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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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              <text>&lt;a href="http://www.artgallery.nsw.gov.au/collection/works/703/" target="_self"&gt;http://www.artgallery.nsw.gov.au/collection/works/703/&lt;/a&gt;</text>
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                <text>â€˜Chaucer at the Court of Edward IIIâ€™, by Ford Madox Brown</text>
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                <text>Alice Perrers (1348-1400), anniversary, art, artwork, birthday, Black Prince (1330-1376), Court, Custance, Dante Gabriel Rossetti (1828-1882), Edward III (1312-1377), English language, Geoffrey Chaucer (c.1343-1400), history painting, jester, John of Gaunt (1340-1399), knight, â€˜Legend of Custanceâ€™, Lute, palace of Sheen, poetry, Pre-Raphaelite, reading, royalty, troubadour.</text>
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                <text>This large oil on canvas history painting by Victorian artist Ford Madox Brown was purchased (directly from the artist) by the Art Gallery of New South Wales in 1876. Subtitled &amp;ldquo;Geoffrey Chaucer Reading the &amp;lsquo;Legend of Custance&amp;rsquo; to Edward III and his Court, at the Palace of Sheen, on the Anniversary of the Black Prince&amp;rsquo;s Forty-Fifth Birthday&amp;rdquo;, the painting depicts Geoffrey Chaucer reading aloud to King Edward III and his Court. In addition to Chaucer and Edward III, other fourteenth-century figures featured in the painting include the King&amp;rsquo;s two sons, Edward the Black Prince and John of Gaunt, and his mistress Alice Perrers. The figure of Chaucer has been modelled on the famous Pre-Raphaelite and Brown&amp;rsquo;s close friend, Dante Gabriel Rosetti. However, scholars have noted the lengths to which Brown went to ensure historical accuracy in both costuming and facial resemblances, which included consulting and purchasing antiquarian volumes on medieval furniture and dress and also visiting tombs and effigies (see, for example, Angela Thirwell, Tim Barringer &amp;amp; Laura MacCulloch, &lt;em&gt;Ford Madox Brown: The Unofficial Pre-Raphaelite&lt;/em&gt;, D. Giles, 2008). Chaucer was a common subject for Ford Madox Brown (and the nineteenth-century medieval revival more generally) on account of his prominent role in popularising the English language (over French and Latin) and his widely-held reputation as the &amp;lsquo;Father of English poetry&amp;rsquo;. This enabled the Victorians, Velma Bourgeois Richmond has argued, to revere him as a Protestant hero, because &amp;ldquo;the development of the English language was crucial to breaking the hold of the Catholic Church by the clergy and to the formation of national identity&amp;rdquo; (Velma Bourgeois Richmond, &amp;ldquo;Ford Madox Brown&amp;rsquo;s Protestant Medievalism: Chaucer and Wycliffe&amp;rdquo;, &lt;em&gt;Christianity and Literature&lt;/em&gt;, Vol.54, Issue 3, Spring 2005, p.366). The image was originally designed as the central panel in a triptych entitled &lt;em&gt;The Seeds and Fruits of English Poetry&lt;/em&gt;, and was to be flanked by portraits of famous poets such as Milton, Spenser, Shakespeare and Burns.</text>
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                <text>Ford Madox Brown</text>
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                <text>The Art Gallery of New South Wales</text>
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                <text>1847-1851</text>
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                <text>The Art Gallery of New South Wales</text>
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                <text>Oil on Canvas, 372cm x 296cm</text>
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        <name>â€˜Legend of Custanceâ€™</name>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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                <text>Chainmail for Sale at Kryal Castle</text>
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                <text>Apparel, armament, armour, battle, body armour, byrnie, chain, chain mail, chain-mail, chainmail, chin-guard, coif, crossbow, defensive armament, garment, glove, handcrafted, handmade armour, hood, knight, longbow, mail, mail armour, mail shirt, metal rings, metalwork, medieval armour, medieval craft, mitons, protective clothing, re-creation, recreation, riveting, weaponry, weapon, weapons, Keith Ryal, Kryal Castle, castle, leisure, recreation, re-creation, entertainment, functions, Ballarat, Melbourne, VIC, Victoria, royal, royalty, regal, tourist, tourism </text>
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                <text>A photograph of a stall at Kryal Castle in Ballarat, which sells chain mail that has been hand-crafted according to the traditional medieval method. Some of the objects that can be bought are chainmail keyrings and chainmail jewellery.&#13;
&#13;
About Kryal Castle:&#13;
Kryal Castle is a tourist attraction located 8km from Ballarat in Victoria. Described as â€˜Australiaâ€™s unique medieval castleâ€™, Kryal Castle can also be hired for weddings, conferences, functions, and special events. It was built in 1972 and opened in 1974 by Keith Ryall. Its medieval architectural features include crenellation, a moat, and a defended gate with flanking towers, drawbridge and a porticullis.  </text>
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                <text>Jeffery, N.</text>
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        <name>chain-mail</name>
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&#13;
About Kryal Castle:&#13;
&#13;
Kryal Castle is a tourist attraction located 8km from Ballarat in Victoria. Described as â€˜Australiaâ€™s unique medieval castleâ€™, Kryal Castle can also be hired for weddings, conferences, functions, and special events. It was built in 1972 and opened in 1974 by Keith Ryall. Its medieval architectural features include crenellation, a moat, and a defended gate with flanking towers, drawbridge and a porticullis. </text>
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                <text>An image of the 'Kryal Castle Dwarf' behind glass at Kryal Castle in Ballarat, Victoria. According to the description alongside the figure, the Kryal Castle Dwarf was inspired by the medieval period, when "little people...traveled from Court to Court, Castle to Castle" as entertainers for the Royal Court.&#13;
&#13;
About Kryal Castle:&#13;
Kryal Castle is a tourist attraction located 8km from Ballarat in Victoria. Described as â€˜Australiaâ€™s unique medieval castleâ€™, Kryal Castle can also be hired for weddings, conferences, functions, and special events. It was built in 1972 and opened in 1974 by Keith Ryall. Its medieval architectural features include crenellation, a moat, and a defended gate with flanking towers, drawbridge and a porticullis. </text>
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        <name>telegraph</name>
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