1 8 2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Streets Description An account of the resource This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism. Hyperlink Title, URL, Description or annotation. URL <a href="http://www.perthnow.com.au/entertainment/millie-and-chard-win-beauty-and-the-geek-australia/story-e6frg30c-1226527045824" target="_self">http://www.perthnow.com.au/entertainment/millie-and-chard-win-beauty-and-the-geek-australia/story-e6frg30c-1226527045824</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource “Millie and Chard win Beauty and the Geek Australia”, Perth Now, 29 November 2012. Subject The topic of the resource Australian TV, Beauty & the Geek, broadcast, Channel 7, Chard, fairytale, finale, jousting, knight, masquerade ball, medieval challenge, medieval festivities, Millie, princess, program, programme, sonnet, television, winners. Description An account of the resource This online article from the Perth Now website describes the fourth season finale show of TV programme Beauty & the Geek Australia, from which contestants Chard and Millie emerged as winners. Pursuing a ‘happily ever after’ fairytale theme, the article explains, the first part of the show ‘involved a series of medieval challenges’ – namely jousting and reciting sonnets – for which the couples dressed up as knights and princesses. This was followed by a masquerade ball. Beauty & the Geek was broadcast in Australia in 2012 by the Channel 7 network. For the news article, see: <a href="http://www.perthnow.com.au/entertainment/millie-and-chard-win-beauty-and-the-geek-australia/story-e6frg30c-1226527045824" target="_self">http://www.perthnow.com.au/entertainment/millie-and-chard-win-beauty-and-the-geek-australia/story-e6frg30c-1226527045824</a> For more about the TV show, see: <a href="http://au.tv.yahoo.com/beauty-and-the-geek-australia/" target="_self">http://au.tv.yahoo.com/beauty-and-the-geek-australia/</a> Creator An entity primarily responsible for making the resource Colin Vickery Source A related resource from which the described resource is derived Perth Now Publisher An entity responsible for making the resource available Perth Now Date A point or period of time associated with an event in the lifecycle of the resource 29 November 2012 Rights Information about rights held in and over the resource News Limited Network Format The file format, physical medium, or dimensions of the resource Online news article Australian TV Beauty & the Geek broadcast Channel 7 Chard fairytale finale jousting knight masquerade ball medieval challenge medieval festivities Millie princess program programme sonnet television winners https://ausmed.arts.uwa.edu.au/files/original/5374e6eab04f9ddcd31e7d77e18d5f13.jpg 2152b77e462dfc8f304eb7c3602fa17f Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 3431 Width 1632 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Page Description An account of the resource This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource ‘Chivalry’, The Bulletin, 15 September 1904 Subject The topic of the resource chivalry, Creeve Roe, death of chivalry, debate, Petrarch, romance, â€˜Romanceâ€™, sonnet, tradition, Victor Daley (1858-1905). Description An account of the resource At the time Victor Daley composed this poem, a debate had erupted over whether chivalry and romance, at least within the Australian context, were dead. That was certainly the argument put forward in an earlier poem, ‘Romance’ by L. D., which was published in The Bulletin in 1885. In December 1902 Victor Daley wrote his own explanation (See Louise D’Arcens, Old Songs in the Timeless Land: Medievalism in Australian Literature 1840-1910, Turnhout, Brepols, 2011, p.139), beginning: “They say that fair Romance is dead, and in her cold grave lying low.” Nearly two years later, in September 1904 and writing under the pseudonym Creeve Roe, Daley penned this more credible hypothesis for the continued survival of chivalry and romance. Although in this later poem the medieval content is limited to a fleeting reference to the elaborate sonnets of Petrarch (d. 1374) and the veneer of archaic-sounding expressions, it is prefaced with an explanation that ties it to the debate over the death of chivalry and romance. In Daley’s previous poem ‘Romance’ (1902), we find more explicit Arthurian references to “Gold Gudrun, and Guinevere,” and “Merlin wise,” and “Castle Perilous, beyond the dark Enchanted Wood.” While Daley’s poem ‘Romance’ underlines the continued existence of romantic sensibilities despite the fact that, as a rapidly developing country, Australia was dominated by Mammon and Machinery (See D’Arcens, p.139), the light-hearted Creeve Roe poem offers a more practical and mischievous solution. The surest way, says the poet, for the continuance of chivalrous behaviour in an Australian setting, is for women to live up to the impossible standards imposed on them by tradition and the whimsy of men. Creator An entity primarily responsible for making the resource Creeve Roe (Victor Daley) Source A related resource from which the described resource is derived The Bulletin Publisher An entity responsible for making the resource available The Bulletin Date A point or period of time associated with an event in the lifecycle of the resource 15 September 1904, p.15 Rights Information about rights held in and over the resource Public Domain Format The file format, physical medium, or dimensions of the resource Journal (Microfilm) â€˜Romanceâ€™ chivalry Creeve Roe death of chivalry debate Petrarch romance sonnet Victor Daley (1858-1905)