1
8
91
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https://ausmed.arts.uwa.edu.au/files/original/1896bca7006a4388081105f55f513533.jpg
697fe3ff53f59bf9ad25ddedef9ac190
Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
8
Channels
3
Height
640
Width
480
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Medievalism at the Foundations
Description
An account of the resource
This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
Digital Photograph; JPEG
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Gothic Window, Kryal Castle, Ballarat
Subject
The topic of the resource
Kryal Castle, castle, Kryal Castle, gothic, gothic window, Keith Ryall, tourism, tower, battlements, leisure, recreation, re-creation, entertainment, functions, Ballarat, Melbourne, VIC, Victoria, arch, arched, window, windows, stairs, staircase
Description
An account of the resource
An image of a gothic-style window at Kryal Castle, a tourist attraction located 8km from Ballarat in Victoria. It was built in 1972 and opened in 1974 by Keith Ryall.
Described as ‘Australia’s unique medieval castle’, Kryal Castle can also be hired for weddings, conferences, functions, and special events.
Creator
An entity primarily responsible for making the resource
Jeffrey, N.
Date
A point or period of time associated with an event in the lifecycle of the resource
2010
Rights
Information about rights held in and over the resource
Jeffrey, N.
Format
The file format, physical medium, or dimensions of the resource
Digital Photograph; JPEG
arch
arched
Ballarat
battlements
castle
entertainment
functions
Gothic
gothic window
Keith Ryall
Kryal Castle
leisure
Melbourne
re-creation
recreation
staircase
stairs
tourism
tower
Vic
Victoria
window
windows
-
https://ausmed.arts.uwa.edu.au/files/original/7415eb6b545e0061ccb3e8522b9d54ac.jpg
21d3644b7f6b92e415044294e5eb241b
Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
8
Channels
3
Height
274
Width
206
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Medievalism at the Foundations
Description
An account of the resource
This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
Digital Photograph; JPEG <a href="https://www.facebook.com/media/set/?set=a.346382042054194.100191.324391430919922&type=1">https://www.facebook.com/media/set/?set=a.346382042054194.100191.324391430919922&type=1</a>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Pointed Arched Window, St. Malachy Catholic Church, Gooloogong, New South Wales
Subject
The topic of the resource
Medieval Shoppe, NSW, New South Wales, Gooloogong, church, churches, ruin, ruined, ruins, architecture, gothic, Catholic, Catholicism, arches, pointed arch, St Malachy, Saint Malachy, St. Malachy, window, windows
Description
An account of the resource
An image of the abandoned Catholic church of St. Malachy in Gooloogong, New South Wales. It was featured on the Facebook site for the Medieval Shoppe, who design historical replicas of swords, armour and other weapons.
The church, which fell out of use in 1914, was also used as an infants' school, but was later abandoned and has been ever since. The building possesses many gothic architectural features, such as a vaulted ceiling, and pointed arched doorways and windows.
Creator
An entity primarily responsible for making the resource
The Medieval Shoppe
Publisher
An entity responsible for making the resource available
The Medieval Shoppe, Facebook page
Date
A point or period of time associated with an event in the lifecycle of the resource
Accessed 26/11/2012
Rights
Information about rights held in and over the resource
Image used with the permission of The Medieval Shoppe, 2012.
Format
The file format, physical medium, or dimensions of the resource
Digital Photograph; JPEG
arch
arches
architecture
Catholic
Catholicism
Church
churches
Gooloongong
Gothic
Medieval Shoppe
New South Wales
NSW
pointed arch
ruin
ruined
ruins
Saint Malachy
St Malachy
St. Malachy
window
windows
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Medievalism at the Foundations
Description
An account of the resource
This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.
Hyperlink
Title, URL, Description or annotation.
URL
<a href="http://www.artgallery.nsw.gov.au/work/182.2002.20/" target="_self">http://www.artgallery.nsw.gov.au/work/182.2002.20/</a>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
‘Afternoon in Chartres Cathedral’ by Salvatore Zofrea
Subject
The topic of the resource
<em>Appassionata</em>, Architecture, art, Art gallery of New South Wales, Cathedral, Catholicism, Chartres Cathedral, church interior, ecclesiastical building, France, French Gothic, gothic architecture, print, Salvatore Zofrea (b.1946), stained glass, window.
Description
An account of the resource
This woodblock print, from Salvatore Zofrea’s <em>Appassionata</em> collection, was gifted to the Art Gallery of New South Wales by the Italian-Australian artist in 2002. Depicting a scene in Chartres Cathedral, it features the gothic arches, vaulted ceilings and, especially, some of the magnificent 12th-13th century stained glass that remains intact and for which Chartres Cathedral is famous. Chartres Cathedral was constructed between 1194 and 1250 in the French High Gothic style, and its architecture has only undergone minor changes since the 13th century. It is commonly held to be one of the finest surviving examples of this style.
