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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>&lt;span style="line-height: 115%; font-family: 'Tahoma','sans-serif'; font-size: 10pt; mso-fareast-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-language: AR-SA; mso-bidi-font-weight: bold;"&gt;&lt;a href="http://www.tco.asn.au/oac/community_groups.cgi?groupID=1774&amp;amp;oacID=35"&gt;http://www.tco.asn.au/oac/community_groups.cgi?groupID=1774&amp;amp;oacID=35&lt;/a&gt;&lt;/span&gt;</text>
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                <text>Longford Morris Dancers, Tasmania</text>
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                <text>&lt;p&gt;Longford Morris Dancers are a group of Morris Dancers who, although associated with the town of Longford, rehearse in the city of Launceston in Tasmania. The group perform the Cotswold and Borders (the border between Wales and England) versions of Morris&lt;br /&gt;dancing, and often appear at public events. Morris dancing is an English folk dance that is attested from the late fifteenth century. There are also other dances mentioned elsewhere in Europe that may have a common origin.&lt;/p&gt;&#13;
&lt;p&gt;For more information on the group see &lt;a href="http://www.tco.asn.au/oac/community_groups.cgi?groupID=1774&amp;amp;oacID=35"&gt;http://www.tco.asn.au/oac/community_groups.cgi?groupID=1774&amp;amp;oacID=35&lt;/a&gt;&lt;/p&gt;</text>
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                <text>linc Tasmania</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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                <text>Celtic Blood, James John Loftus</text>
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                <text>Advertisement, Anglo-Norman, Celtic, Celtic Blood, Highlanders, knights, literature, James John Loftus, MacBeth, novel, Scotland, William Shakespeare, witchcraft.</text>
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                <text>&lt;p&gt;&lt;em&gt;Celtic Blood&lt;/em&gt; is the debut novel by Australian author James John Loftus, published in July, 2011. The novel is set in 13&lt;sup&gt;th&lt;/sup&gt; century Scotland and the conflict between Anglo-Norman-influenced royal knights living in the lowlands, and independent Highlanders. Witchcraft and the powers behind the powerful are sub-themes of the plot. The novel was in part inspired by William Shakespeare&amp;rsquo;s play set during Scotland&amp;rsquo;s medieval period, MacBeth.&lt;/p&gt;&#13;
&lt;p&gt;For an advertisement for the novel see &lt;span style="text-decoration: underline;"&gt;&lt;a href="http://youtu.be/ggy-p6VtPrs" target="_blank"&gt;http://youtu.be/ggy-p6VtPrs&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>James John Loftus</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>&lt;span style="line-height: 115%; font-family: 'Tahoma','sans-serif'; font-size: 10pt; mso-fareast-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-language: AR-SA; mso-bidi-font-weight: bold;"&gt;&lt;a href="http://www.aaf.org.au/beorg-wic"&gt;http://www.aaf.org.au/beorg-wic&lt;/a&gt;&lt;/span&gt;</text>
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                <text>Ancient Arts Fellowship, Beorg-wic</text>
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                <text>ACT, Ancient Arts Fellowship, archery, Australian Capital Territory, Beorg-wic, Canberra, clothing, craft, Danegeld, Danelaw, Dark Ages, early medieval, feast, Old English, re-creation, re-enactment, Viking, Vinland Coffee House, website.  </text>
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                <text>&lt;p&gt;Ancient Arts Fellowship, Inc. is a medieval re-enactment group based in Canberra in the Australian Capital Territory. They focus on the &amp;lsquo;Dark Ages&amp;rsquo;, or early medieval period, especially the 8&lt;sup&gt;th&lt;/sup&gt; century through to the Norman invasion of England in 1066. Geographically the focus is on northern Europe and Britain, featuring such peoples as Anglo-Saxons, Normans, and Vikings. They hold an annual camping weekend in October at Beorg-wic, part of The Danelaw property (named after the part of England settled by Vikings and where aspects of Danish law was used). During the weekend re-enactors participate in fighting, craft, archery, and feasting. Payment for the event is referred to as Danegeld (a payment made to make Vikings not attack), and catering is provided by the Vinland Coffee House (&lt;em&gt;Vinland&lt;/em&gt; was the name given by Viking explorers for part of north America. &lt;em&gt;Beorg-wic &lt;/em&gt;is Old English for hill settlement.&lt;/p&gt;&#13;
