1 8 6 https://ausmed.arts.uwa.edu.au/files/original/9de6841e9834d69b1323ed9a291fbbc2.pdf a8fb22781fde49a24e33aa39c4ebc126 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Streets Description An account of the resource This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism. Hyperlink Title, URL, Description or annotation. URL <a href="http://nla.gov.au/nla.news-article58381388" target="_self">http://nla.gov.au/nla.news-article58381388</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource ‘Allan Wilkie: Henry VIII on Stage’, The Sunday Times, 27 April 1930 Subject The topic of the resource Allan Wilkie, Allan Wilkie Company, Anne Boleyn (c.1501-1536), Cardinal Thomas Wolsey (c.1473-1530), Catherine of Aragon (1484-1536), Duke of Buckingham, Edward Stafford (1478-1521), Henry VIII (1481-1547), His Majesty's Theatre, Miss Hunter-Watts, Miss Mildred Howard, Mr Alexander Marsh, Mr John Cairns, Mr William Lockhart, papal envoy, play, performance, Perth, Old England, stage, Tudor times, WA, Western Australia. Description An account of the resource This article published in The Sunday Times reviews a production of ‘Henry VIII’ staged at the His Majesty's Theatre in Perth by the Allan Wilkie Company in 1930. Assisted by elaborate scenes and plush costumes it succeeded, according to the article, in bringing to life the Tudor period: an age of ‘a powerful diplomatic Cardinal that rose from the lowliness of being a son of a butcher; who rose to share the prominence of his regal master; of the beautiful and ill-fated loves of Henry, Catherine of Aragon and Anne Boleyn and of the unfortunate Duke of Buckingham’. A criticism levelled against the play was that its attempt to include so many different historical events could lead to incoherency, however, the general consensus of the article was that this was countered by its spectacular revival of ‘Old England’. Creator An entity primarily responsible for making the resource Anon Source A related resource from which the described resource is derived TROVE: National Library of Australia, <a href="http://nla.gov.au/nla.news-article58381388" target="_self">http://nla.gov.au/nla.news-article58381388</a> Publisher An entity responsible for making the resource available The Sunday Times Date A point or period of time associated with an event in the lifecycle of the resource 27 April 1930, p.8 Rights Information about rights held in and over the resource Copyright Expired Format The file format, physical medium, or dimensions of the resource Newspaper Article Allan Wilkie Allan Wilkie Company Anne Boleyn (c.1501-1536) Cardinal Thomas Wolsey (c.1473-1530) Catherine of Aragon (1484-1536) Duke of Buckingham Edward Stafford (1478-1521) Henry VIII (1481-1547) His Majesty's Theatre Miss Hunter-Watts Miss Mildred Howard Mr Alexander Marsh Mr John Cairns Mr William Lockhart Old England papal envoy performance Perth play stage Tudor times WA Western Australia https://ausmed.arts.uwa.edu.au/files/original/17b73f2789ec13c7005407d4c6cf3315.pdf 7947c1b8a3b98d9fc2bb52bb4d99715b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Streets Description An account of the resource This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Newspaper Article Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource â€œThe Winterâ€™s Taleâ€ for Perth Stage Subject The topic of the resource Antigonus, Apolloâ€™s Temple, Bohemia, Camillo, costume, drama, Emilia, Florizel, head dress, head-dress, headdress, Hermione, jealousy, John Alden (1908-1962), John Alden Shakespearean Company, Leontes, Mamillius, medieval costume, medieval dress, oracle, Pauline, Perdita, performance, Perth, Polixenes, Shakespeare, shepherd, shepherdess, shoes, Sicilia, sleeves, stage, theatre, The Winterâ€™s Tale, WA, Western Australia, William Shakespeare (1564-1616) Description An account of the resource In this article from The West Australian in 1952, notice of the upcoming stage production of Shakespeare’s “The Winter’s Tale” by the John Alden Shakespearean Company is given. The medieval costumes - including elaborate head-dresses, pointed shoes and draped sleeves - would be particularly appealing to Perth audiences, the article suggests, because they were such a marked