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                  <text>Medievalism on the Streets</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>&lt;a href="http://www.fourseasonsgutterpro.com.au/"&gt;http://www.fourseasonsgutterpro.com.au/&lt;/a&gt;</text>
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                <text>Advertisement, cartoon, flail, foot soldier, Four Seasons Gutter Protection, helmet, mace, pike, shield, soldier, spear, Vic, Victoria, website.</text>
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                <text>&lt;p&gt;The website and advertisements for Four Season Gutter Protection feature four cartoon medieval foot soldiers wearing helmets and brandishing shields and weapons &amp;ndash; flails (a type of mace) and spears or pikes. The heads of the weapons are in the shape of different leaves, and the leaves also feature on the soldiers helmets and shields. The soldiers are evidently protecting your gutters against leaves.&lt;/p&gt;&#13;
&lt;p&gt;Four Season Gutter Protection are an Australian-wide company based in Victoria.&lt;/p&gt;&#13;
&lt;p&gt;For their website see &lt;a href="http://www.fourseasonsgutterpro.com.au/"&gt;http://www.fourseasonsgutterpro.com.au/&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</text>
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                <text>Â© 2011 Four Seasons Gutter Protection. All Rights Reserved.</text>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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                <text>&amp;lsquo;Rivals&amp;rsquo;, &lt;em&gt;The Bulletin&lt;/em&gt;, 14 July 1900</text>
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                <text>absent lovers, Boer War, chivalry, courtly love, Creeve Roe, favour, gift, heroism, Isabel, knight, maiden, marriage, romance, Sir Comfort, Sir Valour, soldier, valour, veldt, Victor Daley (1858-1905). </text>
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                <text>&amp;lsquo;Rivals&amp;rsquo; is an interesting attempt by medievalist writer Victor Daley to transform what must have been a fairly commonplace incident at that time into something more than it seems. The poem describes a young man, Sir Valour, taking leave of his sweetheart (&amp;ldquo;My Lady Fair&amp;rdquo;), and going off to fight in the Boer War. The leave-taking is transformed into a medieval tale, a deliberately romantic historicization of the present (Louise D&amp;rsquo;Arcens, &lt;em&gt;Old Songs in the Timeless Land: Medievalism in Australian Literature 1840-1910,&lt;/em&gt; Turnhout, Brepols, 2011, p.110), whereby the couple pledge true love and the lady presents him with a token of her favour, before he sets out for foreign lands. In her knight&amp;rsquo;s protracted absence, Sir Comfort, an older and much wealthier man, slyly wins the favours of &amp;ldquo;Sweet Isabel,&amp;rdquo; and marries her. This turnaround is presumably hastened by the giving of a number of beautiful and very costly items: &amp;ldquo;Some simple rubies, strings of pearls / And diamonds for [her] hair.&amp;rdquo; Here Creeve Roe contrasts the stark unpleasant realities of the war with quasi-medieval &amp;lsquo;courtly&amp;rsquo; values. The final scene, when the young man dies &amp;ldquo;in lands remote,&amp;rdquo; with Isabel&amp;rsquo;s name upon his lips, is one of shattered dreams and misplaced expectations.</text>
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                <text>&lt;em&gt;The Bulletin&lt;/em&gt;</text>
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                <text>&lt;em&gt;The Bulletin&lt;/em&gt;</text>
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                <text>14 July 1900, p.32</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>&lt;p&gt;&lt;a href="http://www.flickr.com/photos/34094515@N00/5753543105/in/set-72157626676456279"&gt;http://www.flickr.com/photos/34094515@N00/5753543105/in/set-72157626676456279&lt;/a&gt;&lt;/p&gt;</text>
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                <text>â€˜The old soldierâ€™ at the Blacktown Medieval Fayre</text>
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                <text>Arms, armor, armour, Blacktown Medieval Fayre, byrnie, chain mail, chainmail, coif, combat, fair, haubergeon, hauberk, helmet, medieval costume, New South Wales, Norman style helmet, NSW, Nurragingy Reserve, re-enactment, re-enactment, soldier, Sydney, war, warfare</text>
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                <text>This is one of a series of pre-action photographs taken by photographer Richard Taylor at Nurragingy Reserve in 2011. It shows an â€˜old warriorâ€™ displaying steely determination to survive a potentially dangerous encounter. The subject of the photograph is a participant at the Blacktown Medieval Fayre. He wears a chainmail hood (a coif) and shirt (hauberk or haubergeon), and a Norman style helmet. Chain mail was used extensively in the middle ages to fashion protective garments by interlocking thousands of metal rings to form a meshed material. Chainmail garments were worn by medieval knights and soldiers as body armour until chainmail was gradually superseded by plate armour in the fourteenth century.   &#13;
The Blacktown Medieval Fayre is billed as â€œa world of medieval magic,â€ and is part of the annual Blacktown Fiesta, an eight day extravaganza hosted by Blacktown City Council. It is just one of several interesting medieval events held throughout the country at different times of the year.</text>
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                <text>21 May 2011</text>
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                <text>Â© Richard Taylor. Some rights reserved dicktay2000</text>
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      </elementContainer>
