1 8 23 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Page Description An account of the resource This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as children’s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works. Hyperlink Title, URL, Description or annotation. URL <a href="http://nla.gov.au/nla.news-article23754864" target="_self">http://nla.gov.au/nla.news-article23754864</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource “Robin Hood” (pantomime) Subject The topic of the resource Bijou Theatre, Hobart, The Mercury, newspaper, outlaw, pantomime, performance, Robin Hood, Tas, Tasmania, theatre. Description An account of the resource This 1924 article in the Hobart based newspaper The Mercury advertises two performances of the pantomine 'Robin Hood' at the Bijou Theatre. The performances were held 'by special request' following an earlier successful season. The pantomine is presumably based on the exploits of the legendary medieval English outlaw Robin Hood. Creator An entity primarily responsible for making the resource Anon. Publisher An entity responsible for making the resource available The Mercury Date A point or period of time associated with an event in the lifecycle of the resource August 6, 1924 Rights Information about rights held in and over the resource The Mercury Format The file format, physical medium, or dimensions of the resource Newspaper article;Hyperlink Bijou Theatre Hobart newspaper outlaw pantomime performance Robin Hood Tas Tasmania. The Mercury theatre https://ausmed.arts.uwa.edu.au/files/original/6d0307e3b65c30ba92a7e6c757643759.jpg ce499652bbc407d305d44b904dad98fa Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 3489 Width 2147 https://ausmed.arts.uwa.edu.au/files/original/f6692e9af65f7ca8a661d2d42836a354.jpg 31004a541a7ce5fcc09272d02f4b3cbf Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 3065 Width 2457 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Page Description An account of the resource This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as children’s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Microfilm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource &lsquo;Eating the Leek&rsquo; (Henry V, Act V, Scene I), <em>The Bulletin</em>, 4 March 1893. Subject The topic of the resource Cartoon, Fluellen, Henry V, John Bull, medieval costume, Pistol, political cartoon, politics, Shakespeare, Sir George Richard Dibbs (1834-1904), Sir Robert William Duff (1835-1895), theatre, New South Wales, NSW politics, William Ewart Gladstone (1809-1898), William Shakespeare (c.1564-1616). Description An account of the resource This political cartoon by &lsquo;Hop&rsquo; enacts a scene from William Shakespeare&rsquo;s historical play, <em>Henry V</em>. In the scene, Fluellen the Welshman angrily berates the unfortunate Pistol, a crony of Sir John Falstaff, and forces him to eat a raw leek. The cartoon, Louise D&rsquo;Arcens suggests, uses this rather cryptic information &ldquo;to depict the recent appointment of the New South Wales governor Sir Robert Duff by the British Prime Minister Gladstone,&rdquo; (Louise D&rsquo;Arcens, <em>Old Songs in the Timeless Land: Medievalism in Australian Literature 1840-1910</em>, Turnhout, Brepols, 2011, p.182). The &lsquo;leeks&rsquo; both seem equally unpalatable to the protesting recipient(s): Pistol and the Premier Sir George Dibbs respectively. The fact that Mr Gladstone and Her Majesty&rsquo;s Government would appoint the next Governor without approval from the NSW Government indicates the lesson in humility that was forced upon the colony by Whitehall. Ironically, the John Bull figure holds a switch with the words &lsquo;Silken Bond&rsquo; written upon it. This sounds suspiciously like &ldquo;an iron fist in a velvet glove&rdquo; rationale to contemporary ears. Creator An entity primarily responsible for making the resource Livingston York Hopkins (‘Hop’) Source A related resource from which the described resource is derived The Bulletin Publisher An entity responsible for making the resource available The Bulletin Date A point or period of time associated with an event in the lifecycle of the resource 4 March 1893 (Cover) Rights Information about rights held in and over the resource Public Domain cartoon Fluellen Henry V John Bull medieval costume New South Wales NSW politics Pistol political cartoon politics Shakespeare Sir George Richard Dibbs (1834-1904) Sir Robert William Duff (1835-1895) theatre William Ewart Gladstone (1809-1898) William Shakespeare (c.1564-1616) https://ausmed.arts.uwa.edu.au/files/original/e519e4551dbb8549d3cc1dc8c6cccb3f.jpg 1907eb24f94dd600af2bae1eeab5e6e0 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 812 Width 684 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Forum Theatre, Melbourne, Victoria Subject The topic of the resource