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                  <text>Medievalism in the Classroom</text>
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                  <text>This Collection traces the development of academic medievalism in Australiaâ€™s universities, and explores the disciplineâ€™s complex ideological affiliations. In this Collection you will find items relating to: the medievalist content of educational programmes, such as examples of university unit outlines; the teaching of the medieval through processes of medievalism, such as in demonstrations of medieval cooking or fighting techniques; and references to the medieval in modern educational debates and contexts.</text>
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              <text>Newspaper Article from &lt;em&gt;The Sydney Morning Herald&lt;/em&gt;</text>
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                <text>"Jokes in Stone", in The Sydney Morning Herald</text>
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                <text>gargoyle, gargoyles, University of Queensland, University of QLD, Queensland, stone carving, sculpture, medieval sculpture, stone mason, stone masonry, Colin Clark, Theodore Muller, jest, jesting, mummer, mummery</text>
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                <text>Newspaper article regarding a carving by the sculptor Thomas Muller. The carving is said to bear a resemblance to the economist Colin Clark. By carving the gargoyle-like creature in the image of a public figure, the journalist argues that Muller has revived the 'medieval practice' of caricaturing public figures in gargoyles on buildings.</text>
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                <text>A Special Correspondent</text>
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                  <text>This Collection traces the development of academic medievalism in Australiaâ€™s universities, and explores the disciplineâ€™s complex ideological affiliations. In this Collection you will find items relating to: the medievalist content of educational programmes, such as examples of university unit outlines; the teaching of the medieval through processes of medievalism, such as in demonstrations of medieval cooking or fighting techniques; and references to the medieval in modern educational debates and contexts.</text>
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              <text>&lt;p&gt;Newspaper article; PDF&lt;/p&gt;&#13;
&lt;p&gt;&lt;br /&gt; &lt;a href="http://nla.gov.au/nla.news-article32367278" target="_blank"&gt;http://nla.gov.au/nla.news-article32367278&lt;/a&gt;&lt;/p&gt;</text>
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                <text>The Lecture System</text>
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                <text>book, books, Economics, English, History, lecture, lecturing, note-taking, medieval origins, Philosophy printing, professors, reading, Shakespeare, student learning, teaching, teaching methods, University, university origins, university examination, university teaching, class, education</text>
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                <text>Weighing in on a wider printed debate about the cost and value of university teaching, the author of this article takes issue with the prevailing focus on lectures as the principal delivery mode for teaching in universities. He associates the development of lecturing with the medieval origins of universities and the need to disseminate knowledge before the invention of print. Following â€˜the book ageâ€™, however, the author suggests that lectures are redundant and superfluous. Rather than guiding students in their wider learning as intended, he argues, lectures have the opposite effect in that students regarded them as an adequate alternative to reading. In an age where books are accessible and the ability to read almost universal, he recommends that the teaching of subjects such as English, History, Economics and Philosophy should instead be based on independent student reading followed by class discussion. This would also have the effect of allowing professors more time to conduct research instead of preparing lectures. â€œIn the tenacity with which they [universities] still adhere to the propagation of knowledge by lecturesâ€, the author chides, â€œthere is something peculiarly medievalâ€.</text>
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                <text>â€œDiogenes Mactubâ€</text>
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                <text>8 August 1931, p. 4</text>
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              <text>&lt;span style="line-height: 115%; font-family: 'Tahoma','sans-serif'; font-size: 10pt; mso-fareast-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-language: AR-SA; mso-bidi-font-weight: bold;"&gt;&lt;a href="http://www.aaf.org.au/displays"&gt;http://www.aaf.org.au/displays&lt;/a&gt;&lt;/span&gt;</text>
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                <text>&lt;p&gt;Ancient Arts Fellowship, Inc. is a medieval re-enactment group based in Canberra in the Australian Capital Territory. They focus on the &amp;lsquo;Dark Ages&amp;rsquo;, or early medieval period, especially the 8&lt;sup&gt;th&lt;/sup&gt; century through to the Norman invasion of England in 1066. Geographically the focus is on northern Europe and Britain, featuring such peoples as Anglo-Saxons, Normans, and Vikings. The group run educational classes for school groups from primary through to tertiary students. The sessions usually run for two hours and include a mixture of fighting and speaking. They have a number &amp;lsquo;Display Packages&amp;rsquo; to choose from that focus on major figures such as Alfred the Great and William the Conqueror, and various aspects of society including crafts, clothing, the Old English language, religion, law, monetary systems, armour and weapons.&lt;/p&gt;&#13;