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            <name>Title</name>
            <description>A name given to the resource</description>
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            <description>The topic of the resource</description>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Image of the colourful mosaic in the centre of a Great War Memorial Cross situated in the grounds of St Peterâ€™s Cathedral in Adelaide, South Australia. The mosaic depicts a warrior armed with a shield and a lance, and draws on a number of different symbolic references to represent WWI soldiers as courageous, brave and righteous fighters. The tunic and the armour look classical, but the lance, the shield and the halo are distinctively medieval. The shield bearing the St George cross is reminiscent of those carried by knights during the Crusades, while the lance, an instrument used by jousting knights in the High Middle Ages, suggests gallantry, chivalry and honour. The halo encircling the figureâ€™s head is a common iconographic motif in medieval depictions of saints, and the white cloak has likely also been added to symbolise virtue and righteousness. </text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="17625">
                <text>Dorey, Margaret</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="17626">
                <text>3 July 2011</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="17627">
                <text>No Copyright</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="17628">
                <text>Digital Photograph; JPEG</text>
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      <tag tagId="153">
        <name>Armour</name>
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      <tag tagId="3889">
        <name>bravery</name>
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      <tag tagId="353">
        <name>Cathedral</name>
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      <tag tagId="138">
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        <name>courage</name>
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        <name>SA</name>
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        <name>Saint Peter</name>
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        <name>saints</name>
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        <name>St Peterâ€™s Cathedral</name>
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        <name>St. Peter</name>
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        <name>World War I</name>
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        <name>WWI</name>
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            <elementText elementTextId="17637">
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            <name>Title</name>
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                <text>The Great War Memorial Cross at St Peterâ€™s Cathedral, Adelaide. </text>
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            <description>The topic of the resource</description>
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            <description>An account of the resource</description>
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                <text>An image of a Great War Memorial Cross situated in the grounds of St Peterâ€™s Cathedral in Adelaide, South Australia. The colourful mosaic in the centre of the cross depicts a warrior armed with a shield and a lance, and draws on a number of different symbolic references to represent WWI soldiers as courageous, brave and righteous fighters. The tunic and the armour look classical, but the lance, the shield and the halo are distinctively medieval. The shield bearing the St George cross is reminiscent of those carried by knights during the Crusades, while the lance, an instrument used by jousting knights in the High Middle Ages, suggests gallantry, chivalry and honour. The halo encircling the figureâ€™s head is a common iconographic motif in medieval depictions of saints, and the white cloak has likely also been added to symbolise virtue and righteousness. </text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="17633">
                <text>Dorey, Margaret</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="17634">
                <text>3 July 2011</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="17635">
                <text>No Copyright</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="17636">
                <text>Digital Photograph; JPEG</text>
              </elementText>
            </elementTextContainer>
          </element>
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    <tagContainer>
      <tag tagId="1123">
        <name>Adelaide</name>
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      <tag tagId="3393">
        <name>Armor</name>
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      <tag tagId="153">
        <name>Armour</name>
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      <tag tagId="3889">
        <name>bravery</name>
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      <tag tagId="353">
        <name>Cathedral</name>
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      <tag tagId="3678">
        <name>chivalric</name>
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      <tag tagId="138">
        <name>chivalry</name>
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      <tag tagId="775">
        <name>commemoration</name>
      </tag>
      <tag tagId="3890">
        <name>courage</name>
      </tag>
      <tag tagId="132">
        <name>cross</name>
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      <tag tagId="135">
        <name>Crusades</name>
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      <tag tagId="3666">