change from the plays usually performed on the Perth stage. About The Winter’s Tale: In “The Winter’s Tale”, Leontes, the King of Sicilia, becomes consumed with jealousy that Hermione, his wife, is having an affair with the King of Bohemia (Polixenes). He instructs his councillor Camillo to poison Polixenes, but instead Camillo reveals Leontes’ plans and both he and Polixenes secretly leave for Bohemia. The pregnant Hermione is banished to prison, where she gives birth to a daughter. Refusing to believe the legitimacy of the child, Leontes demands that the child be burned alive and then, upon the protestations of his chief adviser Antigonus, abandoned off the coast of Bohemia. In the events that unfold over the following Act, Leontes refuses to believe an oracle from Apollo’s Temple exonerating Hermione’s and orders her trial to proceed, his son Mamillius dies, Hermione dies, Leontes realises his mistake and repents, Antigonus is killed by a bear and a shepherd finds the abandoned baby and takes her home. Sixteen years later, in Bohemia, the story recommences with Polixenes expressing concern that his son Florizel has fallen in love with a shepherdess. He attends a sheep-shearing festival in disguise, revealing himself at the last moment to prevent the betrothal of the couple, after which Florizel and the shepherdess are advised by Camillo (now Polixenes’ chief adviser) to flee to Sicilia. When Polixenes also arrives in Sicilia with the shepherd and his son, the shepherdess’ identity as Leontes’ lost child is discovered and her marriage to Florizel condoned, Leontes and Polixenes are friends once more, and a statue of Hermione comes to life, revealing that she is alive and has been waiting to be reunited with her daughter. For a copy of the text, see: <a href="http://www.gutenberg.org/ebooks/2248" target="_blank">http://www.gutenberg.org/ebooks/2248</a>. Creator An entity primarily responsible for making the resource Anon. Source A related resource from which the described resource is derived National Library of Australia, <a href="http://nla.gov.au/nla.news-article49052507" target="_blank">http://nla.gov.au/nla.news-article49052507</a> <a href="../../items/show/402"></a> Publisher An entity responsible for making the resource available The West Australian Date A point or period of time associated with an event in the lifecycle of the resource 13 September 1952, p. 5. Rights Information about rights held in and over the resource The West Australian Relation A related resource “This is What Women Wore in Bygone Times”, The West Australian, 18 September 1952, p. 7, <a href="../../items/show/402">http://ausmed.arts.uwa.edu.au/items/show/402</a> Format The file format, physical medium, or dimensions of the resource Digital Newspaper Article Language A language of the resource English Antigonus Apolloâ€™s Temple Bohemia Camillo costume drama Emilia Florizel head dress head-dress headdress Hermione jealousy John Alden (1908-1962) John Alden Shakespearean Company Leontes Mamillius medieval costume medieval dress oracle Pauline Perdita performance Perth Polixenes Shakespeare shepherd shepherdess shoes Sicilia sleeves stage The Winterâ€™s Tale theatre WA Western Australia William Shakespeare (1564-1616) https://ausmed.arts.uwa.edu.au/files/original/f131ebe28fbea929e58a082d25ec547d.pdf 8e8a856f2ecf780296118e665de8efea Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Streets Description An account of the resource This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Newspaper Article <a href="http://nla.gov.au/nla.news-article49053308" target="_blank">http://nla.gov.au/nla.news-article49053308</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource This is What Women Wore in Bygone Times Subject The topic of the resource Antigonus, Apolloâ€™s Temple, Bohemia, Camillo, costume, drama, Elsie Dayne, Emilia, Florizel, head dress, head-dress, headdress, Hermione, Iris Hart (1910-1983), jealousy, John Alden (1908-1962), John Alden Shakespearean Company, Leontes, Lucille Robinson, Mamillius, Mavis Turner, medieval costume, medieval dress, oracle, Pauline, Perdita, performance, Perth, Polixenes, Shakespeare, shepherd, shepherdess, Sicilia, stage, theatre, The Winterâ€™s