1 8 2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Hyperlink Title, URL, Description or annotation. URL <span><a href="http://www.flickr.com/photos/raysalmanac/5560713668/in/photostream" target="_blank"><span style="line-height: 115%; font-family: 'Tahoma','sans-serif'; font-size: 10pt;"><span style="color: #0000ff;">http://www.flickr.com/photos/raysalmanac/5560713668/in/photostream</span></span></a></span> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Upper vestibule window, ‘Narrapumelap,’ Wickliffe, Victoria Subject The topic of the resource baronial window, John Dixon Wyselaskie, Ferguson & Urie, floral-rod pattern, homestead, initials, leaf and flower head design, medieval design, Narrapumelap homestead, roses, stained glass, VIC, Victoria, Wickliffe, window Description An account of the resource An image of a stained glass window at the Narrapumelap homestead in Wickliffe, Victoria. The panel’s outer edge is framed by an eye-catching ‘floral-rod’ pattern in spiral form. The window is divided into three segments (l, m, r) separated by wide vertical stripes with red roses on rigid leafy stems (x 2). The window contains the house’s construction date (1873) and owner John Dixon Wyselaskie’s initials. The patterned background is an adapted medieval ‘rigid’ leaf and flower head design. The window is in a prominent position and would easily be seen by staff and clients alike. At night it would offer a welcoming glow to visitors and guests. An expensive ‘Baronial’ window such as this bears silent testimony to the wealth and social standing of its owner - in this case the pastoralist and philanthropist J. D. Wyselaskie. Creator An entity primarily responsible for making the resource Brown, Ray (photographic image) Date A point or period of time associated with an event in the lifecycle of the resource 9 January 2011 Rights Information about rights held in and over the resource © Ray Brown Format The file format, physical medium, or dimensions of the resource Hyperlink baronial window Ferguson & Urie floral-rod pattern homestead initials John Dixon Wyselaskie leaf and flower head design medieval design Narrapumelap homestead roses stained glass Vic Victoria Wickliffe window https://ausmed.arts.uwa.edu.au/files/original/1146f9c772369cd483b8c7a2f1b7fe16.pdf 373628debda0b88a1ae2750ca138cf2f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Streets Description An account of the resource This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digitised Newspaper Article, National Library of Australia - <a href="http://nla.gov.au/nla.news-article58414412" target="_blank">http://nla.gov.au/nla.news-article58414412</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Wedding Fashions Subject The topic of the resource bouquet, brides, bride, bridesmaids, brocade, chiffon, clothing, coronet, dress, gown, fashion, headdress, jackets, lace, lilies, medieval lines, medieval style, roses, satin, tulle, veil, velvet, wedding, wedding dress, women’s fashion Description An account of the resource In this column on wedding fashions in 1929, readers are advised that the favoured style for wedding dresses has changed from the short straight frocks of the previous year to long medieval style dresses. A long frock, the author suggests, is more dignified than a short or flimsy one, and is therefore “much more in keeping with the church service”. Materials such as velvet and satin are recommended, and a new tendency to eliminate the train and replace it with a flowing tulle veil is noted. Veils of tulle or chiffon are advised to create a “cloudy effect” that contrasts the heavier material of the dress. The bridesmaid’s dresses, the article concludes, should be in the same style as the bride. If the bride wears a velvet dress of medieval design, it instructs, the bridesmaids should also wear velvet in a different colour, and definitely not tulle frocks of the early Victorian style. Creator An entity primarily responsible for making the resource Anon. Source A related resource from which the described resource is derived National Library of Australian Publisher An entity responsible for making the resource available The Sunday Times Date A point or period of time associated with an event in the lifecycle of the resource 12 May 1929, p. 5s. Rights Information about rights held in and over the resource The Sunday Times Format The file format, physical medium, or dimensions of the resource Digitised Newspaper Article Language A language of the resource English bouquet bride brides bridesmaids brocade chiffon clothing coronet dress fashion gown headdress jackets lace lilies medieval lines medieval style roses satin tulle veil velvet wedding wedding dress women’s fashion