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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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                <text>&amp;lsquo;A Ro-Me-Owe and Jew-Liet Revival (New Reading)&amp;rsquo;, &lt;em&gt;The Bulletin&lt;/em&gt;, 17 November 1904</text>
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                <text>Balcony scene, &lt;em&gt;Bulletin&lt;/em&gt; cartoons, economy, Her Majesty&amp;rsquo;s Theatre, I.O.U., James C. Williamson (1845-1913), Livingston Hopkins aka &amp;lsquo;Hop&amp;rsquo; (1846-1927), loan, Miss Tittell Brune (1875-1974), New South Wales, NSW State loans, Romeo and Juliet, satire, Sir Joseph Carruthers (1856-1932), state politics, &lt;em&gt;Sydney Morning Herald&lt;/em&gt;, William Shakespeare (c.1564-1616), usury.</text>
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                <text>&amp;lsquo;Hop&amp;rsquo; produced this &lt;em&gt;Bulletin&lt;/em&gt; cartoon at a time when J. C. Williamson&amp;rsquo;s theatre company was staging William Shakespeare&amp;rsquo;s &amp;lsquo;Romeo and Juliet&amp;rsquo; at Her Majesty&amp;rsquo;s Theatre in Sydney. The popular young American actress Miss Tittell Brune was in the starring role, with Mr R. A. Greenaway as Romeo and Mr Roy Redgrave (patriarch of the famous English acting family) as Mercutio (See &lt;em&gt;The Sydney Morning Herald&lt;/em&gt;, Nov 12, 1904, p. 2. &lt;a href="http://trove.nla.gov.au/ndp/del/page/1329960?" target="_blank"&gt;http://trove.nla.gov.au/ndp/del/page/1329960?&lt;/a&gt;) Judging from reviews written at the time, Miss Brune&amp;rsquo;s &amp;ldquo;charming&amp;rdquo; balcony performance was hugely successful (See, for example, &lt;em&gt;The Sydney Morning Herald&lt;/em&gt;, Nov 16, 1904, p. 2. &lt;a href="http://trove.nla.gov.au/ndp/del/page/1330003?" target="_blank"&gt;http://trove.nla.gov.au/ndp/del/page/1330003?&lt;/a&gt;). So, Hop&amp;rsquo;s cartoon was not only timely but also bound to raise a laugh or a smile of recognition from Sydney theatre-goers. The NSW government was barely into its fifth month of office, and Sir Joseph Carruthers &amp;minus; who was both premier and treasurer &amp;minus; had inherited the difficult task of dealing with accumulated State debts. &lt;em&gt;The Sydney Morning Herald&lt;/em&gt; calculated that NSW owed around &amp;pound;4,310,000, to be paid-off over thirty years (&lt;em&gt;The Sydney Morning Herald&lt;/em&gt;, October 10, 1904, p. 6. &lt;a href="http://trove.nla.gov.au/ndp/del/page/1329596?" target="_blank"&gt;http://trove.nla.gov.au/ndp/del/page/1329596?&lt;/a&gt;). Subsequently, Hop depicts premier Carruthers fawning and gesticulating to a bored and stereotypically Jewish financier. In the background, three spheres suspended in the night sky represent usury. Hop&amp;rsquo;s critique of the NSW economy is clearly designed to keep the matter firmly under continuous (and sceptical) public scrutiny.</text>
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                <text>&lt;em&gt;The Bulletin&lt;/em&gt;</text>
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                <text>17 November 1904, Cover</text>
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                <text>â€˜Lays of Contemporary Chivalryâ€™</text>
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                <text>chivalry, doggerel, knight, knighthood, lampoon, satire, peerage, popular anti-medievalism, social pretention</text>
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                <text>These light-hearted verses describe the endeavours of a motley band of â€˜gallantsâ€™ with dubious social origins, who jostle and vie for the hand of Lady Podophylline Musa Miggs, daughter of the Baron of Potts Point, in Sydney. These are but two of the made-up names of the various â€˜aristocraticâ€™ protagonists and suitors. Others are: Lord Golfo McGuff, Sir Perryman Pym, and the Marquis of Manganese. Add to these the two front-runners, Sir Peblar de Bart, and Sir Jago Phipp, and the tale gets underway with a smirk. It is clear from the outset that, â€œIt is difficult to grasp the point of the [...] rather silly narrativeâ€ (Louise D'Arcens, Old Songs in the Timeless Land: Medievalism in Australian Literature 1840-1910, Turnhout: Brepols, 2011, p.145). Indeed, there is little more than lunacy (or moon sickness) contained within the poemâ€™s doggerel verses. Even keeping track of the events leading to the outcome requires perspicacity. This is popular medievalism run amok in the Antipodes: a satirical commentary on these not so â€˜gentle-bornâ€™ knights, a fair maiden, and her father â€˜the baron,â€™ along with a veritable fortune or dowry comprised almost entirely of chickens and pigs! The maiden finally succumbs to the blandishments of a coachman, while the others jettison their chances through various foolhardy intrigues and disappear to places obscure.</text>
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                <text>Anon.</text>
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                <text>The Bulletin</text>
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                <text>The Bulletin</text>
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                <text>16 May 1885 (p. 22).</text>
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                <text>Public Domain</text>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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              <text>&lt;div dir="ltr"&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/admin/items/show/903" target="_blank"&gt;http://ausmed.arts.uwa.edu.au/admin/items/show/903&lt;/a&gt;&lt;/div&gt;</text>
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                <text>â€˜Lightâ€™ Verses</text>
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                <text>adversary, knight, lampoon, lance, Macquarie Lighthouse, NSW Politics, Port Jackson, satire, Sir Henry Parkes, Sir John Robertson, Sydney Harbour, The Bulletin, verse</text>
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                <text>This poem is an example of the satirical verses published by The Bulletin to ridicule the perceived â€œopportunistic and self-servingâ€ collaborative association between former political opponents (aka â€˜rivalsâ€™), Sir Henry Parkes, and Sir John Robertson aka â€˜the Knight of Clovellyâ€™ (Louise D'Arcens, Old Songs in the Timeless Land: Medievalism in Australian Literature 1840-1910, Turnhout, Brepols, 2011, pp.147-48). The occasion that warranted lampooning here was the inauguration of the new Macquarie lighthouse (South Head, Port Jackson). The poemâ€™s backdrop is that of two â€˜worthyâ€™ knights. Formerly bitter adversaries, they now seem â€˜reconciledâ€™ and working together for the common good, albeit at considerable expense to public funding, and to general good will, while stretching the city of Sydneyâ€™s patience to the limits.</text>
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                <text>Anon.</text>
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