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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>&lt;a href="http://www.youtube.com/watch?feature=player_embedded&amp;amp;v=q-DD0yQovRw"&gt;http://www.youtube.com/watch?feature=player_embedded&amp;amp;v=q-DD0yQovRw&lt;/a&gt;</text>
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                <text>Gerni Weekend Warriors advertisement</text>
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                <text>Advert, advertisement, armour, centurion, costume, helmet, Gerni, Gerni Weekend Warriors, MJW, Mongol, New South Wales, NSW, retail, Roman, Sydney, television, tv, Viking, warrior, weapon, website, YouTube.</text>
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                <text>&lt;p&gt;&amp;lsquo;Gerni Weekend Warriors&amp;rsquo; is a marketing campaign created by Sydney ad agency MJW to promote Gerni high pressure water cleaners. The television advert features three men dressed as warriors from the past using a Gerni to clean their cars and houses, with the Gerni clearly taking the place of a weapon. The men are dressed as a Roman centurion with cape, helmet and breastplate; a Viking (c. 800-1000) wearing a horned helmet and animal skin; and a thirteenth century Mongol wearing a fur-lined conical helmet, fur boots, and upper-body armour.&lt;/p&gt;&#13;
&lt;p&gt;For the advertisement see &lt;a href="http://www.youtube.com/watch?feature=player_embedded&amp;amp;v=q-DD0yQovRw"&gt;http://www.youtube.com/watch?feature=player_embedded&amp;amp;v=q-DD0yQovRw&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;For an article on the marketing campaign see &lt;a href="http://www.bandt.com.au/breaking-campaigns/mjw-puts-the-pressure-on-for-gerni"&gt;http://www.bandt.com.au/breaking-campaigns/mjw-puts-the-pressure-on-for-gerni&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</text>
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                <text>August, 2012</text>
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                <text>Gerni, MJW</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>&lt;a href="http://warsword.com.au/index.php"&gt;http://warsword.com.au/index.php&lt;/a&gt;</text>
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                <text>Armour, axe, Braveheart, Brisbane, Carina, costume, film, Game of Thrones, halberd, helmet, living history, Kingdom of Heaven, The Lord of the Rings, Qld, Queensland, re-creation, re-enactment, shield, spear, sword, television, War Sword, website.</text>
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                <text>&lt;p&gt;War Sword is a store specialising in swords and armour in the Brisbane suburb of Carina, Queensland. They sell various re-creations of medieval weapons, including axes, halberds, shields, spears, swords, and helmets and full suits of armour. There are also weapons based on such medievalism film and television series as The Lord of the Rings and Game of Thrones, as well as films set in the medieval era such as Braveheart and Kingdom of Heaven.&lt;/p&gt;&#13;
&lt;p&gt;For their online store see http://warsword.com.au/index.php&lt;/p&gt;</text>
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                <text>Â© 2006-2012 War Sword.</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>&lt;a href="http://www.battleofthenations.com.au/index.html"&gt;http://www.battleofthenations.com.au/index.html&lt;/a&gt;</text>
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                <text>Archery, armour, axe, Battle of Nations, Battle of Nations Festival, bow, combat, crossbow, Europe, festival, helmet, heraldry, Kit Houston, knight, longsword, plate armour, re-enactment, replica, shield, sword, sword and buckler, television, tournament, tv, website.</text>
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                <text>&lt;p&gt;The Battle of Nations Festival is a full contact medieval tournament held in Europe which began in 2009. Australia will field a team for the first time in 2013 and will be captained by Kit Houston. The event features various combat categories, from one vs one duels to all vs all, and one including mounted knights on horses. There is also a side archery event for bows and crossbows. Contestants are expected to use historically accurate weapons and armour, and heraldry. Weapons featured include sword, longsword, shields, axes, and sword and buckler. The event also has an six-part online television show.&lt;/p&gt;&#13;
