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                  <text>Medievalism on the Page</text>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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              <text>&lt;span&gt;&lt;a href="http://nla.gov.au/nla.news-article28680351" target="_blank"&gt;&lt;span style="font-family: Calibri; font-size: small;"&gt;http://nla.gov.au/nla.news-article28680351&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;</text>
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                <text>'The Viking': A film review in the â€˜Camperdown Chronicleâ€™</text>
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                <text>Camperdown, Camperdown Chronicle, cinema, Erik the Red, Lief Eriksson, film, films, review, film review, Greenland, Helga, Norseman, pagan, Thorhild, VIC, Victoria, Viking</text>
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                <text>A film review in the â€˜Camperdown Chronicleâ€™ on August 24, 1929 for â€˜The Vikingâ€™. The review is featured in the â€˜Camperdown Theatre: Tonightâ€™s Picturesâ€™ section on page 5. Unlike other reviews of the film, this one focuses on the main actors (for example, â€™Pauline Starke dyed her Titian hair to appearâ€™) and characters (Leif Eriksson and Helga, Erik the Red, his wife Thorhild) rather than the ships and costumes. Erik the Red is described as â€˜the pagan ruler of Greenlandâ€™, while the supporting cast who play â€˜the Viking types of Norsemenâ€™ manage to create â€˜an appearance as of a lost tribe brought back to lifeâ€™. This is one of many reviews (some of the others can also be found on the â€˜Medievalism on the Pageâ€™ section of this website â€“ see Viking Memories and The Viking) which appeared in newspapers around Australia for what was evidently a very popular film.</text>
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                <text>The National Library of Australia</text>
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                <text>The Camperdown Chronicle</text>
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                <text>24 August 1929</text>
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                <text>Camperdown Chronicle, National Library of Australia</text>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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              <text>&lt;p class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt;"&gt;&lt;span style="font-size: 10pt;"&gt;Digitised Newspaper Article. National Library of Australia, &lt;/span&gt;&lt;span lang="EN"&gt;&lt;a href="http://nla.gov.au/nla.news-article58388271" target="_blank"&gt;&lt;span style="font-family: Calibri; color: #0000ff; font-size: small;"&gt;http://nla.gov.au/nla.news-article58388271&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>"Men Call Me a Fool"</text>
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                <text>Adonis, book, book review, books, court, duchess, fool, Francis I (1494-1547), hunchback, king, literature, medieval France, nobles, professional fool, review, tragedy, troubadour</text>
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                <text>&lt;p class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt;"&gt;&lt;span style="font-size: 10pt;"&gt;This article provides a short review of Dan  Totheroh&amp;rsquo;s historical novel &amp;ldquo;Men Call me Fool&amp;rdquo;,  published by Selwyn and Blount in 1929. Set in fourteenth-century  France at the court of King Francis I, the plot centres on a  professional fool and a youthful duchess who falls in love with him.  Although professional fools were common in medieval courtly  circles, &lt;/span&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Calibri;"&gt;&lt;span&gt;&lt;span lang="EN"&gt;the reviewer tells the reader, &amp;ldquo;mostly they were hunchbacks or deformed, but this one&lt;/span&gt;&lt;span&gt; was an Adonis&lt;/span&gt;&amp;rdquo;, and also a troubadour. Summing up, the reviewer  concludes that &amp;ldquo;There is a good deal of the atmosphere of the times and  much that is realistic in the lives of these professional fools&amp;rdquo; and  &amp;ldquo;the characterisation of the sensual king and  his nobles is convincing&amp;rdquo;.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;span style="font-size: 10pt;"&gt;To access a copy of this novel, see &lt;a href="http://babel.hathitrust.org/cgi/pt?id=uc1.b312683" target="_blank"&gt;&lt;span style="color: #0000ff;"&gt;http://babel.hathitrust.org/cgi/pt?id=uc1.b312683&lt;/span&gt;&lt;/a&gt;. &lt;/span&gt;</text>
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                <text>&lt;span style="font-size: 10pt;"&gt;National Library of Australia, &lt;/span&gt;&lt;span lang="EN"&gt;&lt;a href="http://nla.gov.au/nla.news-article58388271" target="_blank"&gt;&lt;span style="font-family: Calibri; color: #0000ff; font-size: small;"&gt;http://nla.gov.au/nla.news-article58388271&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;</text>
