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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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              <text>&lt;a href="http://www.artgallery.nsw.gov.au/collection/works/703/" target="_self"&gt;http://www.artgallery.nsw.gov.au/collection/works/703/&lt;/a&gt;</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>â€˜Chaucer at the Court of Edward IIIâ€™, by Ford Madox Brown</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Alice Perrers (1348-1400), anniversary, art, artwork, birthday, Black Prince (1330-1376), Court, Custance, Dante Gabriel Rossetti (1828-1882), Edward III (1312-1377), English language, Geoffrey Chaucer (c.1343-1400), history painting, jester, John of Gaunt (1340-1399), knight, â€˜Legend of Custanceâ€™, Lute, palace of Sheen, poetry, Pre-Raphaelite, reading, royalty, troubadour.</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>This large oil on canvas history painting by Victorian artist Ford Madox Brown was purchased (directly from the artist) by the Art Gallery of New South Wales in 1876. Subtitled &amp;ldquo;Geoffrey Chaucer Reading the &amp;lsquo;Legend of Custance&amp;rsquo; to Edward III and his Court, at the Palace of Sheen, on the Anniversary of the Black Prince&amp;rsquo;s Forty-Fifth Birthday&amp;rdquo;, the painting depicts Geoffrey Chaucer reading aloud to King Edward III and his Court. In addition to Chaucer and Edward III, other fourteenth-century figures featured in the painting include the King&amp;rsquo;s two sons, Edward the Black Prince and John of Gaunt, and his mistress Alice Perrers. The figure of Chaucer has been modelled on the famous Pre-Raphaelite and Brown&amp;rsquo;s close friend, Dante Gabriel Rosetti. However, scholars have noted the lengths to which Brown went to ensure historical accuracy in both costuming and facial resemblances, which included consulting and purchasing antiquarian volumes on medieval furniture and dress and also visiting tombs and effigies (see, for example, Angela Thirwell, Tim Barringer &amp;amp; Laura MacCulloch, &lt;em&gt;Ford Madox Brown: The Unofficial Pre-Raphaelite&lt;/em&gt;, D. Giles, 2008). Chaucer was a common subject for Ford Madox Brown (and the nineteenth-century medieval revival more generally) on account of his prominent role in popularising the English language (over French and Latin) and his widely-held reputation as the &amp;lsquo;Father of English poetry&amp;rsquo;. This enabled the Victorians, Velma Bourgeois Richmond has argued, to revere him as a Protestant hero, because &amp;ldquo;the development of the English language was crucial to breaking the hold of the Catholic Church by the clergy and to the formation of national identity&amp;rdquo; (Velma Bourgeois Richmond, &amp;ldquo;Ford Madox Brown&amp;rsquo;s Protestant Medievalism: Chaucer and Wycliffe&amp;rdquo;, &lt;em&gt;Christianity and Literature&lt;/em&gt;, Vol.54, Issue 3, Spring 2005, p.366). The image was originally designed as the central panel in a triptych entitled &lt;em&gt;The Seeds and Fruits of English Poetry&lt;/em&gt;, and was to be flanked by portraits of famous poets such as Milton, Spenser, Shakespeare and Burns.</text>
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                <text>Ford Madox Brown</text>
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            <description>A related resource from which the described resource is derived</description>
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                <text>The Art Gallery of New South Wales</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1847-1851</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>The Art Gallery of New South Wales</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Oil on Canvas, 372cm x 296cm</text>
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        <name>â€˜Legend of Custanceâ€™</name>
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        <name>Alice Perrers (1348-1400)</name>
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        <name>anniversary</name>
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        <name>art</name>
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        <name>artwork</name>
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        <name>birthday</name>
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        <name>Black Prince (1330-1376)</name>
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        <name>Custance</name>
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        <name>Dante Gabriel Rossetti (1828-1882)</name>
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        <name>Edward III (1312-1377)</name>
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      <tag tagId="1262">
        <name>English language</name>
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        <name>Geoffrey Chaucer (c.1343-1400)</name>
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        <name>history painting</name>
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        <name>jester</name>
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        <name>John of Gaunt (1340-1399)</name>
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        <name>Lute</name>
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        <name>palace of Sheen</name>
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        <name>poetry</name>
