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                  <text>Medievalism on the Streets</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>&lt;a href="http://www.perthnow.com.au/entertainment/millie-and-chard-win-beauty-and-the-geek-australia/story-e6frg30c-1226527045824" target="_self"&gt;http://www.perthnow.com.au/entertainment/millie-and-chard-win-beauty-and-the-geek-australia/story-e6frg30c-1226527045824&lt;/a&gt;</text>
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                <text>&amp;ldquo;Millie and Chard win &lt;em&gt;Beauty and the Geek Australia&lt;/em&gt;&amp;rdquo;, &lt;em&gt;Perth Now&lt;/em&gt;, 29 November 2012.</text>
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                <text>Australian TV, &lt;em&gt;Beauty &amp;amp; the Geek&lt;/em&gt;, broadcast, Channel 7, Chard, fairytale, finale, jousting, knight, masquerade ball, medieval challenge, medieval festivities, Millie, princess, program, programme, sonnet, television, winners.</text>
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                <text>&lt;p&gt;This online article from the &lt;em&gt;Perth Now&lt;/em&gt; website describes the fourth season finale show of TV programme &lt;em&gt;Beauty &amp;amp; the Geek Australia&lt;/em&gt;, from which contestants Chard and Millie emerged as winners. Pursuing a &amp;lsquo;happily ever after&amp;rsquo; fairytale theme, the article explains, the first part of the show &amp;lsquo;involved a series of medieval challenges&amp;rsquo; &amp;ndash; namely jousting and reciting sonnets &amp;ndash; for which the couples dressed up as knights and princesses. This was followed by a masquerade ball. Beauty &amp;amp; the Geek was broadcast in Australia in 2012 by the Channel 7 network.&lt;/p&gt;&#13;
&lt;p&gt;For the news article, see: &lt;a href="http://www.perthnow.com.au/entertainment/millie-and-chard-win-beauty-and-the-geek-australia/story-e6frg30c-1226527045824" target="_self"&gt;http://www.perthnow.com.au/entertainment/millie-and-chard-win-beauty-and-the-geek-australia/story-e6frg30c-1226527045824&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;For more about the TV show, see: &lt;a href="http://au.tv.yahoo.com/beauty-and-the-geek-australia/" target="_self"&gt;http://au.tv.yahoo.com/beauty-and-the-geek-australia/&lt;/a&gt;&lt;/p&gt;</text>
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                <text>Colin Vickery</text>
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                <text>&lt;em&gt;Perth Now&lt;/em&gt;</text>
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                <text>&lt;em&gt;Perth Now&lt;/em&gt;</text>
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                <text>29 November 2012</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>&lt;a href="http://www.ironfest.net/index.php"&gt;http://www.ironfest.net/index.php&lt;/a&gt;</text>
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                <text>Armour, arts festival, blacksmith, costume, festival, helmet, jousting, Kingdom of Ironfest, knight, Lithgow, living history, New South Wales, NSW, performance, plate armour, re-enactment, replica, shield, sword, website.</text>
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                <text>&lt;p&gt;Billed as &amp;lsquo;An Arts Festival with a Metal Edge&amp;rsquo; Ironfest is an annual festival held in the New South Wales city of Lithgow. The festival involves artists and blacksmith working with metal, as well as historical re-enactors, musicians, and performers. The re-enactors include those who focus on the medieval period, and the entertainment for the Ironfest 2013 includes jousting. The main page for Ironfest includes a photograph of nine knights wearing plate armour and helmets and carrying shields and swords. The festival began in 2010 and&amp;nbsp;is held at the Kingdom of Ironfest (the Lithgow Showground).&lt;/p&gt;&#13;
&lt;p&gt;For their website see http://www.ironfest.net/index.php&lt;/p&gt;</text>
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                <text>Copyright Â© Ironfest 2012</text>
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                <text>&lt;p&gt;Medieval FightClub is an online store with a warehouse in the New South Wales town of Wyee. They sell &amp;lsquo;Historical replica products from Medieval and Ancient times&amp;rsquo; including various weapons, clothing, drinking horns, accessories, jewellery, shoes, tents and pavilions. There are also less historic items such as Crusader cross buttons, t-shirts,&amp;nbsp;and brightly coloured synthetic sword blades. Although in general the store organises the products according to era rather than &amp;lsquo;peoples&amp;rsquo;, there is a special sections for Viking and Crusader&amp;nbsp;products. The website includes a &amp;lsquo;Helpful Info&amp;rsquo; section with tips on sword care, shoe and ring sizes, and DIY guides. Customers are also able to sign up for Ye-Mail Subscription.&lt;/p&gt;&#13;
&lt;p&gt;For their website see &lt;a href="http://www.medieval-fightclub.com/"&gt;http://www.medieval-fightclub.com/&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</text>