Alhambra, architecture, Bohringer, Taylor & Johnson, cinema, clock tower, columns, corbel, cupola, dome, grotesque figures, Iberian Peninsula, Islamic rule, John Eberson, machiolation, medieval Spain, minaret, moor, Moorish Revival, oriel windows, pressed cement, reconquista, Spanish Mission style, theatre, tower, tracery, VIC, Victoria, winged creatures Description An account of the resource A view of the Forum Theatre (formerly the State Theatre) in central Melbourne. Designed by American architect John Eberson in conjunction with Melbourne firm Bohringer, Taylor & Johnson, The Forum was originally built as a cinema palace. Completed in 1928, it is one of four cinemas that opened in Melbourne in the 1920s. The exterior of the building combines Spanish Mission and ‘Alhambresque’ Moorish Revival architecture. The minarets, cupola’s and pressed cement decorations are reminiscent of Islamic Spanish architecture dating from the eighth to the fifteenth century. The Iberian Peninsula was conquered in 711 by the Muslim army of Tariq ibn Ziyad, and the various southern Spanish States remained under Arab or Moorish Islamic rule until they were gradually reconquered by Catholic monarchs throughout the later medieval period. The reconquest ended with the conversion of Andalusia in 1492. Creator An entity primarily responsible for making the resource McEwan, Joanne Date A point or period of time associated with an event in the lifecycle of the resource April, 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG Alhambra architecture Bohringer cinema clock tower columns corbel cupola dome grotesque figures Iberian Peninsula Islamic rule John Eberson machiolation Medieval Spain minaret moor Moorish Revival oriel windows pressed cement reconquista Spanish Mission style Taylor & Johnson theatre tower tracery Vic Victoria winged creatures https://ausmed.arts.uwa.edu.au/files/original/4490501688ddd10fa4bfcc94c13338e1.jpg a973958c251476fcd073baba44cd3f0a Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 893 Width 670 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Forum Theatre Clocktower, Melbourne, Victoria Subject The topic of the resource Alhambra, architecture, Bohringer, Taylor & Johnson, cinema, clock tower, corbel, cupola, dome, Iberian Peninsula, Islamic rule, John Eberson, machiolation, medieval Spain, minaret, moor, Moorish Revival, reconquista, Spanish Mission style, theatre, tower, tracery, VIC, Victoria Description An account of the resource A view of the clocktower at the Forum Theatre (formerly the State Theatre) in central Melbourne. Designed by American architect John Eberson in conjunction with Melbourne firm Bohringer, Taylor & Johnson, The Forum was originally built as a cinema palace. Completed in 1928, it is one of four cinemas that opened in Melbourne in the 1920s. The exterior of the building combines Spanish Mission and ‘Alhambresque’ Moorish Revival architecture. The minarets, cupola’s and pressed cement decorations are reminiscent of Islamic Spanish architecture dating from the eighth to the fifteenth century. The Iberian Peninsula was conquered in 711 by the Muslim army of Tariq ibn Ziyad, and the various southern Spanish States remained under Arab or Moorish Islamic rule until they were gradually reconquered by Catholic monarchs throughout the later medieval period. The reconquest ended with the conversion of Andalusia in 1492. Creator An entity primarily responsible for making the resource McEwan, Joanne Date A point or period of time associated with an event in the lifecycle of the resource April 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG Alhambra architecture Bohringer cinema clock tower corbel cupola dome Iberian Peninsula Islamic rule John Eberson machiolation Medieval Spain minaret moor Moorish Revival reconquista Spanish Mission style Taylor & Johnson theatre tower tracery Vic Victoria https://ausmed.arts.uwa.edu.au/files/original/3b9e6ccb4447061fab452b9c618adcf7.jpg e7c2fe50468825a80da28984387df1e4 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 875 Width 323 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Minaret, The Forum Theatre, Melbourne, Victoria Subject The topic of the resource Alhambra, architecture, Bohringer, Taylor & Johnson, cinema, cupola, dome, Iberian Peninsula, Islamic rule, John Eberson, machiolation, medieval Spain, minaret, moor, Moorish Revival, pressed cement, reconquista, Spanish Mission style, theatre, tower, tracery, VIC, Victoria Description An account of the resource A view of a minaret - or tall, tiered tower - at the Forum Theatre (formerly the State Theatre) in central Melbourne. Designed by American architect John Eberson in conjunction with Melbourne firm Bohringer, Taylor & Johnson, The Forum was originally built as a cinema palace. Completed in 1928, it is one of four cinemas that opened in Melbourne in the 1920s. The exterior