&lt;p&gt;For their website see &lt;a href="http://www.aaf.org.au/displays"&gt;http://www.aaf.org.au/displays&lt;/a&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1075" target="_self"&gt;http://ausmed.arts.uwa.edu.au/items/show/1075&lt;/a&gt;&lt;/p&gt;&#13;
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                <text>Literature and Culture: Representations of the Medieval</text>
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                <text>Arthur, Arthurian, King Arthur, Arts and Crafts Movement, Marion Zimmer Bradley, cinema, Umberto Eco, film, gothic, Macquarie University, William Morris, online, Open Universities Australia, Pre-Raphaelite Brotherhood, VIC, Victoria, Victorian medievalism</text>
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            <description>An account of the resource</description>
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                <text>A fully online second-year undergraduate unit offered by Macquarie University through Open Universities Australia. The unit covers various aspects of medievalism, including William Morris and the Arts and Crafts Movement in Victoria, the Pre-Raphaelite Brotherhood and Victorian medievalism, Marion Zimmer Bradleyâ€™s reimaging of the Arthurian legend â€˜The Mists of Avalonâ€™, and â€˜The Name of the Roseâ€™, the medieval detective novel by Umberto Eco. The unit also covers the representation of the medieval period in film. &#13;
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                <text>Anon.</text>
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                <text>&lt;a href="http://www.open.edu.au/public/courses-and-units/arts/unit-eng211-2011" target="_blank"&gt;http://www.open.edu.au/public/courses-and-units/arts/unit-eng211-2011&lt;/a&gt;</text>
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                <text>Macquarie University, Open Universities Australia</text>
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                <text>Macquarie University, Open Universities Australia</text>
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                  <text>Medievalism in the Classroom</text>
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                  <text>This Collection traces the development of academic medievalism in Australiaâ€™s universities, and explores the disciplineâ€™s complex ideological affiliations. In this Collection you will find items relating to: the medievalist content of educational programmes, such as examples of university unit outlines; the teaching of the medieval through processes of medievalism, such as in demonstrations of medieval cooking or fighting techniques; and references to the medieval in modern educational debates and contexts.</text>
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                <text>Alana Bennett, Andrew Lynch, Aneala Barony, chivalry, costume, Eglinton Tournament, ENGL2238, entertainment, essay, fantasy, fighting, imagined community, J. R. R. Tolkein, Last Tournament, â€˜Living historyâ€™, medieval names, medievalism, medievalist space, pageantry, postmodernism, recreation, re-creation, re-enactment, romanticised medievalism, SCA, Society for Creative Anachronism, student essay, The Medieval in the Modern World, The University of Western Australia, tournament, WA, Western Australia</text>
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                <text>A student essay on the Society for Creative Anachronism submitted by Alana Bennett as part of her assessment for â€˜ENGL2238: The Medieval in the Modern Worldâ€™, a second year English unit delivered by Professor Andrew Lynch at The University of Western Australia.  The author traces the origins and objectives of the SCA as a â€˜Living Historyâ€™ group, and discusses particularly the different levels on which the group operates. She draws a distinction between the recreational aspect of the Societyâ€™s activities on the one hand, in the sense that they provides entertainment and create a â€˜joint fantasyâ€™ amongst individuals with similar interests, and the â€˜re-creational â€™ aspect of its medievalism on the other, in which they â€œreconstruct a semblance of the Middle Ages through material culture and romanticised values systemsâ€.&#13;
&#13;
With thanks to the author for permission to include a copy of this essay.</text>
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                <text>Bennett, Alana</text>
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                <text>&lt;span&gt;&lt;span style="color: #000000; font-family: Tahoma; font-size: x-small;"&gt;&lt;span style="font-family: 'Tahoma','sans-serif'; font-size: 10pt;"&gt;This work is &amp;copy; Alana Bennett. Under no circumstance is this work to be republished without the express written permission of the author. To cite this work: Alana Bennett: &amp;lsquo;The Society for Creative Anachronism&amp;rsquo;, 2011, &lt;a href="../../../" target="_blank"&gt;http://ausmed.arts.uwa.edu.au/&lt;/a&gt;.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;</text>
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