35 8 324 https://ausmed.arts.uwa.edu.au/files/original/e09f22981ce72bda42e0f7a80e6c5e21.jpg 5cc02f9d3e2d6db9bf63afda98c8cf0c Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 330 Width 212 https://ausmed.arts.uwa.edu.au/files/original/9037fa1f6c1e111e8e9bef03ab2ff528.jpg 4f03ef1452bf603f8c6692693f1a8b2d Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 386 Width 306 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Streets Description An account of the resource This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data 2 x Digital Photographs Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Gog and Magog, Royal Arcade, Melbourne Subject The topic of the resource arcade, Britain, Brutus, Corineus, gateway, Gaunt’s Clock, Geoffrey of Monmouth (d.1154/5), giants, Gog, Gogmagog, guardian, Guildhall, Historia Regum Britanniae, legend, London, Magog, medieval folklore, Melbourne, myth, mythology, porter, Royal Arcade, statues, time, Trojan army Description An account of the resource Close-up images of the statutes of Gog and Magog, who strike the time hourly on Gaunt’s Clock in Melbourne’s Royal Arcade. According to the legend cited in the description under the clock, the mythological giants Gog and Magog were captured by Brutus and forced to serve as porters at the gateway of a palace on the site of the Guildhall in London. They are indeed guardians of the City of London, and wooden statutes of the figures were installed at the Guildhall in the early eighteenth century. These statues replaced large wicker models of the giants that had been paraded in the Lord Mayor’s Procession since the time of Henry V (r.1413-1422), but that were destroyed in the Great Fire. The description reads: “These two 7-feet giants have been striking the time on Gaunt's clock since 1892. They were carved from clear pine and modelled on the figures erected in Guildhall, London, in 1708 to symbolise the conflict between the ancient Britons and the Trojan invaders. Mythology tells of the giants Gog and Magog (also known as Corineus and Gogmagog) having been captured in battle by the Trojans and made to serve as porters at the gateway of an ancient palace on a site later occupied by the Guildhall. It is traditional for Gog to stand to the north and Magog to the south.” However, although the description lists Corineus was an alternate name for Gog, Geoffrey of Monmouth describes Corineus as an ally of Brutus in his twelfth-century Historia Regum Britanniae, and credits him with slaying the giant Goëmagot (by throwing him into the sea). Creator An entity primarily responsible for making the resource Lynch, Andrew Date A point or period of time associated with an event in the lifecycle of the resource 29 January 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph arcade Britain Brutus Corineus gateway Gaunt’s Clock Geoffrey of Monmouth (d.1154/5) giants Gog Gogmagog guardian Guildhall Historia Regum Britanniae legend London Magog medieval folklore Melbourne myth mythology porter Royal Arcade statues time Trojan army https://ausmed.arts.uwa.edu.au/files/original/809766644f32b2fe1b0659349ecf381d.jpg a812ee45ec9825a556b5cf249ccd344d Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 336 Width 382 https://ausmed.arts.uwa.edu.au/files/original/3a7367d7e08844dc7f14838136f04958.jpg c62cec716267b793239254a1ce457b06 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 268 Width 448 https://ausmed.arts.uwa.edu.au/files/original/422890dbf6e4d10947269f9dbb397032.jpg dbde0b07c103f119a2e1b7de925a3490 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 183 Width 544 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Streets Description An account of the resource This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data 3 x Digital Photographs Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Gaunt's Clock, Royal Arcade, Melbourne Subject The topic of the resource arcade, Britain, Brutus, Corineus, Gaunt’s Clock, Geoffrey of Monmouth (d.1154/5), giants, Gog, Gogmagog, guardian, Guildhall, Historia Regum Britanniae, legend, London, Magog, medieval folklore, Melbourne, myth, mythology, porter, Royal Arcade, statues, time, Trojan army Description An account of the resource A view of Gaunt’s Clock in Royal Arcade, Melbourne. Royal Arcade was designed by architect Charles Webb and was completed in 1870. Gaunt’s Clock was added in 1892. On either side of the clock is a statute of the mythical giants Gog and Magog, who symbolically strike chimes every hour. According to the legend cited in the description under the clock, Gog and Magog were captured by Brutus and forced to serve as porters at the gateway of a palace on the site of the Guildhall in London. They are indeed guardians of the City of London, and wooden statutes of the figures were installed at the Guildhall in the early eighteenth century. These statues replaced large wicker models of the giants that had been paraded in the Lord Mayor’s Procession since the time of Henry V (r.1414-1422), but that were destroyed in the Great Fire. The description under the clock reads: “These two 7-feet giants have been striking