13 8 730 https://ausmed.arts.uwa.edu.au/files/original/14319166c8fb33e1460ff1a48a20e547.JPG b127307708c86bcfcf5929bc6a20f09d Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 1944 Width 2592 https://ausmed.arts.uwa.edu.au/files/original/772aab56ed096abd1bdd373f2cb88c9b.JPG d31d3bd7cbeee0bbc844d3f7ac4edad9 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 1944 Width 2592 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource St Davidâ€™s Cathedral Cloisters, Hobart, Tasmania Subject The topic of the resource Anglican, blind arcading, George Frederick Bodley, buttress, Cloisters, crenellation, Gothic, Gothic Revival, Hobart, lancet window, parapet, St Davidâ€™s Cathedral, stained glass, Tas, Tasmania, tracery, Alan Cameron Walker. Description An account of the resource St David’s Anglican Cathedral, Hobart, was designed by English architect George Frederick Bodley (1827-1907) in 1865 in the Gothic Revival style, with further revisions in 1891. As the foundation stone for the Cloisters and Tower were not laid until 1892 they are likely to have been part of those revisions.However, Hobart architect Alan Cameron Walker (1864-1931) was also involved in their design. They were completed and consecrated in 1936. The Cloisters building links the cathedral to the tower and are topped by a crenelated parapet. The also feature buttresses, and lancet windows with blind arcading, tracery and stained glass.      For the artefacts inside the cloisters see <a href="http://ausmed.arts.uwa.edu.au/items/show/1160">http://ausmed.arts.uwa.edu.au/items/show/1160</a> For the cathedral tower see <a href="http://ausmed.arts.uwa.edu.au/items/show/1145">http://ausmed.arts.uwa.edu.au/items/show/1145</a> For the interior see <a href="http://ausmed.arts.uwa.edu.au/items/show/1198">http://ausmed.arts.uwa.edu.au/items/show/1198</a> Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource October 6, 2012 Rights Information about rights held in and over the resource No Copyright Relation A related resource <a href="http://ausmed.arts.uwa.edu.au/items/show/1160">http://ausmed.arts.uwa.edu.au/items/show/1160</a> <a href="http://ausmed.arts.uwa.edu.au/items/show/1145">http://ausmed.arts.uwa.edu.au/items/show/1145</a> <a href="http://ausmed.arts.uwa.edu.au/items/show/1198">http://ausmed.arts.uwa.edu.au/items/show/1198</a> Format The file format, physical medium, or dimensions of the resource 2xDigital Photograph Alan Cameron Walker Anglican blind arcading buttress Cloisters crenellation George Frederick Bodley Gothic Gothic Revival Hobart lancet window parapet St Davidâ€™s Cathedral stained glass Tas Tasmania tracery. https://ausmed.arts.uwa.edu.au/files/original/bbd15b966b0447a2be49469dd1f7426d.jpg 333ecf86d93d66e3a5fa1875271794d8 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2592 Width 3888 https://ausmed.arts.uwa.edu.au/files/original/1eac2d3c19a3871ef9c3e39865bfa18c.jpg a3d36fa3bf2a9fb1ad23dcdb1aa16827 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2592 Width 3888 https://ausmed.arts.uwa.edu.au/files/original/ef0680292ac0804c0c3abdca43328912.jpg d68ca950c8f47d992eda2de925246fa6 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 3888 Width 2592 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource St Michael and All Angels Anglican Church tower and exterior, Bothwell, Tasmania Subject The topic of the resource Anglican, blind arcading, Bothwell, buttress, Gothic, Gothic Revival, lancet windows, Thomas Lewis, Alexander North, pointed arch, Presbyterian, St Lukeâ€™s Church, St Michael and All Angels Church, Tas, Tasmania, tower, turret. Description An account of the resource St Michael and All Angels Anglican Church is in the small town of Bothwell in Tasmania. It was built from 1887 and consecrated in 1891 after disputes between the towns Anglican and Presbyterian congregations made the continued sharing of St Luke’s (1830) impossible.  St Michael and All Angels was designed by Launceston architect Alexander North (1858-1945) and built of local stone by stonemason Thomas Lewis. The tower, with an internal stone spiral staircase and stair turret, was added in 1923. The proportions of the Gothic Revival church make it appear to be a small country cathedral. The church features buttresses, blind arcading, lancet windows, and pointed arch entrances.   