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        <name>Pre-Raphaelite</name>
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        <name>reading</name>
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        <name>royalty</name>
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        <name>troubadour</name>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Medievalism on the Streets</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>&lt;a href="http://www.youtube.com/watch?v=xKLvfAJChL4"&gt;http://www.youtube.com/watch?v=xKLvfAJChL4&lt;/a&gt;</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Minervaâ€™s Tower at Balingup Medieval Carnival 2012 film</text>
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            <description>The topic of the resource</description>
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                <text>Balingup, Balingup Medieval Carnivale, Alana Bennett, Belinda Bennett, carnival, costume, festival, film, folk music, Dylan Kerr, Minervaâ€™s Tower, performance, Perth, Renaissance, troubadour, trouvÃ¨re, WA, website, Western Australia, YouTube.</text>
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            <description>An account of the resource</description>
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                <text>&lt;p&gt;This 11 minute film on YouTube shows has been pieced together from separate performances by Minerva&amp;rsquo;s Tower at the 2012 Balingup Medieval Carnivale. The event was held in the town of Balingup in the south-west of Western Australia on August 25-26. The film was made by Belinda Bennett. The film shows the band perform a six pieces comprised of traditional folk music, a Renaissance tune, and a thirteenth century trouv&amp;egrave;re (northern French version of troubadour) song.&lt;/p&gt;&#13;
&lt;p&gt;Minerva&amp;rsquo;s Tower are a Perth-based band who performs medieval and neo-medieval folk music, including some original compositions. The band consists of two multi-instrumentalists, Alana Bennett and Dylan Kerr.&lt;/p&gt;&#13;
&lt;p&gt;For the film see &lt;a href="http://www.youtube.com/watch?v=xKLvfAJChL4"&gt;http://www.youtube.com/watch?v=xKLvfAJChL4&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;For the band see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1051"&gt;http://ausmed.arts.uwa.edu.au/items/show/1051&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="31092">
                <text>Bennett, Belinda</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="31093">
                <text>September 11, 2012</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="31094">
                <text>Minerva's Tower</text>
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          <element elementId="46">
            <name>Relation</name>
            <description>A related resource</description>
            <elementTextContainer>
              <elementText elementTextId="31095">
                <text>&lt;span style="line-height: 115%; font-family: 'Tahoma','sans-serif'; font-size: 10pt; mso-fareast-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-language: AR-SA; mso-bidi-font-weight: bold;"&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1051"&gt;http://ausmed.arts.uwa.edu.au/items/show/1051&lt;/a&gt;&lt;/span&gt;</text>
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                <text>Hyperlink</text>
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        <name>Alana Bennett</name>
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        <name>Balingup</name>
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        <name>Balingup Medieval Carnivale</name>
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        <name>Belinda Bennett</name>
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        <name>carnival</name>
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        <name>costume</name>
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        <name>Dylan Kerr</name>
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        <name>festival</name>
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        <name>Minervaâ€™s Tower</name>
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        <name>Renaissance</name>
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        <name>troubadour</name>
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      <tag tagId="5918">
        <name>trouvÃ¨re</name>
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      <tag tagId="838">
        <name>WA</name>
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      <tag tagId="2662">
        <name>website</name>
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        <name>Western Australia</name>
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        <name>YouTube.</name>
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        <src>https://ausmed.arts.uwa.edu.au/files/original/5387244df91ddc650f29d8b7e6f9c756.pdf</src>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Medievalism on the Streets</text>
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              <description>An account of the resource</description>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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      <description>A resource containing textual data.  Note that facsimiles or images of texts are still of the genre text.</description>
