066. It is thought that the font was brought to Hobart from England by Tasmania’s first Catholic bishop, Robert William Willson (1794-1866) in 1844. When the antiquity of the font was first discovered, the Cathedral administrator told ABC News in 2008 that it may date back to the ninth century, but as Normandy was not formally established until 911 this is unlikely. More recently it has been suggested that the font comes from the Norman period in England and is dated c. 1066-1200. Research into the font is continuing. The baptismal font is a rare example of the Australian public’s practical use of, and interaction with, an actual medieval item for many generations. For the original dating see <a href="http://www.cathnews.com/article.aspx?aeid=7424">http://www.cathnews.com/article.aspx?aeid=7424</a>. For the revised dating see <a href="http://hobart.catholic.org.au/history/st-marys-cathedral">http://hobart.catholic.org.au/history/st-marys-cathedral</a>     Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource October 6, 2012 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph arch baptismal font Bishop Willson. Catholic column font Hobart Norman Norman font Robert William Willson Romanesque St Maryâ€™s Cathedral Tas Tasmania