&lt;p&gt;For their website see &lt;a href="http://www.battleofthenations.com.au/index.html"&gt;http://www.battleofthenations.com.au/index.html&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</text>
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                <text>(c) Battle of the Nations Australia and European Medieval Martial Arts Academy</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>&lt;a href="http://www.perthnow.com.au/entertainment/millie-and-chard-win-beauty-and-the-geek-australia/story-e6frg30c-1226527045824" target="_self"&gt;http://www.perthnow.com.au/entertainment/millie-and-chard-win-beauty-and-the-geek-australia/story-e6frg30c-1226527045824&lt;/a&gt;</text>
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                <text>&amp;ldquo;Millie and Chard win &lt;em&gt;Beauty and the Geek Australia&lt;/em&gt;&amp;rdquo;, &lt;em&gt;Perth Now&lt;/em&gt;, 29 November 2012.</text>
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                <text>Australian TV, &lt;em&gt;Beauty &amp;amp; the Geek&lt;/em&gt;, broadcast, Channel 7, Chard, fairytale, finale, jousting, knight, masquerade ball, medieval challenge, medieval festivities, Millie, princess, program, programme, sonnet, television, winners.</text>
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                <text>&lt;p&gt;This online article from the &lt;em&gt;Perth Now&lt;/em&gt; website describes the fourth season finale show of TV programme &lt;em&gt;Beauty &amp;amp; the Geek Australia&lt;/em&gt;, from which contestants Chard and Millie emerged as winners. Pursuing a &amp;lsquo;happily ever after&amp;rsquo; fairytale theme, the article explains, the first part of the show &amp;lsquo;involved a series of medieval challenges&amp;rsquo; &amp;ndash; namely jousting and reciting sonnets &amp;ndash; for which the couples dressed up as knights and princesses. This was followed by a masquerade ball. Beauty &amp;amp; the Geek was broadcast in Australia in 2012 by the Channel 7 network.&lt;/p&gt;&#13;
&lt;p&gt;For the news article, see: &lt;a href="http://www.perthnow.com.au/entertainment/millie-and-chard-win-beauty-and-the-geek-australia/story-e6frg30c-1226527045824" target="_self"&gt;http://www.perthnow.com.au/entertainment/millie-and-chard-win-beauty-and-the-geek-australia/story-e6frg30c-1226527045824&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;For more about the TV show, see: &lt;a href="http://au.tv.yahoo.com/beauty-and-the-geek-australia/" target="_self"&gt;http://au.tv.yahoo.com/beauty-and-the-geek-australia/&lt;/a&gt;&lt;/p&gt;</text>
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                <text>ABC, alter cloths, Australian Broadcasting Corporation, baptismal font, Wendy Boynton, Catholic, chalice linen, church, Colebrook, Compass, cross, Geraldine Doogue, Gothic, Gothic Revival, headstone, monstrance, Oatlands, Augustus Welby Northmore Pugin, Pugin, Richmond, rood screen, Tas, Tasmania, Tasmanian Gothic, television, transcript, vestment, website, Bishop Willson, Robert William Willson.</text>
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                <text>&lt;p&gt;&amp;lsquo;Tasmanian Gothic&amp;rsquo; was an episode of the Australian Broadcasting Corporation&amp;rsquo;s Compass television programme presented by Geraldine Doogue. The story was researched by Wendy Boynton and aired on June 24, 2012 to celebrate the 200&lt;sup&gt;th&lt;/sup&gt; anniversary of the birth of English architect and designer Augustus Welby Northmore Pugin (1812-1852), one of the main&amp;nbsp;instigators of the Gothic Revival. Although he never visited Australia some consider the best examples of Pugin&amp;rsquo;s work to be in Tasmania, in part due to their preservation. When his friend Robert William Willson (1794-1866) was chosen as Tasmania&amp;rsquo;s first Catholic Bishop, Pugin provided him with the materials necessary to establish his diocese. These items, including scale models for three churches, were taken by Willson by ship from England to Hobart in 1844. Pugin artefacts in Tasmania include alter cloths, baptismal fonts, chalice linens, crosses, rood screens, headstones, vestments, and a monstrance (a vessel to hold the communion host, first used in the medieval period), the churches at Oatlands and Colebrook, and elements of the church at Richmond. The programme also deals with Pugin&amp;rsquo;s lasting legacy, including the enduring notion that Gothic style architecture is the most appropriate for ecclesiastical architecture. &amp;nbsp;&lt;/p&gt;&#13;
