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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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                <text>Pearl Anderson, bird box, bird cage, Cameo Alpacas and Garden Art, castle, column, crenellation, Deloraine, drawbridge, Gothic, Elod Gunther, parapet, pointed arch, spire, Tas, Tasmania, tower, Woodbridge.</text>
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                <text>&lt;p&gt;These wooden bird boxes and bird cage were created by Cameo Alpacas and Garden Art, a company run by Pearl Anderson and Elod Gunther and based in Woodbridge in southern Tasmania. The bird cage on the right is in the Gothic style that was commonly employed in ecclesiastical architecture in Europe between the twelfth and sixteenth centuries. The body of the bird cage is four decorated columns supporting pointed arches. This is topped by a tower and a tall spire. The two bird boxes are recreations of medieval castles, complete with towers and crenelated parapets. The entrance to the castle includes a possible representation of a bridge or drawbridge, which the bird could sit on. The photograph was taken at the Tasmanian Craft fair held in the town of Deloraine.&lt;/p&gt;&#13;
&lt;p&gt;For more of their creations see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1181"&gt;http://ausmed.arts.uwa.edu.au/items/show/1181&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1189"&gt;http://ausmed.arts.uwa.edu.au/items/show/1189&lt;/a&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;This wood and tin bird cage is in the Gothic architectural style that was commonly employed on churches in Europe between the twelfth and sixteenth centuries. The body of the bird cage is four panels in the shape of pointed arch windows with tracery at the top. This is topped by a tower with another four windows, and a tall spire. The bird cage was created by Cameo Alpacas and Garden Art, a company run by Pearl Anderson and Elod Gunther and based in Woodbridge in southern Tasmania. The photograph was taken at the Tasmanian Craft Fair held in the town of Deloraine.&lt;/p&gt;&#13;
&lt;p&gt;For more of their creations see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1185"&gt;http://ausmed.arts.uwa.edu.au/items/show/1185&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1189"&gt;http://ausmed.arts.uwa.edu.au/items/show/1189&lt;/a&gt;&lt;/p&gt;</text>
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&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1189"&gt;http://ausmed.arts.uwa.edu.au/items/show/1189&lt;/a&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;Bismarck Metalcraft was established in 1988 by Ken Bradford in the northern Tasmanian town of Deloraine. They use modern steel to create armour, helmets, knives, and swords, including many recreations of items from medieval Britain and Europe, and feudal Japan. They also create custom-made items. Each&amp;nbsp;item is hand engraved with the Bismarck name in what is described&lt;br /&gt;as an &amp;lsquo;Old English Font&amp;rsquo;.&lt;/p&gt;&#13;
&lt;p&gt;For their website see &lt;a href="http://www.bismarckmetalcraft.com/"&gt;http://www.bismarckmetalcraft.com/&lt;/a&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;The Order of St Thomas of Acre was re-established in 2005 and is dedicated to both St Thomas of Acre and St Thomas of Canterbury. The original Hospitaller&amp;rsquo;s of St Thomas of Canterbury at Acre were founded by King Richard I (the Lionheart) of England (1157-1199) in Acre in 1190 while he was on the third crusade. They were later re-organised into a military order during the fifth crusade. It is usually referred to as the Knights of St Thomas. Membership was restricted to Englishmen. The Knights of St Thomas were dissolved by Henry VIII (1491-1547) in 1538. The current Order has adopted the habit of the original &amp;ndash; a white mantle with a red cross with a scallop shell at its centre. The Order of St Thomas of Acre are an &amp;lsquo;ecumenical society concerned with fostering of the values of traditional chivalry&amp;rsquo;, and their website includes a &amp;lsquo;Chivalric Code&amp;rsquo;. The inclusion on the website of a section on the stained glass windows at St Thomas&amp;rsquo; Anglican Church in the Victorian town of Werribee suggests that someone from the town leads the order.&lt;/p&gt;&#13;
