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                  <text>Medievalism on the Streets</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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                <text>Rescue of an Austrian Nazi: Medieval Incident Re-enacted</text>
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                <text>anthem, Austria, Blondel, capture, cell, chivalry, chivalric legend, confinement, deception, dupe, DÃ¼rnstein Castle, Eleanor of Aquitaine (c.1122-1204), escape, folklore, Franz Hofer (1902-1975), imprisonment, legend, Leopold V of Austria (1157-1194), medieval folklore, minstrel, Nazi, page, prison, ransom, Richard Coeur de Lion, Richard I (1157-1199), Richard the Lionheart, ruse, song, Third Crusade (1189-1192), troubadour, Tunsbruck gaol</text>
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                <text>In this report from Munich in 1933, an â€˜amusing storyâ€™ about the escape of Nazi leader Franz Hofer from an Austrian prison is recounted for WA readers. Not long before his escape in August 1933, Hofer said, he heard one of the Austrian warders singing the Nazi anthem with the additional line â€œBondage will only last a short time nowâ€. This he correctly interpreted as a sign that he would soon be rescued. The article likens the incident to a legend concerning the imprisonment of Richard the Lionheart in the twelfth century. In 1192, Richard I of England was captured by Leopold V of Austria on his return from the Third Crusade. He was held for a significant ransom, which Richardâ€™s mother - Eleanor of Aquitaine - raised. Richard was eventually released and returned to England in 1194. A popular chivalric legend emerged that a faithful troubadour named Blondel travelled from castle to castle after Richard was captured singing a song that would be recognisable only to him, in order to discover the place of Richardâ€™s imprisonment.   </text>
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                <text>National Library of Australia &lt;a href="http://nla.gov.au/nla.news-article33326172" target="_blank"&gt;http://nla.gov.au/nla.news-article33326172&lt;/a&gt;</text>
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                <text>9 October 1933, p. 9.</text>
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            <description>Information about rights held in and over the resource</description>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>&lt;span style="font-size: 10pt;" lang="EN-AU"&gt;&lt;a href="http://www.vikings.com.au/OurClubs.aspx" target="_blank"&gt;http://www.vikings.com.au/OurClubs.aspx&lt;/a&gt;&lt;/span&gt;</text>
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            <description>A name given to the resource</description>
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                <text>Vikings Group</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>viking, vikings, horned helmet, helmet, armour, battle, battles, New South Wales, NSW, rugby, Viking, warrior, warriors</text>
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                <text>&lt;p class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt;"&gt;&lt;span style="font-size: 10pt;" lang="EN-AU"&gt;Described on their website as &amp;lsquo;the largest Licensed Rugby Union Club in the world&amp;rsquo;  (&lt;a href="http://www.vikings.com.au/OurClubs.aspx" target="_blank"&gt;http://www.vikings.com.au/OurClubs.aspx&lt;/a&gt;),  the Vikings Group is an Australian club with a number of venues in New  South Wales. Their logo features a side profile of a Viking warrior with  long moustache wearing a horned helmet. &lt;span&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;span style="font-size: 10pt;" lang="EN-AU"&gt;More on the group can be found at &lt;a href="http://www.vikings.com.au/" target="_blank"&gt;www.vikings.com.au&lt;/a&gt;&lt;/span&gt;</text>
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                <text>McLeod, Shane</text>
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            <description>A related resource from which the described resource is derived</description>
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                <text>&lt;span style="font-size: 10pt;" lang="EN-AU"&gt; &lt;a href="http://www.vikings.com.au/" target="_blank"&gt;www.vikings.com.au&lt;/a&gt;&lt;/span&gt;</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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              <elementText elementTextId="9823">
                <text>Vikings Group</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="9824">
                <text>29 June 2011</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="9825">
                <text>Vikings Group</text>
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                <text>Weblink</text>
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            <description>A language of the resource</description>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>Digitised Newspaper Article, National Library of Australia, &lt;a href="http://nla.gov.au/nla.news-article49067504" target="_blank"&gt;&lt;span style="color: blue;"&gt;http://nla.gov.au/nla.news-article49067504&lt;/span&gt;&lt;/a&gt;</text>
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                <text>Wool Types in Australia Total 1,500</text>
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                <text>competition, marketing, medieval methods, sales, Sydney University, synthetic fibres, T. G. Hunter, wool, wool market, wool trade, sheep</text>