Creator
An entity primarily responsible for making the resource
Salvatore Zofrea (b.1946)
Source
A related resource from which the described resource is derived
Art Gallery of New South Wales
Date
A point or period of time associated with an event in the lifecycle of the resource
c.1994-1999
Rights
Information about rights held in and over the resource
Art Gallery of New South Wales
Format
The file format, physical medium, or dimensions of the resource
Woodblock Print, black ink on white Japanese Hitachi paper, 45cm x 59.5cm block mark
Appassionata
architecture
art
Art gallery of New South Wales
Cathedral
Catholicism
Chartres Cathedral
church interior
ecclesiastical building
France
French Gothic
gothic architecture
print
Salvatore Zofrea (b.1946)
stained glass
window
-
https://ausmed.arts.uwa.edu.au/files/original/5855d88693326205399f6caa343b29fe.jpg
2b444cdda7ad4f7365b17bf528f4520e
Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
8
Channels
3
Height
1022
Width
543
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Medievalism at the Foundations
Description
An account of the resource
This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
Digital Photograph; JPEG
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Campanile Tower, St Michael’s Uniting Church, Melbourne
Subject
The topic of the resource
Anglican, arch, architecture, brickwork, campanile, church, church building, columns, Congregational Church, Former Independent Church, Independent Church, John Young, Joseph Reed (1823-1890), Lombardic Romanesque style, neo-romanesque, oculus, polychrome, Reed & Barnes, rounded arches, St Michael, tower, Uniting Church, VIC, Victoria, Victorian Romanesque, voussoir, window
Description
An account of the resource
A view of the tall campanile tower at St Michael’s Uniting Church in Collin’s Street, central Melbourne. St Michael’s Uniting Church was designed by architectural firm Reed and Barnes in a Victorian Romanesque style. The style has more specifically been described as ‘Lombardic Romanesque’ on account of the polychrome brickwork and campanile style tower pictured here (See, for example, the Victorian Heritage Register: <a href="http://vhd.heritage.vic.gov.au/#detail_places;721">http://vhd.heritage.vic.gov.au/#detail_places;721</a>). The polychrome pattern is unusual for a neo-romanesque building, as it was more often found in buildings of gothic design. The church was constructed by John Young between 1866 and 1867, and was originally named The Independent Church. It was renamed in 1977.
Creator
An entity primarily responsible for making the resource
McEwan, Joanne
Date
A point or period of time associated with an event in the lifecycle of the resource
25 April 2011
Rights
Information about rights held in and over the resource
No Copyright
Format
The file format, physical medium, or dimensions of the resource
Digital Photograph; JPEG
Anglican
arch
architecture
brickwork
campanile
Church
church building
columns
Congregational Church
Former Independent Church
Independent Church
John Young
Joseph Reed (1823-1890)
Lombardic Romanesque style
neo-Romanesque
oculus
polychrome
Reed & Barnes
rounded arches
St Michael
tower
Uniting Church
Vic
Victoria
Victorian Romanesque
voussoir
window
-
https://ausmed.arts.uwa.edu.au/files/original/fa5c54b2becd83d2e16baf28daabc3bf.jpg
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Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
8
Channels
3
Height
554
Width
416
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Medievalism at the Foundations
Description
An account of the resource
This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
Digital Photograph; JPEG
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Neo-gothic Windows, Mitchell Building, The University of Adelaide
Subject
The topic of the resource
Adelaide, arch, architecture, blind tracery, column, equilateral arch, gothic architecture, Gothic Revival, lancet arch, lancet window, leadlight, mullion, neo-gothic, pointed arch, quatrefoil, SA, South Australia, The University of Adelaide, tracery, university, university buildings, William McMinn (1844-1884), William Mitchell (1861-1962), window
Description
An account of the resource
An image showing examples of neo-gothic windows at of the Mitchell Building, The University of Adelaide. The lower row of windows shows sets of twin lancet windows separated by a stone column, while the upper level windows comprise pairs of trefoil pointed lancets, separated by a stone mullion and topped with a quatrefoil window, all contained within a single equilateral pointed arch.
