1 8 28 https://ausmed.arts.uwa.edu.au/files/original/2a811f44be39802eecd6e243f21fc2eb.jpg 43b9df4028aa21a04a2286976435060d Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 640 Width 478 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource St. Alban's Church, Highgate, at the 2011 Beaufort Street Festival Subject The topic of the resource Beaufort, Beaufort Street, Beaufort Street Festival, festival, festivals, leisure, recreation, street festival, street festivities, Mt Lawley, Mt. Lawley, Mount Lawley, Anglican, Anglican church, architect, architecture, bell turret, buttresses, church, church building, Fred Collett (builder), Highgate, J. J. Talbot Hobbs (1864-1938), leadlight windows, limestone, neo-romanesque, Norman architecture, oculus windows, parish church, preparatory school, quoins, red brick, romanesque architecture, semi-circular arches, St Alban, Anglicanism, St. Alban, St. George, Saint Alban, Saint George, Saint Michael, St. Michael, stained-glass, stained glass, stone, The Sisters of the Church of England, Victorian Romanesque style, Western Australia, WA Description An account of the resource An image of St. Alban's Church, Highgate, Western Australia being used by the community at the Beaufort Street Festival. St Albanâ€™s is a small limestone parish church located in Highgate, Western Australia. Built in 1889 (with enlargements in 1898) in a Victorian Romanesque style, it is one of the earliest buildings designed by well-known WA architect Sir J. J. Talbot-Hobbs (1864-1938). Its characteristically romanesque features include the semi-circular arches, the traditional load-bearing masonry of the buttresses and solid walling, and the small window and door openings in relation to the overall wall area. The window of the nave contains stained three stained glass images of St Alban, St George and St Michael. The latter two were originally purchased for St Georgeâ€™s Cathedral, but upon arrival were discovered to be the wrong shape and were donated to St Albanâ€™s. Other windows depict St Luke, Christ and the Disciples and The Virgin Mary and Child. A bell was also donated by St Georgeâ€™s Cathedral. Creator An entity primarily responsible for making the resource Carter, Bree Date A point or period of time associated with an event in the lifecycle of the resource 12th November 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG Anglican Anglican church Anglicanism architect architecture Beaufort Beaufort Street Beaufort Street Festival bell turret buttresses Church church building festival festivals Fred Collett (builder) Highgate J. J. Talbot Hobbs (1864-1938) leadlight windows leisure limestone Mount Lawley Mt Lawley Mt. Lawley neo-Romanesque Norman architecture oculus windows parish church preparatory school quoins recreation red brick Romanesque architecture Saint Alban Saint George Saint Michael semi-circular arches St Alban St. Alban St. George St. Michael stained glass stained-glass stone street festival street festivities The Sisters of the Church of England Victorian Romanesque style WA Western Australia https://ausmed.arts.uwa.edu.au/files/original/6dacd3e60d3acbda0ece9bf324f8a446.jpg a5a94ce5e48933d041e2cb3a050ae240 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 629 Width 480 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 'The Five Lamps of Learning' Featured on the Great Gate at the University of Western Australia Subject The topic of the resource Administration Building, architecture, arch, archway, Crawley, â€œGreat Gateâ€, Italian influence, limestone, Mervyn Napier Waller, mosaic, Rodney Alsop, Senate Chamber, Sir John Winthrop Hackett, stone, The University of Western Australia, virtues, Western Australia, Winthrop Hall, Oxford University, Cambridge University, gateway, Tudor, Tudor architecture, university building, university buildings, university college, university colleges, college Description An account of the resource An image of the window and mosaic featured on the northern side of the Great Gate at the University of Western Australia, Crawley. The University commissioned artist Mervyn Napier Waller to design and produce the mosaic positioned above the window to the Senate chamber in 1931. The mosaic, known as the ‘Five Lamps of Learning’, features five figures who each represent one of the virtues of wisdom, understanding, counsel, courage