        <name>gallantry</name>
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      <tag tagId="3891">
        <name>Great War</name>
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      <tag tagId="3892">
        <name>halo</name>
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      <tag tagId="2868">
        <name>honour</name>
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      <tag tagId="96">
        <name>knight</name>
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        <name>lance</name>
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      <tag tagId="3893">
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      <tag tagId="802">
        <name>mosaic</name>
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      <tag tagId="3894">
        <name>noble cause</name>
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      <tag tagId="887">
        <name>SA</name>
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        <name>Saint Peter</name>
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        <name>saints</name>
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        <name>shield</name>
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        <name>soldier</name>
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      <tag tagId="885">
        <name>South Australia</name>
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        <name>St George cross</name>
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        <name>St Peter</name>
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      <tag tagId="3286">
        <name>St Peterâ€™s Cathedral</name>
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        <name>St. Peter</name>
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        <name>World War I</name>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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          <element elementId="50">
            <name>Title</name>
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          <element elementId="49">
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                <text>Apparel, armament, armour, battle, body armour, byrnie, chain, chain mail, chain-mail, chainmail, chin-guard, coif, crossbow, defensive armament, garment, glove, handcrafted, handmade armour, hood, knight, longbow, mail, mail armour, mail shirt, metal rings, metalwork, medieval armour, medieval craft, mitons, Perth, Perth Medieval Fayre, plate armour, protective clothing, re-creation, recreation, riveting, soldier, WA, WAMA, warfare, weaponry, weapon, weapons, Western Australia, WA, Western Australian Medieval Alliance</text>
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                <text>A photograph depicting chain mail being hand-crafted according to the traditional medieval method at the Perth Medieval Fayre. Chain mail is made by interlocking a number of metal rings to form small sections. Each ring is linked through four others and then the end is riveted. Additional links are then inserted to join the sections together and create a meshed material. The mail can be shaped into patterns â€“ for example gloves, shirts, hoods and chin-guards â€“ by increasing or decreasing the number of metal rings in a row when the sections are created. Chain mail was used extensively in the middle ages to fashion protective garments that were worn as body armour by medieval knights and soldiers. It was gradually superseded by plate armour in the fourteenth century, possibly as a result of the increasing use of high-powered weapons such as crossbows and longbows (See Kelly DeVries, Medieval Military Technology, Peterborough, Broadview Press, 1992, p.75).&#13;
&#13;
The Perth Medieval Fayre is organised by the Western Australian Medieval Alliance (WAMA). In 2011 it was held at Supreme Court Gardens on 19 March. Enthusiasts and vendors showcased a range of medieval arts and crafts, from dancing, calligraphy and lace-making to demonstrations of the techniques, weaponry and apparel of medieval combat.</text>
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              <text>&lt;span style="color: #000000; font-family: Tahoma; font-size: x-small;"&gt;&lt;a href="http://www.wolfletters.com/" target="_blank"&gt;http://www.wolfletters.com/&lt;/a&gt;&lt;/span&gt;</text>
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                <text>The Wolf Letters, released in May 2011, is a debut historical thriller from Perth novelist Will Schaefer. The plot is a mystery that revolves around a stolen historical artefact (a wolf carved in jet) and two eighth-century letters found at the scene of a murder in Southern England, 1936. The setting for the novel oscillates between 1936 and the eighth century. According to the author, the story was inspired â€˜by the real-life adventures of Winfrith, the seventh/eighth century Englishman better known as St Bonifaceâ€™.</text>
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        <name>Dr Deborah Caraman</name>
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&lt;div class="element-text"&gt;&#13;
&lt;div class="element-text"&gt;&#13;
