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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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              <text>&lt;a href="http://www.artgallery.nsw.gov.au/collection/works/169.1984/" target="_self"&gt;http://www.artgallery.nsw.gov.au/collection/works/169.1984/&lt;/a&gt;</text>
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                <text>â€˜The Marriage of the Arnolfini â€“ After Jan van Eyckâ€™ by Fiona Hall</text>
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                <text>art, artwork, Bruges, Giovanni di Nicolao Arnolfini, insert, Jan van Eyck, marriage, merchant, modern art, New South Wales, NSW, photograph, portrait, The Arnolfini Portrait, The National Gallery, wedding.</text>
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                <text>This photographic artwork by Australian artist Fiona Hall was purchased by the Art Gallery of New South Wales in 1984. In the photograph Hall has reconstructed her own version of the scene from medieval Dutch painter Jan van Eyckâ€™s famous 1434 oil painting, â€œThe Arnolfini Portraitâ€, by transposing the figures into a modern setting and replacing their faces. At the bottom of the frame is an insert of the original painting by Jan van Eyck. The figures in van Eyckâ€™s painting are believed to be those of Gionvanni di Nicolao Arnolfini, a fifteenth-century Italian merchant living in the Flemish town of Bruges, and his wife. </text>
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                <text>Fiona Margaret Hall</text>
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                <text>The Art Gallery of New South Wales</text>
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                <text>1980</text>
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                <text>The Art Gallery of New South Wales</text>
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                <text>Photograph, 28cm x 35.5cm.</text>
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        <name>Jan van Eyck</name>
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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>Alfred Ibbott memorial window, St Michael and All Angels Anglican Church, Bothwell, Tasmania</text>
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                <text>Anglican, Bothwell, crenellation, finial, Gothic, Gothic Revival, Alfred Ibbott, lancet window, memorial, parapet, pointed arch, Romanesque, St Michael and All Angels Church, Tas, Tasmania.</text>
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                <text>&lt;p&gt;The Alfred Ibbott (1844-1928) memorial window is in St Michael and All Angels Anglican Church in the Tasmanian town of Bothwell. The window (on the left in the photograph) is one of two lancet windows parrallel. The figures are framed by a representation of elaborate Gothic stonework with columns, pointed finials, pointed arches, and a crenelated parapet in the upper section. The more recent window on the right includes a Romanesque semi-circular arch.&lt;/p&gt;&#13;
&lt;p&gt;For more of the interior see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1187"&gt;http://ausmed.arts.uwa.edu.au/items/show/1187&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1180"&gt;http://ausmed.arts.uwa.edu.au/items/show/1180&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1175"&gt;http://ausmed.arts.uwa.edu.au/items/show/1175&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1172"&gt;http://ausmed.arts.uwa.edu.au/items/show/1172&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1165"&gt;http://ausmed.arts.uwa.edu.au/items/show/1165&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;For the exterior see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1162"&gt;http://ausmed.arts.uwa.edu.au/items/show/1162&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1158"&gt;http://ausmed.arts.uwa.edu.au/items/show/1158&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1157"&gt;http://ausmed.arts.uwa.edu.au/items/show/1157&lt;/a&gt;&lt;/p&gt;</text>
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                <text>McLeod, Shane</text>
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                <text>October 8, 2012</text>
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                <text>No Copyright</text>
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                <text>&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1187"&gt;http://ausmed.arts.uwa.edu.au/items/show/1187&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1180"&gt;http://ausmed.arts.uwa.edu.au/items/show/1180&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1175"&gt;http://ausmed.arts.uwa.edu.au/items/show/1175&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1172"&gt;http://ausmed.arts.uwa.edu.au/items/show/1172&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1165"&gt;http://ausmed.arts.uwa.edu.au/items/show/1165&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1162"&gt;http://ausmed.arts.uwa.edu.au/items/show/1162&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1158"&gt;http://ausmed.arts.uwa.edu.au/items/show/1158&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1157"&gt;http://ausmed.arts.uwa.edu.au/items/show/1157&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</text>
