1 8 20 https://ausmed.arts.uwa.edu.au/files/original/28e435a19e0f24c9d8985042d5a1fb6a.jpg 432cda006ec873512bdeb1546b90d201 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 933 Width 622 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Scot’s Church Neo-Gothic Window, Melbourne, Victoria Subject The topic of the resource Arcade, arch, architecture, blind tracery, buttress, church, church building, Church of Scotland, Decorated gothic style, freestone, gothic architecture, gothic revival, lancet arch, lancet window, masonry, neo-gothic, Presbyterian church, Protestantism, quoin, Reed & Barnes, sandstone, spire, tower, tracery, VIC, Victoria, Victorian Gothic Description An account of the resource A view of a traceried gothic window at Scot’s Church on Collins Street in central Melbourne. Above the window, an arcade of lancet arches lines the gable. A number of other slender lancet windows and examples of decorative blind tracery are visible. Scot’s Church was built in a decorated Gothic Revival style to the design of architectural firm Reed & Barnes. It is constructed from Barrabool Hills freestone with sandstone dressings sourced from New Zealand. The current Scot’s Church building was completed in 1874 and replaced an older church that had operated from the site since 1841. The site was granted to the Church of Scotland in 1839, and transferred to the Presbyterian Church of Victoria upon its formation in 1859 (when the Church of Scotland, the United Presbyterian Church and the Free Church united). Other characteristic neo-gothic features of Scot’s Church include its 120ft spire, which for a number of years was the highest point in Melbourne’s townscape, its decorative quoins, buttresses, and pinnacles. The church also boasts a number of stained glass windows by well-known artists such as Ferguson & Urie of Melbourne, Van der poorten of Brussels and F.X. Zettler of Munich. Creator An entity primarily responsible for making the resource McEwan, Joanne Date A point or period of time associated with an event in the lifecycle of the resource 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG arcade arch architecture blind tracery buttress Church church building Church of Scotland Decorated gothic style freestone gothic architecture Gothic Revival lancet arch lancet window masonry neo-Gothic Presbyterian Church Protestantism quoin Reed & Barnes sandstone spire tower tracery Vic Victoria Victorian Gothic https://ausmed.arts.uwa.edu.au/files/original/225b7766e4eb3a59859763c75386e79a.jpg 471dc34a32eeeb0cc92e1765bdfdf384 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 931 Width 698 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Scot’s Church Neo-Gothic Window, Melbourne, Victoria Subject The topic of the resource Arcade, arch, architecture, blind tracery, buttress, church, church building, Church of Scotland, Decorated gothic style, freestone, gothic architecture, gothic revival, lancet arch, lancet window, masonry, neo-gothic, Presbyterian church, Protestantism, quoin, Reed & Barnes, sandstone, spire, tower, tracery, VIC, Victoria, Victorian Gothic Description An account of the resource A view of a traceried gothic window at Scot’s Church on Collins Street in central Melbourne. Above the window, an arcade of lancet arches lines the gable. A number of other slender lancet windows and examples of decorative blind tracery are visible. Scot’s Church was built in a decorated Gothic Revival style to the design of architectural firm Reed & Barnes. It is constructed from Barrabool Hills freestone with sandstone dressings sourced from New Zealand. The current Scot’s Church building was completed in 1874 and replaced an older church that had operated from the site since 1841. The site was granted to the Church of Scotland in 1839, and transferred to the Presbyterian Church of Victoria upon its formation in 1859 (when the Church of Scotland, the United Presbyterian Church and the Free Church united). Other characteristic neo-gothic features of Scot’s Church include its 120ft spire, which for a number of years was the highest point in Melbourne’s townscape, its decorative quoins, buttresses, and pinnacles. The church also boasts a number of stained glass windows by well-known artists such as Ferguson & Urie of Melbourne, Van der poorten of Brussels and F.X. Zettler of Munich. Creator An entity primarily responsible for making the resource McEwan, Joanne Date A point or period of time associated with an event in the lifecycle of the resource 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG arcade arch architecture blind tracery buttress Church church building Church of Scotland Decorated gothic style freestone gothic architecture Gothic Revival lancet arch lancet window masonry neo-Gothic Presbyterian Church Protestantism quoin Reed & Barnes sandstone spire tower tracery Vic Victoria Victorian Gothic https://ausmed.arts.uwa.edu.au/files/original/6f0295134990f89ea0ae5ac4cceb3071.jpg 9458fa0a71dee81e8c1d7bb093ecd432 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 933 Width 622 