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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>St Davidâ€™s Anglican Cathedral, Hobart was designed by English architect George Frederick Bodley (1827-1907) in 1865 in the Gothic Revival style. The foundation stone was laid in 1868 by Prince Alfred, the Duke of Edinburgh, and the nave was consecrated in 1874. The work was supervised by Henry Hunter (1832-1892). The photographs show the nave, aisles, and sanctuary of the cathedral, as well as a small internal pointed arch door and doorway (photograph three), demonstrating that the Gothic style was carried through to utilitarian features. Photographs one and two show the elevation of the cathedral achieved with columns supporting pointed arches with molding, and the vaulted ceiling. Also visible is the large stained glass east window with stone tracery above the high altar, and numerous smaller stained glass windows. Other fatures of note in photographs one and two are the Bodley designed stone font and timber rood screen, the latter being installed in 1916.   &#13;
&#13;
George Bodley was a well-known architect working in the Gothic Revival style, and in particular he was influenced by late medieval architecture from England and northern Europe. His best known work is perhaps Magdalen College, Oxford.&#13;
&#13;
For more on St David's Cathedral see the 'Relation' section.</text>
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                <text>&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1149"&gt;http://ausmed.arts.uwa.edu.au/items/show/1149&lt;/a&gt;&lt;/p&gt;&#13;
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&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1160"&gt;http://ausmed.arts.uwa.edu.au/items/show/1160&lt;/a&gt;&lt;/p&gt;&#13;
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&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1179"&gt;http://ausmed.arts.uwa.edu.au/items/show/1179&lt;/a&gt;&lt;/p&gt;&#13;
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&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1155"&gt;http://ausmed.arts.uwa.edu.au/items/show/1155&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1168"&gt;http://ausmed.arts.uwa.edu.au/items/show/1168&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1184"&gt;http://ausmed.arts.uwa.edu.au/items/show/1184&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1174"&gt;http://ausmed.arts.uwa.edu.au/items/show/1174&lt;/a&gt;&lt;/p&gt;&#13;
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&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1190"&gt;http://ausmed.arts.uwa.edu.au/items/show/1190&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</text>
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                <text>St Andrewâ€™s Anglican Church interior, Westbury, Tasmania</text>
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                <text>Anglican, James Blackburn, carving, Church of England, convict, Gothic, Gothic Revival, memorial, Ellen Nora Payne, pointed arch, pulpit, rood screen, St Andrewâ€™s Anglican Church, stained glass, Tas, Tasmania, tracery, Westbury, woodcarver.</text>
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                <text>&lt;p&gt;The interior of St Andrew&amp;rsquo;s Church of England (Anglican) in the small Tasmanian town of Westbury continues the Gothic Revival style of its exterior. &amp;nbsp;The nave was designed by the convict architect James Blackburn (1803-1854) in 1840-02. Of particular note are the various carvings by Tasmanian woodcarver Ellen Nora Payne (1865-1962) of Hobart, who had been born in the Westbury district. These include the pulpit which was carved in London sometime between 1901 and 1906, and the &amp;lsquo;Seven Sisters&amp;rsquo; rood, or chancel, screen completed in 1938 as a memorial to her seven dead sisters. The screen features a recreation of tracery common in Gothic windows. Other Gothic features are the large pointed arch east window with tracery made up of three lancet windows with stained glass, lancet windows in the north and south walls, and the internal pointed-arch doors and doorways.&lt;/p&gt;&#13;
&lt;p&gt;For more of the interior see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1186"&gt;http://ausmed.arts.uwa.edu.au/items/show/1186&lt;/a&gt;&lt;/p&gt;&#13;
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&lt;p&gt;For the exterior see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1178"&gt;http://ausmed.arts.uwa.edu.au/items/show/1178&lt;/a&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1186"&gt;http://ausmed.arts.uwa.edu.au/items/show/1186&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1178"&gt;http://ausmed.arts.uwa.edu.au/items/show/1178&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1197"&gt;http://ausmed.arts.uwa.edu.au/items/show/1197&lt;/a&gt;&lt;/p&gt;&#13;
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>St Markâ€™s Anglican Church interior, Deloraine, Tasmania </text>
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                <text>Anglican, William Henry Clayton, Deloraine, Gothic, Gothic Revival, lancet window, William Montgomery, Alexander North, pointed arch, reredos, rood screen, St Markâ€™s Church, stained glass, Tas, Tasmania, tracery, trusses. </text>
