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                <text>A photograph of the King and Queen of the Balingup Medieval Carnivale. The royal couple, accompanied by members of their court and guards, took part in the parade each day and then sat in state in the royal tent in the combat arena. </text>
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                <text>&lt;p&gt;A photograph of a raven banner at the Balingup Medieval Carnivale. A raven banner is mentioned in a (late) version of the Anglo-Saxon Chronicle reporting on a battle in 878 between an invading Viking group and the men of Devon. The latter defeated the invaders and are said to have captured their raven banner. The Saga of the Earls of Orkney reports that a raven banner was made for Sigurd the Stout/Great, and Knut is thought to have had one at the Battle of Ashingdon in 1016. The raven is possibly associated with the Norse god Odin, but it is equally likely that a carrion bird is thought to have been an appropriate battle symbol. The raven on the banner in the photograph is based on the raven featured on the coins of Anlaf Guthfrithsson, the Viking king who ruled from York from 939-41.&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-family: tahoma;"&gt;For the original coin see &lt;a href="http://www.britishmuseum.org/explore/highlights/highlight_objects/cm/s/silver_penny_of_anlaf_guthfrit.aspx" target="_blank"&gt; http://www.britishmuseum.org/explore/highlights/highlight_objects/cm/s/silver_penny_of_anlaf_guthfrit.aspx&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>This entertainment piece from The West Australianâ€™s online edition reviews the BBC series Merlin (2008). At the time the article was written in 2010, the second season of the series was being aired on Australian television by Channel 10. The characters and setting of the show are based on figures and places from Arthurian legend, however, the plot focuses on the lives of the characters prior to the mythologised events of the medieval legend. The characters include Merlin, Arthur, Guinevere, Gaius and Morgana, and the story is set in Camelot. Merlinâ€™s Producer, Johnny Capps, is quoted as saying that they needed a mythological tale and he thought that Merlin â€œjust seemed to be right for re-interpretation for a 21st- century audienceâ€. On the motivation for the plot, he continued: â€œWe decided to start before they were famous because what appealed to us was a story of empowerment. What if we had a young Arthur who was not yet King and Merlin as a young wizard, coping with trying to be a teenager and at the same time his destiny and extraordinary power? And we subverted the expectation around Guinevere by making her a lowly servant girl."</text>
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                <text>Saunders, Amanda</text>
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                <text>&lt;span style="color: #000000; font-family: Tahoma; font-size: x-small;"&gt;&lt;a href="http://thewest.com.au/" target="_blank"&gt;Thewest.com.au&lt;/a&gt;&lt;/span&gt;</text>
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                <text>The West Australian&#13;
&#13;
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                <text>9 June 2010</text>
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          <element elementId="47">
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            <description>Information about rights held in and over the resource</description>
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                <text>The West Australian</text>
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            <description>A language of the resource</description>
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        <name>Guinevere</name>
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        <name>medieval legend</name>
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        <name>Merlin</name>
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        <name>Morgana</name>
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        <name>mythology</name>
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        <name>re-interpretation</name>
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        <src>https://ausmed.arts.uwa.edu.au/files/original/f76ffb87ea203557e4928a6d5d8f6ae2.JPG</src>
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                <name>Bit Depth</name>
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                    <text>8</text>
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              <name>Title</name>
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                  <text>Medievalism on the Streets</text>
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              <description>An account of the resource</description>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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            <name>Title</name>
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                <text>Suit of armour, Balingup Medieval Carnivale</text>
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            <name>Subject</name>
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                <text>Armour, Balingup, Balingup Medieval Carnivale, carnival, helmet, visor, breastplate, gorget, cuisse, poleyn, recreation, Shire of Donnybrook-Balingup, South-West WA, WA, Western Australia, festival, festivity, festivities, tourism, knight, knights</text>
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                <text>A photograph of a suit of armour at the Balingup Medieval Carnivale. The suit is made of plate armour, dating it to post 1300. The suit includes a helmet with visor, breastplate, gorget, cuisse, and poleyn.</text>
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                <text>McLeod, Shane</text>
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                <text>27 August 2011</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="11774">
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        <name>Shire of Donnybrook-Balingup</name>
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        <name>tourism</name>
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        <name>visor</name>
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        <name>WA</name>
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      <tag tagId="73">
        <name>Western Australia</name>
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