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                <text>In this article about wool sales in 1952, Australiaâ€™s marketing methods are described as medieval. T. G. Hunter, a Professor of Chemical Engineering at Sydney University, is quoted advising that wool should be marketed in a few uniform grades (rather than by 1,500 different classification types) so as to counter the threat posed by uniform quality synthetic fibres. This change, although costly, is necessary, suggests the author, if the Australian wool trade is to maintain its sales volume. </text>
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                <text>Anon.</text>
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              <elementText elementTextId="9212">
                <text>National Library of Australia</text>
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            <description>An entity responsible for making the resource available</description>
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                <text>The West Australian</text>
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                <text>6 December 1952, p. 10.</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>The West Australian</text>
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        <name>Sydney University</name>
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        <name>synthetic fibres</name>
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        <name>T. G. Hunter</name>
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                <text>In this column on wedding fashions in 1929, readers are advised that the favoured style for wedding dresses has changed from the short straight frocks of the previous year to long medieval style dresses. A long frock, the author suggests, is more dignified than a short or flimsy one, and is therefore â€œmuch more in keeping with the church serviceâ€. Materials such as velvet and satin are recommended, and a new tendency to eliminate the train and replace it with a flowing tulle veil is noted. Veils of tulle or chiffon are advised to create a â€œcloudy effectâ€ that contrasts the heavier material of the dress. The bridesmaidâ€™s dresses, the article concludes, should be in the same style as the bride. If the bride wears a velvet dress of medieval design, it instructs, the bridesmaids should also wear velvet in a different colour, and definitely not tulle frocks of the early Victorian style. </text>
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                <text>arcade, Big Ben, Big Clock, clock, dragon, Fremantle, H. Hope Jones, Hay Street, horse, knights, La Grosse Horage, lance, London Court, mechanisation, Monk of Glastonbury, Moreton Bay, Peter Lightfoot, retail arcade, Rouen, shopping, St George, St Georgeâ€™s Terrace, sword, Synchronome Company Ltd, synchronome invention, â€œTournament of Tilting Knightsâ€, WA, Wells Cathedral, Western Australia</text>
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                <text>In this article from The West Australian in 1937, the arrival of two clocks destined for London Court in Perth, Western Australia is announced. They were delivered to Fremantle by Mr H. Hope-Jones, managing director and founder of the Synchronome Company in London, during his world tour of observatory clocks. The article goes on to summarise Hope-Jonesâ€™ description of the clocks: the clock at the St Georgeâ€™s Terrace entrance would have a dial copied from the famous medieval (fourteenth century) Big Clock at Rouen and the clock at the Hay Street entrance would be a replica of Big Ben in London. Above the clock at the St Georgeâ€™s end, Hope-Jones explained, would be the figures of St George and the dragon on a revolving horizontal wheel. The wheel would revolve once at every quarter past the hour, twice at every half hour, three times at every three-quarters past the hour and at the chiming of the full hour St Georgeâ€™s sword would touch a hidden trigger switch and the dragonâ€™s head would fall off. Above the Hay Street clock would be four jousting knights, who would occasionally dismount each other with a blow from their lance. This, Hope-Jones said, was a copy of the fourteenth-century Wells Cathedral Clock reputed to have been made by Peter Lightfoot, the Monk of Glastonbury. </text>
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&lt;p class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt;"&gt;&lt;span style="font-size: 10pt;"&gt;A    medieval combat demonstration performed  by members of The Grey   Company  at the Perth Medieval  Fayre. The participants here are wearing   circa  fifteenth-century sallet  style helmets and various articles of   plate  armour, including  breastplates to protect the chest, gauntlets   to  protect the hands,  vambraces covering the arm from the wrist to  the   elbow,  rerebraces extending from the elbow up to the shoulder,    pauldrons to  protect the shoulder and plate cuisses to cover their    legs. They are  fighting with examples of medieval weaponry ranging from    one- and  two-handed swords to throwing axes and halberds. The  Grey    Company is a historical re-enactment group specialising in the   weapons   and combat of the &amp;lsquo;Dark Ages&amp;rsquo; and the medieval period more   generally.   For more information about The Grey Company, see &lt;/span&gt;&lt;a href="http://greycompany.com.au/" target="_blank"&gt;&lt;span style="font-size: 10pt;"&gt;&lt;span style="color: #0000ff;"&gt;http://greycompany.com.au/&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span style="font-size: 10pt;"&gt;. &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt;"&gt;&lt;span style="font-size: 10pt;"&gt;The    Perth Medieval Fayre is organised by  the Western Australian Medieval    Alliance (WAMA).  In 2011 it was held at Supreme Court Gardens on 19    March. Enthusiasts  and vendors showcased a range of medieval arts and    crafts, from dancing,  calligraphy and lace-making to demonstrations  of   the techniques,  weaponry and apparel of medieval combat.&lt;/span&gt;&lt;/p&gt;&#13;