About the Mitchell Building:
The Mitchell Building was designed by South Australian architect Willliam McMinn in the Victorian Academic Gothic style. It was completed between 1879 and 1881, and officially opened in 1882. The Mitchell Building was the first building on the North Terrace campus of The University of Adelaide and originally housed all of the university disciplines. It was named the Mitchell Building in 1961 in honour of Sir William Mitchell, who was Vice-Chancellor of the university from 1916-1942 and Chancellor from 1942-1948. Today it is used as an administrative hub. The Mitchell Building’s neo-gothic features include its steeply gabled roof, lancet windows, decorative stone tracery and the roof fleche/spire.
Creator
An entity primarily responsible for making the resource
Dorey, Margaret
Date
A point or period of time associated with an event in the lifecycle of the resource
5 July 2011
Rights
Information about rights held in and over the resource
No Copyright
Format
The file format, physical medium, or dimensions of the resource
Digital Photograph; JPEG
Adelaide
arch
architecture
blind tracery
column
equilateral arch
gothic architecture
Gothic Revival
lancet arch
lancet window
leadlight
mullion
neo-Gothic
pointed arch
quatrefoil
SA
South Australia
The University of Adelaide
tracery
university
university buildings
William McMinn (1844-1884)
William Mitchell (1861-1962)
window
-
https://ausmed.arts.uwa.edu.au/files/original/60cd0783008e05d33f9384154102de42.jpg
839f9194b4cd619738c3f810403607ac
Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
8
Channels
3
Height
737
Width
553
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Medievalism at the Foundations
Description
An account of the resource
This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
Digital Photograph; JPEG
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Close-up of the Mitchell Building, The University of Adelaide
Subject
The topic of the resource
Adelaide, arcade, arch, architecture, blind arcade, blind tracery, equilateral arch, gothic architecture, Gothic Revival, lancet arch, lancet window, leadlight, mullion, neo-gothic, pointed arch, quatrefoil, rose window, SA, South Australia, The University of Adelaide, tracery, turret, university, university buildings, William McMinn (1844-1884), William Mitchell (1861-1962), window
Description
An account of the resource
A close-up of the upper level of the Mitchell Building at The University of Adelaide. The Mitchell Building was designed by South Australian architect Willliam McMinn in the Victorian Academic Gothic style and constructed between 1879 and 1881. In this photograph, a number of the building’s neo-gothic features are evident. These include: the upper level windows, which comprise pairs of trefoil pointed lancets separated by a stone mullion and topped with a quatrefoil window, all contained within a single equilateral pointed arch; the blind tracery, arcading and rose window on the adjacent wall; the lancet arcade forming a parapet along the roofline and the false machiolation used for decorative effect below; the gable roof; and the turret.
About the Mitchell Building:
The Mitchell Building officially opened in 1882. It was the first building on the North Terrace campus of The University of Adelaide and originally housed all of the university disciplines. It was named the Mitchell Building in 1961 in honour of Sir William Mitchell, who was Vice-Chancellor of the university from 1916-1942 and Chancellor from 1942-1948. Today the Mitchell Building is used as an administrative hub.
Creator
An entity primarily responsible for making the resource
Dorey, Margaret
Date
A point or period of time associated with an event in the lifecycle of the resource
5 July 2011
Rights
Information about rights held in and over the resource
No Copyright
Format
The file format, physical medium, or dimensions of the resource
Digital Photograph; JPEG
Adelaide
arcade
arch
architecture
blind arcade
blind tracery
equilateral arch
gothic architecture
Gothic Revival
lancet arch
lancet window
leadlight
mullion
neo-Gothic
pointed arch
quatrefoil
rose window
SA
South Australia
The University of Adelaide
tracery
turret
university
university buildings
William McMinn (1844-1884)
William Mitchell (1861-1962)
window
-
https://ausmed.arts.uwa.edu.au/files/original/612c145f65c2b835db21c6e8fd5809a8.jpg
bc0c946b302f327686f741945f709dfc
Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
8
Channels
3
Height
684
Width
912
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Medievalism at the Foundations
Description
An account of the resource
This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
Digital Photograph; JPEG
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
St Paul’s Cathedral Entrance Doorway, Melbourne
Subject
The topic of the resource
Anglican, arch, architect, architecture, blind tracery, cathedral, church, church building, Church of England, Diocese of Melbourne, door, doorway, entrance, flamboyant arch, gothic architecture, gothic revival, John Barr, Joseph Reed (1823-1890), lancet arch, lancet window, masonry, mullion, neo-gothic, processional doors, quatrefoil, sandstone, stained glass, stonework, tiling, tracery, trefoil, VIC, Victoria, Victorian Gothic, William Butterfield (1814-1900), window
Description
An account of the resource