the time on Gaunt's clock since 1892. They were carved from clear pine and modelled on the figures erected in Guildhall, London, in 1708 to symbolise the conflict between the ancient Britons and the Trojan invaders. Mythology tells of the giants Gog and Magog (also known as Corineus and Gogmagog) having been captured in battle by the Trojans and made to serve as porters at the gateway of an ancient palace on a site later occupied by the Guildhall. It is traditional for Gog to stand to the north and Magog to the south.” However, although the description lists Corineus was an alternate name for Gog, Geoffrey of Monmouth describes Corineus as an ally of Brutus in his twelfth-century Historia Regum Britanniae, and credits him with slaying the giant Goëmagot (by throwing him into the sea). Creator An entity primarily responsible for making the resource Lynch, Andrew Date A point or period of time associated with an event in the lifecycle of the resource 29 January 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph arcade Britain Brutus Corineus Gaunt’s Clock Geoffrey of Monmouth (d.1154/5) giants Gog Gogmagog guardian Guildhall Historia Regum Britanniae legend London Magog medieval folklore Melbourne myth mythology porter Royal Arcade statues time Trojan army https://ausmed.arts.uwa.edu.au/files/original/a3320ee525ba43c3075251195f77b11c.pdf c20ba5cb15e869bc277cc9e579529735 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Streets Description An account of the resource This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Newspaper Article Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Weddings. Henry-Christie Subject The topic of the resource dress, fashion, Karrakatta Club, medieval lines, Marjorie Christie, Norman J. Henry, Rev. George Tulloch, satin gown, St. Andrew’s Presbyterian Church, wedding, wedding dress, vogue, medieval dress, medieval style Description An account of the resource This article from the wedding column of the Western Mail gives an account of the wedding of Marjorie Christie and Norman J. Henry at St Andrew&rsquo;s Presbyterian Church in Perth, Western Australia, on 15 July 1933. The bride&rsquo;s dress is described as &ldquo;a lovely gown of satin cut on medieval lines, with long fitting sleeves.&rdquo; Pink and silver flowers decorated the corsage and train of the dress, matching the pink velvet dresses and silver and pink turbans worn by the bridesmaids. The wedding reception was held at the Karrakatta Club. Creator An entity primarily responsible for making the resource Anon. Source A related resource from which the described resource is derived National Library of Australia Publisher An entity responsible for making the resource available The Western Mail Date A point or period of time associated with an event in the lifecycle of the resource 27 July 1933, p. 22. Rights Information about rights held in and over the resource The Western Mail Format The file format, physical medium, or dimensions of the resource Newspaper Article Language A language of the resource English dress fashion Karrakatta Club Marjorie Christie medieval dress medieval lines medieval style Norman J. Henry Rev. George Tulloch satin gown St. Andrew’s Presbyterian Church vogue wedding wedding dress Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Streets Description An account of the resource This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism. Hyperlink Title, URL, Description or annotation. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Negative: Black &amp; White URL <a href="http://museumvictoria.com.au/bfa/view_single.asp?qNum=MM%20002015">http://museumvictoria.com.au/bfa/view_single.asp?qNum=MM%20002015</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Federated Municipal Employees Marching in Trade Union Parade Subject The topic of the resource Federated Municipal Employees' Union, parade, parades, procession, processions, banner, banners, float, floats, horse-drawn, trade union, trade unions, trade unionism, labour, trade procession, trade processions, working class, Ballarat, Victoria, Melbourne, advertising, workers, Walter Ham, 1920 Description An account of the resource Federated Municipal Employees depicted with a FME banner drawn by four horses at a trade union parade in Ballarat, 1920. Some historians consider trade unions to be the successors of medieval guilds. <br /><br />For information regarding the Federated Municipal Employees' Union of Australia, see:<br /><a href="http://www.atua.org.au/biogs/ALE0475b.htm">http://www.atua.org.au/biogs/ALE0475b.htm</a> Creator An entity primarily responsible for making the resource Anon. Source A related resource from which the described resource is derived Museum Victoria Publisher An entity responsible for making the resource available Museum Victoria Date A point or period of time associated with an event in the lifecycle of the resource ca. 1920 Rights Information about rights held in and over the resource Museum Victoria Format The file format, physical medium, or dimensions of the resource Hyperlink; Black & White Photograph advertising Ballarat banner banners Federated Municipal Employees' Union float floats horse-drawn labour Melbourne parade parades procession processions Trade Union trade unionism Trade Unions Victoria workers working class Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Streets Description An account of the resource This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism. Hyperlink Title, URL, Description or annotation. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Photograph (b&amp;w): <a href="http://www.slq.qld.gov.au/home/copyright">http://www.slq.qld.gov.au/home/copyright</a><br /><br /> URL <p><a href="http://hdl.handle.net/10462/deriv/150139">http://hdl.handle.net/10462/deriv/150139</a></p> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource St. Patrick's Day Procession led by men carrying a banner, Mt. Morgan, ca. 1917 Subject The topic of the resource St. Patrick's Day Procession, Saint Patrick, St. Patrick, procession, processions, banner, banners, float, floats, Irish culture, national identity, Mt. Morgan, Queensland, parade, parades Description An account of the resource Photograph depicting a 1917 St. Patrick's Day procession with men carrying a St. Patrick's Day banner bearing a medieval-style design. Creator An entity primarily responsible for making the resource Anon. Source A related resource from which the described resource is derived State Library of Queensland Publisher An entity responsible for making the resource available John Oxley Library, State Library of Queensland Date A point or period of time associated with an event in the lifecycle of the resource ca. 1917 Rights Information about rights held in and over the resource John Oxley Library, State Library of Queensland Format The file format, physical medium, or dimensions of the resource Hyperlink to photograph banner banners float floats Irish culture Mt. Morgan national identity parade parades procession processions Queensland Saint Patrick St. Patrick St. Patrick's Day Procession Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Streets Description An account of the resource This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism. Hyperlink Title, URL, Description or annotation. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Engraving:<br />http://www.catalog.slsa.sa.gov.au:80/record=b2132504~S1 URL <a href="http://images.slsa.sa.gov.au/searcy/40/PRG280_1_40_144.htm">http://images.slsa.sa.gov.au/searcy/40/PRG280_1_40_144.htm</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Friendly Society Picnic March at Belair National Park Subject The topic of the resource Ancient Order of Foresters, Foresters Friendly Society, Foresters, Friendly Society, Friendly Societies, banner, banners, procession, processions, South Australia, Belair, SA Description An account of the resource <p>Men, women, and children marching with Ancient Order of Foresters banners prior to arriving at the Belair National Park. <br /> <br /> <strong>About the Ancient Order of Foresters:</strong></p> <p>The Ancient Order of Foresters originated in England in the mid-eighteenth century, with the first recorded Foresters meeting being held in Leeds in 1834. The 'Ancient Order'&nbsp;in the friendly society's title probably refers to the medieval origins of foresters. The term entered Middle English via Old French and is first attested in English in 1297. A forester was an officer in charge of a forest, or of growing timber on an estate&nbsp;(<em>Oxford English Dictionary</em>).The Ancient Order of Foresters established its first branch (court) in Australia in Victoria in 1849.&nbsp;</p> <p>The Foresters are a non-profit organisation. The principles of the society are founded on a desire to provide financial and social benefits as well as support to members and their families in times of unemployment, sickness, death, disability and old age. Consequently, the Foresters played a particularly active role in the lives of members and their families during the Depression and both World Wars.</p> <p>Membership growth was significant during and up to the mid 1940's. At this stage the society had nearly one hundred courts located throughout Victoria, and had representation in all states of Australia. During this period funds raised by Foresters contributed to the construction of approximately twenty Foresters halls throughout the state. These facilities were utilised for meetings and community purposes and halls were used as refuges in times of trauma such as bushfires and floods.</p> <p>In the post Second World War period membership began to decline as the social circumstances improved due to the growth of the economy and an abundance of work and improvement in the provision of government benefits. Although the importance of such groups as the Ancient Order of Foresters has declined in recent years, the society through a core of loyal and dedicated members, has never wavered from its original objectives and mission to "serve the community and deserving groups by involvement in social activities and fund raising for charities."