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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>&lt;br /&gt;&lt;br /&gt;&lt;a href="http://medievalcombat.org/"&gt;http://medievalcombat.org/&lt;/a&gt;&lt;br /&gt;</text>
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                <text>The website for MCC - Medieval Combat, a group of martial enthusiasts and historians who are students and practitioners of both European and Middle Eastern martial arts. They are based in Cowra, New South Wales.</text>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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                <text>Viking Ship Greets King</text>
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                <text>An article in the â€˜Townsville Daily Bulletinâ€™ newspaper in Queensland on June 18, 1949. The article is about a replica Viking ship built by a Swedish vegetarian sports and youth movement that was based on an original from the British Museum. The replica ship brought greetings to Swedenâ€™s King Gustaf in Stockholm on his 91st birthday. The report is credited only to an anonymous Associated Press correspondent.</text>
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                <text>18 June 1949</text>
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            <description>Information about rights held in and over the resource</description>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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                <text>Medieval Precedent for Women Playing Bowls</text>
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                <text>The â€˜new phenomenonâ€™ of women participating in sport post World War I is discussed at length. The writer argues that women are physically capable of participating in some sports. The counterpoints to this argument are that they could suffer a loss of femininity from over-developed muscles, that women are&#13;
not as competitive as men, and that women are invading the traditional and non-negotiable spaces of menâ€™s sport. The precedent for womenâ€™s involvement in sport is cited as the medieval fashion of aristocratic women playing bowls, as quoted from Shakespeareâ€™s Richard II. Samuel Pepys also was supposed to have â€˜played at bowlsâ€™ with his wife.</text>
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                <text>National Library of Australia</text>
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                <text>National Library of Australia</text>
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