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          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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              <text>PDF; Digitised Newspaper Article</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Rescue of an Austrian Nazi: Medieval Incident Re-enacted</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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              <elementText elementTextId="9862">
                <text>anthem, Austria, Blondel, capture, cell, chivalry, chivalric legend, confinement, deception, dupe, DÃ¼rnstein Castle, Eleanor of Aquitaine (c.1122-1204), escape, folklore, Franz Hofer (1902-1975), imprisonment, legend, Leopold V of Austria (1157-1194), medieval folklore, minstrel, Nazi, page, prison, ransom, Richard Coeur de Lion, Richard I (1157-1199), Richard the Lionheart, ruse, song, Third Crusade (1189-1192), troubadour, Tunsbruck gaol</text>
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            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="9863">
                <text>In this report from Munich in 1933, an â€˜amusing storyâ€™ about the escape of Nazi leader Franz Hofer from an Austrian prison is recounted for WA readers. Not long before his escape in August 1933, Hofer said, he heard one of the Austrian warders singing the Nazi anthem with the additional line â€œBondage will only last a short time nowâ€. This he correctly interpreted as a sign that he would soon be rescued. The article likens the incident to a legend concerning the imprisonment of Richard the Lionheart in the twelfth century. In 1192, Richard I of England was captured by Leopold V of Austria on his return from the Third Crusade. He was held for a significant ransom, which Richardâ€™s mother - Eleanor of Aquitaine - raised. Richard was eventually released and returned to England in 1194. A popular chivalric legend emerged that a faithful troubadour named Blondel travelled from castle to castle after Richard was captured singing a song that would be recognisable only to him, in order to discover the place of Richardâ€™s imprisonment.   </text>
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            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="9864">
                <text>Anon.</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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              <elementText elementTextId="9865">
                <text>National Library of Australia &lt;a href="http://nla.gov.au/nla.news-article33326172" target="_blank"&gt;http://nla.gov.au/nla.news-article33326172&lt;/a&gt;</text>
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            <name>Publisher</name>
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              <elementText elementTextId="9866">
                <text>The West Australian </text>
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                <text>9 October 1933, p. 9.</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="9868">
                <text>The West Australian</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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            <name>Language</name>
            <description>A language of the resource</description>
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              <elementText elementTextId="9870">
                <text>English</text>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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              <text>&lt;p class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt;"&gt;&lt;span style="font-size: 10pt;"&gt;Digitised Newspaper Article. National Library of Australia, &lt;/span&gt;&lt;span lang="EN"&gt;&lt;a href="http://nla.gov.au/nla.news-article58388271" target="_blank"&gt;&lt;span style="font-family: Calibri; color: #0000ff; font-size: small;"&gt;http://nla.gov.au/nla.news-article58388271&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt;"&gt;&lt;span style="font-size: 10pt;"&gt;This article provides a short review of Dan  Totheroh&amp;rsquo;s historical novel &amp;ldquo;Men Call me Fool&amp;rdquo;,  published by Selwyn and Blount in 1929. Set in fourteenth-century  France at the court of King Francis I, the plot centres on a  professional fool and a youthful duchess who falls in love with him.  Although professional fools were common in medieval courtly  circles, &lt;/span&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Calibri;"&gt;&lt;span&gt;&lt;span lang="EN"&gt;the reviewer tells the reader, &amp;ldquo;mostly they were hunchbacks or deformed, but this one&lt;/span&gt;&lt;span&gt; was an Adonis&lt;/span&gt;&amp;rdquo;, and also a troubadour. Summing up, the reviewer  concludes that &amp;ldquo;There is a good deal of the atmosphere of the times and  much that is realistic in the lives of these professional fools&amp;rdquo; and  &amp;ldquo;the characterisation of the sensual king and  his nobles is convincing&amp;rdquo;.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;span style="font-size: 10pt;"&gt;To access a copy of this novel, see &lt;a href="http://babel.hathitrust.org/cgi/pt?id=uc1.b312683" target="_blank"&gt;&lt;span style="color: #0000ff;"&gt;http://babel.hathitrust.org/cgi/pt?id=uc1.b312683&lt;/span&gt;&lt;/a&gt;. &lt;/span&gt;</text>
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