For more of the exterior see <a href="http://ausmed.arts.uwa.edu.au/items/show/1158">http://ausmed.arts.uwa.edu.au/items/show/1158</a>  <a href="http://ausmed.arts.uwa.edu.au/items/show/1157">http://ausmed.arts.uwa.edu.au/items/show/1157</a> Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource October 8, 2012 Rights Information about rights held in and over the resource No Copyright Relation A related resource <a href="http://ausmed.arts.uwa.edu.au/items/show/1157">http://ausmed.arts.uwa.edu.au/items/show/1157</a> <a href="http://ausmed.arts.uwa.edu.au/items/show/1158">http://ausmed.arts.uwa.edu.au/items/show/1158</a>   Format The file format, physical medium, or dimensions of the resource 3xDigital Photograph Alexander North Anglican blind arcading Bothwell buttress Gothic Gothic Revival lancet windows pointed arch Presbyterian St Lukeâ€™s Church St Michael and All Angels Church Tas Tasmania Thomas Lewis tower. turret https://ausmed.arts.uwa.edu.au/files/original/3ab350409ca554bbfd16ea4cc4c6279b.JPG e5f7e3af601e1b7c9fe0327dbc3877be Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2592 Width 1944 https://ausmed.arts.uwa.edu.au/files/original/d208edbccba1acb1f93d73730a5f89ec.JPG 45fa71a8d55dc25eda71ebaa617db50b Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2592 Width 1944 https://ausmed.arts.uwa.edu.au/files/original/d9d96c62a850a98144c1c811f535677f.JPG 39f405c2288f09e39e14b49a794ea9d9 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2592 Width 1944 https://ausmed.arts.uwa.edu.au/files/original/23302e03ce025b4b2878a168bde5c1fd.JPG a1216875f25e46bb133f89ec284717b4 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2592 Width 1944 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medieval artefacts, St Davidâ€™s Cathedral, Hobart, Tasmania Subject The topic of the resource Anglican, artefact, George Frederick Bodley, Cloisters, Dublin, England, Gothic, Gothic Revival, Hobart, Ireland, pillar, Salisbury Cathedral, St Davidâ€™s Cathedral, St Patrickâ€™s Cathedral, spire, Tas, Tasmania, Tudor Rose, Wales, Westminster Hall. Description An account of the resource St David’s Cathedral, Hobart, was designed by English architect George Frederick Bodley (1827-1907) in 1865 in the Gothic Revival style, with further revisions in 1891. As the foundation stone for the Cloisters and Tower were not laid until 1892 they are likely to have been part of those revisions. They were completed and consecrated in 1936. The Cloisters building acts as a museum and features a number of original medieval artefacts on its walls. The photographs below are of four of the items: a sculpture of a head from the wall of the twelfth-century St Patrick’s Cathedral in Dublin, a pillar from a spire on the fourteenth-century Salisbury Cathedral in England, a fifteenth-century Tudor Rose stone from the eleventh-century Westminster Hall in London, and a stone from the sixth-century St David’s Cathedral in Wales. The artefacts in the Cloisters provide a good opportunity for the public to interact with medieval material culture. For the exterior of the cloisters see <a href="http://ausmed.arts.uwa.edu.au/items/show/1163">http://ausmed.arts.uwa.edu.au/items/show/1163</a> For the interior see <a href="http://ausmed.arts.uwa.edu.au/items/show/1198">http://ausmed.arts.uwa.edu.au/items/show/1198</a> Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource October 6, 2012 Rights Information about rights held in and over the resource No Copyright Relation A related resource <a href="http://ausmed.arts.uwa.edu.au/items/show/1163">http://ausmed.arts.uwa.edu.au/items/show/1163</a> <a href="http://ausmed.arts.uwa.edu.au/items/show/1198">http://ausmed.arts.uwa.edu.au/items/show/1198</a> Format The file format, physical medium, or dimensions of the resource 4xDigital Photograph Anglican artefact Cloisters Dublin England George Frederick Bodley Gothic Gothic Revival Hobart Ireland pillar Salisbury Cathedral spire St Davidâ€™s Cathedral