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                <text>&lt;p&gt;St Mark&amp;rsquo;s Anglican Church is in the northern Tasmanian town of Deloraine. It was designed by William Henry Clayton (1823-1877) in the Gothic Revival style, in particular &amp;lsquo;Decorated&amp;rsquo; or &amp;lsquo;Victorian Free&amp;rsquo; Gothic. The foundation stone was laid in 1856 and the church was consecrated in 1860. In 1878 the chancel, sanctuary, north transept and rose window were added. The interior includes many Gothic features; particularly the carved rood screen from c. 1920 and the reredos wood panelling from 1895 in photograph one, both of which include prominent pointed arches in their design. The east and west pointed arch windows with tracery are both made up of four lancet windows with stained glass. The stained glass in the east window (above the reredos) was made by Melbourne-based stained glass artist William Montgomery (1850-1927) in 1909. The choir stalls (in front of the rood screen) were designed by Alexander North (1858-1945) and installed in 1934.&lt;/p&gt;&#13;
&lt;p&gt;For the exterior see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1183"&gt;http://ausmed.arts.uwa.edu.au/items/show/1183&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1182"&gt;http://ausmed.arts.uwa.edu.au/items/show/1182&lt;/a&gt;&lt;/p&gt;</text>
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                <text>McLeod, Shane</text>
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                <text>November 4, 2012</text>
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                <text>&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1183"&gt;http://ausmed.arts.uwa.edu.au/items/show/1183&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1182"&gt;http://ausmed.arts.uwa.edu.au/items/show/1182&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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&lt;p&gt;&amp;nbsp;&lt;/p&gt;</text>
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                <text>â€˜Tasmanian Gothicâ€™, Compass, ABC TV</text>
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                <text>ABC, alter cloths, Australian Broadcasting Corporation, baptismal font, Wendy Boynton, Catholic, chalice linen, church, Colebrook, Compass, cross, Geraldine Doogue, Gothic, Gothic Revival, headstone, monstrance, Oatlands, Augustus Welby Northmore Pugin, Pugin, Richmond, rood screen, Tas, Tasmania, Tasmanian Gothic, television, transcript, vestment, website, Bishop Willson, Robert William Willson.</text>
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                <text>&lt;p&gt;&amp;lsquo;Tasmanian Gothic&amp;rsquo; was an episode of the Australian Broadcasting Corporation&amp;rsquo;s Compass television programme presented by Geraldine Doogue. The story was researched by Wendy Boynton and aired on June 24, 2012 to celebrate the 200&lt;sup&gt;th&lt;/sup&gt; anniversary of the birth of English architect and designer Augustus Welby Northmore Pugin (1812-1852), one of the main&amp;nbsp;instigators of the Gothic Revival. Although he never visited Australia some consider the best examples of Pugin&amp;rsquo;s work to be in Tasmania, in part due to their preservation. When his friend Robert William Willson (1794-1866) was chosen as Tasmania&amp;rsquo;s first Catholic Bishop, Pugin provided him with the materials necessary to establish his diocese. These items, including scale models for three churches, were taken by Willson by ship from England to Hobart in 1844. Pugin artefacts in Tasmania include alter cloths, baptismal fonts, chalice linens, crosses, rood screens, headstones, vestments, and a monstrance (a vessel to hold the communion host, first used in the medieval period), the churches at Oatlands and Colebrook, and elements of the church at Richmond. The programme also deals with Pugin&amp;rsquo;s lasting legacy, including the enduring notion that Gothic style architecture is the most appropriate for ecclesiastical architecture. &amp;nbsp;&lt;/p&gt;&#13;
&lt;p&gt;For the episode transcript see &lt;a href="http://www.abc.net.au/compass/s3510122.htm"&gt;http://www.abc.net.au/compass/s3510122.htm&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;For the Pugin churches see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1104"&gt;http://ausmed.arts.uwa.edu.au/items/show/1104&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/951"&gt;http://ausmed.arts.uwa.edu.au/items/show/951&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1117"&gt;http://ausmed.arts.uwa.edu.au/items/show/1117&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1119"&gt;http://ausmed.arts.uwa.edu.au/items/show/1119&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</text>
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                <text>Australian Broadcasting Corporation</text>
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                <text>&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1104"&gt;http://ausmed.arts.uwa.edu.au/items/show/1104&lt;/a&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/951"&gt;http://ausmed.arts.uwa.edu.au/items/show/951&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1117"&gt;http://ausmed.arts.uwa.edu.au/items/show/1117&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1119"&gt;http://ausmed.arts.uwa.edu.au/items/show/1119&lt;/a&gt;&lt;/p&gt;</text>
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