1 8 1 https://ausmed.arts.uwa.edu.au/files/original/a1b0a34d9b18fc4ac511a857b0a12278.jpg a2c389009db4f7a6572b19d8b293edaf Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 427 Width 640 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Papal Insignia, St Patrick’s Basilica, Fremantle, Western Australia Subject The topic of the resource architect, architecture, basilica, Benedict XI (1303-1304), Boniface VIII (1294-1303), Catholic, Catholic Church, church, church building, Clement V (1305-1314), ecclesiastical heraldry, emblem, Federation Gothic Style, Fremantle, gothic architecture, gothic revival, heraldry, insignia, masonry, Michael Cavanagh, minor basilica, missionaries, neo-gothic, Oblates of Mary Immaculate, papal insignia, papal keys, papal tiara, Sydney freestone, Thomas Ryan OMI, three-tiered tiara, triple-crowned tiara, Vatican, Western Australia, WA Description An account of the resource An image of the papal insignia consisting of a three-tiered tiara and keys at the entrance of St Patrick’s Basilica in Fremantle, Western Australia. The Vatican recognised St Patrick’s as a minor basilica in 1994. The tiara and keys are exclusive symbols of the papacy in ecclesiastical heraldry. The tiara represents the extra-liturgical headpiece worn by the Pope. While the origins of a distinct papal head-dress are debated, the evolution of the three tiers can be dated to the medieval period. Mitres adorned with a crown appear in artwork from the thirteenth century, and Pope Boniface VIII (1294-1303) added a second crown to his tiara to represent his temporal and spiritual power. A triple-crowned tiara is mentioned in an inventory of the Papal Treasury from 1315, suggesting that the third crown was added by either Benedict XI (1303-4) or Clement V (1305-1314). The use of keys to symbolise papal authority also dates from the thirteenth century. For more information, see Bruno Bernard Heim, Heraldry in the Catholic Church: Its Origins, Customs and Laws, (Van Duren, Gerard’s Cross, 1978), pp. 49-55. About St Patrick’s Basilica: St Patrick’s Basilica is a Roman Catholic Church located in Fremantle, Western Australia. The church was commissioned by Thomas Ryan OMI as a place of worship for Oblates of Mary Immaculate, who had arrived in Fremantle in 1894 as missionaries. It was designed by architect Michael Cavanagh and constructed from local limestone and Sydney freestone in a Federation Gothic style. St Patrick’s was completed and consecrated in June 1900. A presbytery was also built on the site in 1916. Creator An entity primarily responsible for making the resource McEwan, Joanne Date A point or period of time associated with an event in the lifecycle of the resource 4 February 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph architect architecture Basilica Benedict XI (1303-1304) Boniface VIII (1294-1303) Catholic Catholic Church Church church building Clement V (1305-1314) ecclesiastical heraldry emblem Federation Gothic Style Fremantle gothic architecture Gothic Revival heraldry insignia masonry Michael Cavanagh minor basilica missionaries neo-Gothic Oblates of Mary Immaculate papal insignia papal keys papal tiara Saint Patrick St. Patrick Sydney freestone Thomas Ryan OMI three-tiered tiara triple-crowned tiara Vatican WA Western Australia