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Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
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Channels
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Medievalism at the Foundations
Description
An account of the resource
This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
Digital Photograph; JPEG
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Saint Paul’s Cathedral Interior, Melbourne, Victoria
Subject
The topic of the resource
Anglican, blind arcading, William Butterfield, column, Gothic, Gothic Revival, Gothic Transitional, lancet window, Melbourne, pointed arch, stained glass, tracery, Vic, Victoria, St. Paul, St Paul, Saint Paul
Description
An account of the resource
St Paul’s Anglican Cathedral is in Melbourne’s CBD. It was designed by English architect William Butterfield (1814-1900) and was consecrated in 1891, the foundation stone having been laid in 1880. The sandstone church was built in the Gothic Transitional style and the interior features arcading created by columns supporting pointed flying arches, lancet windows with tracery, stained glass, and blind arcading.
Creator
An entity primarily responsible for making the resource
McLeod, Shane
Date
A point or period of time associated with an event in the lifecycle of the resource
February 2013
Rights
Information about rights held in and over the resource
No Copyright
Format
The file format, physical medium, or dimensions of the resource
Digital Photograph; JPEG
Anglican
blind arcading
column
Gothic
Gothic Revival
Gothic Transitional
lancet window
Melbourne
pointed arch
Saint Paul
St Paul
St. Paul
stained glass
tracery
Vic
Victoria
William Butterfield
-
https://ausmed.arts.uwa.edu.au/files/original/d56bebe61cd7cd9a4c8b2fcb7a7f9880.jpg
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Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
8
Channels
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Height
600
Width
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Medievalism at the Foundations
Description
An account of the resource
This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
Digital Photograph; JPEG
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Saint Paul’s Cathedral interior, Melbourne, Victoria
Subject
The topic of the resource
Anglican, blind arcading, William Butterfield, column, Gothic, Gothic Revival, Gothic Transitional, lancet window, Melbourne, pointed arch, stained glass, tracery, Vic, Victoria, St. Paul, St Paul, Saint Paul
Description
An account of the resource
St Paul’s Anglican Cathedral is in Melbourne’s CBD. It was designed by English architect William Butterfield (1814-1900) and was consecrated in 1891, the foundation stone having been laid in 1880. The sandstone church was built in the Gothic Transitional style and the interior features arcading created by columns supporting pointed flying arches, lancet windows with tracery, stained glass, and blind arcading.
Creator
An entity primarily responsible for making the resource
McLeod, Shane
Date
A point or period of time associated with an event in the lifecycle of the resource
February 2013
Rights
Information about rights held in and over the resource
No Copyright
Format
The file format, physical medium, or dimensions of the resource
Digital Photograph; JPEG
Anglican
blind arcading
column
Gothic
Gothic Revival
Gothic Transitional
lancet window
Melbourne
pointed arch
Saint Paul
St Paul
St. Paul
stained glass
tracery
Vic
Victoria
William Butterfield
-
https://ausmed.arts.uwa.edu.au/files/original/9419dbc9b6bf017161efc6506a6092af.jpg
55476f5be025d066182ef433c93c5998
Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
8
Channels
3
Height
907
Width
680
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Medievalism at the Foundations
Description
An account of the resource
This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
Digital Photograph; JPEG
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Christ Church St Laurence Anglican Church interior, Haymarket, Sydney, New South Wales
Subject
The topic of the resource
Anglican, Edmund Thomas Blacket, William Grant Broughton, Bishop Broughton, Christ Church St Laurence, John Burcham Clamp, Gothic, Gothic Revival, Haymarket, lancet windows, New South Wales, NSW, pointed arch, Henry Robertson, stained glass, Sydney, tracery
Description
An account of the resource
<p>Christ Church St Laurence Anglican Church is at 812 George Street in the inner-city suburb of Haymarket in Sydney, New South Wales. The foundation stone of the church was laid by William Grant Broughton (1788-1853), Australia’s first Bishop, on New Year’s Day 1840, and he consecrated the church on September 10, 1845. The original architect was Henry Robertson, who completed the walls of the nave and the base of the tower. Edmund Thomas Blacket (1817-1883) was responsible for much of the interior, including the stone window tracery and ceiling. Following a fire in 1905 the architect John Burcham Clamp (1869-1931) restored much of the interior. Christ Church St Lawrence is in the Gothic Revival style and the interior features pointed arch windows lancet windows with stone window mouldings, tracery, and stained glass, a timber ceiling with trusses, and a painted wall around the east window. Painted interiors of churches was common during the medieval period before the Reformation, after which many were white-washed in countries which turned from Catholicism.</p>