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&lt;p class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt;"&gt;&lt;span style="font-size: 10pt;"&gt;A   medieval combat demonstration performed  by members of The Grey  Company  at the Perth Medieval  Fayre. The participants here are wearing  circa  fifteenth-century sallet  style helmets and various articles of  plate  armour, including  breastplates to protect the chest, gauntlets  to  protect the hands,  vambraces covering the arm from the wrist to the   elbow,  rerebraces extending from the elbow up to the shoulder,   pauldrons to  protect the shoulder and plate cuisses to cover their   legs. They are  fighting with examples of medieval weaponry ranging from   one- and  two-handed swords to throwing axes and halberds. The  Grey   Company is a historical re-enactment group specialising in the  weapons   and combat of the &amp;lsquo;Dark Ages&amp;rsquo; and the medieval period more  generally.   For more information about The Grey Company, see &lt;/span&gt;&lt;a href="http://greycompany.com.au/" target="_blank"&gt;&lt;span style="font-size: 10pt;"&gt;&lt;span style="color: #0000ff;"&gt;http://greycompany.com.au/&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span style="font-size: 10pt;"&gt;. &lt;/span&gt;&lt;/p&gt;&#13;
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            <description>A name given to the resource</description>
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              <elementText elementTextId="8978">
                <text>Medieval Fighting Demonstration at the Perth Medieval Fayre</text>
              </elementText>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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              <elementText elementTextId="8979">
                <text>armament, armour, arms, axe, battle, battle-axe, breastplate, combat, dagger, defensive armament, demonstration, display, gauntlet, halberd, handcrafted, helmet, knight, metalwork, medieval weapon, misericord, pauldron, Perth, Perth Medieval Fayre, plate armour, poleaxe, re-creation, recreation, rerebrace, sallet, soldier, staff weapons, sword, The Grey Company, throwing axe, vambrace, WA, WAMA, warfare, weaponry, Western Australia, Western Australian Medieval Alliance</text>
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                <text>&lt;div class="element-text"&gt;&#13;
&lt;p class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt;"&gt;&lt;span style="font-size: 10pt;"&gt;A  medieval combat demonstration performed  by members of The Grey Company  at the Perth Medieval  Fayre. The participants here are wearing circa  fifteenth-century sallet  style helmets and various articles of plate  armour, including  breastplates to protect the chest, gauntlets to  protect the hands,  vambraces covering the arm from the wrist to the  elbow,  rerebraces extending from the elbow up to the shoulder,  pauldrons to  protect the shoulder and plate cuisses to cover their  legs. They are  fighting with examples of medieval weaponry ranging from  one- and  two-handed swords to throwing axes and halberds. The  Grey  Company is a historical re-enactment group specialising in the  weapons  and combat of the &amp;lsquo;Dark Ages&amp;rsquo; and the medieval period more  generally.  For more information about The Grey Company, see &lt;/span&gt;&lt;a href="http://greycompany.com.au/" target="_blank"&gt;&lt;span style="font-size: 10pt;"&gt;&lt;span style="color: #0000ff;"&gt;http://greycompany.com.au/&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span style="font-size: 10pt;"&gt;. &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt;"&gt;&lt;span style="font-size: 10pt;"&gt;The  Perth Medieval Fayre is organised by  the Western Australian Medieval  Alliance (WAMA).  In 2011 it was held at Supreme Court Gardens on 19  March. Enthusiasts  and vendors showcased a range of medieval arts and  crafts, from dancing,  calligraphy and lace-making to demonstrations of  the techniques,  weaponry and apparel of medieval combat.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;/div&gt;</text>
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              <elementText elementTextId="8981">
                <text>McEwan, Joanne</text>
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            <name>Date</name>
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                <text>19 March 2011</text>
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              <elementText elementTextId="8983">
                <text>No Copyright</text>
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                <text>McEwan, Joanne, "Medieval Combat Demonstration at the Perth Medieval  Fayre," in Medievalism in Australian Cultural Memory, Item #417,&lt;br /&gt; &lt;a href="../../items/show/417"&gt;http://ausmed.arts.uwa.edu.au/items/show/417&lt;/a&gt;&lt;br /&gt; &lt;br /&gt; McEwan, Joanne, "Medieval Combat at the Perth Medieval Fayre," in Medievalism in Australian Cultural Memory, Item #416,&lt;br /&gt; &lt;a href="../../items/show/416"&gt;http://ausmed.arts.uwa.edu.au/items/show/416&lt;/a&gt;&lt;br /&gt; &lt;br /&gt; McEwan, Joanne, "Armoured for Combat," in Medievalism in Australian Cultural Memory, Item #418, &lt;a href="../../items/show/418"&gt;http://ausmed.arts.uwa.edu.au/items/show/418&lt;/a&gt;</text>
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