&lt;p&gt;St Thomas of Canterbury (Thomas Becket) (1118-1170) was appointed Archbishop of Canterbury by Henry II (1133-1189) of England, father of Richard I. After a series of disputes with Henry he was martyred in Canterbury Cathedral by the king&amp;rsquo;s followers.&lt;/p&gt;&#13;
&lt;p&gt;For their website see &lt;a href="http://www.osta.org.au/Welcome.htm"&gt;http://www.osta.org.au/Welcome.htm&lt;/a&gt;&lt;/p&gt;&#13;
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                <text>&lt;p&gt;Rusland NGV Garrison are a Viking re-enactment group which formed in 1991. They are part of the larger New Varangian Guard group. Rusland recreate the Varangian Guard, the bodyguard of the Byzantine Emperors and their cultural and military lifestyle c. 950-1204. The group place an emphasis on training, where members use such weapons as spear, sword, saex, and axe.&lt;/p&gt;&#13;
&lt;p&gt;For their website see &lt;a href="http://nvg-rusland.com/"&gt;http://nvg-rusland.com/&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;For the New Varangian Guard see &lt;a href="http://ausmed.arts.uwa.edu.au/admin/items/show/540"&gt;http://ausmed.arts.uwa.edu.au/admin/items/show/540&lt;/a&gt;&lt;/p&gt;&#13;
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                  <text>Medievalism on the Streets</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>&lt;a href="http://thehappyviking.com.au/"&gt;http://thehappyviking.com.au/&lt;/a&gt;</text>
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                <text>The Happy Viking: Leatherwork and craft of the Viking and Medieval Age</text>
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                <text>Braid, Celtic, craft, Elizabeth (Hlif), The Happy Viking, The Happy Viking: Leatherwork and craft of the Viking and Medieval Age, jewellery, leatherwork, Maleny, pottery, Qld, Queensland, re-enactment, store, Sweden, ValsgÃ¤rde, Viking, weaving, website.</text>
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                <text>&lt;p&gt;The Happy Viking: Leatherwork and craft of the Viking and Medieval Age is an online store which opened in 2012. It is owned by Elizabeth (Hlif), a re-enactor from Maleny, Queensland. The hand-made Australian products include leatherwork, pottery, jewellery, weaving, braiding, and cards. All of the products feature medieval-inspired motifs, including Viking ring-knot motifs,Celtic spirals and crosses, and images derived from medieval artefacts, such as the eighth-century helmet from Valsg&amp;auml;rde, Sweden. The range includes both medieval &amp;ndash; braids, knife sheaf, pouches &amp;ndash; and modern &amp;ndash; laptop and mobile phone cases &amp;ndash; products.&lt;/p&gt;&#13;
&lt;p&gt;The page also includes information on re-enactment and and Viking-related facts and stories.&lt;/p&gt;&#13;
&lt;p&gt;The store is available at http://thehappyviking.com.au/&lt;/p&gt;</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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                <text>&lt;p&gt;Nina Levy&amp;rsquo;s review of Graeme Murphy&amp;rsquo;s production of Sergei Prokofiev&amp;rsquo;s Romeo and Juliet by the Australian Ballet appeared in the online version of The West Australian newspaper on October 12, 2012. It includes a photograph by Jeff Busby. Although the review is positive overall, Levy criticises the &amp;lsquo;variety of locations in time and place&amp;rsquo;. These include &amp;lsquo;medieval-looking vaulted rooms&amp;rsquo; which presumably had vaulted ceilings. Ribbed vaulting was a characteristic feature of Gothic architecture of the twelfth to sixteenth centuries. &amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/p&gt;&#13;
&lt;p&gt;The review is available at &lt;a href="http://au.news.yahoo.com/thewest/entertainment/a/-/entertainment/15107553/dance-review-romeo-and-juliet/"&gt;http://au.news.yahoo.com/thewest/entertainment/a/-/entertainment/15107553/dance-review-romeo-and-juliet/&lt;/a&gt;&lt;/p&gt;</text>
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                <text>The West Australian; Nina Levy</text>
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