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Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
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https://ausmed.arts.uwa.edu.au/files/original/25b3b8bbd5f08081bbb3e88229eeedc0.JPG
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Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
8
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2592
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1944
https://ausmed.arts.uwa.edu.au/files/original/18855818769e1c58ed09d81eefe0cb77.JPG
0b338cbb72b2e1751c775493189adf62
Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
8
Channels
3
Height
2592
Width
1944
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Medievalism at the Foundations
Description
An account of the resource
This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
Digital Photograph; JPEG
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
St David’s Cathedral interior, Hobart, Tasmania
Subject
The topic of the resource
Prince Alfred, altar, Anglican, George Frederick Bodley, column, font, Gothic, Gothic Revival, Hobart, Henry Hunter, pointed arch, rood screen, St David’s Cathedral, stained glass, Tas, Tasmania, tracery, vaulted ceiling.
Description
An account of the resource
St David’s Anglican Cathedral, Hobart was designed by English architect George Frederick Bodley (1827-1907) in 1865 in the Gothic Revival style. The foundation stone was laid in 1868 by Prince Alfred, the Duke of Edinburgh, and the nave was consecrated in 1874. The work was supervised by Henry Hunter (1832-1892). The photographs show the nave, aisles, and sanctuary of the cathedral, as well as a small internal pointed arch door and doorway (photograph three), demonstrating that the Gothic style was carried through to utilitarian features. Photographs one and two show the elevation of the cathedral achieved with columns supporting pointed arches with molding, and the vaulted ceiling. Also visible is the large stained glass east window with stone tracery above the high altar, and numerous smaller stained glass windows. Other fatures of note in photographs one and two are the Bodley designed stone font and timber rood screen, the latter being installed in 1916.
George Bodley was a well-known architect working in the Gothic Revival style, and in particular he was influenced by late medieval architecture from England and northern Europe. His best known work is perhaps Magdalen College, Oxford.
For more on St David's Cathedral see the 'Relation' section.
Creator
An entity primarily responsible for making the resource
McLeod, Shane
Date
A point or period of time associated with an event in the lifecycle of the resource
October 6, 2012
Rights
Information about rights held in and over the resource
No Copyright
Relation
A related resource
<p><a href="http://ausmed.arts.uwa.edu.au/items/show/1149">http://ausmed.arts.uwa.edu.au/items/show/1149</a></p>
<p><a href="http://ausmed.arts.uwa.edu.au/items/show/1145">http://ausmed.arts.uwa.edu.au/items/show/1145</a></p>
<p><a href="http://ausmed.arts.uwa.edu.au/items/show/1160">http://ausmed.arts.uwa.edu.au/items/show/1160</a></p>
<p><a href="http://ausmed.arts.uwa.edu.au/items/show/1163">http://ausmed.arts.uwa.edu.au/items/show/1163</a></p>
<p><a href="http://ausmed.arts.uwa.edu.au/items/show/1179">http://ausmed.arts.uwa.edu.au/items/show/1179</a></p>
<p><a href="http://ausmed.arts.uwa.edu.au/items/show/1166">http://ausmed.arts.uwa.edu.au/items/show/1166</a></p>
<p><a href="http://ausmed.arts.uwa.edu.au/items/show/1155">http://ausmed.arts.uwa.edu.au/items/show/1155</a></p>
<p><a href="http://ausmed.arts.uwa.edu.au/items/show/1168">http://ausmed.arts.uwa.edu.au/items/show/1168</a></p>
<p><a href="http://ausmed.arts.uwa.edu.au/items/show/1184">http://ausmed.arts.uwa.edu.au/items/show/1184</a></p>
<p><a href="http://ausmed.arts.uwa.edu.au/items/show/1174">http://ausmed.arts.uwa.edu.au/items/show/1174</a></p>
<p><a href="http://ausmed.arts.uwa.edu.au/items/show/1171">http://ausmed.arts.uwa.edu.au/items/show/1171</a></p>
<p><a href="http://ausmed.arts.uwa.edu.au/items/show/1190">http://ausmed.arts.uwa.edu.au/items/show/1190</a></p>
<p> </p>
<p> </p>
<p> </p>
<p> </p>
<p> </p>
Format
The file format, physical medium, or dimensions of the resource
3xDigital Photograph
Altar
Anglican
column
font
George Frederick Bodley
Gothic
Gothic Revival
Henry Hunter
Hobart
pointed arch
Prince Alfred
rood screen
St David’s Cathedral
stained glass
Tas
Tasmania
tracery
vaulted ceiling.