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                <text>An advertisement for The Medieval Shoppe, a store in NSW which produces and sells replicas of swords, shields, armour, and other historical weapons. The advertisement is shot in black and white and features The Medieval Shoppe crest and five men clad in armour and bearing weapons. The five men, representing warriors, knights and infantrymen, are wearing armour from different eras, including chain mail, plate armour, helmets, and leather padding. The weapons include swords and a halberd, a primarily Swiss weapon of the fourteenth and fifteenth centuries. The Medieval Shoppe logo features three arrows. &#13;
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                <text>Image used with the permission of The Medieval Shoppe.</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>&lt;a href="http://www.rognvaldslith.com/"&gt;http://www.rognvaldslith.com/&lt;/a&gt;</text>
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                <text>Anglo-Saxon, archery, art, axe, Byzantine Empire, chain mail, combat, costume, education, gripping-beast, helmet, javelin, Lismore, living history, New South Wales, Norman, NSW, performance, re-enactment, Rognvald Ingvarson, Rognvaldâ€™s Lith, Rognvaldâ€™s Lith: Lismore Medieval Re-enactment Society, rune, runestone, Rus, school, serpent, shield, spear, stave, Sweden, sword, Uppsala, Varangian Guard, Viking, website.</text>
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                <text>&lt;p&gt;Rognvald&amp;rsquo;s Lith: Lismore Medieval Re-enactment Society is a re-enactment group founded in 2003 and based in Lismore, New South Wales. The group concentrate on the period 700-1200 and such peoples as Anglo-Saxons, Normans, Rus, and Vikings. Combat and weapon training with swords, spears, axes, staves, shields, javelins, archery, chain mail, and helmets is carried out. Rognvald&amp;rsquo;s Lith (Rognvald&amp;rsquo;s troop) do public performances, including educational performances for schools.&lt;/p&gt;&#13;
&lt;p&gt;The group is named after Rognvald Ingvarson, a commander of the Varangian Guard (who fought for the Byzantine Empire) from Sweden. The club&amp;rsquo;s banner is based on the serpent design of a eleventh-century runic inscription in Uppsala that Rognvald had made. Their website includes photographs of the runestone, as well as other designs based on Viking Art, including the &amp;lsquo;gripping-beast&amp;rsquo; motif.&lt;/p&gt;&#13;
&lt;p&gt;For their website see &lt;a href="http://www.rognvaldslith.com/"&gt;http://www.rognvaldslith.com/&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</text>
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                <text>Rognvaldâ€™s Lith</text>
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                <text> Copyright Rognvald's Lith</text>
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        <name>Rognvaldâ€™s Lith: Lismore Medieval Re-enactment Society</name>
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              <name>Title</name>
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                  <text>Medievalism on the Streets</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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                <text>(Former) St Matthewâ€™s Presbyterian Church entrance, Glenorchy, Hobart, Tasmania</text>
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                <text>James Blackburn, blind arcading, columns, convict, John Franklin, Glenorchy, Hobart, Kirk and Fisher, Neo-Norman, Presbyterian, Romanesque, Romanesque Revival, semi-circular arch, Tas, Tasmania.</text>
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                <text>&lt;p&gt;The former St Matthew&amp;rsquo;s Presbyterian Church is in the suburb of Glenorchy in Hobart, Tasmania. It was designed by the convict architect James Blackburn (1803-1854) in 1839. The foundation stone was laid by Governor Sir John Franklin (1786-1847) in 1839 and the church was built by the Hobart company Kirk and Fisher and completed in 1841. The church is in the Romanesque Revival style and is one of the earliest remaining Romanesque Revival buildings in Australia. The style is evident in the entrance to the church featuring a semi-circular arched doorway and door, and on the blind arcading above the doorway. The doorway also decorated columns and decorated molding on the doorway arch.&lt;/p&gt;&#13;
&lt;p&gt;Romanesque Revival architecture is sometimes referred to as Neo-Norman due to the Normans influence in spreading the Romanesque style through England after their conquest in 1066.&lt;/p&gt;&#13;
&lt;p&gt;For more of the building see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1211"&gt;http://ausmed.arts.uwa.edu.au/items/show/1211&lt;/a&gt;&lt;/p&gt;</text>
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            <name>Creator</name>
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                <text>McLeod, Shane</text>
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                <text>November 21, 2012</text>
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                <text>No Copyright</text>
              </elementText>
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                <text>&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1211"&gt;http://ausmed.arts.uwa.edu.au/items/show/1211&lt;/a&gt;</text>
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        <name>Tas</name>
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