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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>&lt;p&gt;An image of the &amp;lsquo;Saint Michael&amp;rsquo; stained glass window at St Alban&amp;rsquo;s Anglican Church, Highgate.&lt;strong&gt; &lt;/strong&gt;This stained glass is one of three windows (the others depicting St Alban and St George) located at the rear of the church. It was originally purchased for St George&amp;rsquo;s Cathedral but was later discovered to be the wrong shape (rounded instead of pointed) and was donated to St Alban&amp;rsquo;s. The stained glass depicts Michael, archangel and commander of the Lord&amp;rsquo;s army, standing astride a vanquished dragon. It represents the defeat of the Dragon and his rebel army by Michael and his angels in the Book of Revelation. The Dragon, otherwise Satan, was cast out of Heaven and hurled down to Earth with his angels (&lt;em&gt;Revelation&lt;/em&gt;, 12:7-9). As is common in artistic renditions, Michael&amp;rsquo;s role as a warrior saint is symbolised by a suit of elaborate armour, a sword and a shield. His wings are conspicuous and he is clothed in white to reinforce his righteousness and service on the side of &amp;lsquo;Good&amp;rsquo;. During the medieval period, St Michael&amp;rsquo;s feast day (29 September) &amp;ndash; known as Michaelmas &amp;ndash; was not only an important Holy Day, but was also observed as a quarter day for the settling of rents and accounts.&lt;/p&gt;&#13;
&lt;p&gt;About St Alban&amp;rsquo;s:&lt;/p&gt;&#13;
&lt;p&gt;St Alban&amp;rsquo;s is a small limestone parish church located in Highgate, Western Australia. Built in 1889 (with enlargements in 1898) in a Victorian Romanesque style, it is one of the earliest buildings designed by well-known WA architect Sir J. J. Talbot-Hobbs (1864-1938). Its characteristically romanesque features include the semi-circular arches, the traditional load-bearing masonry of the buttresses and solid walling, and the small window and door openings in relation to the overall wall area. The St Alban&amp;rsquo;s church Hall was used briefly as a preparatory school by The Sisters of the Church of England between 1907 and 1915. For more information about St Alban&amp;rsquo;s, see: &lt;a href="http://stalbans.org.au/about-st-albans/historic-st-albans/" target="_blank"&gt;http://stalbans.org.au/about-st-albans/historic-st-albans/&lt;/a&gt;.&lt;/p&gt;</text>
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About Christ Church:&#13;
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Christ Church is an Anglican church located in North Adelaide. The foundation stone was laid by Augustus Short, the Bishop of Adelaide, in 1848 and the church, which originally consisted of only the choir and the transept, was consecrated the following year in 1849. It was later extended in 1851 (the apse), 1855 and 1884. Bishop Short had arrived from England with three different building plans, but the Anglo-Norman design of the resulting church has been credited to local architect Henry Stuckey. The buildingâ€™s Victorian Romanesque features include the relatively small window openings compared to the wall area, the machiolation motif and the semi-circular rounded arches.&#13;
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For more on Christ Church, North Adelaide, see E. J. R. Morgan &amp; S. H. Gilbert, Early Adelaide Architecture: 1836-1886, Oxford University Press, London, 1969, pp.104-105.</text>
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&#13;
About Christ Church:&#13;
&#13;
Christ Church is an Anglican church located in North Adelaide. The foundation stone was laid by Augustus Short, the Bishop of Adelaide, in 1848 and the church, which originally consisted of only the choir and the transept, was consecrated the following year in 1849. It was later extended in 1851 (the apse), 1855 and 1884. Bishop Short had arrived from England with three different building plans, but the Anglo-Norman design of the resulting church has been credited to local architect Henry Stuckey. The buildingâ€™s Victorian Romanesque features include the relatively small window openings compared to the wall area, the machiolation motif and the semi-circular rounded arches.&#13;
&#13;
For more on Christ Church, North Adelaide, see E. J. R. Morgan &amp; S. H. Gilbert, Early Adelaide Architecture: 1836-1886, Oxford University Press, London, 1969, pp.104-105.</text>
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&#13;
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&lt;p&gt;&amp;nbsp;&lt;/p&gt;&#13;
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>Anglican, Anglicanism, Anglo-Norman design, Anglo-Norman, Christian, Christianity, arch, architecture, bishop, Bishop Augustus Short (1802-1883), church, Church of England, churches, building, ecclesiastical, ecclesiastical building, gable, gables, Henry Stuckey, Henry Stuckey (1821-1851), limestone, neo-romanesque, North Adelaide, red brick, rounded arch, SA, sandstone, semi-circular arch, South Australia, stained glass, Victorian Romanesque style</text>
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                <text>A view of Christ Church Anglican Church in North Adelaide, South Australia. The foundation stone was laid by Dr Augustus Short, the Bishop of Adelaide, in 1848 and the church, which originally consisted of only the choir and the transept, was consecrated the following year in 1849. It was later extended in 1851, 1855 and 1884. Bishop Short had arrived from England with three different building plans in 1847, but the Anglo-Norman design of the resulting church has been credited to local architect Henry Stuckey. The buildingâ€™s Victorian Romanesque features include the relatively small window openings in comparison to the wall area, the high parapeted gable and the semi-circular rounded arches.&#13;
&#13;
For more on Christ Church, North Adelaide, see E. J. R. Morgan &amp; S. H. Gilbert, Early Adelaide Architecture: 1836-1886, Oxford University Press, London, 1969, pp.104-105.</text>
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                <text>&lt;p&gt;Dorey, Margaret, "Christ Church Anglican Church, North Adelaide," in Medievalism in Australian Cultural Memory, Item #476, &lt;a href="../../../items/show/476"&gt;http://ausmed.arts.uwa.edu.au/items/show/476&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;br /&gt; Dorey, Margaret, "Neo-Romanesque Apse at Christ Church, North Adelaide,"  in Medievalism in Australian Cultural Memory, Item #478, &lt;a href="../../../items/show/478"&gt;http://ausmed.arts.uwa.edu.au/items/show/478&lt;/a&gt;&lt;br /&gt; &lt;br /&gt; Dorey, Margaret, "Apse, Christ Church, North Adelaide," in Medievalism in Australian Cultural Memory, Item #479, &lt;a href="../../../items/show/479"&gt;http://ausmed.arts.uwa.edu.au/items/show/479&lt;/a&gt;&lt;br /&gt; &lt;br /&gt; Dorey, Margaret, "Neo-Romanesque Apse, Christ Church, North Adelaide," in Medievalism in Australian Cultural Memory, Item #480, &lt;a href="../../../items/show/480"&gt;http://ausmed.arts.uwa.edu.au/items/show/480&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;</text>
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