and knowledge (For more information on the ‘Five Lamps of Learning’ mosaic, see the UWA Archives website: <a href="http://archives.uwa.edu.au/page/84543" target="_blank">http://archives.uwa.edu.au/page/84543</a>, accessed 1/2/2011). Creator An entity primarily responsible for making the resource McEwan, Joanne Date A point or period of time associated with an event in the lifecycle of the resource 28 January 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG â€œGreat Gateâ€ Administration Building arch architecture archway Cambridge University college Crawley gateway Italian influence limestone Mervyn Napier Waller mosaic Oxford University Rodney Alsop Senate Chamber Sir John Winthrop Hackett stone The University of Western Australia Tudor Tudor architecture university building university buildings university college university colleges virtues Western Australia Winthrop Hall https://ausmed.arts.uwa.edu.au/files/original/81ef0e915b6afde6f5e20764c127b75b.jpg 552ee92c8622cd9776905ee069f3f062 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 427 Width 640 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource St. Alban's Anglican Church, Highgate, WA Subject The topic of the resource Anglican, Anglican church, architect, architecture, bell turret, buttresses, church, church building, Fred Collett (builder), Highgate, J. J. Talbot Hobbs (1864-1938), leadlight windows, limestone, neo-romanesque, Norman architecture, oculus windows, parish church, preparatory school, quoins, red brick, romanesque architecture, semi-circular arches, St. Alban, St. George, Saint Alban, Saint George, Saint Michael, St. Michael, stained-glass, stained glass, stone, The Sisters of the Church of England, Victorian Romanesque style, Western Australia, WA Description An account of the resource A view of St Albanâ€™s Anglican Church, Highgate. St Albanâ€™s is a small limestone parish church located in Highgate, Western Australia. Built in 1889 (with enlargements in 1898) in a Victorian Romanesque style, it is one of the earliest buildings designed by well-known WA architect Sir J. J. Talbot-Hobbs (1864-1938). Its characteristically romanesque features include the semi-circular arches, the traditional load-bearing masonry of the buttresses and solid walling, and the small window and door openings in relation to the overall wall area. The window of the nave contains stained three stained glass images of St Alban, St George and St Michael. The latter two were originally purchased for St Georgeâ€™s Cathedral, but upon arrival were discovered to be the wrong shape and were donated to St Albanâ€™s. Other windows depict St Luke, Christ and the Disciples and The Virgin Mary and Child. A bell was also donated by St Georgeâ€™s Cathedral. The St Albanâ€™s church Hall was used briefly as a preparatory school by The Sisters of the Church of England between 1907 and 1915. Creator An entity primarily responsible for making the resource McEwan, Joanne Date A point or period of time associated with an event in the lifecycle of the resource 4 February 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG Anglican Anglican church architect architecture bell turret buttresses Church church building Fred Collett (builder) Highgate J. J. Talbot Hobbs (1864-1938) leadlight windows limestone neo-Romanesque Norman architecture oculus windows parish church preparatory school quoins red brick Romanesque architecture Saint Alban Saint George Saint Michael semi-circular arches St. Alban St. George St. Michael stained glass stained-glass stone The Sisters of the Church of England Victorian Romanesque style WA Western Australia https://ausmed.arts.uwa.edu.au/files/original/632f329e8d91cb48e11cbb0bb7a09b8b.jpg 56258e402a6af6f149a0cdf4490ed0c1 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 427 Width 640 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource St. Albanâ€™s Anglican Church, Highgate, Western Australia Subject The topic of the resource Anglican, Anglican church, architect, architecture, bell turret, buttresses, church, church building, Fred Collett (builder), Highgate, J. J. Talbot Hobbs (1864-1938), leadlight windows, limestone, neo-romanesque, Norman architecture, oculus windows, parish church, preparatory school, quoins, red brick, romanesque architecture, semi-circular arches, St. Alban, St. George, Saint