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Scot’s Church, Melbourne Subject The topic of the resource Arcade, arch, architecture, blind tracery, buttress, church, church building, Church of Scotland, Decorated gothic style, freestone, gothic architecture, gothic revival, lancet arch, lancet window, masonry, neo-gothic, Presbyterian church, Protestantism, quoin, Reed & Barnes, sandstone, spire, stained glass, tower, tracery, VIC, Victoria, Victorian Gothic Description An account of the resource A view of Scot’s Church located on Collins Street in central Melbourne. The church was built in a decorated Gothic Revival style to the design of architectural firm Reed & Barnes. It is constructed from Barrabool Hills freestone with sandstone dressings sourced from New Zealand. The current Scot’s Church building was completed in 1874 and replaced an older church that had operated from the site since 1841. The site was granted to the Church of Scotland in 1839, and transferred to the Presbyterian Church of Victoria upon its formation in 1859 (when the Church of Scotland, the United Presbyterian Church and the Free Church united). Characteristic neo-gothic features of Scot’s Church’s exterior include its 120ft spire, which for a number of years was the highest point in Melbourne’s townscape, its stone tracery, decorative quoins, buttresses, pinnacles and lancet windows. The church also boasts a number of stained glass windows by well-known artists such as Ferguson & Urie of Melbourne, Van der poorten of Brussels and F.X. Zettler of Munich. Creator An entity primarily responsible for making the resource McEwan, Joanne Date A point or period of time associated with an event in the lifecycle of the resource April 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG arcade arch architecture blind tracery buttress Church church building Church of Scotland Decorated gothic style freestone gothic architecture Gothic Revival lancet arch lancet window masonry neo-Gothic Presbyterian Church Protestantism quoin Reed & Barnes sandstone spire stained glass tower tracery Vic Victoria Victorian Gothic https://ausmed.arts.uwa.edu.au/files/original/dac5857b98ffa03130eb812780278c46.jpg 5f1a6a518bbd06bb84e279a437b1772d Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 1022 Width 766 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Scot’s Church, Melbourne Subject The topic of the resource Arcade, arch, architecture, blind tracery, buttress, church, church building, Church of Scotland, Decorated gothic style, freestone, gothic architecture, gothic revival, lancet arch, lancet window, masonry, neo-gothic, Presbyterian church, Protestantism, quoin, Reed & Barnes, sandstone, spire, stained glass, tower, tracery, VIC, Victoria, Victorian Gothic Description An account of the resource A view of Scot’s Church located on Collins Street in central Melbourne. The church was built in a decorated Gothic Revival style to the design of architectural firm Reed & Barnes. It is constructed from Barrabool Hills freestone with sandstone dressings sourced from New Zealand. The current Scot’s Church building was completed in 1874 and replaced an older church that had operated from the site since 1841. The site was granted to the Church of Scotland in 1839, and transferred to the Presbyterian Church of Victoria upon its formation in 1859 (when the Church of Scotland, the United Presbyterian Church and the Free Church united). Characteristic neo-gothic features of Scot’s Church’s exterior include its 120ft spire, which for a number of years was the highest point in Melbourne’s townscape, its stone tracery, decorative quoins, buttresses, pinnacles and lancet windows. The church also boasts a number of stained glass windows by well-known artists such as Ferguson & Urie of Melbourne, Van der poorten of Brussels and F.X. Zettler of Munich. Creator An entity primarily responsible for making the resource McEwan, Joanne Date A point or period of time associated with an event in the lifecycle of the resource April 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG arcade arch architecture blind tracery buttress Church church building Church of Scotland Decorated gothic style freestone gothic architecture Gothic Revival lancet arch lancet window masonry neo-Gothic Presbyterian Church Protestantism quoin Reed & Barnes sandstone spire stained glass tower tracery Vic Victoria Victorian Gothic https://ausmed.arts.uwa.edu.au/files/original/dbbe806bb22193a7d0d60bd9a3efd275.jpg 438d4c318d14e0dbbd58119ce25fc8c5 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 985 Width 739 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Scot’s Church Neo-Gothic Window, Melbourne, Victoria Subject The topic of the resource arcade, arch, architecture, blind tracery, buttress, church, church building, Church of Scotland, Decorated gothic style, freestone, gothic architecture, gothic revival, lancet arch, lancet window, masonry, neo-gothic, Presbyterian church, Protestantism, quoin, Reed & Barnes, sandstone, spire, tower, tracery, VIC, Victoria, Victorian Gothic Description An account of the resource