Tale, WA, Western Australia, William Shakespeare (1564-1616) Description An account of the resource     This article features a photograph of costume head-dresses from the stage production of Shakespeare’s “The Winter’s Tale” performed in Perth in 1952 as part of a national tour by the John Alden Shakespearean Company. The four actresses in the photograph are Lucille Robinson and Elsie Dayne (ladies of the court), Mavis Turner (Perdita) and Iris Hart (Emilia). The head-dresses are described by the author as “millinery of medieval times”. About The Winter’s Tale: In “The Winter’s Tale”, Leontes, the King of Sicilia, becomes consumed with jealousy that Hermione, his wife, is having an affair with the King of Bohemia (Polixenes). He instructs his councillor Camillo to poison Polixenes, but instead Camillo reveals Leontes’ plans and both he and Polixenes secretly leave for Bohemia. The pregnant Hermione is banished to prison, where she gives birth to a daughter. Refusing to believe the legitimacy of the child, Leontes demands that the child be burned alive and then, upon the protestations of his chief adviser Antigonus, abandoned off the coast of Bohemia. In the events that unfold over the following Act, Leontes refuses to believe an oracle from Apollo’s Temple exonerating Hermione’s and orders her trial to proceed, his son Mamillius dies, Hermione dies, Leontes realises his mistake and repents, Antigonus is killed by a bear and a shepherd finds the abandoned baby and takes her home. Sixteen years later, in Bohemia, the story recommences with Polixenes expressing concern that his son Florizel has fallen in love with a shepherdess. He attends a sheep-shearing festival in disguise, revealing himself at the last moment to prevent the betrothal of the couple, after which Florizel and the shepherdess are advised by Camillo (now Polixenes’ chief adviser) to flee to Sicilia. When Polixenes also arrives in Sicilia with the shepherd and his son, the shepherdess’ identity as Leontes’ lost child is discovered and her marriage to Florizel condoned, Leontes and Polixenes are friends once more, and a statue of Hermione comes to life, revealing that she is alive and has been waiting to be reunited with her daughter. For a copy of the text, see: <a href="http://www.gutenberg.org/ebooks/2248" target="_blank">http://www.gutenberg.org/ebooks/2248</a>. Creator An entity primarily responsible for making the resource Anon. Source A related resource from which the described resource is derived National Library of Australia, <a href="http://nla.gov.au/nla.news-article49053308" target="_blank">http://nla.gov.au/nla.news-article49053308</a> Publisher An entity responsible for making the resource available The West Australia Date A point or period of time associated with an event in the lifecycle of the resource 18 September 1952, p. 7. Rights Information about rights held in and over the resource The West Australian Relation A related resource “’The Winter’s Tale’ for Perth Stage” The West Australian, 13 September 1952, p.5 <a href="../../../items/show/403">http://ausmed.arts.uwa.edu.au/items/show/403</a> Format The file format, physical medium, or dimensions of the resource Newspaper Article Language A language of the resource English Antigonus Apolloâ€™s Temple Bohemia Camillo costume drama Elsie Dayne Emilia Florizel head dress head-dress headdress Hermione Iris Hart (1910-1983) jealousy John Alden (1908-1962) John Alden Shakespearean Company Leontes Lucille Robinson Mamillius Mavis Turner medieval costume medieval dress oracle Pauline Perdita performance Perth Polixenes Shakespeare shepherd shepherdess Sicilia stage The Winterâ€™s Tale theatre WA Western Australia William Shakespeare (1564-1616) https://ausmed.arts.uwa.edu.au/files/original/c22a9aa65eed81b67717d5b895e7b7a1.pdf 0191eaf7816a438dff9fc1adf4892a83 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Streets Description An account of the resource This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Newspaper Article: National Library of Australia <a href="http://nla.gov.au/nla.news-article58662791" target="_blank">http://nla.gov.au/nla.news-article58662791</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource "Saint Joan" Subject