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                  <text>Medievalism on the Page</text>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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                <text>&amp;lsquo;The Sagamen&amp;rsquo;, &lt;em&gt;The Bulletin&lt;/em&gt;, 2 May 1907</text>
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                <text>armour, battle-axe, conquest, dragon ship, Francis William Ophel (1871-1912), Freya, heroism, Iceland, Norns, Odin, paganism, runes, sagas, shields, Skaldic tales, spells, swords, Thor, Valhalla, Valkyrie, Vikings, violence, warriors.</text>
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                <text>&amp;lsquo;Prospect Good&amp;rsquo; was the nom de plume of the gold prospector, fossicker, and bush poet, Francis William Ophel. This poem, &amp;lsquo;The Sagamen,&amp;rsquo; is filled with vivid imagery drawn in the style of Old Icelandic sagas (Louise D&amp;rsquo;Arcens, &lt;em&gt;Old Songs in the Timeless Land: Medievalism in Australian Literature 1840-1910&lt;/em&gt;, Turnhout, Brepols, 2011, p.142). According to Ophel&amp;rsquo;s logic, the content of these Skaldic tales is no different from speeches and editorials designed to legitimize nineteenth-century imperial narratives; they cleverly subvert truth and disguise real-life events under a nuanced and textured layer of bravado and heroic deeds where violence is praised and overvalued. In contrast, Ophel&amp;rsquo;s is likely suggesting here that there is nothing glorious about slaughter, plunder, theft and rapine, and the over reliance on strong-arm tactics. Presumably the political rationale for this strategy is formed along the lines of: &amp;lsquo;they&amp;rsquo; did it &amp;lsquo;back then,&amp;rsquo; so it must be alright for &amp;lsquo;us&amp;rsquo; to emulate &amp;lsquo;now&amp;rsquo;; but Ophel, who realises that this reasoning is mendacious, states plainly and firmly in The Sagamen&amp;rsquo;s final couplet: &amp;ldquo;The naked truth is hidden / Beneath a web of words".</text>
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                <text>&lt;em&gt;The Bulletin&lt;/em&gt;</text>
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                  <text>Medievalism in the Classroom</text>
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                  <text>This Collection traces the development of academic medievalism in Australiaâ€™s universities, and explores the disciplineâ€™s complex ideological affiliations. In this Collection you will find items relating to: the medievalist content of educational programmes, such as examples of university unit outlines; the teaching of the medieval through processes of medievalism, such as in demonstrations of medieval cooking or fighting techniques; and references to the medieval in modern educational debates and contexts.</text>
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              <text>&lt;a href="http://knutthelastviking.wordpress.com/" target="_blank"&gt;http://knutthelastviking.wordpress.com/&lt;/a&gt;</text>
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                <text>The Last Viking teaching blog</text>
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                <text>blog, blogs, child, children, fiction, juvenile, literature, childrenâ€™s literature, curriculum, James Foley, Fremantle Press, illustration, interactive, Norman Jorgensen, picture book, runes, teachers, themes, Viking, WA, Western Australia</text>
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                <text>A blog for the childrenâ€™s picture book â€˜The Last Vikingâ€™ by Australian authors Norman Jorgensen and James Foley (illustrator) published by the Western Australian publisher Fremantle Press. The story is about a boy who connects with his inner Viking to help him outwit bullies. The blog includes educational childrenâ€™s activities (how to read runes, rune puzzles, colouring in), historical information (for example on William the Conqueror), and a section for teachers outlining how the book fits into the school curriculum, its themes, book design, and instructions on how students should post comments to the blog. </text>
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                <text>&lt;a href="http://knutthelastviking.wordpress.com/" target="_blank"&gt;http://knutthelastviking.wordpress.com/&lt;/a&gt;</text>
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                <text>26 June 2011</text>
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                <text>Jorgensen, Norman, and James Foley</text>
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                <text>&lt;p&gt;Jorgensen, Norman, and James Foley, "The Last Viking," in Medievalism in Australian Cultural Memory, Item #420, &lt;a href="../../../items/show/420"&gt;http://ausmed.arts.uwa.edu.au/items/show/420&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="../../items/show/420"&gt;&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="../../items/show/420"&gt;&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="../../items/show/420"&gt;&lt;/a&gt;&lt;/p&gt;&#13;
Jorgensen, Norman, and James Foley, "The Last Viking," in Medievalism in Australian Cultural Memory, Item #420, &lt;a href="../../items/show/420"&gt;http://ausmed.arts.uwa.edu.au/items/show/420&lt;/a&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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                <text>alphabet, FuÃ¾ark, Futhark, handcrafted, literacy, medieval craft, craft, crafts, Perth, Perth Medieval Fayre, re-creation, recreation, rune, runes, WA, WAMA, Western Australia, Western Australian Medieval Alliance, writing</text>
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                <text>Image of person in costume stamping initials into leather using the Viking alphabet, or FuÃ¾ark. Runic inscriptions are attested from c. 150 CE and were used by a number of â€˜Germanicâ€™ peoples. During the Viking Age (c. 800-1100) the Younger FuÃ¾ark was used by the Scandinavians, with many inscriptions surviving today not only in Scandinavia but other places visited and/or settled by Scandinavians, including Britain, Constantinople (Istanbul), and Greenland.&#13;
&#13;
The Perth Medieval Fayre is organised by the Western Australian Medieval Alliance (WAMA). In 2011 it was held at Supreme Court Gardens on 19 March. Enthusiasts and vendors showcased a range of medieval arts and crafts, from dancing, calligraphy and lace-making to demonstrations of the techniques, weaponry and apparel of medieval combat.</text>
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                <text>McEwan, Joanne</text>
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        <name>Western Australian Medieval Alliance</name>
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