A view of a traceried gothic window at Scot’s Church on Collins Street in central Melbourne. Above the window, an arcade of lancet arches lines the gable. A number of other slender lancet windows and examples of decorative blind tracery are visible. Scot’s Church was built in a decorated Gothic Revival style to the design of architectural firm Reed & Barnes. It is constructed from Barrabool Hills freestone with sandstone dressings sourced from New Zealand. The current Scot’s Church building was completed in 1874 and replaced an older church that had operated from the site since 1841. The site was granted to the Church of Scotland in 1839, and transferred to the Presbyterian Church of Victoria upon its formation in 1859 (when the Church of Scotland, the United Presbyterian Church and the Free Church united). Other characteristic neo-gothic features of Scot’s Church include its 120ft spire, which for a number of years was the highest point in Melbourne’s townscape, its decorative quoins, buttresses, and pinnacles. The church also boasts a number of stained glass windows by well-known artists such as Ferguson & Urie of Melbourne, Van der poorten of Brussels and F.X. Zettler of Munich. Creator An entity primarily responsible for making the resource McEwan, Joanne Date A point or period of time associated with an event in the lifecycle of the resource April 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG arcade arch architecture blind tracery buttress Church church building Church of Scotland Decorated gothic style freestone gothic architecture Gothic Revival lancet arch lancet window masonry neo-Gothic Presbyterian Church Protestantism quoin Reed & Barnes sandstone spire tower tracery Vic Victoria Victorian Gothic https://ausmed.arts.uwa.edu.au/files/original/612c145f65c2b835db21c6e8fd5809a8.jpg bc0c946b302f327686f741945f709dfc Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 684 Width 912 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource St Paul’s Cathedral Entrance Doorway, Melbourne Subject The topic of the resource Anglican, arch, architect, architecture, blind tracery, cathedral, church, church building, Church of England, Diocese of Melbourne, door, doorway, entrance, flamboyant arch, gothic architecture, gothic revival, John Barr, Joseph Reed (1823-1890), lancet arch, lancet window, masonry, mullion, neo-gothic, processional doors, quatrefoil, sandstone, stained glass, stonework, tiling, tracery, trefoil, VIC, Victoria, Victorian Gothic, William Butterfield (1814-1900), window Description An account of the resource <p>An image of the entrance to St Paul&rsquo;s Cathedral in Melbourne. Inside the doorway, a set of lightweight stained glass &lsquo;processional doors&rsquo; have been installed. Designed by Janusz Kuzbicki, they were intended to keep out city and traffic noise, and to allow the heavy wooden doors of the Cathedral to remain open during the day. For more on the processional doors, see: <a href="http://www.stpaulscathedral.org.au/cathedral/processional_doors" target="_blank"> <span style="color: #0000ff;">http://www.stpaulscathedral.org.au/cathedral/processional_doors</span></a>. Around the doorway, a number of the Cathedral&rsquo;s other distinctive features are visible, including the patterned stonework, lancet windows, stone buttresses and decorative tracery.</p> <p>About St Paul&rsquo;s Cathedral:</p> <p>St Paul&rsquo;s Cathedral is located at the intersection of Flinders Street and Swanston Street in central Melbourne. It was built in a Victorian Gothic architectural style to the design of prominent English architect William Butterfield. The foundation stone was laid in 1880 and the Cathedral was consecrated in 1891. Butterfield oversaw the building remotely until 1884, when he resigned following disputes with the Church authorities in Melbourne. The remainder of the construction was supervised by well-known local architect Joseph Reed. Construction of the Cathedral&rsquo;s three towers and distinctive neo-gothic spires began in 1926. They were designed by Sydney architect James Barr, and are not in keeping with Butterfield&rsquo;s more modest original plans.</p> Creator An entity primarily responsible for making the resource McEwan, Joanne Date A point or period of time associated with an event in the lifecycle of the resource 25 April 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG Anglican arch architect architecture blind tracery Cathedral Church church building Church of England Diocese of Melbourne door doorway entrance flamboyant arch gothic architecture Gothic Revival John Barr Joseph Reed (1823-1890) lancet arch lancet window masonry mullion neo-Gothic processional doors quatrefoil sandstone stained glass stonework tiling tracery trefoil Vic Victoria Victorian Gothic William Butterfield (1814-1900) window https://ausmed.arts.uwa.edu.au/files/original/37395eca303e0de3e6c86b8af8759df1.jpg 02fc95b736e0bee6621a2fcce9f206ff Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 751 Width 695 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource St Paul’s Cathedral