of the building combines Spanish Mission and ‘Alhambresque’ Moorish Revival architecture. The minarets, cupola’s and pressed cement decorations are reminiscent of Islamic Spanish architecture dating from the eighth to the fifteenth century. The Iberian Peninsula was conquered in 711 by the Muslim army of Tariq ibn Ziyad, and the various southern Spanish States remained under Arab or Moorish Islamic rule until they were gradually reconquered by Catholic monarchs throughout the later medieval period. The reconquest ended with the conversion of Andalusia in 1492. Creator An entity primarily responsible for making the resource McEwan, Joanne Date A point or period of time associated with an event in the lifecycle of the resource April 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG Alhambra architecture Bohringer cinema cupola dome Iberian Peninsula Islamic rule John Eberson machiolation Medieval Spain minaret moor Moorish Revival pressed cement reconquista Spanish Mission style Taylor & Johnson theatre tower tracery Vic Victoria https://ausmed.arts.uwa.edu.au/files/original/b1d046f64b7c50c62639d1b6c0ea1376.jpg 57a414787e2a6d067e25d638c80a54e9 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 952 Width 780 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Streets Description An account of the resource This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource "Camelot": The Original Motion Picture Soundtrack Subject The topic of the resource record, records, music, orchestra, orchestral, Alan Jay Lerner, Arthur, Arthurian, Arthuriana, Camelot, chivalric, chivalry, cinema, entertainment, film, Franco Nero, Guinevere, Hoyts Century Theatre, York, King Arthur, knight, knighthood, Lancelot, movie, New South Wales, NSW, popular culture, Richard Harris, Round Table, Sydney, theatre, theatres, Vanessa Redgrave Description An account of the resource An image of a record found in a York secondhand store featuring the soundtrack to the popular 1967 film "Camelot." An example of the popularity, commerciality and timelessness of Arthurian legends, the film was a box office hit in the West. The film was a screen adaptation of the 1960 musical of the same name by Alan Jay Lerner. It starred Richard Harris as King Arthur, Vanessa Redgrave as Guinevere and Franco Nero as Lancelot. For more information about the film, consult <a href="http://www.imdb.com/title/tt0061439/">http://www.imdb.com/title/tt0061439/. </a><br /> Creator An entity primarily responsible for making the resource Carter, Bree Date A point or period of time associated with an event in the lifecycle of the resource 27 November 2011 Rights Information about rights held in and over the resource No Copyright Relation A related resource &ldquo;Crowd outside the Hoyts Century Theatre at the Preview of Camelot, Sydney,&rdquo; <em>Medievalism in Australian Cultural Memory</em>, accessed November 28, 2011, <a href="../../../items/show/26">http://ausmed.arts.uwa.edu.au/items/show/26 </a> Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG Alan Jay Lerner Arthur Arthurian Arthuriana Camelot chivalric chivalry cinema entertainment film Franco Nero Guinevere Hoyts Century Theatre King Arthur knight knighthood Lancelot movie music New South Wales NSW orchestra orchestral popular culture record records Richard Harris round table Sydney theatre theatres Vanessa Redgrave York https://ausmed.arts.uwa.edu.au/files/original/bdd65785494294746c5be789426a8a71.JPG b5b64f981c562efab10c5ba39e6bfb3c Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 560 Width 840 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism in the Classroom Description An account of the resource This Collection traces the development of academic medievalism in Australia’s universities, and explores the discipline’s complex ideological affiliations. In this Collection you will find items relating to: the medievalist content of educational programmes, such as examples of university unit outlines; the teaching of the medieval through processes of medievalism, such as in demonstrations of medieval cooking or fighting techniques; and references to the medieval in modern educational debates and contexts. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Performance of Henry IV, Part I, New Fortune Theatre, UWA Subject The topic of the resource ARC Centre of Excellence for the History of Emotions, collaboratory, Rob Conkie, Elizabethan, Fortune Playhouse, Fortune Theatre, Henry IV, Henry IV Part I, La Trobe University, La Trobe Theatre and Drama School, New Fortune Theatre, performance, Performing Old Emotions on the New Fortune Stage, Perth, William Shakespeare, theatre, University of Western Australia, UWA, WA, Western Australia Description An account of the resource This series of photographs were taken at the performance of the play Henry IV Part I by William Shakespeare at the New Fortune Theatre at the University of Western Australia on September 16, 2011. The free performance was part of the three-day Collaboratory ‘Performing Old Emotions on the New Fortune Stage’ hosted by the ARC Centre of Excellence for the History of Emotions. The cast was from La Trobe Theatre and Drama School, La Trobe University, and directed by Rob Cronkie. The performance drew on ‘original staging practices’ and was performed in an Elizabethan-style theatre, based on the layout of the Fortune Theatre/Fortune Playhouse built in London in 1599-1600. Like the Fortune, the New Fortune Theatre is square, has three covered levels plus open-air pit, and an open stage. The theatre opened in 1964. Authentic aspects of the performance of Henry IV Part I, other than the venue, included an all-male cast of only five actors who played multiple roles, including those of female characters, a minimal set and stage props, interaction with the audience including resident peacocks, and a partly transient audience wandering in and out at will (it was a free performance). Despite this Elizabethan pedigree, the play itself is set in late medieval England during the reign of Henry IV, 1399 to 1413. Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource 16 September 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG ARC Centre of Excellence for the History of Emotions collaboratory Elizabethan Fortune Playhouse Fortune Theatre Henry IV Henry IV Part I La Trobe Theatre and Drama School La Trobe University New Fortune Theatre performance Performing Old Emotions on the New Fortune Stage Perth Rob Conkie theatre University of Western Australia UWA WA Western Australia William Shakespeare https://ausmed.arts.uwa.edu.au/files/original/d2b292b09ee495026661921e494ab19b.JPG 78d7adb21003b5908f5c2b578d8b1a26 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 653 Width 980 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism in the Classroom Description An account of the resource This Collection traces the development of academic medievalism in Australia’s universities, and explores the discipline’s complex ideological affiliations. In this Collection you will find items relating to: the medievalist content of educational programmes, such as examples of university unit outlines; the teaching of the medieval through processes of medievalism, such as in demonstrations of medieval cooking or fighting techniques; and references to the medieval in modern educational debates and contexts. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Henry IV, Part I, New Fortune Theatre Subject The topic of the resource ARC Centre of Excellence for the History of Emotions, collaboratory, Rob Conkie, Elizabethan, Fortune Playhouse, Fortune Theatre, Henry IV, Henry IV Part I, La Trobe University, La Trobe Theatre and Drama School, New Fortune Theatre, performance, Performing Old Emotions on the New Fortune Stage, Perth, William Shakespeare, theatre, University of Western Australia, UWA, WA, Western Australia Description An account of the resource This series of photographs were taken at the performance of the play Henry IV Part I by William Shakespeare at the New Fortune Theatre at the University of Western Australia on September 16, 2011. The free performance was part of the three-day Collaboratory ‘Performing Old Emotions on the New Fortune Stage’ hosted by the ARC Centre of Excellence for the History of Emotions. The cast was from La Trobe Theatre and Drama School, La Trobe University, and directed by Rob Cronkie. The performance drew on ‘original staging practices’ and was performed in an Elizabethan-style theatre, based on the layout of the Fortune Theatre/Fortune Playhouse built in London in 1599-1600. Like the Fortune, the New Fortune Theatre is square, has three covered levels plus open-air pit, and an open stage. The theatre opened in 1964. Authentic aspects of the performance of Henry IV Part I, other than the venue, included an all-male cast of only five actors who played multiple roles, including those of female characters, a minimal set and stage props, interaction with the audience including resident peacocks, and a partly transient audience wandering in and out at will (it was a free performance). Despite this Elizabethan pedigree, the play itself is set in late medieval England during the reign of Henry IV, 1399 to 1413. Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource 16 September 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG ARC Centre of Excellence for the History of Emotions collaboratory Elizabethan Fortune Playhouse Fortune Theatre Henry IV Henry IV Part I La Trobe Theatre and Drama School La Trobe University New Fortune Theatre performance Performing Old Emotions on the New Fortune Stage Perth Rob Conkie theatre University of Western Australia UWA WA Western Australia William Shakespeare