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                  <text>Medievalism on the Streets</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>&lt;p&gt;Part one: &lt;a href="https://www.fringeworld.com.au/program/event/bbf12545-38c2-410f-9755-134f19d1a91b" target="_blank"&gt;https://www.fringeworld.com.au/program/event/bbf12545-38c2-410f-9755-134f19d1a91b&lt;/a&gt;/&lt;/p&gt;&#13;
&lt;p&gt;Part Two: &lt;a href="https://www.fringeworld.com.au/program/event/feb24d25-d5e9-4c88-9db2-ef17e46a307c/" target="_blank"&gt;https://www.fringeworld.com.au/program/event/feb24d25-d5e9-4c88-9db2-ef17e46a307c/&lt;/a&gt;&lt;/p&gt;</text>
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                <text>â€˜The Canterbury Tales: Part Oneâ€™ &amp; â€˜The Canterbury Tales: Part Twoâ€™, Perth Fringe Festival 2013</text>
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                <text>Canterbury Cathedral, carpenter, comedy, court, death, drama, flood, flour miller, Fringe Festival, Geoffrey Chaucer (c.1343-1400), King Arthur, knight, KNUTS, maiden, medieval literature, medieval poetry, Medieval Romance, modern adaptation, old hag, performance, Perth, pilgrim, pilgrimage, Science Fiction, shrine, space, Stephen Lee, Stephen Quinn, &lt;em&gt;The Canterbury Tales&lt;/em&gt;, &amp;lsquo;The Franklin&amp;rsquo;s Tale&amp;rsquo;, &amp;lsquo;The Merchant&amp;rsquo;s Tale&amp;rsquo;, &amp;lsquo;The Miller&amp;rsquo;s Tale&amp;rsquo;, &amp;lsquo;The Pardoner&amp;rsquo;s Tale&amp;rsquo;, &amp;lsquo;The Reeve&amp;rsquo;s Tale&amp;rsquo;, &amp;lsquo;The Wife of Bath&amp;rsquo;s Tale&amp;rsquo;, Thomas Becket, Victorian Melodrama, villain, vulcan, WA, Western, Western Australia.</text>
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                <text>&lt;p&gt;This production by theatre company KNUTS is a modern adaptation of Geoffrey Chaucer&amp;rsquo;s &lt;em&gt;The Canterbury Tales&lt;/em&gt; in two parts. Adapted by Stephen Quinn and directed by Stephen Lee, it transposes stories from Chaucer&amp;rsquo;s original text into a variety of different genres, ranging from Western to silent film, Victorian melodrama and a Shakespearean version of a Medieval Romance. Part One includes renditions of &amp;lsquo;The Pardoner&amp;rsquo;s Tale&amp;rsquo;, &amp;lsquo;The Miller&amp;rsquo;s Tale&amp;rsquo; and &amp;lsquo;The Reeve&amp;rsquo;s Tale&amp;rsquo;, and Part Two &amp;lsquo;The Franklin&amp;rsquo;s Tale&amp;rsquo;, The Wife of Bath&amp;rsquo;s Tale&amp;rsquo; and &amp;lsquo;The Merchant&amp;rsquo;s Tale&amp;rsquo;. This production featured as part of the Perth Fringe Festival in 2013, where &amp;lsquo;The Canterbury Tales: Part One&amp;rsquo; was performed from 7 February to 13 February and &amp;lsquo;The Canterbury Tales: Part Two&amp;rsquo; was performed the following week from 14 February to 19 February 2013. A positive review of &amp;lsquo;The Canterbury Tales: Part Two&amp;rsquo; from &lt;em&gt;The West Australian&lt;/em&gt; can be read at: &lt;a href="http://au.news.yahoo.com/thewest/entertainment/a/-/entertainment/16159623/review-the-canterbury-tales-part-two/" target="_blank"&gt;http://au.news.yahoo.com/thewest/entertainment/a/-/entertainment/16159623/review-the-canterbury-tales-part-two/&lt;/a&gt;.&lt;/p&gt;&#13;
&lt;p&gt;In Chaucer&amp;rsquo;s original &lt;em&gt;The Canterbury Tales&lt;/em&gt;, written in the late fourteenth century, the narrator joins a group of 29 pilgrims who are about to set out on a journey from Southwark to Canterbury to visit the shrine of Saint Thomas Becket at Canterbury Cathedral. He proposes that each member of the group tell two stories to entertain them on their journey, and proceeds to record each of these &amp;lsquo;tales&amp;rsquo;. The teller of the best story was to be rewarded with a free meal at the expense of the rest of the group.&lt;/p&gt;</text>
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                <text>Written by Geoffrey Chaucer&#13;
Adapted by Stephen Quinn&#13;
Directed by Stephen Lee&#13;
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                <text>FringeWorld Festival Website (&lt;a href="https://www.fringeworld.com.au/home/" target="_blank"&gt;https://www.fringeworld.com.au/home/&lt;/a&gt;)</text>
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                <text>Part One: 7 February 2013 - 13 February 2013&#13;
Part Two: 14 February 2013 â€“ 19 February 2013&#13;
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            <description>Information about rights held in and over the resource</description>
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                <text>Fringe Festival &amp; KNUTS Theatre Company</text>