Triple Lancet Window, Melbourne Subject The topic of the resource Anglican, arcade, arch, architect, architecture, blind tracery, cathedral, church, church building, Church of England, Diocese of Melbourne, flamboyant arch, gothic architecture, gothic revival, John Barr, Joseph Reed (1823-1890), lancet arch, lancet window, masonry, mullion, neo-gothic, sandstone, stonework, tiling, tracery, trefoil, Melbourne, VIC, Victoria, Victorian Gothic, William Butterfield (1814-1900), window, saint, St Paul, St. Paul, Saint Paul Description An account of the resource A close-up of the triple lancet window above the entrance doorway at St Paul’s Cathedral, Melbourne. The Cathedral’s mixture of early and late gothic styles is evident in this window; the flamboyant arches (each has a trefoil head rather than a simple point) are typical of the late gothic period, but the tracery and overall composition is not as ornate as would be seen in a decorated gothic window. The Cathedral’s distinctive chequered tiling surrounds the windows, capped by a blind arcade of lancet arches. About St Paul’s Cathedral: St Paul’s Cathedral is located at the intersection of Flinders Street and Swanston Street in central Melbourne. It was built in a Victorian Gothic architectural style to the design of prominent English architect William Butterfield. The foundation stone was laid in 1880 and the Cathedral was consecrated in 1891. Butterfield oversaw the building remotely until 1884, when he resigned following disputes with the Church authorities in Melbourne. The remainder of the construction was supervised by well-known local architect Joseph Reed. Construction of the Cathedral’s three towers and distinctive neo-gothic spires began in 1926. They were designed by Sydney architect James Barr, and are not in keeping with Butterfield’s more modest original plans. Creator An entity primarily responsible for making the resource McEwan, Joanne Date A point or period of time associated with an event in the lifecycle of the resource 25 April 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG Anglican arcade arch architect architecture blind tracery Cathedral Church church building Church of England Diocese of Melbourne flamboyant arch gothic architecture Gothic Revival John Barr Joseph Reed (1823-1890) lancet arch lancet window masonry Melbourne mullion neo-Gothic saint Saint Paul sandstone St Paul St. Paul stonework tiling tracery trefoil Vic Victoria Victorian Gothic William Butterfield (1814-1900) window https://ausmed.arts.uwa.edu.au/files/original/8d7ef811ce05b5889e626f5a3d232da5.jpg efa384ea8b77769a641f66b4544792c5 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 1021 Width 766 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource St Paul’s Cathedral, Melbourne Subject The topic of the resource Anglican, arch, architect, architecture, blind tracery, cathedral, church, church building, Church of England, Diocese of Melbourne, gothic architecture, gothic revival, John Barr, Joseph Reed (1823-1890), lancet arch, lancet window, masonry, neo-gothic, sandstone, spire, tiling, tower, tracery, tympanum, VIC, Victoria, Victorian Gothic, William Butterfield (1814-1900), window Description An account of the resource An image of St Paul’s Cathedral, located at the intersection of Flinders Street and Swanston Street in central Melbourne. St Paul’s is the official Cathedral of the Anglican Diocese of Melbourne. It was built in a Victorian Gothic style to the design of prominent English architect William Butterfield. The foundation stone was laid in 1880 and the Cathedral was consecrated just over a decade later when the initial stage of the building was completed in 1891. Butterfield oversaw the building remotely until 1884, when he resigned following disputes with the Church authorities in Melbourne. The remainder of the construction was supervised by well-known local architect Joseph Reed. Construction of the Cathedral’s three towers and distinctive neo-gothic spires began in 1926. They were designed by Sydney architect John Barr, and are not in keeping with Butterfield’s more modest original plans. Other distinctive architectural features of St Paul’s include its multiple lancet windows, decorative blind tracery, chequered tiling on the wall above the entrance and elaborate stained glass processional doors inside the entrance doorway. The cathedral interior is notable for its horizontally striped pattern, which is based on a design from thirteenth century Siena Cathedral. Creator An entity primarily responsible for making the resource McEwan, Joanne Date A point or period of time associated with an event in the lifecycle of the resource 30 November 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG Anglican arch architect architecture blind tracery Cathedral Church church building Church of England Diocese of Melbourne gothic architecture Gothic Revival John Barr Joseph Reed (1823-1890) lancet arch lancet window masonry neo-Gothic sandstone spire tiling tower tracery tympanum Vic Victoria Victorian Gothic William Butterfield (1814-1900) window