Alban, Saint George, Saint Michael, St. Michael, stained-glass, stained glass, stone, The Sisters of the Church of England, Victorian Romanesque style, Western Australia, WA Description An account of the resource A view of St Albanâ€™s Anglican Church, Highgate. St Albanâ€™s is a small limestone parish church located in Highgate, Western Australia. Built in 1889 (with enlargements in 1898) in a Victorian Romanesque style, it is one of the earliest buildings designed by well-known WA architect Sir J. J. Talbot-Hobbs (1864-1938). Its characteristically romanesque features include the semi-circular arches, the traditional load-bearing masonry of the buttresses and solid walling, and the small window and door openings in relation to the overall wall area. The window of the nave contains stained three stained glass images of St Alban, St George and St Michael. The latter two were originally purchased for St Georgeâ€™s Cathedral, but upon arrival were discovered to be the wrong shape and were donated to St Albanâ€™s. Other windows depict St Luke, Christ and the Disciples and The Virgin Mary and Child. A bell was also donated by St Georgeâ€™s Cathedral. The St Albanâ€™s church Hall was used briefly as a preparatory school by The Sisters of the Church of England between 1907 and 1915. Creator An entity primarily responsible for making the resource McEwan, Joanne Date A point or period of time associated with an event in the lifecycle of the resource 4 February 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG Anglican Anglican church architect architecture bell turret buttresses Church church building Fred Collett (builder) Highgate J. J. Talbot Hobbs (1864-1938) leadlight windows limestone neo-Romanesque Norman architecture oculus windows parish church preparatory school quoins red brick Romanesque architecture Saint Alban Saint George Saint Michael semi-circular arches St. Alban St. George St. Michael stained glass stained-glass stone The Sisters of the Church of England Victorian Romanesque style WA Western Australia https://ausmed.arts.uwa.edu.au/files/original/f66585c5521ba4fd4810c7a31427fcfa.jpg a059b86ffd8eb66ca8fafac74192acac Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 890 Width 702 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Doorway Detail: St Peterâ€™s Cathedral, Adelaide Subject The topic of the resource Adelaide, Anglican, Anglicanism, arcading, arch, architecture, Augustus Short (1802-1883), blind arch, cathedral, church, church building, diocese of Adelaide, doorway, ecclesiastical building, Edward John Woods (1839-1916), facade, gothic, gothic revival architecture, lancet arch, neo-gothic, North Adelaide, SA, South Australia, St Peter, St Peterâ€™s Cathedral, stone, tracery, Victorian Gothic style, William Butterfield (1814-1900) Description An account of the resource A close-up of the detailed stonework surrounding a doorway at St Peter’s Cathedral in Adelaide, South Australia. Construction of this Victorian Gothic style Cathedral began in 1869. Its gothic features include lancet arches, blind arcading and decorative stone tracery. About St Peter’s Cathedral: St Peter’s is an Anglican Cathedral located in North Adelaide. Plans for the Cathedral, designed by English architect William Butterfield, were brought to South Australia by the first bishop of the Anglican diocese of Adelaide, Augustus Short, in 1848. They were enlarged and implemented by local architect Edward John Woods. The foundation stone of the Cathedral was laid on St Peter’s Day (29 June) in 1869, and building proceeded in five stages. The first section was completed in 1877, when the Cathedral officially opened for services. The nave was completed in 1901, the towers in 1902, the Lady Chapel in 1904 and the front steps in 1911. Restoration work on the Cathedral began in the 1990s. For more information, see: <a href="http://www.stpeters-cathedral.org.au/web/arch" target="_blank">http://www.stpeters-cathedral.org.au/web/arch</a>.  