-
https://ausmed.arts.uwa.edu.au/files/original/51830c6aab5b70a44f37d8fb910139f7.JPG
08e51676b554d37e301ff2a490672e7c
Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
8
Channels
3
Height
1944
Width
2592
https://ausmed.arts.uwa.edu.au/files/original/b38ed4e0977376db90cdc0020f08e87d.JPG
06852837f0931c2356dba64e28eb6e73
Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
8
Channels
3
Height
2592
Width
1944
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Medievalism at the Foundations
Description
An account of the resource
This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
Digital Photograph; JPEG
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Carr Villa Memorial Park Entrance Chapel, Launceston, Tasmania
Subject
The topic of the resource
Buttress, Carr Villa Memorial Park, cemetery, chapel, entrance, Gothic, Gothic Revival, lancet windows, Launceston, pointed arch, spire, Tas, Tasmania, tower, vaulted ceiling.
Description
An account of the resource
<div class="element-text">
<p>Carr Villa Memorial Park is the largest cemetery in the Tasmanian city of Launceston. It features an impressive Entrance Chapel built in 1938 in the Gothic Revival style. The red brick building has pointed arch doorways and windows, buttresses, and blind lancet windows above the large front and rear pointed arch entrances. It is topped by a square tower and spire. These photographs shows the rear of the building and the vaulted timber ceiling. As can be seen in the photograph of the rear, the building acts as a large entrance through which funeral processions can pass.</p>
<p>For the front and side of the building see <a href="http://ausmed.arts.uwa.edu.au/items/show/1092" target="_self">http://ausmed.arts.uwa.edu.au/items/show/1092</a></p>
</div>
<br />
Creator
An entity primarily responsible for making the resource
McLeod, Shane
Date
A point or period of time associated with an event in the lifecycle of the resource
October 2, 2012
Rights
Information about rights held in and over the resource
No Copyright
Relation
A related resource
<a href="http://ausmed.arts.uwa.edu.au/items/show/1092" target="_self">http://ausmed.arts.uwa.edu.au/items/show/1092</a>
Format
The file format, physical medium, or dimensions of the resource
2xDigital Photograph
buttress
Carr Villa Memorial Park
cemetery
chapel
entrance
Gothic
Gothic Revival
lancet windows
Launceston
pointed arch
spire
Tas
Tasmania
tower
vaulted ceiling.
-
https://ausmed.arts.uwa.edu.au/files/original/6dcc604142dd68c81afb003bf55b2f40.JPG
593bd354f2c3067ee7ae3803dd207a97
Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
8
Channels
3
Height
2592
Width
1944
https://ausmed.arts.uwa.edu.au/files/original/0087695ba3993f84effbb8b46690e1b5.JPG
0f33842238d155dcfb700e5f6b7e84d2
Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
8
Channels
3
Height
2592
Width
1944
https://ausmed.arts.uwa.edu.au/files/original/8ac635502f3dbde58754de982c8b9c88.JPG
53b4fda8510ad87a6288fba34ed7d994
Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
8
Channels
3
Height
2592
Width
1944
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Medievalism at the Foundations
Description
An account of the resource
This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
Digital Photograph; JPEG
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Chapel, Brickendon Estate, Tasmania
Subject
The topic of the resource
William Archer, bell tower, Brickendon Estate, buttress, chapel, convict, farm, farm village, Gothic, Gothic Revival, Longford, pointed arch, porch, spire, stained glass, Tas, Tasmania, tower, vaulted ceiling.
Description
An account of the resource
<p>The small brick chapel with a shingle roof on Brickendon Estate, near Longford, is dated by its stained glass windows to the 1850s. It is in the centre of the farm village and was built for the religious observances of the farm workers and their families. It was built by William Archer (1788-1879) who had founded Brickendon in 1824. It possibly replaces an earlier chapel for convict labour. The chapel is consecrated and is still occasionally used for weddings. The chapel is in the Gothic Revival style and features a pointed arch entrance, buttresses, vaulted timber ceiling, porch, ornate timber details, and a bell tower topped by a spire. </p>
<p>For information on Brickendon Estate see <a href="http://www.brickendon.com.au" target="_self">http://www.brickendon.com.au</a></p>
Creator
An entity primarily responsible for making the resource
McLeod, Shane
Date
A point or period of time associated with an event in the lifecycle of the resource
September 24, 2012
Rights
Information about rights held in and over the resource
Photographs taken with the permission of the Archer family.
Relation
A related resource
<a href="http://ausmed.arts.uwa.edu.au/items/show/1079" target="_self">http://ausmed.arts.uwa.edu.au/items/show/1079</a>
Format
The file format, physical medium, or dimensions of the resource
3xDigital Photograph
bell tower
Brickendon Estate
buttress
chapel
convict
farm
farm village
Gothic
Gothic Revival
Longford
pointed arch
porch
spire
stained glass
Tas
Tasmania
tower
vaulted ceiling.
William Archer