&lt;p&gt;For the episode transcript see &lt;a href="http://www.abc.net.au/compass/s3510122.htm"&gt;http://www.abc.net.au/compass/s3510122.htm&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;For the Pugin churches see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1104"&gt;http://ausmed.arts.uwa.edu.au/items/show/1104&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/951"&gt;http://ausmed.arts.uwa.edu.au/items/show/951&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1117"&gt;http://ausmed.arts.uwa.edu.au/items/show/1117&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1119"&gt;http://ausmed.arts.uwa.edu.au/items/show/1119&lt;/a&gt;&lt;/p&gt;&#13;
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                <text>Australian Broadcasting Corporation</text>
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                <text>&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1104"&gt;http://ausmed.arts.uwa.edu.au/items/show/1104&lt;/a&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/951"&gt;http://ausmed.arts.uwa.edu.au/items/show/951&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1117"&gt;http://ausmed.arts.uwa.edu.au/items/show/1117&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1119"&gt;http://ausmed.arts.uwa.edu.au/items/show/1119&lt;/a&gt;&lt;/p&gt;</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>&lt;a href="http://www.youtube.com/watch?v=q7O7NgjWPeM" target="_self"&gt;http://www.youtube.com/watch?v=q7O7NgjWPeM&lt;/a&gt;</text>
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                <text>&lt;em&gt;Arthur! And the Square Knights of the Round Table&lt;/em&gt; Children's Cartoon series</text>
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                <text>&lt;em&gt;Arthur! And the Square Knights of the Round Table&lt;/em&gt; was an animated Australian cartoon series written by Melbourne playwright Alex Buzo with Rod Hull, Lyle Martin, John Palmer and M. Robinson. It was produced between 1966 and 1968. Based on Arthurian legend, the cartoons feature characters such as King Arthur, Guinevere, Lancelot, Merlin, a Black Knight and Morgan le Fay. The opening jingle (available at &lt;a href="http://www.youtube.com/watch?v=q7O7NgjWPeM" target="_self"&gt;http://www.youtube.com/watch?v=q7O7NgjWPeM&lt;/a&gt;) provides a good overview of the Arthurian themes and motifs in the cartoons, in verse! For example, the pastimes of the hero Arthur &amp;ndash; &amp;lsquo;the king of Camelot, who likes to joust a lot&amp;rsquo; &amp;ndash; are identified as jousting, dragon-slaying, wooing Guinevere, foiling the evil plans of the Black Knight, rescuing damsels in distress, drawing swords from stones, making tables round, and convening meetings of his bravest knights.</text>
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                <text>Written by Alex Buzo with Rod Hull, Lyle Martin, M. Robinson &amp; John Palmer&#13;
Produced by Walter J. Hucker&#13;
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                <text>This chalk board drawing advertises The Burger Bistro in Shafto Lane in central Perth. The drawing is based on posters and the dvd cover for Season One of the television series â€˜Game of Thronesâ€™, based on the fantasy book series A Song of Ice and Fire by George R.R. Martin. The chalk drawing shows Lord Eddard Stark, played by actor Sean Bean, sitting on a throne and holding a sword. The character has the appearance of a medieval warrior.</text>
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&lt;p&gt;For another of the advertisements see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/985" target="_self"&gt;http://ausmed.arts.uwa.edu.au/items/show/985&lt;/a&gt;&lt;/p&gt;</text>
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