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                  <text>Medievalism on the Streets</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>1 photograph : b&amp;w, gelatin silver</text>
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              <text>&lt;a href="http://nla.gov.au/nla.pic-an22828135"&gt;http://nla.gov.au/nla.pic-an22828135&lt;/a&gt;</text>
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                <text>Laurie Payne, Tour of Camelot, 1966  </text>
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                <text>actor, armor, armour, Arthur, Arthurian, Arthuriana, Camelot, chivalric, chivalry, costume, entertainment, Guinevere, helmet, King Arthur, knight, knighthood, Lancelot, Laurie Payne, musical, performance, plate armour, popular culture, Round Table, stage, stage performance</text>
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                <text>In this black and white photograph from the Laurie Payne Collection of Theatrical Photographs (held by the National Library of Australia), actor Laurie Payne poses in his costume, a suit of armour, for the musical Camelot. The musical, written by Alan Jay Lerner in 1960, is based on Arthurian legend and tells the story of Arthurâ€™s marriage to Guinevere, his establishment of the Round Table, the love triangle that ensued between Arthur, Guinevere and Lancelot and the rescue of Guinevere by Lancelot when she was sentenced to death for her adultery.</text>
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                <text>National Library of Australia: &lt;a href="http://nla.gov.au/nla.pic-an22828135" target="_blank"&gt;http://nla.gov.au/nla.pic-an22828135&lt;/a&gt;</text>
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                <text>1966</text>
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                <text>National Library of Australia</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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                <text>"Australian Church"</text>
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                <text>advertisement, Australian church, Charles Strong, Christian, Christianity,  church, religion, medievalist religion, modern religion</text>
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                <text>&lt;p&gt;A newspaper advertisement for an Australian "Medievalist" religion, founded by Dr. Charles Strong.&lt;/p&gt;&#13;
&lt;p&gt;About Charles Strong:&lt;br /&gt;&lt;br /&gt;Charles Strong (1844-1942) was born in Ayrshire, Scotland, the third son of Reverend David Strong. After travelling in Australia, in May 1875 Strong became a pastor at Scots Church, Melbourne. At this church he came into direct conflict with a section of the Presbyterian Church who were opposed to his methods of worship and his advocacy towards the of reform of the Westminster Confession. &lt;br /&gt;&lt;br /&gt;Due to continuing difficulties with the Presbyterians, who threatened him with a libel for heresy, Strong resigned from Scots Church. The General Assembly pursued the Presbyterian case, and by November 1883 he was stripped of his role as minister. &lt;br /&gt;&lt;br /&gt;At the Temperance Hall, Russell Street, Strong began to minister to a congregation largely composed of religious liberals and ex-members and adherents of Scots Church. In November 1885 the Australian Church, a free religious fellowship, was founded and he was invited to be its first minister.&lt;br /&gt;&lt;br /&gt;In 1886 he, along with other members of the Australian Church, established the Social Improvement Friendly Help and Children's Aid Society to carry out social and charitable work in Collingwood and Richmond. He also helped to open a branch of the Working Men's College in Collingwood in July 1891 and founded a Working Men's Club the same year. He formed a number of societies to discuss literature and music, but his major association was the Religious Science Club. His other legacy is The Charles Strong (Australian Church) Memorial Trust&amp;nbsp; (www.charlesstrongtrust.org.au), which aims to promote the sympathetic study of all religions in Australia.&lt;br /&gt;&lt;br /&gt;For more biographical details, see&amp;nbsp; &lt;a href="http://adb.anu.edu.au/biography/strong-charles-4658" target="_blank"&gt;http://adb.anu.edu.au/biography/strong-charles-4658&lt;/a&gt;&lt;/p&gt;</text>
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                <text>Strong, Dr. Charles</text>
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                <text>The Argus</text>
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                <text>The Argus</text>
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                <text>7 January 1922</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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                <text>The Procession</text>
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                <text>Amalgamated Society of Carpenters and Joiners, armor, armour, bands, banner, Bricklayers, eight hour, guild, knight, Labour Day, labour pageant, pageantry, parade, procession, labourer, Masons, medieval guild, Melbourne, Tinsmiths, trade union, United Society of Painters, Paperhangers and Decorators, trade unionism, union, unionism, VIC, Victoria, worker, working class </text>
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                <text>This article from The Argus newspaper provides a report of an Eight Hours procession through the streets of Melbourne in 1887, during which at least 50 different trades were represented. It makes note of the increasing size and elaborateness of the trade society banners being displayed, and describes in detail four banners that were featured in the parade for the first time. These were the banners of the Masons, the Amalgamated Society of Carpenters and Joiners, the Bricklayersâ€™ Society and the United Society of Painters, Paperhangers, and Decorators. Union banners have a medieval predecessor in the banners displayed by guilds (an association of craftsmen in the same trade), whereby each guild had a banner to identify their trade. Some historians consider trade unions to be the successors of medieval guilds. The author of this article also points out that several of the trades made efforts to demonstrate their handicrafts during the procession, with the Tinsmiths in particular parading two knights outfitted in suits of armour.  </text>
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                <text>National Library of Australia: &lt;a href="http://nla.gov.au/nla.news-article7943706" target="_blank"&gt;http://nla.gov.au/nla.news-article7943706&lt;br /&gt;&lt;/a&gt;</text>
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                <text>The Argus</text>
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                <text>22 April 1887</text>
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                <text>Out of Copyright</text>
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        <src>https://ausmed.arts.uwa.edu.au/files/original/2a0c8faf11d70e9afae437c8db1e610c.pdf</src>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Medievalism on the Streets</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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      <name>Document</name>
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          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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              <text>Photograph in Newspaper</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Medieval Headdress</text>
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            <name>Subject</name>
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                <text>wedding, society, culture, fashion, vogue, feminine, dress, clothing, clothes, femininity, newspaper, photograph, The Argus, medieval fashion, medieval style, veil, Melbourne, VIC, Victoria</text>
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            <name>Description</name>
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                <text>A photograph on page 10 of the Melbourne newspaper The Argus. Pictured is a newlywed couple under the title 'Medieval Headdress'. The title refers to the headdress, which incorporates a veil and perhaps a small crown, worn by the bride. The headdress is similar to those popular in the 13th and 14th centuries but with a veil added.  &#13;
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Unknown</text>
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            <name>Source</name>
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                <text>National Library of Australia: &lt;a href="http://nla.gov.au/nla.news-article22780412" target="_blank"&gt;http://nla.gov.au/nla.news-article22780412&lt;/a&gt;</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>The Argus</text>
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            <name>Date</name>
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                <text>22 September 1949</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
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                <text>Out of Copyright</text>
              </elementText>
            </elementTextContainer>
          </element>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>Newspaper photograph, wedding announcement</text>
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        <name>dress</name>
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        <name>fashion</name>
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        <name>feminine</name>
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        <name>femininity</name>
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        <name>medieval fashion</name>
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        <name>medieval style</name>
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        <name>newspaper</name>
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        <name>photograph</name>
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        <name>vogue</name>
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        <name>wedding</name>
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