&lt;p class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt;"&gt;&lt;span style="font-size: 10pt;"&gt;A    medieval combat demonstration performed  by members of The Grey   Company  at the Perth Medieval  Fayre. The participants here are wearing   circa  fifteenth-century sallet  style helmets and various articles of   plate  armour, including  breastplates to protect the chest, gauntlets   to  protect the hands,  vambraces covering the arm from the wrist to  the   elbow,  rerebraces extending from the elbow up to the shoulder,    pauldrons to  protect the shoulder and plate cuisses to cover their    legs. They are  fighting with examples of medieval weaponry ranging from    one- and  two-handed swords to throwing axes and halberds. The  Grey    Company is a historical re-enactment group specialising in the   weapons   and combat of the &amp;lsquo;Dark Ages&amp;rsquo; and the medieval period more   generally.   For more information about The Grey Company, see &lt;/span&gt;&lt;a href="http://greycompany.com.au/" target="_blank"&gt;&lt;span style="font-size: 10pt;"&gt;&lt;span style="color: #0000ff;"&gt;http://greycompany.com.au/&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span style="font-size: 10pt;"&gt;. &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt;"&gt;&lt;span style="font-size: 10pt;"&gt;The    Perth Medieval Fayre is organised by  the Western Australian Medieval    Alliance (WAMA).  In 2011 it was held at Supreme Court Gardens on 19    March. Enthusiasts  and vendors showcased a range of medieval arts and    crafts, from dancing,  calligraphy and lace-making to demonstrations  of   the techniques,  weaponry and apparel of medieval combat.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;/div&gt;&#13;
&lt;/div&gt;&#13;
&lt;/div&gt;</text>
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                <text>McEwan, Joanne, "Medieval Combat at the Perth Medieval Fayre," in Medievalism in Australian Cultural Memory, Item #416,&lt;a href="../../../items/show/416" target="_blank"&gt; http://ausmed.arts.uwa.edu.au/items/show/416&lt;/a&gt;&lt;br /&gt; &lt;br /&gt;McEwan, Joanne, "Medieval Combat Demonstration at the Perth Medieval  Fayre," in Medievalism in Australian Cultural Memory, Item #417,&lt;a href="../../../items/show/417" target="_blank"&gt; http://ausmed.arts.uwa.edu.au/items/show/417&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;McEwan, Joanne, "Armoured for Combat," in Medievalism in Australian Cultural Memory, Item #418, &lt;a href="../../../items/show/418" target="_blank"&gt;http://ausmed.arts.uwa.edu.au/items/show/418&lt;/a&gt;&lt;br /&gt; &lt;br /&gt;McEwan, Joanne, "Medieval Fighting Demonstration at the Perth Medieval  Fayre," in Medievalism in Australian Cultural Memory, Item #419, &lt;a href="../../../items/show/419" target="_blank"&gt;http://ausmed.arts.uwa.edu.au/items/show/419&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;McEwan, Joanne, "Medieval Battle at the Perth Medieval Fayre," in Medievalism in Australian Cultural Memory, Item #422, &lt;a href="../../../items/show/422" target="_blank"&gt;http://ausmed.arts.uwa.edu.au/items/show/422&lt;/a&gt;</text>
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        <name>combat</name>
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        <name>dagger</name>
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      <tag tagId="2014">
        <name>defensive armament</name>
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        <name>demonstration</name>
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        <name>display</name>
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        <name>gauntlet</name>
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        <name>halberd</name>
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        <name>handcrafted</name>
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        <name>helmet</name>
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        <name>knight</name>
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        <name>medieval weapon</name>
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        <name>metalwork</name>
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        <name>misericord</name>
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        <name>pauldron</name>
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      <tag tagId="150">
        <name>Perth</name>
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      <tag tagId="1680">
        <name>Perth Medieval Fayre</name>
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      <tag tagId="2025">
        <name>plate armour</name>
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      <tag tagId="2775">
        <name>poleaxe</name>
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        <name>re-creation</name>
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      <tag tagId="168">
        <name>recreation</name>
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      <tag tagId="2805">
        <name>rerebrace</name>
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      <tag tagId="2806">
        <name>sallet</name>
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      <tag tagId="1599">
        <name>soldier</name>
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      <tag tagId="2776">
        <name>staff weapons</name>
      </tag>
      <tag tagId="363">
        <name>sword</name>
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      <tag tagId="2807">
        <name>The Grey Company</name>
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      <tag tagId="2777">
        <name>throwing axe</name>
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        <name>vambrace</name>
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      <tag tagId="838">
        <name>WA</name>
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      <tag tagId="2028">
        <name>WAMA</name>
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      <tag tagId="757">
        <name>warfare</name>
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      <tag tagId="316">
        <name>weaponry</name>
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      <tag tagId="73">
        <name>Western Australia</name>
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      <tag tagId="2029">
        <name>Western Australian Medieval Alliance</name>
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</itemContainer>