<p>For their very informative website of the church see <a href="http://www.ccsl.org.au/">http://www.ccsl.org.au/</a></p>
Creator
An entity primarily responsible for making the resource
McLeod, Shane
Date
A point or period of time associated with an event in the lifecycle of the resource
17 December 2012
Rights
Information about rights held in and over the resource
No Copyright
Format
The file format, physical medium, or dimensions of the resource
Digital Photograph; JPEG
Anglican
Bishop Broughton
Christ Church St Laurence
Edmund Thomas Blacket
Gothic
Gothic Revival
Haymarket
Henry Robertson
John Burcham Clamp
lancet windows
New South Wales
NSW
pointed arch
stained glass
Sydney
tracery
William Grant Broughton
-
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2271eb5352c4cb8f68d6f5f96c8700a1
Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
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https://ausmed.arts.uwa.edu.au/files/original/f369bcc0607f8dd09883990de932555a.JPG
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Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
8
Channels
3
Height
1944
Width
2592
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Medievalism at the Foundations
Description
An account of the resource
This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
Digital Photograph; JPEG
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
St Mark’s Church of England rear, Pontville, Tasmania
Subject
The topic of the resource
Anglican, arrow slit, James Blackburn, blind doorway, buttress, Celtic cross, cemetery, Church of England, column, convict, John Franklin, garden, Joseph Moir, Neo-Norman, Pontville, Romanesque, Romanesque Revival, St Mark’s Church of England, semi-circular arch, stained glass, Tas, Tasmania, tower.
Description
An account of the resource
<p>St Mark’s Church of England (now Anglican) is in the small Tasmanian town of Pontville. The ashlar stone church was built between 1839 and 1841 by Joseph Moir and the foundation stone (no longer visible) is thought to have been laid by Governor Sir John Franklin (1786-1847). Due to a dispute over the ownership of the land the church was not consecrated until 1884. St Mark’s was designed by the convict architect James Blackburn (1803-1854) in the Romanesque Revival, or Neo-Norman, style. It is one of the oldest remaining buildings in the style in Australia. It features semi-circular arches on the doorways and windows, Celtic crosses at each gable end, four small square corner towers with arrow slits and pyramid-shaped roofs of iron, stained glass, and buttresses along the sides of the building. Additional features at the rear of the building are blind doorways with semi-circular arches on the towers, a large stained glass window (with protective covering), and an unusual Romanesque square garden feature (or tomb?) in the cemetery with columns and semi-circular arches.</p>
<p>Romanesque Revival architecture is sometimes referred to as Neo-Norman due to the Normans influence in spreading the Romanesque style through England after their conquest in 1066.</p>
<p>For the rest of the exterior see <a href="http://ausmed.arts.uwa.edu.au/items/show/1233">http://ausmed.arts.uwa.edu.au/items/show/1233</a></p>
Creator
An entity primarily responsible for making the resource
McLeod, Shane
Date
A point or period of time associated with an event in the lifecycle of the resource
November 21, 2012
Rights
Information about rights held in and over the resource
No Copyright
Relation
A related resource
<a href="http://ausmed.arts.uwa.edu.au/items/show/1233">http://ausmed.arts.uwa.edu.au/items/show/1233</a>
Format
The file format, physical medium, or dimensions of the resource
2xDigital Photograph
Anglican
arrow slit
blind doorway
buttress
Celtic cross
cemetery
Church of England
column
convict
garden
James Blackburn
John Franklin
Joseph Moir
Neo-Norman
Pontville
Romanesque
Romanesque Revival
semi-circular arch
St Mark’s Church of England
stained glass
Tas
Tasmania
tower.
-
https://ausmed.arts.uwa.edu.au/files/original/807c8118548541256c02aa1c2671b06c.JPG
ee168b8fe9e5997ca5460fb37b401be9
Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
8
Channels
3
Height
1944
Width
2592
https://ausmed.arts.uwa.edu.au/files/original/b824b92369c8a19eecccbc423543336a.JPG
1c09683058d358ebd208d1e3a83438ba
Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
8
Channels
3
Height
1944
Width
2592
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Medievalism at the Foundations
Description
An account of the resource
This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
Digital Photograph; JPEG
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
St Mark’s Church of England, Pontville, Tasmania
Subject
The topic of the resource
Anglican, arcade, arrow slit, James Blackburn, buttress, capital, Celtic cross, Church of England, column, convict, John Franklin, Joseph Moir, Neo-Norman, Pontville, Romanesque, Romanesque Revival, St Mark’s Church of England, semi-circular arch, stained glass, Tas, Tasmania, tower, trefoil window.