</p> <p><a href="http://www.forestersfs.com.au/1history.html">http://www.forestersfs.com.au/1history.html</a></p> <p>&nbsp;</p> Creator An entity primarily responsible for making the resource Anon. Source A related resource from which the described resource is derived State Library of South Australia Publisher An entity responsible for making the resource available Unknown Date A point or period of time associated with an event in the lifecycle of the resource ca. 1914 Rights Information about rights held in and over the resource Reproduction rights owned by State Library of South Australia Format The file format, physical medium, or dimensions of the resource Hyperlink; Engraving Language A language of the resource English Ancient Order of Foresters banner banners Belair Foresters Foresters Friendly Society friendly societies friendly society procession processions SA South Australia Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Streets Description An account of the resource This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism. Hyperlink Title, URL, Description or annotation. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Print: Wood Engraving published in The Australian news for home readers. Accession No: IAN19/05/66/8; Image No: mp001027 URL <a href="http://www.slv.vic.gov.au/miscpics/gid/slv-pic-aab15089">http://www.slv.vic.gov.au/miscpics/gid/slv-pic-aab15089</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Eight Hours Demonstration Subject The topic of the resource eight hours demonstration, demonstration, eight hour working day, eight hours, eight hours movement, procession, processions, Melbourne, float, floats, banner, banners, Labour, Labour Day, working class, nineteenth century, nineteenth-century, Trades Hall Description An account of the resource Wood Engraving by Frederick Grosse (1866) depicting the 1866 procession which started at the Trades Hall, Carlton and finished at the North Botanical Gardens, celebrating the 10th anniversary of the eight hours movement. Creator An entity primarily responsible for making the resource Grosse, Frederick Source A related resource from which the described resource is derived The Australian; State Library of Victoria Publisher An entity responsible for making the resource available Melbourne : Ebenezer and David Syme Date A point or period of time associated with an event in the lifecycle of the resource 19 May 1866 Rights Information about rights held in and over the resource Reproduction rights owned by the State Library of Victoria Format The file format, physical medium, or dimensions of the resource Hyperlink; Print: Wood Engraving Language A language of the resource English banner banners demonstration eight hour working day eight hours eight hours demonstration eight hours movement float floats labour Labour Day Melbourne nineteenth century nineteenth-century procession processions Trades Hall working class Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Streets Description An account of the resource This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism. Hyperlink Title, URL, Description or annotation. URL Western Mail Newspaper Article:<br /><br /><a href="http://nla.gov.au/nla.news-article39112784" target="_blank">http://nla.gov.au/nla.news-article39112784</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource To Hold the Bridal Veil Subject The topic of the resource Bandeau, bridal fashion, coronet, fashion, hair, hairstyle, head-dress, medieval fashion, medieval head-dress, medieval style, medieval dress, medieval queen, queen, pearl, Riche of Hay-Hill, tiara, vogue, medieval vogue Description An account of the resource In these pages, the latest fashion advice from London regarding bridal headgear is relayed. The article begins by informing readers that wealthy English brides were wearing diamond tiaras on their wedding days. However, it surmises, it was unlikely that local brides would have diamond tiaras at their disposal, and so goes on to describe and provide sketches of some alternative head-dresses that were being used by “Riche of Hay-Hill”, a hair expert in London. The first of these suggestions is a floral head-dress that “might be made in the shape of a tiny coronet or crown poised on her head like that of a medieval queen”. Other suggestions include various arrangements of pearls and glass beads strung onto wire and worn as coronets or bandeaus. Creator An entity primarily responsible for making the resource Anon. Source A related resource from which the described resource is derived National Library of Australia Publisher An entity responsible for making the resource available The Western Mail Date A point or period of time associated with an event in the lifecycle of the resource 1 March 1951, pp. 36-37. Rights Information about rights held in and over the resource The Western Mail Format The file format, physical medium, or dimensions of the resource Newspaper Article Language A language of the resource English Bandeau bridal fashion coronet fashion hair hairstyle head-dress medieval dress medieval fashion medieval head-dress medieval queen medieval style medieval vogue pearl queen Riche of Hay-Hill tiara vogue