14 8 730 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Hyperlink Title, URL, Description or annotation. URL To view this image, 1. Go to: <a href="http://www.artgallery.sa.gov.au/agsa/home/Collection/CollectionSearch.jsp" target="_self">http://www.artgallery.sa.gov.au/agsa/home/Collection/CollectionSearch.jsp</a> 2. Search by artist or title. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 'St Francis beaten by his Father', by Arthur Boyd Subject The topic of the resource art, Assisi, beating, business, Catholicism, Christianity, church, cloth merchant, drawing, family, father, Francis of Assisi, Franciscan Order, modern art, patrimony, poverty, preacher, preaching, religious order, repairs, saint, Saint Francis of Assisi, San Damiano, St Francis of Assisi, The Poor Clares, violence, work. Description An account of the resource This work by Arthur Boyd was acquired by the Art Gallery of South Australia in 1969 with funds from the Morgan Thomas Bequest. It depicts St Francis of Assisi being beaten by his father, who is known to have objected to Francisâ€™ religious inclinations and specifically to have reprimanded him for selling cloth from his shop to fund church repairs. St Francis (Giovanni Francesco do Bernadone) was born in Assisi around 1181. After an adolescence spent learning his fatherâ€™s cloth business and aspiring to be a noble knight, he received his religious calling in his twenties when he was praying at San Damiano and heard Christ telling him to repair the church. Following a dispute with his father after selling cloth to raise money for the task, Francis returned every stitch of clothing his father had ever given him and renounced his patrimony. He turned to a life of poverty and religious work. He founded the Franciscan Order, a religious order devoted to poverty, work and preaching, which was authorised by Pope Innocent III in 1210 and quickly grew in popularity from a few followers to a large network of Franciscan preachers and missionaries (administered by Cardinal Ugolini, later Pope Gregory IX) and an enclosed order for women, The Poor Clares. In 1224 St Francis received the stigmata. He died in 1226, and was pronounced a saint only two years later by Pope Gregory IX. Creator An entity primarily responsible for making the resource Arthur Boyd, 1920-1999 Source A related resource from which the described resource is derived Art Gallery of South Australia: <a href="http://www.artgallery.sa.gov.au/agsa/home/" target="_self">http://www.artgallery.sa.gov.au/agsa/home/</a> Date A point or period of time associated with an event in the lifecycle of the resource 1965 Rights Information about rights held in and over the resource Art Gallery of South Australia, with permission of the Bundanon Trust Format The file format, physical medium, or dimensions of the resource Lithograph on Paper, 47.9cm x 60.3cm art Assisi beating business Catholicism Christianity Church cloth merchant drawing family father Francis of Assisi Franciscan Order modern art patrimony poverty preacher preaching religious order repairs saint Saint Francis of Assisi San Damiano St Francis of Assisi The Poor Clares violence work Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Hyperlink Title, URL, Description or annotation. URL <a href="http://www.michaelgalovic.com/Pop/StFrancis.html" target="_self">http://www.michaelgalovic.com/Pop/StFrancis.html</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource â€˜St Francis and the Birdsâ€™, by Michael Galovic Subject The topic of the resource Animals, art, Assisi, Bevagna, birds, Cardinal Ugolini, Catholicism, Christianity, Francis of Assisi, Franciscan, Giovanni Francesco do Bernadone, icon, iconography, modern art, Pope Gregory IX, Pope Innocent III, Portiuncula, poverty, preacher, preaching, religious art, religious order, saint, Saint Francis of Assisi, St Francis of Assisi, The Little Flowers of St Francis, The Poor Clares, work, â€˜new iconsâ€™. Description An account of the resource This artwork by Yugoslavian-Australian artist Michael Galovic depicts St Francis of Assisi, the thirteenth-century religious reformer, preaching to birds in his characteristic brown habit. It is an example of the artist’s modern religious artwork in which he seeks to create new versions of traditional icons, often featuring medieval figures such as St Francis or Hildegard of Bingen (see <a href="http://www.michaelgalovic.com/galleryintro.html" target="_self">http://www.michaelgalovic.com/galleryintro.html</a>). St Francis (Giovanni Francesco do Bernadone) was born in Assisi around 1181 to a wealthy cloth merchant. Following a dispute with his father in his twenties, he returned every stitch of clothing his father had ever given him and turned to a life of poverty and religious work, particularly by helping to rebuild churches. He founded the Franciscan Order, a religious order