St Patrickâ€™s Cathedral Tas Tasmania Tudor Rose Wales Westminster Hall. https://ausmed.arts.uwa.edu.au/files/original/b6f2b73b05adc7ebf652fc139d46abc6.JPG 084fe3b591253d91db73140755ef39ca Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 1944 Width 2592 https://ausmed.arts.uwa.edu.au/files/original/466b3c2b0f8abb53644926f9c7e6aac3.jpg 95834dcb65f591a41e86698e2505229b Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2592 Width 3888 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource St Michael and All Angels Anglican Church unfinished exterior, Bothwell, Tasmania Subject The topic of the resource Anglican, Bothwell, buttress, Gothic, Gothic Revival, lancet windows, Thomas Lewis, Alexander North, pointed arch, Presbyterian, St Lukeâ€™s Church, St Michael and All Angels Church, spire, Tas, Tasmania. Description An account of the resource St Michael and All Angels Anglican Church is in the small town of Bothwell in Tasmania. It was built from 1887 and consecrated in 1891 after disputes between the towns Anglican and Presbyterian congregations made the continued sharing of St Luke’s (1830) impossible. St Michael and All Angels was designed by Launceston architect Alexander North (1858-1945) and built of local stone by stonemason Thomas Lewis. As is clearly evident from these photographs, the cruciform church is not yet complete and is missing its north transept and spire. Instead, a weatherboard extension has been added, with Gothic-style windows sympathetic to the main building. The church is in the Gothic Revival style and features buttresses and lancet windows. For more of the exterior see <a href="http://ausmed.arts.uwa.edu.au/items/show/1162">http://ausmed.arts.uwa.edu.au/items/show/1162</a> and <a href="http://ausmed.arts.uwa.edu.au/items/show/1157">http://ausmed.arts.uwa.edu.au/items/show/1157</a> Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource October 8, 2012 Rights Information about rights held in and over the resource No Copyright Relation A related resource <a href="http://ausmed.arts.uwa.edu.au/items/show/1162">http://ausmed.arts.uwa.edu.au/items/show/1162</a> <a href="http://ausmed.arts.uwa.edu.au/items/show/1157">http://ausmed.arts.uwa.edu.au/items/show/1157</a>   Format The file format, physical medium, or dimensions of the resource 2xDigital Photograph Alexander North Anglican Bothwell buttress Gothic Gothic Revival lancet windows pointed arch Presbyterian spire St Lukeâ€™s Church St Michael and All Angels Church Tas Tasmania. Thomas Lewis https://ausmed.arts.uwa.edu.au/files/original/bf928ef8ea821acedfe5cbe9cc85ed2b.jpg 7a8c5bda4ea3a13d8c0ebe074af850a7 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2592 Width 3888 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource St Michael and All Angels Anglican Church porch, Bothwell, Tasmania Subject The topic of the resource Anglican, Bothwell, Gothic, Gothic Revival, Thomas Lewis, Alexander North, pointed arch, porch, Presbyterian, St Lukeâ€™s Church, St Michael and All Angels Church, Tas, Tasmania. Description An account of the resource St Michael and All Angels Anglican Church is in the small town of Bothwell in Tasmania. It was built from 1887 and consecrated in 1891 after disputes between the towns Anglican and Presbyterian congregations made the continued sharing of St Lukeâ€™s (1830) impossible. St Michael and All Angels was designed by Launceston architect Alexander North and built of local stone by stonemason Thomas Lewis. The church is entered through a small porch featuring stone seats. Both doorways have pointed Gothic arches. Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource October 8, 2012 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph Alexander North Anglican Bothwell Gothic Gothic Revival pointed arch porch Presbyterian St Lukeâ€™s Church St Michael and All Angels Church Tas Tasmania. Thomas Lewis https://ausmed.arts.uwa.edu.au/files/original/be252767c971b48aa96ee8f1ef283d13.pdf 8a6d64e1875c1f5b1a2d6da951f4bc1d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Hyperlink Title, URL, Description or annotation. URL <a href="http://nla.gov.au/nla.news-article51597233" target="_self">http://nla.gov.au/nla.news-article51597233</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource ‘The New Renaissance’, Australian Women’s Weekly, 6 April 1955 Subject The topic of the resource Art, art appreciation, Art Prize, Australian Womenâ€™s Weekly, canvas, Henri Matisse (1869-1954), leisured, Leonardo da Vinci (1452-1519), magazine, Michelangelo di Lodovico Buonarroti Simoni (1475-1564), â€˜new renaissanceâ€™, patronage, populace, privileged, prize, Renaissance, Rembrandt Harmenszoon van Rijn (1606-1669), rich. Description An account of the resource This article from The Australian Women’s Weekly in 1955 posits contemporary Australian society as being at the precipice of a ‘New Renaissance’ in terms of widening access to and public interest in fine art. Pinpointing Ancient Greece and the Renaissance in Europe as rare periods in history when art was appreciated not only by the rich and privileged but by a large proportion of the population, the article suggests that evidence of a growing and widespread interest in art is noticeable in art school attendance and patronage trends. As a result, ‘Housewives and shop-assistants, politicians and plumbers are now among those able to tell a Matisse from a Michelangelo and to live more fully because of that ability’. The article’s overall purpose is to advertise a £2000 Art Prize offered by The Australian Women’s Weekly, so it is in the magazine’s interest to draw links between the flourishing of art in the Renaissance and the potential for contemporary interest in art to enrich society. Creator An entity primarily responsible for making the resource Anon Source A related resource from which the described resource is derived TROVE: National Library of Australia, <a href="http://nla.gov.au/nla.news-article51597233" target="_self">http://nla.gov.au/nla.news-article51597233</a> Publisher An entity responsible for making the resource available The Australian Women’s Weekly Date A point or period of time associated with an event in the lifecycle of the resource 6 April 1955, p.2 Rights Information about rights held in and over the resource Copyright Expired Format The file format, physical medium, or dimensions of the resource Newspaper Article â€˜new renaissanceâ€™ art art appreciation Art Prize Australian Womenâ€™s Weekly canvas Henri Matisse (1869-1954) leisured Leonardo da Vinci (1452-1519) magazine Michelangelo di Lodovico Buonarroti Simoni (1475-1564) patronage populace privileged prize Rembrandt Harmenszoon van Rijn (1606-1669) Renaissance rich https://ausmed.arts.uwa.edu.au/files/original/eb88bf09a7fbf2864c0137b8de3fc2e8.JPG 82b72a74b7f44ca152d74f4031b671e3 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2592 Width 1944 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource St Davidâ€™s Cathedral entrance, Hobart, Tasmania Subject The topic of the resource Anglican, arcade, George Frederick Bodley, buttress, Gothic, Gothic Revival, Hobart, Henry Hunter, lancet windows, leadlight window, pointed arch, Brooke Robinson, St Davidâ€™s Cathedral, stained glass, Tas, Tasmania, tracery, turret. Description An account of the resource The main entrance to St David’s Cathedral is on Murray Street, Hobart. The cathedral was designed by English architect George Frederick Bodley (1827-1907) in 1865 in the Gothic Revival style. The foundation stone was laid in 1868 by Prince Alfred, the Duke of Edinburgh, and the nave was consecrated in 1874. The work was supervised by Henry Hunter (1832-1892). The pointed-arch doorway is entered through an arcade consisting of three pointed-arch entrances. The large west window above the entrance includes tracery, five lancet windows, and leadlight made in Melbourne by Brooke Robinson and installed in 1965. The entrance is flanked by two additional pointed-arch windows featuring three lancet windows each, as well as buttressed turrets. George Bodley was a well-known architect working in the Gothic Revival style, and in particular he was influenced by late medieval architecture from England and northern Europe. His best known work is perhaps Magdalen