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                  <text>Medievalism on the Streets</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>Digitised Newspaper Article, National Library of Australia, &lt;a href="http://nla.gov.au/nla.news-article49067504" target="_blank"&gt;&lt;span style="color: blue;"&gt;http://nla.gov.au/nla.news-article49067504&lt;/span&gt;&lt;/a&gt;</text>
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                <text>Wool Types in Australia Total 1,500</text>
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                <text>competition, marketing, medieval methods, sales, Sydney University, synthetic fibres, T. G. Hunter, wool, wool market, wool trade, sheep</text>
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                <text>In this article about wool sales in 1952, Australiaâ€™s marketing methods are described as medieval. T. G. Hunter, a Professor of Chemical Engineering at Sydney University, is quoted advising that wool should be marketed in a few uniform grades (rather than by 1,500 different classification types) so as to counter the threat posed by uniform quality synthetic fibres. This change, although costly, is necessary, suggests the author, if the Australian wool trade is to maintain its sales volume. </text>
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                <text>Anon.</text>
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            <name>Source</name>
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                <text>National Library of Australia</text>
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                <text>The West Australian</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>6 December 1952, p. 10.</text>
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                <text>The West Australian</text>
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        <name>T. G. Hunter</name>
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        <src>https://ausmed.arts.uwa.edu.au/files/original/novel-industry_western-mail_11-september-1941_p20_425438a40d.pdf</src>
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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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              <text>Newspaper Article&lt;br /&gt;&#13;
&lt;p class="MsoNormal"&gt;&lt;span lang="EN"&gt;&lt;a href="http://nla.gov.au/nla.news-article37934192" target="_blank"&gt;http://nla.gov.au/nla.news-article37934192&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Novel Industry. Australia â€“ Land of the Harp.</text>
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                <text>Agincourt, cello, Crecy, export, gut, Hampton Court, harp, Henry VIII, lute, medieval craft, medieval production, music strings, musical instrument, sheep, tennis racquet, violin</text>
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                <text>In this Western Mail article about Britainâ€™s export of five million yards of musical instrument strings each year, Australia is identified as the top destination for harp strings. In contrast, the article singles out South Africa as preferring fretted instruments and New Zealand the cello. The article goes on to explain that while modern strings could be made from gut, silk, steel or metal wire, the making of strings was a craftsmanâ€™s job dating from the gut strings of medieval instruments, weaponry and recreational equipment: â€˜As far as gut goes, the British tradition runs back to the medieval lute, the bows used at Crecy and Agincourt, and the racquet with which Henry VIII played â€œrealâ€ tennis at Hampton Courtâ€™. Following a definition of â€œgutâ€ as the strong membranes from the insides of sheep and a comment on the skill of British craftsmen in making strings for unusual as well as standard musical instruments, the focus returns to the harp at the end of the article. It suggests that making harp strings was a particularly difficult job because a harp has six octaves, and each string has to be chosen separately.</text>
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                <text>Anon.</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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              <elementText elementTextId="16236">
                <text>National Library of Australia</text>
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            <name>Publisher</name>
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                <text>The Western Mail</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>11 September 1941</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>The Western Mail</text>
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        <name>harp</name>
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