Creator An entity primarily responsible for making the resource Dorey, Margaret Date A point or period of time associated with an event in the lifecycle of the resource 3 July 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG Adelaide Anglican Anglicanism arcading arch architecture Augustus Short (1802-1883) blind arch Cathedral Church church building diocese of Adelaide doorway ecclesiastical building Edward John Woods (1839-1916) facade Gothic gothic revival architecture lancet arch neo-Gothic North Adelaide SA South Australia St Peter St Peterâ€™s Cathedral stone tracery Victorian Gothic style William Butterfield (1814-1900) https://ausmed.arts.uwa.edu.au/files/original/8ce771c76ab03736acad9dd43257ef88.jpg 03c8098e615cb1250a2518e0be981cc4 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 691 Width 922 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Detail of Tympanum, St Peterâ€™s Cathedral, Adelaide Subject The topic of the resource Adelaide, Anglican, Anglicanism, architecture, archivolt, Augustus Short (1802-1883), cathedral, church, church building, diocese of Adelaide, doorway, ecclesiastical building, Edward John Woods (1839-1916), gothic, gothic revival architecture, neo-gothic, North Adelaide, tympanum, SA, South Australia, St Peter, St Peterâ€™s Cathedral, stone, tracery, Victorian Gothic style, William Butterfield (1814-1900) Description An account of the resource A close-up view of the decorative blind tracery on the tympanum of the main entrance doorway at St Peter’s Cathedral in Adelaide, South Australia. Ornate and detailed tracery was a common feature of gothic architecture. About St Peter’s Cathedral: St Peter’s is an Anglican Cathedral located in North Adelaide. Plans for the Victorian Gothic style Cathedral, designed by English architect William Butterfield, were brought to South Australia by the first bishop of the Anglican diocese of Adelaide, Augustus Short, in 1848. They were enlarged and implemented by local architect Edward John Woods. The foundation stone of the Cathedral was laid on St Peter’s Day (29 June) in 1869, and building proceeded in five stages. The first section was completed in 1877, when the Cathedral officially opened for services. The nave was completed in 1901, the towers in 1902, the Lady Chapel in 1904 and the front steps in 1911. Restoration work on the Cathedral began in the 1990s. For more information, see: <a href="http://www.stpeters-cathedral.org.au/web/arch" target="_blank">http://www.stpeters-cathedral.org.au/web/arch</a>.  Creator An entity primarily responsible for making the resource Dorey, Margaret Date A point or period of time associated with an event in the lifecycle of the resource 3 July 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG Adelaide Anglican Anglicanism architecture archivolt Augustus Short (1802-1883) Cathedral Church church building diocese of Adelaide doorway ecclesiastical building Edward John Woods (1839-1916) Gothic gothic revival architecture neo-Gothic North Adelaide SA South Australia St Peter St Peterâ€™s Cathedral stone tracery tympanum Victorian Gothic style William Butterfield (1814-1900) https://ausmed.arts.uwa.edu.au/files/original/055b1931740ed3b436a9a0953a929b9f.jpg 10772629cdd34e2acc2a8ed2e06eec95 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 692 Width 995 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource St Peterâ€™s Cathedral, Adelaide: A side view Subject The topic of the resource Adelaide, Anglican, Anglicanism, arcading, arch, architecture, Augustus Short (1802-1883), blind arch, buttress, cathedral, church, church building, Church of St Jean-Baptiste de Belleville (1854), cinquefoil pattern, cross, diocese of Adelaide, ecclesiastical building, Edward John Woods (1839-1916), gothic, gothic revival architecture, lancet arch, lancet window, neo-gothic, North Adelaide, SA, South Australia, spire, St Peter, St Peterâ€™s Cathedral, stone, tower, tracery, Victorian Gothic style, William Butterfield (1814-1900) Description An account of the resource A side view of St Peter’s Cathedral in Adelaide, South Australia. Construction of this Victorian Gothic style Cathedral began in 1869. Gothic features of the Cathedral’s architecture include the lancet windows, the blind arcading and elaborate stone tracery, the solid buttresses and the characteristic twin towers and spires. About St Peter’s Cathedral: St Peter’s is an Anglican Cathedral located in North Adelaide. Plans for the Cathedral, designed by English architect William Butterfield, were brought to South Australia by the first bishop of the Anglican diocese of Adelaide, Augustus Short, in 1848. They were enlarged and implemented by local architect Edward John Woods. The foundation stone of the Cathedral was laid on St Peter’s Day (29 June) in 1869, and building proceeded in five stages. The first section was completed in 1877, when the Cathedral officially opened for services. The nave was completed in 1901, the towers in 1902, the Lady Chapel in 1904 and the front steps in 1911. Restoration work on the Cathedral began in the 1990s. For more information, see: <a href="http://www.stpeters-cathedral.org.au/web/arch" target="_blank">http://www.stpeters-cathedral.org.au/web/arch</a>.  