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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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                <text>Coat of arms, flag, halo, Italy, Latin, Launceston, lion, Lion of St Mark, logo, Novaroâ€™s Italian Restaurant, Republic of Venice, Restaurant, sign, St Mark, Tas, Tasmania, Venice, winged lion.</text>
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                <text>&lt;p&gt;Novaro&amp;rsquo;s Italian Restaurant is in Brisbane Street in the northern Tasmanian city of Launceston. The photograph shows the sign for the restaurant, which features a Lion of St Mark. This particular version is, with the addition of a halo, essentially the same as the one that appeared on the flag and coat of arms of the medieval Republic of Venice and still continues to be associated with Venice today, including its film festival. The logo features a winged lion holding an open book with one paw. The Latin text on the book reads &amp;lsquo;Pax tibi Marce, evangelista meus&amp;rsquo; (Peace be with you, Mark my evangelist), which comes from an early medieval Venetian legend about an angel appearing to St Mark at a lagoon at Venice.&lt;/p&gt;&#13;
&lt;p&gt;For their website, which features a silhouette of the Lion of St Mark, see &lt;a href="http://www.novaros.com/site/index.html"&gt;http://www.novaros.com/site/index.html&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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                <text>&lt;p&gt;The Wilmot Arms Inn is a B&amp;amp;B in a former coaching inn built in 1844 in the small Tasmanian town of Kempton. The business uses the Wilmot coat of arms, or family crest, in their advertising. The family crest consists of a late medieval helmet with an eagle crest above a square shield containing three scallop shells and three eagle heads.&lt;/p&gt;&#13;
&lt;p&gt;The Wilmot surname evolved from the personal name William and is first attested in England in the thirteenth century.&lt;/p&gt;&#13;
&lt;p&gt;The coat of arms is also featured on their website: http://www.wilmotarms.com.au/&lt;/p&gt;</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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                <text>&lt;p&gt;This photograph of a sign was taken at the rear of the Cascade Brewery. The sign features a warrior on horseback killing a dragon with a lance. The similarity of the sign to the original St George logo used by the Launceston brewery Boag&amp;rsquo;s, which was purchased by Cascade Brewery in 1922, suggests that this may also be an image of the warrior saint popular during the medieval period.&lt;/p&gt;&#13;
&lt;p&gt;For the Boag's Brewery image see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/884"&gt;http://ausmed.arts.uwa.edu.au/items/show/884&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</text>
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                <text>McEwan, Joanna</text>
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                <text>&lt;p&gt;Valhalla Icecream is made in the Hobart suburb of Moonah. As seen on this advertising sign, the company&amp;rsquo;s logo features the side profile of the head of a Viking warrior on a red shield. The warrior wears a helmet with wings, a notion popular in the late 19&lt;sup&gt;th&lt;/sup&gt; century before Vikings with horned helmets became more popular. In Old Norse (Viking) mythology Valhalla was a giant hall where chosen warriors who had died in battle went to join the Norse god Odin. The warriors were led to Valhalla by Valkyries.&lt;/p&gt;&#13;
&lt;p&gt;For their website see &lt;a href="http://valhallaicecream.com.au"&gt;http://valhallaicecream.com.au&lt;/a&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;This photograph shows banners advertising the &amp;lsquo;Love and Devotions: from Persia and beyond&amp;rsquo; exhibition at the State Library of Victoria. The banners form an image taken from a Persian manuscript. The exhibition features Persian manuscripts from the thirteenth to eighteenth centuries, along with manuscripts from Europe, Ottoman Turkey, and Mughal India. The majority of manuscripts on display are from the Bodleian Libraries of the University of Oxford.&lt;/p&gt;&#13;
&lt;p&gt;Such exhibitions are a rare opportunity for Australians to interact with real artefacts from the medieval period. Along with modern appropriations they often help to form people&amp;rsquo;s perceptions of the medieval era.&lt;/p&gt;&#13;
For more on the exhibition see &lt;a href="http://www.slv.vic.gov.au/event/love-and-devotion-persia-and-beyond" target="_blank"&gt;http://www.slv.vic.gov.au/event/love-and-devotion-persia-and-beyond&lt;/a&gt;</text>
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