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                  <text>Medievalism on the Page</text>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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              <text>Poem featured in newspaper; PDF</text>
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                <text>Troubadour Song</text>
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                <text>poem, poems, poetry, poet, Australian, Australian poetry, Australian poem, Tasmania, classical, medieval, medieval undertones, warrior, warriors, war, romance, Troubadour, lyric, lyric poet, lyrical, lyrical poet, bard, bardic, court, courtly, courtly poetry, sing, singing, song</text>
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                <text>A poem featured in The Hobart Town Gazette and Van Diemen's Land Advertiser, which conforms to lyrical and bardic poetic traditions. It has medieval and classical undertones in both style and language. </text>
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                <text>Unknown</text>
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                <text>National Library of Australia</text>
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                <text>6 May 1825, p. 4</text>
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                <text>National Library of Australia</text>
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                <text>Poem featured in newspaper</text>
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                  <text>Medievalism on the Streets</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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              <text>&lt;p&gt;Newspaper Article&lt;/p&gt;&#13;
&lt;p&gt;&lt;br /&gt; National Library of Australia, &lt;a href="http://nla.gov.au/nla.news-article47314286" target="_blank"&gt;http://nla.gov.au/nla.news-article47314286&lt;/a&gt;&lt;/p&gt;</text>
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                <text>Voice and Violin</text>
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                <text>folk, folk singer, folk-singers, sing, singer, singers, Gustav Hoist (1874-1934), harmonic, Kylie Club, Lorna McKean, medieval religious poems, music, Mozart, Nora Coalstad, orchestra, performance, sonata, singing, solo, soprano, Tartini Vaughan Hanly, violin, violinist, vocals, voice</text>
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                <text>This article from The West Australian details a performance, by Miss Lorna McKean and Mr Vaughan Hanly, of Gustav Hoistâ€™s four songs for voice and solo violin at the Kylie Club. The performance was unusual, it suggests, because modern audiences were unaccustomed to hearing music performed without the backing of a harmonic keyboard or orchestra. The wording of the songs are noted to be medieval religious poems.</text>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>"Fidelio"</text>
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                <text>&lt;br /&gt; National Library of Australia, &lt;a href="http://nla.gov.au/nla.news-article47314286" target="_blank"&gt;http://nla.gov.au/nla.news-article47314286&lt;/a&gt;</text>
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                <text>The West Australian</text>
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                <text>18 March 1941, p. 3.</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>The West Australian</text>
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