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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>&lt;a href="http://nla.gov.au/nla.news-article37674643" target="_blank"&gt;http://nla.gov.au/nla.news-article37674643&lt;/a&gt;</text>
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                <text>The World Overseas: â€˜A Relic of Other Daysâ€™</text>
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                <text>Archbishop, cathedral, festival, horseracing, jockey, Italy, medieval festival, medieval games, Siena, Tuscany</text>
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                <text>Included in this Western Mail Supplement page of pictures from around the world, Image 6 shows a festive horserace running through the marketplace in Siena, Italy. The caption describes the festival as a â€˜relic from other daysâ€™; the last surviving remnant of medieval games that had taken place in Tuscany. It adds that jockeys and mounts still received the traditional Archbishopâ€™s blessing at the cathedral before the race.</text>
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                <text>National Library of Australia</text>
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                <text>22 August 1929</text>
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                <text>The Western Mail (copyright expired)</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>Newspaper Article&lt;br /&gt;&lt;a href="http://nla.gov.au/nla.news-article37685191" target="_blank"&gt;http://nla.gov.au/nla.news-article37685191&lt;/a&gt;</text>
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                <text>Finucane-Higgins</text>
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                <text>Cathedral, corsage, Finucane, Higgins, Keoghâ€™s Hall, medieval style, medieval design, organ, St Maryâ€™s Cathedral, Tasmania, wedding dress, wedding, gown</text>
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                <text>This article from the wedding column of the Western Mail gives an account of the wedding of Josephine Higgins and Kevin Finucane at St Maryâ€™s Cathedral on 6 January 1930. The brideâ€™s dress is described as a picture frock of soft white satin, with a corsage â€œcut along medieval linesâ€, long sleeves and a diamante ornament on the waist. The skirt was ankle-length and embossed with pearl flowers, and she also wore a tulle veil with a circle of silver leaves and orange buds. The reception was held at Keoghâ€™s Hall before the bride and groom left for their future home in Tasmania.</text>
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                <text>National Library of Australia</text>
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                <text>&#13;
6 February 1930, p.36</text>
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              <text>Newspaper Article&lt;br /&gt;&lt;a href="http://nla.gov.au/nla.news-article41702770" target="_blank"&gt;http://nla.gov.au/nla.news-article41702770&lt;/a&gt;</text>
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                <text>Alan Lechte - horsebreeder, colt, horse-racing, â€œMedieval Knightâ€, Melbourne, Messrs. William Inglis and Sonâ€™s, racehorse, racehorse lineage, racehorse names, racehorse sale, yearling</text>
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                <text>In this article concerning the sale of a yearling racehorse in Melbourne, the sire is identified as a horse named â€œMedieval Knightâ€. The colt was offered for sale by Alan Lechte in Messrs William Inglis and Sonâ€™s yearling catalogue in 1939. When bidding reached 300 guineas, Mr Inglis informed buyers that the breeder expected a price of 1000 guineas, or he was prepared to race the horse himself.</text>
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                <text>In this article from the Western Mail, news from Paris informs readers about a cheering crowd of 3000 people, mostly women, who mobbed Miss Barbara Hutton, the American Woolworthsâ€™ heiress, and Russian Prince Alexis Mdivani as they left the church after their wedding in June 1933. Huttonâ€™s wedding gown is described as a pearl-coloured satin dress with a medieval design and a train.</text>
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            <name>Source</name>
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                <text>National Library of Australia</text>
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                <text>The Western Mail</text>
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                <text>29 June 1933, p. 24</text>
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                <text>The Western Mail</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>&lt;a href="http://hdl.handle.net/10462/deriv/145853"&gt;http://hdl.handle.net/10462/deriv/145853&lt;/a&gt;</text>
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                <text>Photograph portraying a 1912 parade celebrating the Eight Hour Day. Trade unionists are in the parade showing their support by bearing a medieval inspired banner. Some historians consider trade unions to be the successors of medieval guilds.</text>
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                <text>John Oxley Library, State Library of Queensland</text>
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                <text>John Oxley Library, State Library of Queensland</text>
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                <text>State Library of Queensland</text>
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