devoted to poverty, work and preaching, which was authorised by Pope Innocent III in 1210 and quickly grew in popularity from a few followers to a large network of Franciscan preachers and missionaries (administered by Cardinal Ugolini, later Pope Gregory IX) and an enclosed order for women, The Poor Clares. In 1224 St Francis received the stigmata. He died in 1226 and only two years later he was pronounced a saint by Pope Gregory IX. Among many well-known stories about St Francis and animals is the scene depicted in this painting, which is described in The Little Flowers of St Francis: So solace-filled he left them, and full well, To penitence disposed, and, parting thence, Betwixt Carmano and Bevagna came. And, ardently as ever journeying on, He raised his eyes and certain trees beheld Fast by the way-side, on whose boughs were perched A multitude of birds innumerable, So that Saint Francis was amazed thereat, And said to his companions: “In the road Ye shall await me here, whole I go preach Unto the birds my sisters”: and he went Within the field, and to the birds ‘gan preach That on the ground were sitting; and at once Those that were on the trees did come to him, And, one and all, stayed motionless until Saint Francis had done preaching, and e’en then Departed not till he had given them His Benediction. (James Rhoades, The Little Flowers of St Francis: Rendered into English Verse, London, 1904, pp.88-89). Creator An entity primarily responsible for making the resource Michael Galovic Source A related resource from which the described resource is derived <a href="http://www.michaelgalovic.com" target="_self">http://www.michaelgalovic.com</a> Date A point or period of time associated with an event in the lifecycle of the resource 1998 Rights Information about rights held in and over the resource Michael Galovic Format The file format, physical medium, or dimensions of the resource Gessoed board, with egg tempera and gold leaf, mixed technique assemblage, 100cm x 70cm â€˜new iconsâ€™ Animals art Assisi Bevagna birds Cardinal Ugolini Catholicism Christianity Francis of Assisi Francsciscan Giovanni Francesco do Bernadone icon iconography modern art Pope Gregory IX Pope Innocent III Portiuncula poverty preacher preaching religious art religious order saint Saint Francis of Assisi St Francis of Assisi The Little Flowers of St Francis The Poor Clares work https://ausmed.arts.uwa.edu.au/files/original/c22b705d9d76c28abd2e23d94ba911d5.JPG 8e15fbc9c138fd50b1da67d171910c33 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2592 Width 1944 https://ausmed.arts.uwa.edu.au/files/original/fad4cdcdedcec90e5f5a0b50ebd75038.JPG 2401550a093bad36d0a58367c0c9837d Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 1944 Width 2592 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Holy Trinity Catholic Church, Westbury, Tasmania Subject The topic of the resource Buttress, Catholic, crenellation, Decorated Gothic, finial, Gothic, Gothic Revival, James Hogan, Holy Trinity Catholic Church, Henry Hunter, lancet windows, parapet, pointed arch, rose window, Tas, Tasmania, tower, tracery, Westbury. Description An account of the resource Holy Trinity Catholic Church is in the small Tasmanian town of Westbury. The building of the bluestone church began in 1869 under the direction of the townâ€™s first resident Catholic priest, Father James Hogan (1825-1899), who had arrived in 1850. Holy Trinity was consecrated in 1874 and the clock tower was added in 1901 as a memorial to Hogan. The cruciform church was designed by Henry Hunter (1832-1892) in the Gothic Revival style, in particular the Decorated Gothic style originally popular in England from c. 1270-1380. The church features buttresses, lancet windows, rose windows, a crenelated parapet and pointed corner finials on the tower, window tracery, and pointed arch doorways. Irish-born James Hogan helped the convicted Irish nationalist activist John Mitchel (1815-1875) escape Tasmania in 1853. Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource October 20, 2012 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource 2xDigital Photograph buttress Catholic crenellation Decorated Gothic finial Gothic Gothic Revival Henry Hunter Holy Trinity Catholic Church James Hogan lancet windows parapet pointed arch rose window Tas Tasmania tower tracery Westbury. https://ausmed.arts.uwa.edu.au/files/original/67f36e774da20f272a69621721fac6bc.JPG e7655eda4b55a6a45e4c47a0cc843e4f Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2592 Width 1944 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource St Davidâ€™s Cathedral baptismal font, Hobart, Tasmania Subject The topic of the resource Anglican, baptismal font, blind arcading, George Frederick Bodley, font, Gothic, Gothic Revival, Hobart, pointed arch, St Davidâ€™s Cathedral, Tas, Tasmania, tracery. Description An account of the