The topic of the resource Albert Chevalier, Atholl Fleming (1984-1972), Battle, Bishop of Beauvais, Bluebeard, British stage, Bruce Winston, canonisation, Captain La Hire, cast, characters, Charles VII, Charles de Ponthieu (1403-1461), Christopher Casson (1912-1996), Dauphin, Donald Eccles (1908-1986), drama, Dunois, Earl of Warwick, George Bernard Shaw (1856-1950), Hilda Davies, His Majestyâ€™s Theatre, Hundred Yearsâ€™ War (1336-1453), Inquisitor, Jeanne dâ€™Arc, Joan of Arc (1412-1431), Ladvenu, Leonard Bennett, Lewis Casson (1875-1969), maid of OrlÃ©ans, medieval France, Michael Martin-Harvey (1897-1975), New Theatre, Page, Perth, play, Poulengey, Rheims Cathedral, Robert de Baudricourt, Rouen, Saint Joan, â€œSaint Joanâ€, St. Joan, St Joan, saint, saints, stage, Sybil Thorndike (1882-1976), T. Tracy, theatre, theatrical production, trial, warrior, Zillah Carter (1864-1941) Description An account of the resource This article from the Sunday Times provides a positive review of George Bernard Shaw’s “Saint Joan”, which premiered in Australia at His Majesty’s Theatre in 1932. “Saint Joan” is a play based on the life (Scenes 1-5), trial (scene 6) and canonisation (Epilogue) of Joan of Arc. The play’s depiction of medieval France is praised by the reviewer as vivid and realistic. For a copy of Shaw’s “Saint Joan”, see <a href="http://gutenberg.net.au/ebooks02/0200811h.html" target="_blank">http://gutenberg.net.au/ebooks02/0200811h.html</a>.   About Joan of Arc: Joan of Arc was born in 1412 in the French village of Domrémy. From the age of about 12, Joan had visions of saints and heard heavenly voices that increasingly urged her to fight for France during the Hundred Years’ War. She travelled to the court of Charles De Ponthieu, the Orléanist claimant to the throne, where she was provided with a suit of armour and her distinctive banner depicting a golden fleur-de-lys. She secured a decisive military victory to rescue the city of Orléans from the Earl of Salisbury’s English army in 1429, and was present at the coronation of Charles VII. However, in May the following year Joan was captured by Burgundian forces at Compiègne, and was handed over to the English. She was tried at Rouen on charges of witchcraft and heresy, and was condemned to death. On 30 May 1431, she was executed. Two and a half decades later, the case was appealed and her conviction was overturned. She was beatified in 1909 and canonised as a saint in 1920. Creator An entity primarily responsible for making the resource Anon. Source A related resource from which the described resource is derived National Library of Australia, <a href="http://nla.gov.au/nla.news-article58662791" target="_blank">http://nla.gov.au/nla.news-article58662791</a> Publisher An entity responsible for making the resource available The Sunday Times Date A point or period of time associated with an event in the lifecycle of the resource 8 May 1932 Rights Information about rights held in and over the resource National Library of Australia Format The file format, physical medium, or dimensions of the resource Digitised Newspaper Article Language A language of the resource English â€œSaint Joanâ€ Albert Chevalier Atholl Fleming (1984-1972) battle Bishop of Beauvais Bluebeard British stage Bruce Winston canonisation Captain La Hire cast characters Charles de Ponthieu (1403-1461) Charles VII Christopher Casson (1912-1996) Dauphin Donald Eccles (1908-1986) drama Dunois Earl of Warwick George Bernard Shaw (1856-1950) Hilda Davies His Majestyâ€™s Theatre Hundred Yearsâ€™ War (1336-1453) Inquisitor Jeanne dâ€™Arc Joan of Arc (1412-1431) Ladvenu Leonard Bennett Lewis Casson (1875-1969) maid of OrlÃ©ans medieval France Michael Martin-Harvey (1897-1975) New Theatre page Perth play Poulengey Rheims Cathedral Robert de Baudricourt Rouen saint Saint Joan saints St Joan St. Joan stage Sybil Thorndike (1882-1976) T. Tracy theatre theatrical production trial warrior Zillah Carter (1864-1941) https://ausmed.arts.uwa.edu.au/files/original/4968b9b3b5680eed2677503ad2f7d1e9.pdf 160b3eb9762ec7f190224d3432457335 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Page Description An account of the resource This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Newspaper