Description
An account of the resource
<p>St Mark’s Church of England (now Anglican) is in the small Tasmanian town of Pontville. The ashlar stone church was built between 1839 and 1841 by Joseph Moir and the foundation stone (no longer visible) is thought to have been laid by Governor Sir John Franklin (1786-1847). Due to a dispute over the ownership of the land the church was not consecrated until 1884. St Mark’s was designed by the convict architect James Blackburn (1803-1854) in a distinctive Romanesque Revival, or Neo-Norman, style. It is one of the oldest remaining buildings in the style in Australia. It features semi-circular arches on the doorways and windows, Celtic crosses at each gable end, four small square corner towers with arrow slits and pyramid-shaped roofs of iron, stained glass, and buttresses along the sides of the building. Of particular note is the entrance, consisting of a decorated semi-circular entrance arch supported by two substantial columns with capitals, and smaller arches and columns forming an arcade on either side of the entrance. Above the entrance are two trefoil windows.</p>
<p>Romanesque Revival architecture is sometimes referred to as Neo-Norman due to the Normans influence in spreading the Romanesque style through England after their conquest in 1066.</p>
<p>For the rear of the building see <a href="http://ausmed.arts.uwa.edu.au/items/show/1238">http://ausmed.arts.uwa.edu.au/items/show/1238</a></p>
Creator
An entity primarily responsible for making the resource
McLeod, Shane
Date
A point or period of time associated with an event in the lifecycle of the resource
November 21, 2012
Rights
Information about rights held in and over the resource
No Copyright
Relation
A related resource
<a href="http://ausmed.arts.uwa.edu.au/items/show/1238">http://ausmed.arts.uwa.edu.au/items/show/1238</a>
Format
The file format, physical medium, or dimensions of the resource
2xDigital Photograph
Anglican
arcade
arrow slit
buttress
capital
Celtic cross
Church of England
column
convict
James Blackburn
John Franklin
Joseph Moir
Neo-Norman
Pontville
Romanesque
Romanesque Revival
semi-circular arch
St Mark’s Church of England
stained glass
Tas
Tasmania
tower
trefoil window.
-
https://ausmed.arts.uwa.edu.au/files/original/9a1fcb79a64a17fe3465b9440ed80032.JPG
05330ddf341437c540d91de766e99d6c
Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
8
Channels
3
Height
1944
Width
2592
https://ausmed.arts.uwa.edu.au/files/original/94ca4ab44e470d489014455f1a65bfc4.JPG
87833588dd4a3b4477794e667069c84d
Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
8
Channels
3
Height
1944
Width
2592
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Medievalism at the Foundations
Description
An account of the resource
This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
Digital Photograph; JPEG
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
(Former) St Peter’s Catholic Church, Kempton, Tasmania
Subject
The topic of the resource
Buttress, Catholic, crenellation, Monsignor Gilleran, house, Kempton, parapet, pointed arch, Romanesque, Romanesque Revival, St Peter’s Church, semi-circular arch, spire, stained glass, Tas, Tasmania, tower, Alan Cameron Walker.
Description
An account of the resource
The former St Peter’s Catholic Church is in the small Tasmanian town of Kempton. The foundation stone for the red brick church was laid by Monsignor Gilleran in 1918 and the building was completed in 1923. St Peter’s was designed by architect Alan Cameron Walker (1864-1931) in the Romanesque Revival style. It features semi-circular arches on the doorways, windows, and decorative details. The building also has corner buttresses, a tower with a parapet and corner crenels, stained glass windows, and a spire. It is now a private residence.
Creator
An entity primarily responsible for making the resource
McLeod, Shane
Date
A point or period of time associated with an event in the lifecycle of the resource
November 21, 2012
Rights
Information about rights held in and over the resource
No Copyright
Format
The file format, physical medium, or dimensions of the resource
2xDigital Photograph
Alan Cameron Walker.
buttress
Catholic
crenellation
house
Kempton
Monsignor Gilleran
parapet
pointed arch
Romanesque
Romanesque Revival
semi-circular arch
spire
St Peter’s Church
stained glass
Tas
Tasmania
tower
-
https://ausmed.arts.uwa.edu.au/files/original/d8c4266655bf6be49c9cebce57a9a23a.JPG
007c2d4248e91d3545ac18d441faa3a4
Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
8
Channels
3
Height
2592
Width
1944
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Medievalism at the Foundations
Description
An account of the resource
This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
Digital Photograph; JPEG
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Church of the Apostles Altar, Launceston, Tasmania
Subject
The topic of the resource
Altar, Catholic, Church of the Apostles, column, finials, Gothic, Gothic Revival, lancet window, Launceston, Alexander North, pointed arch, spire, stained glass, Tas, Tasmania, tracery, Bishop Willson, Robert William Willson.