resource The baptismal font in St David’s Cathedral, Hobart, was made by local craftsmen to the design of English architect George Frederick Bodley (1827-1907). The cathedral was designed in 1865 by Bodley. Like the cathedral, the baptismal font is in the Gothic Revival style, particularly the blind arcading design of the font’s base featuring tracery and pointed arches. For the cathedral tower see <a href="http://ausmed.arts.uwa.edu.au/items/show/1145">http://ausmed.arts.uwa.edu.au/items/show/1145</a> For the interior see <a href="http://ausmed.arts.uwa.edu.au/items/show/1198">http://ausmed.arts.uwa.edu.au/items/show/1198</a>   Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource October 6, 2012 Rights Information about rights held in and over the resource No Copyright Relation A related resource <a href="http://ausmed.arts.uwa.edu.au/items/show/1145">http://ausmed.arts.uwa.edu.au/items/show/1145</a> <a href="http://ausmed.arts.uwa.edu.au/items/show/1198">http://ausmed.arts.uwa.edu.au/items/show/1198</a> Format The file format, physical medium, or dimensions of the resource Digital Photograph Anglican baptismal font blind window font George Frederick Bodley Gothic Gothic Revival Hobart pointed arch St Davidâ€™s Cathedral Tas Tasmania tracery. https://ausmed.arts.uwa.edu.au/files/original/344a01fe29a6d914c2b911c65e23bd3c.jpg 4319ad47e5cf1960ff1b4071b9c90f89 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2592 Width 3888 https://ausmed.arts.uwa.edu.au/files/original/ec5a3899ddb000b9efa945cba3f2c104.jpg 71c21e05a2e49fa6c21d77ff9df71046 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2592 Width 3888 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource St Lukeâ€™s Church â€˜Celticâ€™ heads, Bothwell, Tasmania Subject The topic of the resource Anglican, John Lee Archer, George Arthur, Bothwell, Celtic, convict, Gothic, Gothic Revival, Daniel Herbert, parapet, pointed arch, Presbyterian, sculpture, St Lukeâ€™s Church, Tas, Tasmania, Uniting Church. Description An account of the resource St Luke’s Church is in the small town of Bothwell in Tasmania. Built by the government under the direction of Lieutenant Governor George Arthur (1784-1854), St Luke’s originally held combined services for Anglicans and Presbyterians, before the Anglicans built their own church in 1891. It is now a Uniting Church. It was designed in 1828 by John Lee Archer (1791-1852) and was opened in 1830. The pointed arch molding around the doorway ends in two heads reputedly carved by the convict sculptor Daniel Herbert (1802-1868). The heads possibly depict a Celtic god and goddess. For the church exterior see <a href="http://ausmed.arts.uwa.edu.au/items/show/1146">http://ausmed.arts.uwa.edu.au/items/show/1146</a> Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource October 8, 2012 Rights Information about rights held in and over the resource No Copyright Relation A related resource <a href="http://ausmed.arts.uwa.edu.au/items/show/1146">http://ausmed.arts.uwa.edu.au/items/show/1146</a> Format The file format, physical medium, or dimensions of the resource 2xDigital Photograph Anglican Bothwell Celtic convict Daniel Herbert George Arthur Gothic Gothic Revival John Lee Archer parapet pointed arch Presbyterian sculpture St Lukeâ€™s Church Tas Tasmania Uniting Church. https://ausmed.arts.uwa.edu.au/files/original/49cdb5ec520f45612f5fd46a144fcff3.jpg 292629be545814a403fbc015e168c645 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 3888 Width 2592 https://ausmed.arts.uwa.edu.au/files/original/e7c1e3d5a5ab210d7e1a2c387a6c6dfe.jpg b8229bd03f855295c69b07f67968d760 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2592 Width 3888 https://ausmed.arts.uwa.edu.au/files/original/2133e7d020dee2a0139448e4ef17741b.jpg 13423a6d2fdeac1f324d9b4539510492 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2592 Width 3888 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource St Lukeâ€™s Church exterior, Bothwell, Tasmania Subject The topic of the resource Anglican, John Lee Archer, George Arthur, Bothwell, buttress, crenellation, Gothic, Gothic Revival, parapet, pointed arch, Presbyterian, Romanesque, St Lukeâ€™s Church, Tas, Tasmania, tower, Uniting Church. Description An account of the resource St Luke’s Church is in the small town of Bothwell in Tasmania. Built by the government, St Luke’s originally held combined services for Anglicans and Presbyterians, before the Anglicans built their own church in 1891. It is now a Uniting Church. It was designed in 1828 by John Lee Archer (1791-1852) and was opened in 1830. Apparently the building was supposed to have Romanesque semi-circular windows but Lieutenant Governor George Arthur (1784-1854) directed Archer to change them to the Gothic style as he considered rounded windows unchristian (!). The church is in the Gothic Revival style with pointed arch doorways and windows, and