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                <text>Performance in different genres, including Western, carry on film, silent movie, science fiction, â€˜mock Shakespeareâ€™, Victorian melodrama.</text>
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        <name>â€˜The Franklinâ€™s Taleâ€™</name>
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        <name>â€˜The Millerâ€™s Taleâ€™</name>
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        <name>â€˜The Pardonerâ€™s Taleâ€™</name>
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        <name>â€˜The Reeveâ€™s Taleâ€™</name>
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        <name>Geoffrey Chaucer (c.1343-1400)</name>
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        <name>knight</name>
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        <name>pilgrimage</name>
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        <name>shrine</name>
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        <name>Stephen Quinn</name>
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        <name>The Canterbury Tales</name>
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        <name>Thomas Becket</name>
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        <name>villain</name>
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              <description>A name given to the resource</description>
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                  <text>Medievalism on the Streets</text>
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              <description>An account of the resource</description>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>&lt;p&gt;&lt;a href="http://www.mainlymedieval.com/store/product_info.php?products_id=883"&gt;http://www.mainlymedieval.com/store/product_info.php?products_id=883&lt;/a&gt;&lt;/p&gt;</text>
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                <text>Pilgrim Badge: St James of Compostella</text>
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            <description>The topic of the resource</description>
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                <text>Badge, Compostella, material culture, â€˜Mainly Medievalâ€™, medieval pilgrimage, NSW, New South Wales, pilgrim, pilgrimage, replica, reproduction, Saint James, scallop shell, shrine, Spain, St James, symbolism, Way of St James</text>
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                <text>An advertisement for a scallop shell badge distributed by â€˜Mainly Medievalâ€™, an online re-enactor supplies company based in New South Wales. The scallop shell badge signifies that the wearer has completed the lengthy overland pilgrimage known in English as the Way of St James. This pilgrimage, which now starts at Roncesvalles, gradually winds its way to the Cathedral in Compostela, NW Spain. The ninth-century version, however, was considerably shorter due to the Moorish occupation. This early route started at Oviedo, passed through Lugo, and culminated at Santiago de Compostela, covering a distance of 328 km. The church was built at Compostella as a shrine to James, the son of Salome and Zebedee, who died in Jerusalem AD 44 by order of King Agrippa. His body was reputedly rediscovered in 840 by divine revelation to Bishop Theodomirus (See Gertrude Jobes, Dictionary of Mythology Folklore and Symbols, New York, The Scarecrow Press, 1962, vol.2, p.1372). The Vatican â€˜officiallyâ€™ confirmed the location of St Jamesâ€™s relics and tomb via a Papal Bull in 1884, and consequently the Camino de Santiago de Compostela became one of the worldâ€™s great long-distance â€˜pilgrimages.â€™ </text>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>Mainly Medieval</text>
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            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>2011</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="18041">
                <text>Copyright Â© 2011 Mainly Medieval</text>
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            <name>Language</name>
            <description>A language of the resource</description>
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                <text>English</text>
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        <name>â€˜Mainly Medievalâ€™</name>
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        <name>pilgrim</name>
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        <name>Saint James</name>
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        <name>shrine</name>
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        <name>St James</name>
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        <name>Way of St James</name>
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