article; PDF Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medieval Drama Subject The topic of the resource Arthur, Arthurian, Arthuriana, Death of Arthur, entertainment, Holy Grail, John Gould, King, King Arthur, Le Morte d'Arthur, Malory, monarch, monarchy, quest, Quest for the Holy Grail, New South Wales, NSW, performance, play, plays, Sir Thomas Malory, stage, stage play, Sydney, Sydney University, theatre, University, university play Description An account of the resource An article from the Sydney Morning Herald notifying readers of a second performance of Malory's Le Morte d'Arthur. The performance by graduates and undergraduates of the University of Sydney was of a section of Malory's work, The Quest for the Holy Grail. The performance included a cast of over 150 in costume, and a Gregorian choir. Creator An entity primarily responsible for making the resource Anon. Source A related resource from which the described resource is derived The National Library of Australia: <a href="http://nla.gov.au/nla.news-article17249186" target="_blank">http://nla.gov.au/nla.news-article17249186</a> Publisher An entity responsible for making the resource available The Sydney Morning Herald Date A point or period of time associated with an event in the lifecycle of the resource 7 July 1936 Rights Information about rights held in and over the resource National Library of Australia Format The file format, physical medium, or dimensions of the resource Newspaper Article Type The nature or genre of the resource Newspaper Article Arthur Arthurian Arthuriana Death of Arthur entertainment Holy Grail John Gould king King Arthur Le Morte d'Arthur Malory monarch monarchy New South Wales NSW performance play plays quest Quest for the Holy Grail Sir Thomas Malory stage stage play Sydney Sydney University theatre university university play Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Streets Description An account of the resource This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism. Hyperlink Title, URL, Description or annotation. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data 1 photograph : b&w, gelatin silver Physical Dimensions The actual physical size of the original image. 21 x 18.2 cm. URL <a href="http://nla.gov.au/nla.pic-an22828135">http://nla.gov.au/nla.pic-an22828135</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Laurie Payne, Tour of Camelot, 1966 Subject The topic of the resource actor, armor, armour, Arthur, Arthurian, Arthuriana, Camelot, chivalric, chivalry, costume, entertainment, Guinevere, helmet, King Arthur, knight, knighthood, Lancelot, Laurie Payne, musical, performance, plate armour, popular culture, Round Table, stage, stage performance Description An account of the resource In this black and white photograph from the Laurie Payne Collection of Theatrical Photographs (held by the National Library of Australia), actor Laurie Payne poses in his costume, a suit of armour, for the musical Camelot. The musical, written by Alan Jay Lerner in 1960, is based on Arthurian legend and tells the story of Arthurâ€™s marriage to Guinevere, his establishment of the Round Table, the love triangle that ensued between Arthur, Guinevere and Lancelot and the rescue of Guinevere by Lancelot when she was sentenced to death for her adultery. Creator An entity primarily responsible for making the resource Bryan & Shear (Firm) Source A related resource from which the described resource is derived National Library of Australia: <a href="http://nla.gov.au/nla.pic-an22828135" target="_blank">http://nla.gov.au/nla.pic-an22828135</a> Publisher An entity responsible for making the resource available Bryan & Shear (Firm) Date A point or period of time associated with an event in the lifecycle of the resource 1966 Rights Information about rights held in and over the resource National Library of Australia Format The file format, physical medium, or dimensions of the resource Hyperlink actor Armour Arthur Arthurian Arthuriana Camelot chivalric chivalry entertainment Guinevere helmet King Arthur knight knighthood Lancelot Laurie Payne musical performance plate armour play plays popular culture round table stage stage performance theatre