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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>&lt;p&gt;Coop&amp;rsquo;s Shot Tower was completed in 1890 by the Coop family and it operated (making lead shot) until 1960. In 1991 it was incorporated into the Melbourne Central shopping complex in central Melbourne under a conical glass roof. The 50 metre high brick shot tower has been made to look like a medieval tower, with crenelated parapet at the top and a small corner turret. There is also a blind cenellation design in the centre of the tower.&lt;/p&gt;&#13;
&lt;p&gt;For the Victorian Heritage Database entry see &lt;a href="http://vhd.heritage.vic.gov.au/vhd/heritagevic%23detail_places;768"&gt;http://vhd.heritage.vic.gov.au/vhd/heritagevic#detail_places;768&lt;/a&gt;&lt;/p&gt;</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>(Former) Working Men's College, RMIT, Melbourne</text>
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                <text>Addison and Kemp, Nahum Barnet, Melbourne, Percy Oakden, Francis Ormond, RMIT, RMIT University, Romanesque, Romanesque Revival, semi-circular arch, Terry and Oakden, tower, tracery, turret, Vic, Victoria, Working Menâ€™s College.</text>
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                <text>&lt;p&gt;&lt;span style="font-family: 'Tahoma','sans-serif'; font-size: 10pt; mso-bidi-font-weight: bold;"&gt;The Working Men&amp;rsquo;s College (which became RMIT University) in Melbourne,&lt;br /&gt;Victoria, opened in 1887. The three-storey building was designed by Terry and&lt;br /&gt;Oakden, and Nahun Barnet and financed by Francis Ormond. The tower and La Trobe&lt;br /&gt;St frontage were added in 1890 and were designed by Percy Oakden Addison and&lt;br /&gt;Kemp. The building is now known as the Francis Ormond Building. The College was&lt;br /&gt;built in the Romanesque Revival style and features semi-circular arches and&lt;br /&gt;doorways, a corner tower with four corner turrets, and window tracery.&lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1300"&gt;http://ausmed.arts.uwa.edu.au/items/show/1300&lt;/a&gt;</text>
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                <text>Christ Church St Laurence Parish Hall, Haymarket, Sydney, New South Wales</text>
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                <text>actors College of Theatre and Television, ACTT, buttress, Christ Church St Laurence, John Burcham Clamp, crenel, four-centered arch, gargoyle, Haymarket, heraldry, Mock Tudor, moulding, New South Wales, NSW, parapet, Parish Hall, school, sculpture, shield, Sydney, tower, Tudor, Tudor arch, turret</text>
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                <text>Christ Church St Laurence Parish Hall is at 505 Pitt Street in the inner-city suburb of Haymarket in Sydney. The building also houses The Actors College of Theatre and Television. Originally the church school, the building was designed by John Burcham Clamp and completed in 1905. The red brick with moulding building is in the (Mock) Tudor style and features four centred Tudor arches in the doorway and most of the windows, buttresses, bas-relief sculpture above some of the upper-floor windows, and two heraldic shields. The building also has a small central tower topped by a crenelated parapet and an octagonal turret. The turret includes small gargoyles. The tower and spire behind the Parish Hall belong to Christ Church St Laurence.</text>
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                <text>&lt;p&gt;St Michael and All Angels Anglican Church is in the&lt;br /&gt;small town of Bothwell in Tasmania. It was built from 1887 and consecrated in 1891 after disputes between the towns Anglican and Presbyterian congregations made the continued sharing of St Luke&amp;rsquo;s (1830) impossible.&amp;nbsp; St Michael and All Angels was designed by Launceston architect Alexander North (1858-1945) and built of local stone by stonemason Thomas Lewis. The tower, with an internal stone spiral staircase and stair turret, was added in 1923. The proportions of the Gothic Revival church make it appear to be a small country cathedral. The church features buttresses, blind arcading, lancet windows, and pointed arch entrances. &amp;nbsp;&lt;/p&gt;&#13;
&lt;p&gt;For&amp;nbsp;more of the exterior see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1158"&gt;http://ausmed.arts.uwa.edu.au/items/show/1158&lt;/a&gt;&amp;nbsp;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1157"&gt;http://ausmed.arts.uwa.edu.au/items/show/1157&lt;/a&gt;&lt;/p&gt;</text>
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                <text>Brian Andrews, buttress, Catholic, Rod Cooper, Henry Edmund Goodridge, Gothic, Gothic Revival, lancet windows, Alexander North, John Bede Polding, pointed arch, porch, Augustus Welby Northmore Pugin, Pugin, Richmond, St John the Evangelistâ€™s Church, spire, Tas, Tasmania, Frederick Thomas, tracery, turret, Robert William Willson, Bishop Willson. </text>
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                <text>&lt;p&gt;St John the Evangelist&amp;rsquo;s Church is in the village of Richmond, Tasmania, and is the oldest continuously used Catholic church in Australia. The present building is an amalgam of two designs. The earliest building was designed by the English (Bath) architect Henry Edmund Goodbridge (1800-1863) after John Bede Polding (1794-1877), Australia&amp;rsquo;s first Catholic bishop, obtained plans for several churches from Goodbridge before sailing to Australia in 1835. Polding laid the foundation stone in 1835 and the church was completed in 1837. The nave of the present building is from the original church. In 1859 additions were completed under the supervision of architect Frederick Thomas (1817-1885) from a detailed scale model made by the English architect Augustus Welby Northmore Pugin (1812-1852) in 1843. The model was made for Pugin&amp;rsquo;s friend Robert William Willson (1794-1866) who was the first Catholic Bishop in Tasmania. From Pugin&amp;rsquo;s design come the chancel (including the rear window with tracery), sacristy and spire. The building is in the Gothic Revival style with pointed arch doorways, buttresses, tracery, spire, stair turret, and lancet windows. The present spire is the third and a scaled down version of Pugin's original designed by architect Rod Cooper and added in 1972. The cross on top of the spire is all that remains of the second spire, designed by Alexander North (1858-1945)&amp;nbsp;in 1893.&lt;/p&gt;&#13;