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        <name>Alfred Ibbott</name>
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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>(Former) Methodist Church, Whitemore, Tasmania </text>
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                <text>Buttress, Gothic, Gothic Revival, lancet window, Methodist, Methodist Church, Percy Oakden, A.A. Quick, pointed arch, Tas, Tasmania, Uniting Church, Whitemore. </text>
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                <text>&lt;p&gt;The interior of St Andrew&amp;rsquo;s Church of England (Anglican) in the small Tasmanian town of Westbury continues the Gothic Revival style of its exterior. &amp;nbsp;The nave was designed by the convict architect James Blackburn (1803-1854) in 1840-02. Of particular note are the various carvings by Tasmanian woodcarver Ellen Nora Payne (1865-1962) of Hobart, who had been born in the Westbury district. These include the pulpit which was carved in London sometime between 1901 and 1906, and the &amp;lsquo;Seven Sisters&amp;rsquo; rood, or chancel, screen completed in 1938 as a memorial to her seven dead sisters. The screen features a recreation of tracery common in Gothic windows. Other Gothic features are the large pointed arch east window with tracery made up of three lancet windows with stained glass, lancet windows in the north and south walls, and the internal pointed-arch doors and doorways.&lt;/p&gt;&#13;
&lt;p&gt;For more of the interior see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1186"&gt;http://ausmed.arts.uwa.edu.au/items/show/1186&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1197"&gt;http://ausmed.arts.uwa.edu.au/items/show/1197&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;For the exterior see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1178"&gt;http://ausmed.arts.uwa.edu.au/items/show/1178&lt;/a&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1186"&gt;http://ausmed.arts.uwa.edu.au/items/show/1186&lt;/a&gt;&lt;/p&gt;&#13;
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&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1197"&gt;http://ausmed.arts.uwa.edu.au/items/show/1197&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</text>
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                <text>&lt;p&gt;The Window of Roman-era Saints is in the south wall of St David&amp;rsquo;s Anglican Cathedral, Hobart. The large pointed arch window with stonework tracery is made up of three lancet windows with stained glass. Each lancet window features a Saint martyred during the rule of the Roman Empire: St Stephen (died c. 34), St Alban (3rd century), and St Laurence (c. 225-258). St Alban is depicted as a knight from the late middle ages in plate armour, an embroidered tunic, and wearing a sword. The saints stand upon a tiled platform of Gothic stonework featuring columns, blind arcading, pointed finials, as well as Romanesque semi-circular arches. Below each of the platforms is a heraldic shield.&lt;/p&gt;&#13;
&lt;p&gt;For the interior of the Cathedral see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1198"&gt;http://ausmed.arts.uwa.edu.au/items/show/1198&lt;/a&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;St Mark&amp;rsquo;s Anglican Church is in the northern Tasmanian town of Deloraine. It was designed by William Henry Clayton (1823-1877) in the Gothic Revival style, in particular &amp;lsquo;Decorated&amp;rsquo; or &amp;lsquo;Victorian Free&amp;rsquo; Gothic. The foundation stone was laid in 1856 and the church was consecrated in 1860. In 1878 the chancel, sanctuary, north transept and rose window were added. The interior includes many Gothic features; particularly the carved rood screen from c. 1920 and the reredos wood panelling from 1895 in photograph one, both of which include prominent pointed arches in their design. The east and west pointed arch windows with tracery are both made up of four lancet windows with stained glass. The stained glass in the east window (above the reredos) was made by Melbourne-based stained glass artist William Montgomery (1850-1927) in 1909. The choir stalls (in front of the rood screen) were designed by Alexander North (1858-1945) and installed in 1934.&lt;/p&gt;&#13;
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                <text>The Edward Nicholas (d. 1881) memorial window is in St Michael and All Angels Anglican Church in the Tasmanian town of Bothwell. The window consists of two lancet windows, each of which features Christ. He is framed by a representation of elaborate Gothic building with towers, crenellation, and spires. The window on the right includes two knights below Christ (who carries a pennant, or long narrow flag, of St George) dressed in plate armour and helmets of the late medieval period. One of the knights wears a sword.  </text>