Description
An account of the resource
<p>This elaborate altar is in the Catholic Church of the Apostles is in the Tasmanian city of Launceston. The foundation stone was laid in 1864 by Tasmania’s first catholic Bishop, Robert William Willson (1794-1866). The altar is in the sanctuary designed by Alexander North (1858-1945) and built in 1886. The altar is topped by a spire and is in the Gothic style, with prominent decorated pointed arches, columns, and finials. Behind the altar are the two stained glass east windows, both of which consist of two lancet windows and tracery, with additional glass above.</p>
<p>For the interior see <a href="http://ausmed.arts.uwa.edu.au/items/show/1204">http://ausmed.arts.uwa.edu.au/items/show/1204</a></p>
<p>For the exterior see <a href="http://ausmed.arts.uwa.edu.au/items/show/1202">http://ausmed.arts.uwa.edu.au/items/show/1202</a></p>
Creator
An entity primarily responsible for making the resource
McLeod, Shane
Date
A point or period of time associated with an event in the lifecycle of the resource
November 18, 2012
Rights
Information about rights held in and over the resource
No Copyright
Relation
A related resource
<p><a href="http://ausmed.arts.uwa.edu.au/items/show/1202">http://ausmed.arts.uwa.edu.au/items/show/1202</a></p>
<p><a href="http://ausmed.arts.uwa.edu.au/items/show/1204">http://ausmed.arts.uwa.edu.au/items/show/1204</a></p>
<p> </p>
Format
The file format, physical medium, or dimensions of the resource
Digital Photograph
Alexander North
Altar
Bishop Willson
Catholic
Church of the Apostles
column
finials
Gothic
Gothic Revival
lancet window
Launceston
pointed arch
Robert William Willson.
spire
stained glass
Tas
Tasmania
tracery
-
https://ausmed.arts.uwa.edu.au/files/original/6800e74ac77464ff5fd779ea7afce5f2.JPG
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Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
8
Channels
3
Height
1944
Width
2592
https://ausmed.arts.uwa.edu.au/files/original/fb1942f2f2669164ddfd3b93aafe7c94.JPG
64045499506fc234b7120a95fea861a2
Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
8
Channels
3
Height
1944
Width
2592
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Medievalism at the Foundations
Description
An account of the resource
This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
Digital Photograph; JPEG
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Church of the Apostles interior, Launceston, Tasmania
Subject
The topic of the resource
Catholic, Church of the Apostles, column, Gothic, Gothic Revival, lancet window, Launceston, Cardinal Moran, Patrick Francis Moran, Alexander North, pointed arch, stained glass, Tas, Tasmania, tracery, Bishop Willson, Robert William Willson.
Description
An account of the resource
<p>The Catholic Church of the Apostles is in the Tasmanian city of Launceston. The foundation stone was laid in 1864 by Tasmania’s first catholic Bishop, Robert William Willson (1794-1866). The foundation stone for the tower and spire were laid by Cardinal Patrick Francis Moran (1830-1911), Archbishop of Sydney, in 1889. The main church building was completed in 1866 and is made of dolerite with freestone dressing. Alexander North (1858-1945) designed the Sanctuary which was built in 1886. The decorated interior has a number of features common in Gothic and Gothic Revival churches including lancet windows with tracery and stained glass, columns supporting pointed arches with molding, and a large west window (between the pipe organs) with tracery and stained glass made up of four smaller lancet windows.</p>
<p>For the altar see <a href="http://ausmed.arts.uwa.edu.au/items/show/1207">http://ausmed.arts.uwa.edu.au/items/show/1207</a></p>
<p>For the exterior see <a href="http://ausmed.arts.uwa.edu.au/items/show/1202">http://ausmed.arts.uwa.edu.au/items/show/1202</a></p>
Creator
An entity primarily responsible for making the resource
McLeod, Shane
Date
A point or period of time associated with an event in the lifecycle of the resource
November 18, 2012
Rights
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No Copyright
Relation
A related resource
<p><a href="http://ausmed.arts.uwa.edu.au/items/show/1207">http://ausmed.arts.uwa.edu.au/items/show/1207</a></p>
<p><a href="http://ausmed.arts.uwa.edu.au/items/show/1202">http://ausmed.arts.uwa.edu.au/items/show/1202</a></p>
Format
The file format, physical medium, or dimensions of the resource
2xDigital Photograph
Alexander North
Bishop Willson
Cardinal Moran
Catholic
Church of the Apostles
column
Gothic
Gothic Revival
lancet window
Launceston
Patrick Francis Moran
pointed arch
Robert William Willson.
stained glass
Tas
Tasmania
tracery