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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>Interior of St. Malachy Catholic Church, Gooloogong, New South Wales</text>
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                <text>An image of the interior of the abandoned Catholic church of St. Malachy in Gooloogong, New South Wales. It shows the apse at the rear of the church, entered through a pointed arch doorway. The image is featured on the Facebook site for the Medieval Shoppe, who design historical replicas of swords, armour and other weapons.&#13;
&#13;
The church, which fell out of use in 1914, was also used as an infants' school, but was later abandoned and has been ever since. The building possesses many gothic architectural features, such as a vaulted ceiling, and pointed arched doorways and windows.</text>
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                <text>The Medieval Shoppe</text>
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                <text>Image used with the permission of The Medieval Shoppe, 2012.</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>&lt;a href="http://au.news.yahoo.com/thewest/entertainment/a/-/entertainment/15107553/dance-review-romeo-and-juliet/"&gt;http://au.news.yahoo.com/thewest/entertainment/a/-/entertainment/15107553/dance-review-romeo-and-juliet/&lt;/a&gt;</text>
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                <text>Australian Ballet, ballet, dance, Jeff Busby, Dance Review: Romeo and Juliet, Gothic, Perth, Nina Levy, Graeme Murphy, Sergei Prokofiev, Romeo and Juliet, set design, vaulted ceiling, WA, website, The West Australian, Western Australia.</text>
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                <text>&lt;p&gt;Nina Levy&amp;rsquo;s review of Graeme Murphy&amp;rsquo;s production of Sergei Prokofiev&amp;rsquo;s Romeo and Juliet by the Australian Ballet appeared in the online version of The West Australian newspaper on October 12, 2012. It includes a photograph by Jeff Busby. Although the review is positive overall, Levy criticises the &amp;lsquo;variety of locations in time and place&amp;rsquo;. These include &amp;lsquo;medieval-looking vaulted rooms&amp;rsquo; which presumably had vaulted ceilings. Ribbed vaulting was a characteristic feature of Gothic architecture of the twelfth to sixteenth centuries. &amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/p&gt;&#13;
&lt;p&gt;The review is available at &lt;a href="http://au.news.yahoo.com/thewest/entertainment/a/-/entertainment/15107553/dance-review-romeo-and-juliet/"&gt;http://au.news.yahoo.com/thewest/entertainment/a/-/entertainment/15107553/dance-review-romeo-and-juliet/&lt;/a&gt;&lt;/p&gt;</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>Uniting Church interior, Ross, Tasmania</text>
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                <text>Buttress, Gothic, Gothic Revival, lancet window, pointed arch, Ross, spire, Tas, Tasmania, tower, tracery, Uniting Church, vaulted ceiling, Wesley Church. </text>
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                <text>&lt;p&gt;The Uniting Church in the Tasmanian town of Ross was built as the Wesley Church in 1885. The building is in the Gothic Revival style and features lancet windows, a pointed arch entrance, buttresses, clock moldings, and a tower topped by a spire. The interior has a vaulted ceiling with&amp;nbsp;oregon pine&amp;nbsp;beams.&lt;/p&gt;&#13;
&lt;p&gt;For the exterior see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/960" target="_self"&gt;http://ausmed.arts.uwa.edu.au/items/show/960&lt;/a&gt;&lt;/p&gt;</text>
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                <text>McLeod, Shane</text>
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&lt;p&gt;&amp;nbsp;&lt;/p&gt;</text>
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                <text>&lt;p&gt;St Patrick&amp;rsquo;s Catholic Cathedral was designed by English-born architect William Wardell and incorporated parts of an earlier church on the site. Although the foundation stone was laid in 1858, the cathedral was not consecrated until 1897, and was only completed in 1939. The bluestone building was built in the Gothic Revival style and is based on English churches of c. 1350-1500. External Gothic features include prominent towers, turrets, spires, gargoyles, and lancet windows with tracery.&amp;nbsp;St Patrick&amp;rsquo;s was made a minor basilica by Pope Paul VI in 1974.&lt;/p&gt;&#13;
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&#13;
For more on the architecture of Monsignor Hawes see John J. Taylor, Between Devotion and Design: The Architecture of John Cyril Hawes 1876-1956 (University of Western Australia Press, Nedlands, 2000).</text>
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