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      <name>Still Image</name>
      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
      <elementContainer>
        <element elementId="7">
          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
          <elementTextContainer>
            <elementText elementTextId="30850">
              <text>Digital Photograph; JPEG</text>
            </elementText>
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        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="30842">
                <text>Memorial Board, St Andrewâ€™s Anglican Church, Westbury, Tasmania</text>
              </elementText>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="30843">
                <text>Anglican, carving, Church of England, finial, Gothic, Gothic Revival, memorial, Memorial Board, niche, Ellen Nora Payne, pointed arch, St Andrewâ€™s Anglican Church, Tas, Tasmania, tracery, Westbury, woodcarver.</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="30844">
                <text>&lt;p&gt;This memorial board of the &amp;lsquo;St Andrews Memorial Endowment Roll&amp;rsquo; is in St Andrew&amp;rsquo;s Church of England (Anglican) in the small Tasmanian town of Westbury. It was carved by the Tasmanian woodcarver Ellen Nora Payne (1865-1962) of Hobart, who had been born in the Westbury district. As befits a church built in the Gothic Revival architectural style, the memorial board includes Gothic touches, primarily in the central panel. The carving of the Virgin and Child is housed in a Gothic niche featuring a pointed arch ending in a decorated finial. Behind the arch is the representation of two Gothic pointed arch windows with tracery forming a cross. There is also a finial on both vertical ends of the board.&lt;/p&gt;&#13;
&lt;p&gt;For more of the interior see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1191"&gt;http://ausmed.arts.uwa.edu.au/items/show/1191&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1197"&gt;http://ausmed.arts.uwa.edu.au/items/show/1197&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;For the exterior see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1178"&gt;http://ausmed.arts.uwa.edu.au/items/show/1178&lt;/a&gt;&lt;/p&gt;</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="30845">
                <text>McLeod, Shane</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="30846">
                <text>October 20, 2012</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="30847">
                <text>No Copyright</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="46">
            <name>Relation</name>
            <description>A related resource</description>
            <elementTextContainer>
              <elementText elementTextId="30848">
                <text>&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1191"&gt;http://ausmed.arts.uwa.edu.au/items/show/1191&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1178"&gt;http://ausmed.arts.uwa.edu.au/items/show/1178&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1197"&gt;http://ausmed.arts.uwa.edu.au/items/show/1197&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</text>
              </elementText>
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          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="30849">
                <text>Digital Photograph</text>
              </elementText>
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        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="80">
        <name>Anglican</name>
      </tag>
      <tag tagId="2237">
        <name>carving</name>
      </tag>
      <tag tagId="1190">
        <name>Church of England</name>
      </tag>
      <tag tagId="5873">
        <name>Ellen Nora Payne</name>
      </tag>
      <tag tagId="5669">
        <name>finial</name>
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      <tag tagId="70">
        <name>Gothic</name>
      </tag>
      <tag tagId="72">
        <name>Gothic Revival</name>
      </tag>
      <tag tagId="1891">
        <name>memorial</name>
      </tag>
      <tag tagId="5872">
        <name>Memorial Board</name>
      </tag>
      <tag tagId="2255">
        <name>niche</name>
      </tag>
      <tag tagId="4650">
        <name>pointed arch</name>
      </tag>
      <tag tagId="5674">
        <name>St Andrewâ€™s Anglican Church</name>
      </tag>
      <tag tagId="3222">
        <name>Tas</name>
      </tag>
      <tag tagId="643">
        <name>Tasmania</name>
      </tag>
      <tag tagId="1094">
        <name>tracery</name>
      </tag>
      <tag tagId="5740">
        <name>Westbury</name>
      </tag>
      <tag tagId="5874">
        <name>woodcarver.</name>
      </tag>
    </tagContainer>
  </item>
</itemContainer>