College, Oxford. For the cathedral tower see <a href="http://ausmed.arts.uwa.edu.au/items/show/1145">http://ausmed.arts.uwa.edu.au/items/show/1145</a> For the interior see <a href="http://ausmed.arts.uwa.edu.au/items/show/1198">http://ausmed.arts.uwa.edu.au/items/show/1198</a> Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource October 6, 2012 Rights Information about rights held in and over the resource No Copyright Relation A related resource <span style="line-height: 115%; font-family: 'Tahoma','sans-serif'; font-size: 10pt; mso-fareast-font-family: 'Times New Roman'; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold; mso-ansi-language: EN-AU; mso-bidi-language: AR-SA;"><a href="http://ausmed.arts.uwa.edu.au/items/show/1145">http://ausmed.arts.uwa.edu.au/items/show/1145</a> <span style="line-height: 115%; font-family: 'Tahoma','sans-serif'; font-size: 10pt; mso-fareast-font-family: 'Times New Roman'; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold; mso-ansi-language: EN-AU; mso-bidi-language: AR-SA;"><a href="http://ausmed.arts.uwa.edu.au/items/show/1198">http://ausmed.arts.uwa.edu.au/items/show/1198</a> Format The file format, physical medium, or dimensions of the resource Digital Photograph Anglican arcade Brooke Robinson buttress George Frederick Bodley Gothic Gothic Revival Henry Hunter Hobart lancet windows leadlight window pointed arch St Davidâ€™s Cathedral stained glass Tas Tasmania tracery turret. https://ausmed.arts.uwa.edu.au/files/original/59e0d63b2c5e1a5032728a4a101ee24d.jpg 93d430c4c902f825a3753bdcd266c328 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2592 Width 3888 https://ausmed.arts.uwa.edu.au/files/original/88375914acea7ae2c805ad821aba11a5.jpg 203bad6e1465c6a9e63f65a15137ac6c Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2592 Width 3888 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource St Lukeâ€™s Church interior, Bothwell, Tasmania Subject The topic of the resource Anglican, John Lee Archer, George Arthur, Bothwell, Celtic, Celtic cross, convict, Gothic, Gothic Revival, lancet window, pointed arch, Presbyterian, St Lukeâ€™s Church, stained glass, Tas, Tasmania, Uniting Church. Description An account of the resource St Luke’s Church is in the small town of Bothwell in Tasmania. Built by the government under the direction of Lieutenant Governor George Arthur (1784-1854), St Luke’s originally held combined services for Anglicans and Presbyterians, before the Anglicans built their own church in 1891. It is now a Uniting Church. It was designed in 1828 by John Lee Archer (1791-1852) and was opened in 1830. Apparently the building was supposed to have Romanesque semi-circular windows but George Arthur directed Archer to change them to the pointed Gothic style as he considered rounded windows unchristian (!). The simple interior of the church shows these Gothic windows, consisting of two lancet windows parallel and more recent stained glass. Some of the stained glass feature ring-headed ‘Celtic’ crosses that originated during the early medieval period in Ireland. The design is more commonly found in Catholic churches but such stylistic barriers between the denominations are now less common. For the exterior see <a href="http://ausmed.arts.uwa.edu.au/items/show/1146">http://ausmed.arts.uwa.edu.au/items/show/1146</a> For the Celtic heads see <a href="http://ausmed.arts.uwa.edu.au/items/show/1147">http://ausmed.arts.uwa.edu.au/items/show/1147</a>   Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource October 8, 2012 Rights Information about rights held in and over the resource No Copyright Relation A related resource <a href="http://ausmed.arts.uwa.edu.au/items/show/1146">http://ausmed.arts.uwa.edu.au/items/show/1146</a> <a href="http://ausmed.arts.uwa.edu.au/items/show/1147">http://ausmed.arts.uwa.edu.au/items/show/1147</a> Format The file format, physical medium, or dimensions of the resource 2xDigital Photograph Anglican Bothwell Celtic Celtic cross convict George Arthur Gothic Gothic Revival John Lee Archer lancet window pointed arch Presbyterian St Lukeâ€™s Church stained glass Tas Tasmania Uniting Church.