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                  <text>Medievalism on the Streets</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>&lt;p&gt;&lt;a href="http://museumvictoria.com.au/collections/items/719377/marionette-le-forgeron-marionettes-knight-1930-1956"&gt;http://museumvictoria.com.au/collections/items/719377/marionette-le-forgeron-marionettes-knight-1930-1956&lt;/a&gt;&lt;/p&gt;</text>
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                <text>"Le Forgeron Marionettes, Knight, 1930-1956"</text>
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                <text>Part of the Le Forgeron Marionette collection held at Museum Victoria, this marionette is of a medieval knight dressed in full body armour and wearing a helmet. It was manufactured and performed in Melbourne by Alex and Murray Smith some time between 1930 and 1956. Marionette performances were a popular form of entertainment during the medieval period.</text>
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                <text>Smith, Alex.&#13;
Smith, Murray.</text>
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                <text>Museum Victoria</text>
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              <elementText elementTextId="15732">
                <text>Museum Victoria</text>
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                <text>1930-1956</text>
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                <text>Le Forgeron Marionettes, Croyden, Victoria, Australia.</text>
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        <name>Armour</name>
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        <name>knight</name>
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        <name>knights</name>
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        <name>marionette</name>
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        <name>marionettes</name>
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        <name>popular culture</name>
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        <name>puppets</name>
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                  <text>Medievalism on the Streets</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>&lt;a href="http://hdl.handle.net/10462/deriv/124526"&gt;http://hdl.handle.net/10462/deriv/124526&lt;/a&gt;</text>
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            <description>A name given to the resource</description>
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                <text>Meatworkers in the Labor Day March in Toowoomba</text>
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            <description>The topic of the resource</description>
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                <text>procession, processions, parades, parade, labour, work, workers, worker, working class, Labor Day, suits, banner, banners</text>
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                <text>Procession halted in front of the Toowoomba Hall. Labor Day parade celebrates the eight hour working day. Processions with banners were a feature of the later medieval period. The metalworkers' banner has a medieval predecessor in the banners used by guilds (an association of craftsmen in the same trade), with each guild having a banner to show their trade.</text>
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          <element elementId="39">
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              <elementText elementTextId="15719">
                <text>Anon.</text>
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                <text>State Library of Queensland</text>
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            <name>Publisher</name>
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              <elementText elementTextId="15721">
                <text>John Oxley Library, State Library of Queensland</text>
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            <name>Date</name>
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              <elementText elementTextId="15722">
                <text>ca. 1910</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="15723">
                <text>John Oxley Library, State Library of Queensland</text>
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                <text>English</text>
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        <name>banner</name>
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        <name>banners</name>
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        <name>Labor Day</name>
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        <name>labour</name>
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        <name>labourer</name>
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        <name>labourers</name>
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        <name>parade</name>
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        <name>procession</name>
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        <name>suits</name>
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        <name>worker</name>
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        <name>workers</name>
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                  <text>Medievalism on the Streets</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>Dimensions of sash: 148.00 cm (Height), 14.00 cm (Length)</text>
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              <text>&lt;a href="http://museumvictoria.com.au/collections/themes/2772/irish-national-foresters"&gt;http://museumvictoria.com.au/collections/themes/2772/irish-national-foresters&lt;/a&gt;</text>
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                <text>Irish National Foresters' Regalia</text>
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                <text>regalia, Irish National Foresters Organisation, nationalist, nationalism, Irish, Ireland, sash, friendly society, friendly societies, fraternities, fraternity, clover</text>
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                <text>&lt;p&gt;The Irish National Foresters Organisation is a mutual aid society, which was established to help members in distress and the relatives of members who are deceased. It began in 1877 as a breakaway from the Order of Foresters, which was originally set up in England by medieval serfs. As they were not permitted to meet openly, their meetings were gathered in dense forest and they took names associated with forestry and applied them to their leaders (e.g. Chief Ranger, Assistant Chief Ranger, Woodward and Beadle).&lt;/p&gt;&#13;