corner buttresses. The central tower is topped by a crenellated parapet. For the Celtic heads on the entrance doorway see <a href="http://ausmed.arts.uwa.edu.au/items/show/1147">http://ausmed.arts.uwa.edu.au/items/show/1147</a> For the interior see <a href="http://ausmed.arts.uwa.edu.au/items/show/1154">http://ausmed.arts.uwa.edu.au/items/show/1154</a> Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource October 8, 2012 Rights Information about rights held in and over the resource No Copyright Relation A related resource <a href="http://ausmed.arts.uwa.edu.au/items/show/1147">http://ausmed.arts.uwa.edu.au/items/show/1147</a> <a href="http://ausmed.arts.uwa.edu.au/items/show/1154">http://ausmed.arts.uwa.edu.au/items/show/1154</a> Format The file format, physical medium, or dimensions of the resource 3xDigital Photograph Anglican Bothwell buttress crenellation George Arthur Gothic Gothic Revival John Lee Archer parapet pointed arch Presbyterian Romanesque St Lukeâ€™s Church Tas Tasmania tower Uniting Church. https://ausmed.arts.uwa.edu.au/files/original/869d8b74245b8d5451007ab33d135d59.JPG 1e827c28a97916a563bdd80955f7fc12 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2592 Width 1944 https://ausmed.arts.uwa.edu.au/files/original/04ec37c03f6318673515b13a56677159.JPG 82b72a74b7f44ca152d74f4031b671e3 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2592 Width 1944 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource St Davidâ€™s Cathedral tower, Hobart, Tasmania Subject The topic of the resource Anglican, George Frederick Bodley, buttress, crenellation, gargoyle, Gothic, Gothic Revival, Hobart, lancet window, parapet, pointed arch, St Davidâ€™s Cathedral, spire, Tas, Tasmania, tower, tracery, turret, Alan Cameron Walker. Description An account of the resource The square bell tower of St David’s Cathedral, Hobart, was completed in 1936 after the foundation stone had been laid in 1892. The cathedral was designed in 1865 by English architect George Frederick Bodley (1827-1907), and the tower may have been part of his revisions in 1891. However, Hobart architect Alan Cameron Walker (1864-1931) was also involved in the design. The stone tower is in the Gothic Revival style and includes a crenelated parapet, lancet windows, a corner turret topped by a spire, buttresses, a pointed arch doorway, window tracery, and gargoyles. George Bodley was a well known architect working in the Gothic Revival style, and in particular he was influenced by late medieval architecture from England and northern Europe. His best known work is perhaps Magdalen College, Oxford.  For the Bodley font see <a href="http://ausmed.arts.uwa.edu.au/items/show/1149">http://ausmed.arts.uwa.edu.au/items/show/1149</a> For the interior see <a href="http://ausmed.arts.uwa.edu.au/items/show/1198">http://ausmed.arts.uwa.edu.au/items/show/1198</a> Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource October 6, 2012 Rights Information about rights held in and over the resource No Copyright Relation A related resource <a href="http://ausmed.arts.uwa.edu.au/items/show/1149">http://ausmed.arts.uwa.edu.au/items/show/1149</a> <a href="http://ausmed.arts.uwa.edu.au/items/show/1198">http://ausmed.arts.uwa.edu.au/items/show/1198</a> Format The file format, physical medium, or dimensions of the resource 2xDigital Photograph Alan Cameron Walker Anglican buttress crenellation gargoyle George Frederick Bodley Gothic Gothic Revival Hobart lancet window parapet pointed arch spire St Davidâ€™s Cathedral Tas Tasmania tower tracery turret. https://ausmed.arts.uwa.edu.au/files/original/2e59fd45accaf3a182fc7e3c1329e638.JPG cc56d16aaa4706227fb048e25bc33013 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2592 Width 1944 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource (Former) Methodist Church, Westbury, Tasmania Subject The topic of the resource Bellcote, buttress, Crouch and Wilson, Gothic, Gothic Revival, lancet window, Methodist, Methodist Church, pointed arch, Tas, Tasmania, tracery, Uniting Church, Westbury. Description An account of the resource The current Uniting Church in the small Tasmanian town of Westbury was built as a Methodist Church. Building commenced in 1865 and it was completed in March 1867. It was designed by the Melbourne architectual firm (Thomas) Crouch and (Ralph) Wilson. The brick and pressed cement building is in the Gothic Revival style and based on late thirteenth century English churches. It features pointed arch doorway and windows, window tracery on the large window above the entrance, buttresses, a bellcote, and lancet windows. Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource October 20, 2012 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph bellcote buttress Crouch and Wilson Gothic Gothic Revival Methodist Methodist Church pointed arch Tas Tasmania tracery Uniting Church. Westbury