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                <text>The former Metropolitan Gas Company building is located at 194 Flinders Street in the Melbourne CBD. It is opposite St Paulâ€™s Anglican Cathedral and was designed by Reed, Smart and Taplin in the Gothic Revival Style to harmonize with the Cathedral. It was completed in 1892, the year after the Cathedral was consecrated. Joseph Reed (1823-1890), part of the team that designed the Metropolitan Gas Company building, supervised the work on Cathedral after the original architect resigned in 1888. Originally in red brick, the faÃ§ade of The Metropolitan Gas Company building was resurfaced in synthetic stone in the 1930s. The building features pointed arches, lancet windows with tracery, columns, a large square tower and smaller round towers topped by finials, and a stately pointed arch entrance with moulding.</text>
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&lt;p&gt;For the biography of one of the architects see &lt;a href="http://adb.anu.edu.au/biography/parkes-varney-7959"&gt;http://adb.anu.edu.au/biography/parkes-varney-7959&lt;/a&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;Coop&amp;rsquo;s Shot Tower was completed in 1890 by the Coop family and it operated (making lead shot) until 1960. In 1991 it was incorporated into the Melbourne Central shopping complex in central Melbourne under a conical glass roof. The 50 metre high brick shot tower has been made to look like a medieval tower, with crenelated parapet at the top and a small corner turret. There is also a blind cenellation design in the centre of the tower.&lt;/p&gt;&#13;
&lt;p&gt;For the Victorian Heritage Database entry see &lt;a href="http://vhd.heritage.vic.gov.au/vhd/heritagevic%23detail_places;768"&gt;http://vhd.heritage.vic.gov.au/vhd/heritagevic#detail_places;768&lt;/a&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;This former Bank of New South Wales building is on the corner of Broadway and Regent Streets in the inner city suburb of Chippendale. It was designed by architects Varney Parkes and James Bull Anderson and was built in 1894. The ornate brick building with moulded plaster work is in the Romanesque Revival style. It has prominent semi-circular arched windows and doorways, multiple columns, and elaborate plasterwork incorporating floral designs. Two rounded corner towers flank the main entrance and end in cupolas on top of the roof.&lt;/p&gt;&#13;
&lt;p&gt;For the biography of one of the architects see &lt;a href="http://adb.anu.edu.au/biography/parkes-varney-7959"&gt;http://adb.anu.edu.au/biography/parkes-varney-7959&lt;/a&gt;&lt;/p&gt;</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>&lt;p&gt;&lt;span style="font-family: 'Tahoma','sans-serif'; font-size: 10pt; mso-bidi-font-weight: bold;"&gt;The Working Men&amp;rsquo;s College (which became RMIT University) in Melbourne,&lt;br /&gt;Victoria, opened in 1887. The three-storey building was designed by Terry and&lt;br /&gt;Oakden, and Nahun Barnet and financed by Francis Ormond. The tower and La Trobe&lt;br /&gt;St frontage were added in 1890 and were designed by Percy Oakden Addison and&lt;br /&gt;Kemp. The building is now known as the Francis Ormond Building. The College was&lt;br /&gt;built in the Romanesque Revival style and features semi-circular arches and&lt;br /&gt;doorways, a corner tower with four corner turrets, and window tracery.&lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1300"&gt;http://ausmed.arts.uwa.edu.au/items/show/1300&lt;/a&gt;</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>The John Storey Memorial Dispensary is on the corner of Regent and Lee Streets in the inner-city Sydney suburb of Chippendale. The building was completed as in 1926 as a memorial to former New South Wales Premier John Storey. It was built by Sydney Hospital to help the poorer citizens of the area. It is now a methadone clinic. The John Storey Memorial Dispensary is a medieval-styled building with a central tower and crenelated parapets on the tower and down both sides of the building. It has four-centred, or Tudor, arches on the door, doorway and windows. The inscription above the doorway uses Blackletter, or Gothic, script, a script first used in the twelfth century.</text>
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