&lt;p&gt;The I.N.F grew rapidly and soon became the largest friendly society in Ireland. It is non-sectarian, non-political and is not divided by class. The ideas of the society are exemplified in the Chief Ranger's address given at the new members initiation ceremony: 'be a true member to members in distress...remembering that...the time may come when you may acquire their assistance and sympathy in return' and 'do not forget dear old-Ireland; teach...those under your care to cherish the memory of her heroes and heroines, her patriots and soldiers...and those who have left behind them so many beautiful and lasting memorials of love of country.' Although it spread throughout the world the I.N.F. retained close-links with Ireland and was a strong supporter of Irish nationalism. To the extent that the constitution of the I.N.F. called for 'government for Ireland by the Irish people in accordance with Irish ideas and Irish aspirations.'&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://museumvictoria.com.au/collections/items/250056/sash-irish-national-foresters-after-1877"&gt;http://museumvictoria.com.au/collections/items/250056/sash-irish-national-foresters-after-1877&lt;/a&gt;&lt;/p&gt;</text>
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                <text>Museum Victoria</text>
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                <text>Museum Victoria</text>
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              <elementText elementTextId="12385">
                <text>Museum Victoria</text>
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              <elementText elementTextId="12386">
                <text>Museum Victoria</text>
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        <name>clover</name>
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        <name>fraternity</name>
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        <name>friendly society</name>
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        <name>Ireland</name>
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        <name>sash</name>
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                  <text>Medievalism on the Streets</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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              <text>1 photograph : gelatin silver </text>
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              <text>18.7 x 27.7 cm., sheet 30.3 x 40.3 cm.</text>
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              <text>&lt;a href="http://nla.gov.au/nla.pic-an24142865"&gt;http://nla.gov.au/nla.pic-an24142865&lt;/a&gt;</text>
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                <text>St. Anthony's Parish of Wanneroo, Fremantle Saints Parade</text>
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                <text>parade, procession, processions, parades, religious, religion, banner, banners, Christian, Christianity, saint, saints, St Anthony, St. Anthony, Saint Anthony</text>
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                <text>&lt;p&gt;&lt;span style="font-family: tahoma; font-size: x-small;"&gt;A photograph of members of the WA Portuguese Community congregated outside St Patrick's Basilica in Fremantle during the 'Blessing of the Fleet' celebrations in 1979. The Blessing of the Fleet takes place in Fremantle, Western Australia, on the second last Sunday in October. It was first held in 1948 and incorporates a&amp;nbsp;procession in which two Madonna statues are carried&amp;nbsp;from the Basilica to Fishing Boat Harbour.&amp;nbsp;The event relates to one held in the port of Molfetta in Italy, which traditionally dates back to the twelfth century when crusaders returning from Palestine brought paintings of the Madonna to the port. Immigrant fishermen from Molfetta brought the tradition to&amp;nbsp;Fremantle and in 1954 a second Madonna statue was added to the procession by immigrants from the Sicilian port of Capo d'Orlando.&lt;/span&gt;&lt;/p&gt;&#13;
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&lt;div dir="ltr"&gt;&lt;span style="font-family: tahoma; font-size: x-small;"&gt;For more on the Blessing of the Fleet see &lt;a href="http://www.boatingwa.com.au/documents/blessing_of_the_fleet.htm" target="_blank"&gt;http://www.boatingwa.com.au/documents/blessing_of_the_fleet.htm&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;</text>
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              <text>&lt;a href="http://nla.gov.au/nla.news-article32971917" target="_blank"&gt;http://nla.gov.au/nla.news-article32971917&lt;/a&gt;</text>
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                <text>Christmas Pudding. Its Medieval Origin.</text>
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            <description>The topic of the resource</description>
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                <text>Plum Pudding, Plum Porridge, pudding, porridge, medieval food, food, pie, pies, mince pies, Christmas, Christmas pudding, Catholic tradition, tradition, Catholic, Catholicism, Christianity, Christian</text>
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                <text>In this newspaper article, the author traces the origin of Christmas pudding to the popular medieval dish of â€œplum porridgeâ€, a savoury dish combining mixed meats, fruits and spices. It suggests that this traditional medieval dish was forbidden during the seventeenth century as heathenish and papistical, but regained its popularity after the restoration of Charles II. Finally, the article suggests that the firm, round, brandy covered dessert now known as a Christmas pudding was a Victorian invention, although this conception sometimes imaginatively imposed into pictures of medieval gatherings. </text>
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                <text>The West Australian&lt;br /&gt;&lt;a href="http://nla.gov.au/nla.news-article32971917" target="_blank"&gt;http://nla.gov.au/nla.news-article32971917&lt;/a&gt;</text>
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              <text>&lt;a href="http://www.abc.net.au/dimensions/dimensions_people/Transcripts/s833528.htm" target="_blank"&gt;http://www.abc.net.au/dimensions/dimensions_people/Transcripts/s833528.htm&lt;/a&gt;</text>
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                <text>Interview with Prince Leonard, George Negus Tonight, New People Dimensions, â€˜Episode 11: Prince Leonardâ€™, 16/4/2003. </text>
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                <text>â€˜H.R.H Prince Leonard Iâ€™, 'Prince Leonard', â€˜Principality of Hutt Riverâ€™, â€˜Hutt River Provinceâ€™, â€˜Royal Orderâ€™, regalia, knight, knighthood, â€˜knighting ceremonyâ€™, heraldry, sword</text>
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                <text>In this transcript from episode 11 of the ABCâ€™s George Negus Tonight: New People Dimensions series, reporter Brendan Hutchens interviews Prince Leonard I of what was the Hutt River Province Principality (now the Principality of Hutt River). In April 1970, the Hutt River Province seceded from Australia and has functioned since as a principality under the sovereignty of Prince Leonard I and his wife Princess Shirley. The PHRâ€™s Royal College of Heraldry established an extensive system of heraldic honours, and during the course of this interview Prince Leonard performs a knighthood ceremony to admit Brendan Hutchens into the Royal Order of the Hutt River Province principality.  </text>
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Flyer for Fair to be held on 19 March 2011.</text>
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