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                <text>&lt;p&gt;Carter, Bree, &amp;ldquo;Bethany Church of God, North Perth,&amp;rdquo; &lt;em&gt;Medievalism in Australian Cultural Memory&lt;/em&gt;, &lt;a href="../../../items/show/511"&gt;http://ausmed.arts.uwa.edu.au/items/show/511&lt;/a&gt;&lt;br /&gt; &lt;br /&gt; Carter, Bree, &amp;ldquo;Bethany Church of God, North Perth, Western Australia ,&amp;rdquo; &lt;em&gt;Medievalism in Australian Cultural Memory&lt;/em&gt;, &lt;a href="../../../items/show/510"&gt;http://ausmed.arts.uwa.edu.au/items/show/510&lt;/a&gt;&lt;br /&gt; &lt;br /&gt; Carter, Bree, &amp;ldquo;Arched Windows, Bethany Church of God, North Perth,&amp;rdquo; &lt;em&gt;Medievalism in Australian Cultural Memory&lt;/em&gt;, &lt;a href="../../../items/show/509"&gt;http://ausmed.arts.uwa.edu.au/items/show/509&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;br /&gt; Carter, Bree, &amp;ldquo;Bethany Church of God, Raglan Road, North Perth,&amp;rdquo; &lt;em&gt;Medievalism in Australian Cultural Memory&lt;/em&gt;, &lt;a href="../../../items/show/507"&gt;http://ausmed.arts.uwa.edu.au/items/show/507&lt;/a&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;An image of the &amp;lsquo;Saint Michael&amp;rsquo; stained glass window at St Alban&amp;rsquo;s Anglican Church, Highgate.&lt;strong&gt; &lt;/strong&gt;This stained glass is one of three windows (the others depicting St Alban and St George) located at the rear of the church. It was originally purchased for St George&amp;rsquo;s Cathedral but was later discovered to be the wrong shape (rounded instead of pointed) and was donated to St Alban&amp;rsquo;s. The stained glass depicts Michael, archangel and commander of the Lord&amp;rsquo;s army, standing astride a vanquished dragon. It represents the defeat of the Dragon and his rebel army by Michael and his angels in the Book of Revelation. The Dragon, otherwise Satan, was cast out of Heaven and hurled down to Earth with his angels (&lt;em&gt;Revelation&lt;/em&gt;, 12:7-9). As is common in artistic renditions, Michael&amp;rsquo;s role as a warrior saint is symbolised by a suit of elaborate armour, a sword and a shield. His wings are conspicuous and he is clothed in white to reinforce his righteousness and service on the side of &amp;lsquo;Good&amp;rsquo;. During the medieval period, St Michael&amp;rsquo;s feast day (29 September) &amp;ndash; known as Michaelmas &amp;ndash; was not only an important Holy Day, but was also observed as a quarter day for the settling of rents and accounts.&lt;/p&gt;&#13;
&lt;p&gt;About St Alban&amp;rsquo;s:&lt;/p&gt;&#13;
&lt;p&gt;St Alban&amp;rsquo;s is a small limestone parish church located in Highgate, Western Australia. Built in 1889 (with enlargements in 1898) in a Victorian Romanesque style, it is one of the earliest buildings designed by well-known WA architect Sir J. J. Talbot-Hobbs (1864-1938). Its characteristically romanesque features include the semi-circular arches, the traditional load-bearing masonry of the buttresses and solid walling, and the small window and door openings in relation to the overall wall area. The St Alban&amp;rsquo;s church Hall was used briefly as a preparatory school by The Sisters of the Church of England between 1907 and 1915. For more information about St Alban&amp;rsquo;s, see: &lt;a href="http://stalbans.org.au/about-st-albans/historic-st-albans/" target="_blank"&gt;http://stalbans.org.au/about-st-albans/historic-st-albans/&lt;/a&gt;.&lt;/p&gt;</text>
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                <text>St Albanâ€™s Anglican Church, Highgate. St Albanâ€™s is a small limestone parish church located in Highgate, Western Australia. Built in 1889 (with enlargements in 1898) in a Victorian Romanesque style, it is one of the earliest buildings designed by well-known WA architect Sir J. J. Talbot-Hobbs (1864-1938). Its characteristically romanesque features include the semi-circular arches, the traditional load-bearing masonry of the buttresses and solid walling, and the small window and door openings in relation to the overall wall area. The window of the nave contains stained three stained glass images of St Alban, St George and St Michael. The latter two were originally purchased for St Georgeâ€™s Cathedral, but upon arrival were discovered to be the wrong shape and were donated to St Albanâ€™s. Other windows depict St Luke, Christ and the Disciples and The Virgin Mary and Child. A bell was also donated by St Georgeâ€™s Cathedral. The St Albanâ€™s church Hall was used briefly as a preparatory school by The Sisters of the Church of England between 1907 and 1915.</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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              <text>&lt;a href="http://nla.gov.au/nla.news-article32284566" target="_blank"&gt;http://nla.gov.au/nla.news-article32284566&lt;/a&gt;</text>
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                <text>Building a Cathedral. Progress at St. Mary's.</text>
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                <text>â€œSt Maryâ€™s Cathedralâ€, â€œSt. Maryâ€™s churchâ€, Cathedral, church, Catholicism, â€œGothic architectureâ€, â€œEast Perthâ€, rebuilding, â€œCavanagh - architectâ€, masons, stonemasons, craftsmen, "guild journeymanâ€, stonework, stone, stained-glass, windows,  â€œmedieval village cathedralsâ€, transepts, sanctuary, sacristy, â€œlady chapelâ€</text>
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                <text>In this newspaper article from The West Australian, the author describes progress on the building of the eastern part of St. Maryâ€™s Cathedral in East Perth in June, 1929. He describes the Gothic design of the architecture as a particularly English style dating from the period 1370-1550, characterised by â€œa perpendicularity given it by the extensions of the chief mullions in the windows on to the arches and the addition of horizontal bars or transoms to divide the long lightsâ€. The style is also notable, the article suggests, for its â€œgreat window spacesâ€. In the second half of the article, the author likens the intricate stonework of the 25 masons employed to work on the cathedral to that of guild journeymen building village cathedrals in the middle ages.</text>
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                <text>National Library of Australia&lt;br /&gt;&lt;a href="http://nla.gov.au/nla.news-article32284566" target="_blank"&gt;http://nla.gov.au/nla.news-article32284566&lt;/a&gt;&lt;a href="http://nla.gov.au/nla.news-article32284539" target="_blank"&gt;&lt;br /&gt;&lt;/a&gt;</text>
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                <text>Saturday, 1 June 1929, p.7.</text>
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