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                  <text>Medievalism on the Page</text>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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              <text>&lt;a href="http://nla.gov.au/nla.news-article49605228" target="_self"&gt;http://nla.gov.au/nla.news-article49605228&lt;/a&gt;</text>
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                <text>Roaming Tiger, &lt;em&gt;The West Australian&lt;/em&gt;, 12 December 1953</text>
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                <text>Aesop, Androcles, animals, anthropomorphism, coat of arms, circus, courage, emblem, fables, folklore, gratitude, honour, lion, loyalty, medieval romance, Narrandera, New South Wales, NSW, popular culture, Reynard the Fox, Red Riding Hood, Remus, she-wolf, stories, story-tellers, symbolism, tiger, wolf.</text>
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                <text>This interest piece from &lt;em&gt;The West Australian&lt;/em&gt; in 1953 discusses the symbolic use of animals in roman legends and medieval fables, and their anthropomorphic investment with human characteristics. Using an incident in New South Wales where a circus tiger wandered into a neighbouring house and licked a sleeping child as their impetus, the author claims that animal stories have been popular since the days of Aesop. Amongst other examples, they note that in medieval stories about Reynard the Fox, he was usually depicted as a genial, roguish hero, and that the writers of medieval romances regularly employed the lion to symbolise courage and honour.</text>
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                <text>C. R. Collins </text>
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                <text>National library of Australia: &lt;a href="http://nla.gov.au/nla.news-article49605228" target="_self"&gt;http://nla.gov.au/nla.news-article49605228&lt;/a&gt;</text>
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                <text>&lt;em&gt;The West Australian&lt;/em&gt;</text>
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                <text>12 December 1953, p.33</text>
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              <text>&lt;span style="color: #000000; font-family: Tahoma; font-size: x-small;"&gt;&lt;a href="http://www.wolfletters.com/" target="_blank"&gt;http://www.wolfletters.com/&lt;/a&gt;&lt;/span&gt;</text>
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                <text>The Wolf Letters, by Will Schaefer</text>
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                <text>The Wolf Letters, released in May 2011, is a debut historical thriller from Perth novelist Will Schaefer. The plot is a mystery that revolves around a stolen historical artefact (a wolf carved in jet) and two eighth-century letters found at the scene of a murder in Southern England, 1936. The setting for the novel oscillates between 1936 and the eighth century. According to the author, the story was inspired â€˜by the real-life adventures of Winfrith, the seventh/eighth century Englishman better known as St Bonifaceâ€™.</text>
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                <text>Schaefer, William</text>
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                <text>www.wolfletters.com</text>
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