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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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              <text>&lt;a href="http://nla.gov.au/nla.news-article41601916" target="_self"&gt;http://nla.gov.au/nla.news-article41601916&lt;/a&gt;</text>
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                <text>Spirit of Festival: What Lies Behind the Carol, &lt;em&gt;The West Australian&lt;/em&gt;, 24 December 1937</text>
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                <text>Apprentices, book, carol, celebration, Christian tradition, Christmas, Christmas Carols, dancing, drinking songs, festival, festivity, Greccio, medieval custom, melodies, merriment, Miracle plays, Mystery plays, popular tunes, puritan, religious lyrics, revival, singing, song, St Francis of Assisi, tradition, Wynken de Worde. </text>
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                <text>This article from &lt;em&gt;The West Australian&lt;/em&gt; traces the history of Christmas carols back to the medieval period. It dates their origin to the beginning of the thirteenth century, when Francis of Assisi taught children to dance around a model of the manger in the Italian village of Greccio. Subsequently, they were introduced into England through the Mystery and Miracle plays. Although religious in content, the article notes with amusement that the carols were often set to the tune of drinking songs, presumably because they were familiar. Carols and the dances that accompanied them remained popular, the article claims, until Puritan edicts forbade Christmas festivities and all manner of celebration in the seventeenth century. Their survival is credited here to two nineteenth-century English clergymen, who translated a Swedish book of medieval melodies in 1853 and succeeded in reviving interest in carols and old folk songs more generally.</text>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>Anon</text>
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                <text>TROVE: The National Library, &lt;a href="http://nla.gov.au/nla.news-article41601916" target="_self"&gt;http://nla.gov.au/nla.news-article41601916&lt;/a&gt;</text>
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                <text>&lt;em&gt;The West Australian&lt;/em&gt;</text>
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                <text>24 December 1937, p.15</text>
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            <description>Information about rights held in and over the resource</description>
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        <name>drinking songs</name>
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        <name>Greccio</name>
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        <name>melodies</name>
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        <name>Miracle plays</name>
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              <description>A name given to the resource</description>
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                  <text>Medievalism on the Page</text>
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              <description>An account of the resource</description>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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      <description>A resource containing textual data.  Note that facsimiles or images of texts are still of the genre text.</description>
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          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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              <text>Poem featured in newspaper; PDF</text>
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                <text>Troubadour Song</text>
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                <text>poem, poems, poetry, poet, Australian, Australian poetry, Australian poem, Tasmania, classical, medieval, medieval undertones, warrior, warriors, war, romance, Troubadour, lyric, lyric poet, lyrical, lyrical poet, bard, bardic, court, courtly, courtly poetry, sing, singing, song</text>
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                <text>A poem featured in The Hobart Town Gazette and Van Diemen's Land Advertiser, which conforms to lyrical and bardic poetic traditions. It has medieval and classical undertones in both style and language. </text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Unknown</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>National Library of Australia</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>Hobart Town Gazette and Van Diemen's Land Advertiser</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>6 May 1825, p. 4</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>National Library of Australia</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Poem featured in newspaper</text>
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            <name>Language</name>
            <description>A language of the resource</description>
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        <name>Australian poem</name>
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        <name>lyric</name>
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        <name>lyric poet</name>
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        <name>lyrical poet</name>
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        <name>medieval</name>
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        <name>song</name>
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                  <text>Medievalism on the Streets</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>&lt;p&gt;Newspaper Article&lt;/p&gt;&#13;
&lt;p&gt;&lt;br /&gt; National Library of Australia, &lt;a href="http://nla.gov.au/nla.news-article47314286" target="_blank"&gt;http://nla.gov.au/nla.news-article47314286&lt;/a&gt;&lt;/p&gt;</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Voice and Violin</text>
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                <text>folk, folk singer, folk-singers, sing, singer, singers, Gustav Hoist (1874-1934), harmonic, Kylie Club, Lorna McKean, medieval religious poems, music, Mozart, Nora Coalstad, orchestra, performance, sonata, singing, solo, soprano, Tartini Vaughan Hanly, violin, violinist, vocals, voice</text>
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                <text>This article from The West Australian details a performance, by Miss Lorna McKean and Mr Vaughan Hanly, of Gustav Hoistâ€™s four songs for voice and solo violin at the Kylie Club. The performance was unusual, it suggests, because modern audiences were unaccustomed to hearing music performed without the backing of a harmonic keyboard or orchestra. The wording of the songs are noted to be medieval religious poems.</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>"Fidelio"</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>&lt;br /&gt; National Library of Australia, &lt;a href="http://nla.gov.au/nla.news-article47314286" target="_blank"&gt;http://nla.gov.au/nla.news-article47314286&lt;/a&gt;</text>
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                <text>The West Australian</text>
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                <text>18 March 1941, p. 3.</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>The West Australian</text>
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        <name>Gustav Hoist (1874-1934)</name>
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        <name>harmonic</name>
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        <name>Kylie Club</name>
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        <name>Lorna McKean</name>
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        <name>medieval religious poems</name>
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        <name>Mozart</name>
      </tag>
      <tag tagId="237">
        <name>music</name>
      </tag>
      <tag tagId="2189">
        <name>Nora Coalstad</name>
      </tag>
      <tag tagId="2190">
        <name>orchestra</name>
      </tag>
      <tag tagId="350">
        <name>performance</name>
      </tag>
      <tag tagId="2180">
        <name>sing</name>
      </tag>
      <tag tagId="2181">
        <name>singer</name>
      </tag>
      <tag tagId="2182">
        <name>singers</name>
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      <tag tagId="2192">
        <name>singing</name>
      </tag>
      <tag tagId="2193">
        <name>solo</name>
      </tag>
      <tag tagId="2191">
        <name>sonata</name>
      </tag>
      <tag tagId="2194">
        <name>soprano</name>
      </tag>
      <tag tagId="2195">
        <name>Tartini Vaughan Hanly</name>
      </tag>
      <tag tagId="636">
        <name>violin</name>
      </tag>
      <tag tagId="2196">
        <name>violinist</name>
      </tag>
      <tag tagId="2197">
        <name>vocals</name>
      </tag>
      <tag tagId="2198">
        <name>voice</name>
      </tag>
    </tagContainer>
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</itemContainer>