&lt;p&gt;For their website see &lt;a href="http://www.aaf.org.au/beorg-wic"&gt;http://www.aaf.org.au/beorg-wic&lt;/a&gt;&lt;/p&gt;</text>
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                <text>Ancient Arts Fellowship, Inc</text>
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                <text>&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1069" target="_self"&gt;http://ausmed.arts.uwa.edu.au/items/show/1069&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1071" target="_self"&gt;http://ausmed.arts.uwa.edu.au/items/show/1071&lt;/a&gt;&lt;/p&gt;</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>&lt;a href="http://www.aaf.org.au/" target="_self"&gt;&lt;span style="line-height: 115%; font-family: 'Tahoma','sans-serif'; font-size: 10pt; mso-fareast-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-language: AR-SA; mso-bidi-font-weight: bold;"&gt;http://www.aaf.org.au/&lt;/span&gt;&lt;/a&gt;</text>
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                <text>&lt;p&gt;Ancient Arts Fellowship, Inc. is a medieval re-enactment group based in Canberra in the Australian Capital Territory. They focus on the &amp;lsquo;Dark Ages&amp;rsquo;, or early medieval period, especially the 8&lt;sup&gt;th&lt;/sup&gt; century through to the Norman invasion of England in 1066 (images about this event from the Bayeux tapestry are featured on their website). Geographically the focus is on northern Europe and Britain, featuring such peoples as Anglo-Saxons, Normans, and Vikings. Members participate in combat, arts and crafts, and food, with their website claiming that you can &amp;lsquo;feast on food that William the Conqueror [c. 1028-1087] would have eaten&amp;rsquo;. The group run educational classes for school groups and do public performances.&lt;/p&gt;&#13;
&lt;p&gt;For their website see &lt;a href="http://www.aaf.org.au/"&gt;http://www.aaf.org.au/&lt;/a&gt;&lt;/p&gt;&#13;
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                <text>&lt;p&gt;Alice&amp;rsquo;s Cottages offer romantic B&amp;amp;B accommodation in the Tasmanian city of Launceston. One of the cottages is called &amp;lsquo;Camelot Cottage&amp;rsquo; (named after the castle and court of King&lt;br /&gt;Arthur), and it features &amp;lsquo;Merlin&amp;rsquo;s Spa&amp;rsquo;. The &amp;lsquo;medieval experience&amp;rsquo; advertised on their website is enhanced by the inclusion of a tented four poster bed and a tapestry/wall hanging, whilst swords and a&amp;nbsp;medieval helmet decorate the&lt;br /&gt;cottage. Some of the photos feature a young couple in the cottage, with the man wearing a medieval helmet.&lt;/p&gt;&#13;
&lt;p&gt;For their website see &lt;a href="http://www.alicescottages.com.au/camelot.html"&gt;http://www.alicescottages.com.au/camelot.html&lt;/a&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;This photograph of a sign was taken at the rear of the Cascade Brewery. The sign features a warrior on horseback killing a dragon with a lance. The similarity of the sign to the original St George logo used by the Launceston brewery Boag&amp;rsquo;s, which was purchased by Cascade Brewery in 1922, suggests that this may also be an image of the warrior saint popular during the medieval period.&lt;/p&gt;&#13;
&lt;p&gt;For the Boag's Brewery image see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/884"&gt;http://ausmed.arts.uwa.edu.au/items/show/884&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</text>
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                <text>&lt;p&gt;&amp;lsquo;Viking ship spotted off remote NT island&amp;rsquo; appeared on the online version of ABC News on September 18, 2012. The replica Viking ship was seen off the coast of Elcho&lt;br /&gt;Island in Arnhem Land, Northern Territory. The ship was sailed by a crew of six Russians from Europe and was heading for a museum in Sydney. The Viking longship&lt;br /&gt;is often referred to as a dragon ship due to the carved figure-head on the bow, as seen in the photograph of the replica by Tim Wethers.&lt;/p&gt;&#13;
&lt;p&gt;The article is available&lt;br /&gt;at &lt;a href="http://www.abc.net.au/news/2012-09-18/viking-ship-spotted-off-nt/4266796"&gt;http://www.abc.net.au/news/2012-09-18/viking-ship-spotted-off-nt/4266796&lt;/a&gt;&lt;/p&gt;</text>
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