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                <text>The Sunday Times</text>
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                <text>13 October 1929, p. 29.</text>
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                <text>The Sunday Times</text>
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        <name>Francis I (1494-1547)</name>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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                <text>Tristram and Iseult. A Long Narrative Poem.</text>
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                <text>Arthur, Arthurian, Arthurian legend, Arthurian romance, legend, romance, Celtic legend, Cornwall, Edwin Arlington Robinson (1869-1935), Iseult, Isolde, Isolt, knight, â€˜Lancelotâ€™, Mark, medieval poetry, â€˜Merlinâ€™, narrative poem, Norman poem, Pictish king, poem, poetry, review, trilogy, Tristan, Tristram, â€˜Tristram and Iseultâ€™, Tristran, Tristrem, Yseult</text>
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                <text>This article from the Western Mail offers a positive review of Edwin Arlington Robinsonâ€™s long narrative poem â€˜Tristramâ€™, published in 1927. Following poems titled â€˜Merlinâ€™ in 1917 and â€˜Lancelotâ€™ in 1920, this poem is the third instalment in a trilogy by Robinson based on Arthurian legends. â€˜Tristramâ€™ is a retelling, in blank verse, of BÃ©roulâ€™s late twelfth-century medieval romance â€˜Tristram and Iseultâ€™. The story of Tristram and Iseult is a tale of adulterous love between a Cornish Knight and the Irish bride of his uncle, King Mark. Robinson was awarded a Pulitzer prize for his â€˜Tristramâ€™ in 1928.</text>
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                <text>The Western Mail</text>
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                <text>4 August 1927, p. 8</text>
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                <text>The Western Mail</text>
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PDF</text>
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        <src>https://ausmed.arts.uwa.edu.au/files/original/c1605bc82f66ba45707f12489a0d3129.pdf</src>
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                  <text>Medievalism on the Page</text>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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              <text>Newspaper Article: &lt;a href="http://nla.gov.au/nla.news-article37689201" target="_blank"&gt;http://nla.gov.au/nla.news-article37689201&lt;/a&gt;</text>
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                <text>Early English Portraiture</text>
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                <text>Beggar, De Regimine Principum, dialogue, Geoffrey Chaucer (c.1340-1400), heresy, John Gower (c.1330-1408), John Lydgate (c.1370-1450), knight, manuscript, marginalia, medieval dress, medieval poetry, Occleve, poet, poetry, portrait, Sir John Oldcastle (d.1417), The Regiment of Princes, Thomas Hoccleve (c.1367-1426), tribute, review</text>
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                <text>&lt;p class="MsoNormal"&gt;In this &lt;em&gt;Western Mail &lt;/em&gt;article from 1930, the author begins by providing a somewhat negative review of Thomas Hoccleve&amp;rsquo;s poem, &amp;ldquo;The Regiment of Princes&amp;rdquo;. Asserting that the poem &amp;ldquo;looks better than it reads&amp;rdquo;, the author describes it as a &amp;ldquo;long and tedious poem on virtues and vices in imitation of an older writing&amp;rdquo;. The author goes on to suggest that Hoccleve has &amp;ldquo;an historical, rather than a literary value&amp;rdquo;, because he drew in the margin of the book what was thought to be the most accurate portrait of his near contemporary, Geoffrey Chaucer (c.1340-1400), and revered him in the text. The author concludes that although not a great poet, Hoccleve was probably an &amp;ldquo;earnest, forthright man&amp;rdquo;, because he knew his limitations.&lt;/p&gt;&#13;
&lt;p class="MsoNormal"&gt;Thomas Hoccleve (c.1367-1426) was an English poet and clerk of the Privy Seal. &amp;ldquo;The Regiment of Princes&amp;rdquo; was written in 1410-11 and was addressed to Prince Henry, the future King Henry V. It describes the virtues of a good ruler, and survives in 43 manuscript copies. For the text of Hoccleve&amp;rsquo;s &amp;ldquo;The Regiment of Princes&amp;rdquo;, see &lt;a href="http://www.lib.rochester.edu/camelot/teams/hoccfrm.htm" target="_blank"&gt;http://www.lib.rochester.edu/camelot/teams/hoccfrm.htm&lt;/a&gt;.&lt;/p&gt;</text>
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                <text>National Library of Australia</text>
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