&lt;p&gt;Augustus Welby Northmore Pugin (1812-1852) played a central role in establishing the Gothic Revival style and is best remembered for his work on the Houses of Parliament in London, and the interior of the Palace of Westminster.&lt;/p&gt;&#13;
&lt;p&gt;For the interior see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1119" target="_self"&gt;http://ausmed.arts.uwa.edu.au/items/show/1119&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;For an essay on the church by Brian Andrews see &lt;a href="http://www.puginfoundation.org/assets/Richmond_Essay.pdf" target="_self"&gt;http://www.puginfoundation.org/assets/Richmond_Essay.pdf&lt;/a&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;The current Government House of Tasmania, the third in Hobart, was designed by the Director of Public Works William Porden Kay and built between 1855 and 1857 in the Gothic Revival style. Governor Henry Fox Young took up residence on January 2, 1858. The building is located in the Queen&amp;rsquo;s Domain and features bas-relief sculpture, gargoyles, and tracery on the windows. Its most prominent Gothic features are found at the main entrance (as seen in the photograph), including a square clock tower topped by crenelated turrets, and a second tower with crenellation. The photograph was taking during a reception for the 7&lt;sup&gt;th&lt;/sup&gt; Biennial International Conference of the Australian and New Zealand Association for Medieval and Early Modern Studies.&lt;/p&gt;&#13;
&lt;p&gt;For the website see &lt;a href="http://www.govhouse.tas.gov.au/government-house/history"&gt;http://www.govhouse.tas.gov.au/government-house/history&lt;/a&gt;&lt;/p&gt;</text>
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        <name>Dublin Core</name>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Holy Trinity Anglican Church, Launceston</text>
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            <name>Subject</name>
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                <text>Anglican, Anglo-Catholic, James Blackburn, blind arcading, Holy Trinity Church, Gothic, Gothic Revival, lancet window, Launceston, Alexander North, rose window, sculpture, spire, Tas, Tasmania, turret</text>
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            <description>An account of the resource</description>
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                <text>&lt;p&gt;Holy Trinity Anglican Church is in the northern Tasmanian city of Launceston. The church is used for the traditional Anglo-Catholic version of the Anglican Church. The church, designed by local architect Alexander North (1858-1945), was dedicated in 1898 and consecrated in 1902.&amp;nbsp;It replaced an earlier building designed by the convict architect James Blackburn. The current brick building is in the Gothic style and features numerous towers, lancet windows, a spire, rounded chapels, blind arcading, relief sculptures, and a rose window.&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;&#13;
&lt;p&gt;The church website is at: &lt;a href="http://www.holytrinitylaunceston.org/" target="_blank"&gt;http://www.holytrinitylaunceston.org/&lt;/a&gt;&lt;/p&gt;</text>
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            <name>Creator</name>
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              <elementText elementTextId="30615">
                <text>Dorey, Margaret</text>
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            <name>Date</name>
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                <text>2012</text>
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                <text>No Copyright</text>
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                <text>Digital Photograph; JPEG</text>
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        <name>Alexander North</name>
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        <name>Anglican</name>
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        <name>blind arcading</name>
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        <name>Gothic</name>
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        <name>Gothic Revival</name>
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        <name>Holy Trinity Church</name>
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        <name>James Blackburn</name>
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        <name>lancet window</name>
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        <name>Launceston</name>
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        <name>rose window</name>
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        <name>sculpture</name>
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        <name>spire</name>
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      <tag tagId="3222">
        <name>Tas</name>
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      <tag tagId="643">
        <name>Tasmania</name>
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      <tag tagId="2069">
        <name>turret</name>
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