Creator An entity primarily responsible for making the resource Dorey, Margaret Date A point or period of time associated with an event in the lifecycle of the resource 3 July 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG Adelaide Anglican Anglicanism arcading arch architecture Augustus Short (1802-1883) blind arch buttress Cathedral Church church building Church of St Jean-Baptiste de Belleville (1854) cinquefoil pattern cross diocese of Adelaide ecclesiastical building Edward John Woods (1839-1916) Gothic gothic revival architecture lancet arch lancet window neo-Gothic North Adelaide SA South Australia spire St Peter St Peterâ€™s Cathedral stone tower tracery Victorian Gothic style William Butterfield (1814-1900) https://ausmed.arts.uwa.edu.au/files/original/1a6e8f29a8546217a111c981aee31072.jpg fb62c66d28cd48964763955d4b9cbdaa Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 830 Width 522 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource St Peterâ€™s Cathedral, Adelaide Subject The topic of the resource Adelaide, Anglican, Anglicanism, arcading, arch, architecture, Augustus Short (1802-1883), blind arch, cathedral, church, church building, Church of St Jean-Baptiste de Belleville (1854), cinquefoil pattern, cross, diocese of Adelaide, ecclesiastical building, Edward John Woods (1839-1916), gothic, gothic revival architecture, lancet arch, lancet window, neo-gothic, North Adelaide, rose window, SA, South Australia, spire, St Peter, St Peterâ€™s Cathedral, stone, tower, tracery, Victorian Gothic style, William Butterfield (1814-1900) Description An account of the resource A view of St Peter’s Cathedral in Adelaide, South Australia. Construction of this Victorian Gothic style Cathedral began in 1869. The front of the Cathedral is believed to have been modelled on the church of St Jean-Baptiste de Belleville in Paris, while the lower half of the front facade - especially the three large doorways, the rose window and the twin lancet windows on either side - are also strongly reminiscent of Notre Dame in Paris. Other features of the Cathedral’s gothic architecture include the blind arcading and elaborate stone tracery, the solid buttresses and the characteristic twin towers and spires. About St Peter’s Cathedral: St Peter’s is an Anglican Cathedral located in North Adelaide. Plans for the Cathedral, designed by English architect William Butterfield, were brought to South Australia by the first bishop of the Anglican diocese of Adelaide, Augustus Short, in 1848. They were enlarged and implemented by local architect Edward John Woods. The foundation stone of the Cathedral was laid on St Peter’s Day (29 June) in 1869, and building proceeded in five stages. The first section was completed in 1877, when the Cathedral officially opened for services. The nave was completed in 1901, the towers in 1902, the Lady Chapel in 1904 and the front steps in 1911. Restoration work on the Cathedral began in the 1990s. For more information, see: <a href="http://www.stpeters-cathedral.org.au/web/arch" target="_blank">http://www.stpeters-cathedral.org.au/web/arch</a>.  Creator An entity primarily responsible for making the resource Dorey, Margaret Date A point or period of time associated with an event in the lifecycle of the resource 3 July 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG Adelaide Anglican Anglicanism arcading arch architecture Augustus Short (1802-1883) blind arch Cathedral Church church building Church of St Jean-Baptiste de Belleville (1854) cinquefoil pattern cross diocese of Adelaide ecclesiastical building Edward John Woods (1839-1916) Gothic gothic revival architecture lancet arch lancet window neo-Gothic North Adelaide rose window SA South Australia spire St Peter St Peterâ€™s Cathedral stone tower tracery Victorian Gothic style William Butterfield (1814-1900)