<p>An image of the entrance to St Paul’s Cathedral in Melbourne. Inside the doorway, a set of lightweight stained glass ‘processional doors’ have been installed. Designed by Janusz Kuzbicki, they were intended to keep out city and traffic noise, and to allow the heavy wooden doors of the Cathedral to remain open during the day. For more on the processional doors, see: <a href="http://www.stpaulscathedral.org.au/cathedral/processional_doors" target="_blank"> <span style="color: #0000ff;">http://www.stpaulscathedral.org.au/cathedral/processional_doors</span></a>. Around the doorway, a number of the Cathedral’s other distinctive features are visible, including the patterned stonework, lancet windows, stone buttresses and decorative tracery.</p>
<p>About St Paul’s Cathedral:</p>
<p>St Paul’s Cathedral is located at the intersection of Flinders Street and Swanston Street in central Melbourne. It was built in a Victorian Gothic architectural style to the design of prominent English architect William Butterfield. The foundation stone was laid in 1880 and the Cathedral was consecrated in 1891. Butterfield oversaw the building remotely until 1884, when he resigned following disputes with the Church authorities in Melbourne. The remainder of the construction was supervised by well-known local architect Joseph Reed. Construction of the Cathedral’s three towers and distinctive neo-gothic spires began in 1926. They were designed by Sydney architect James Barr, and are not in keeping with Butterfield’s more modest original plans.</p>
Creator
An entity primarily responsible for making the resource
McEwan, Joanne
Date
A point or period of time associated with an event in the lifecycle of the resource
25 April 2011
Rights
Information about rights held in and over the resource
No Copyright
Format
The file format, physical medium, or dimensions of the resource
Digital Photograph; JPEG
Anglican
arch
architect
architecture
blind tracery
Cathedral
Church
church building
Church of England
Diocese of Melbourne
door
doorway
entrance
flamboyant arch
gothic architecture
Gothic Revival
John Barr
Joseph Reed (1823-1890)
lancet arch
lancet window
masonry
mullion
neo-Gothic
processional doors
quatrefoil
sandstone
stained glass
stonework
tiling
tracery
trefoil
Vic
Victoria
Victorian Gothic
William Butterfield (1814-1900)
window
-
https://ausmed.arts.uwa.edu.au/files/original/37395eca303e0de3e6c86b8af8759df1.jpg
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Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
8
Channels
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Height
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Medievalism at the Foundations
Description
An account of the resource
This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
Digital Photograph; JPEG
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
St Paul’s Cathedral Triple Lancet Window, Melbourne
Subject
The topic of the resource
Anglican, arcade, arch, architect, architecture, blind tracery, cathedral, church, church building, Church of England, Diocese of Melbourne, flamboyant arch, gothic architecture, gothic revival, John Barr, Joseph Reed (1823-1890), lancet arch, lancet window, masonry, mullion, neo-gothic, sandstone, stonework, tiling, tracery, trefoil, Melbourne, VIC, Victoria, Victorian Gothic, William Butterfield (1814-1900), window, saint, St Paul, St. Paul, Saint Paul
Description
An account of the resource
A close-up of the triple lancet window above the entrance doorway at St Paul’s Cathedral, Melbourne. The Cathedral’s mixture of early and late gothic styles is evident in this window; the flamboyant arches (each has a trefoil head rather than a simple point) are typical of the late gothic period, but the tracery and overall composition is not as ornate as would be seen in a decorated gothic window. The Cathedral’s distinctive chequered tiling surrounds the windows, capped by a blind arcade of lancet arches.
About St Paul’s Cathedral:
St Paul’s Cathedral is located at the intersection of Flinders Street and Swanston Street in central Melbourne. It was built in a Victorian Gothic architectural style to the design of prominent English architect William Butterfield. The foundation stone was laid in 1880 and the Cathedral was consecrated in 1891. Butterfield oversaw the building remotely until 1884, when he resigned following disputes with the Church authorities in Melbourne. The remainder of the construction was supervised by well-known local architect Joseph Reed. Construction of the Cathedral’s three towers and distinctive neo-gothic spires began in 1926. They were designed by Sydney architect James Barr, and are not in keeping with Butterfield’s more modest original plans.
Creator
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McEwan, Joanne
Date
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25 April 2011
Rights
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No Copyright
Format
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Digital Photograph; JPEG
Anglican
arcade
arch
architect
architecture
blind tracery
Cathedral
Church
church building
Church of England
Diocese of Melbourne
flamboyant arch
gothic architecture
Gothic Revival
John Barr
Joseph Reed (1823-1890)
lancet arch
lancet window
masonry
Melbourne
mullion
neo-Gothic
saint
Saint Paul
sandstone
St Paul
St. Paul
stonework
tiling
tracery
trefoil
Vic
Victoria
Victorian Gothic
William Butterfield (1814-1900)
window