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                  <text>Medievalism on the Streets</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>&lt;a href="http://www.youtube.com/watch?v=q7O7NgjWPeM" target="_self"&gt;http://www.youtube.com/watch?v=q7O7NgjWPeM&lt;/a&gt;</text>
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                <text>&lt;em&gt;Arthur! And the Square Knights of the Round Table&lt;/em&gt; Children's Cartoon series</text>
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                <text>Animation, armour, Arthur, Arthurian legend, Black Knight, cartoon, childrenâ€™s series, chivalry, damsel in distress, dragon, excalibur, Guinevere, jousting, knight, Lancelot, maiden, Merlin, Morgan Le Fay, rescue, round table, song, sword, television, TV.</text>
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                <text>&lt;em&gt;Arthur! And the Square Knights of the Round Table&lt;/em&gt; was an animated Australian cartoon series written by Melbourne playwright Alex Buzo with Rod Hull, Lyle Martin, John Palmer and M. Robinson. It was produced between 1966 and 1968. Based on Arthurian legend, the cartoons feature characters such as King Arthur, Guinevere, Lancelot, Merlin, a Black Knight and Morgan le Fay. The opening jingle (available at &lt;a href="http://www.youtube.com/watch?v=q7O7NgjWPeM" target="_self"&gt;http://www.youtube.com/watch?v=q7O7NgjWPeM&lt;/a&gt;) provides a good overview of the Arthurian themes and motifs in the cartoons, in verse! For example, the pastimes of the hero Arthur &amp;ndash; &amp;lsquo;the king of Camelot, who likes to joust a lot&amp;rsquo; &amp;ndash; are identified as jousting, dragon-slaying, wooing Guinevere, foiling the evil plans of the Black Knight, rescuing damsels in distress, drawing swords from stones, making tables round, and convening meetings of his bravest knights.</text>
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                <text>Written by Alex Buzo with Rod Hull, Lyle Martin, M. Robinson &amp; John Palmer&#13;
Produced by Walter J. Hucker&#13;
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                <text>You Tube</text>
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                <text>1966-1968</text>
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                  <text>Medievalism on the Page</text>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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                <text>&amp;lsquo;The Old Squire&amp;rsquo;, &lt;em&gt;The Bulletin&lt;/em&gt;, 28 May 1908</text>
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                <text>â€˜As it is in the Days of Now,â€™ Black Death, conquest, despotism, famine, Henry Lawson (1867-1922), honour, ingratitude, justice, king, knight, knighthood, loyalty, neglect, noble, pestilence, plague, Old Swithin, rescue, service, sickness, siege, Sir William, squire, Swithin, sword, Virland (Old Estonia).</text>
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                <text>&lt;em&gt;The Bulletin&lt;/em&gt;, which was resolutely &amp;ldquo;anti-imperialist&amp;rdquo; in its outlook, published a range of verses, ballads and other &amp;ldquo;poems in which the Middle Ages were represented as despotic and barbaric&amp;rdquo; (Louise D&amp;rsquo;Arcens, &lt;em&gt;Old Songs in the Timeless Land: Medievalism in Australian Literature 1840-1910&lt;/em&gt;, Turnhout, Brepols, 2011, p.143). While &amp;lsquo;The Old Squire&amp;rsquo; doesn&amp;rsquo;t do this explicitly, it is undeniably a &amp;ldquo;tale of faithful service unrewarded&amp;rdquo; (D&amp;rsquo;Arcens, p.144). Here we again follow the adventures of Sir William, Henry Lawson&amp;rsquo;s cuckolded knight from &amp;lsquo;As it is in the Days of Now&amp;rsquo; (See &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1020" target="_self"&gt;http://ausmed.arts.uwa.edu.au/items/show/1020&lt;/a&gt;). Sir William, his squire, the King and the narrator ride into Virland with the intention of conquering the City, only to find the inhabitants suffering in the throes of the Black Death. Sir William is portrayed in the poem as arrogant and thoughtless for failing to appreciate the longstanding and faithful service of his squire, Old Swithin. After dutifully clearing out the dead from the City, Swithin collapses after trying to rescue a child from plague infested quarters. He is portrayed as noble in character but, unjustly, not in name; instead, &amp;lsquo;His heart was ever pained, / because of that old knighthood / that he should once have gained&amp;rsquo;. When his worth is finally recognised and the King attempts to knight him at the end of the poem, it is too late for he is already dead. While not an outright attack on all authority, this poem &amp;ldquo;implicitly condemns aristocratic arrogance and the [...] inequity of the feudal system&amp;rdquo; (D&amp;rsquo;Arcens, p.144).</text>
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                <text>Henry Lawson</text>
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                <text>&lt;em&gt;The Bulletin&lt;/em&gt;</text>
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                <text>&lt;em&gt;The Bulletin&lt;/em&gt;</text>
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                <text>28 May 1908, p.40</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>Public Domain</text>
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                <text>&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1020"&gt;http://ausmed.arts.uwa.edu.au/items/show/1020&lt;/a&gt;</text>
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                <text>Journal (Microfilm)</text>
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        <name>â€˜As it is in the Days of Now</name>
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        <name>â€™ Black Death</name>
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        <name>conquest</name>
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        <name>despotism</name>
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        <name>famine</name>
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        <name>Henry Lawson (1867-1922)</name>
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                  <text>Medievalism on the Streets</text>
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              <description>An account of the resource</description>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>1 negative : acetate, b&amp;w</text>
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              <text>12 x 9.4 cm.  </text>
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              <text>&lt;a href="http://nla.gov.au/nla.pic-an24431208"&gt;http://nla.gov.au/nla.pic-an24431208&lt;/a&gt;</text>
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                <text>Crowd outside the Hoyts Century Theatre at the Preview of Camelot, Sydney</text>
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                <text>Alan Jay Lerner, Arthur, Arthurian, Arthuriana, Camelot, chivalric, chivalry, cinema, entertainment, film, Franco Nero, Guinevere, Hoyts Century Theatre, King Arthur, knight, knighthood, Lancelot, movie, New South Wales, NSW, popular culture, Richard Harris, Round Table, Sydney, theatre, Vanessa Redgrave</text>
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                <text>In this black and white photograph by J. A. Mulligan, a crowd gathers outside the Hoyts Century Theatre in Sydney on 20 December 1967 to attend a preview of the film Camelot. The film was a screen adaptation of the 1960 musical of the same name by Alan Jay Lerner. Based on Arthurian legend, the plot tells the story of Arthurâ€™s marriage to Guinevere, his establishment of the Round Table, the love triangle that ensued between Arthur, Guinevere and Lancelot and the rescue of Guinevere by Lancelot when she was sentenced to death for her adultery. The film starred Richard Harris as King Arthur, Vanessa Redgrave as Guinevere and Franco Nero as Lancelot. </text>
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                <text>Mulligan, J.A.</text>
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                <text>National Library of Australia</text>
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                <text>National Library of Australia</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Hyperlink</text>
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        <name>Alan Jay Lerner</name>
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        <name>Arthurian</name>
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        <name>Arthuriana</name>
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        <name>Australian theatre</name>
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        <name>Franco Nero</name>
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        <name>Hoyts Century Theatre</name>
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      <tag tagId="1175">
        <name>King Arthur</name>
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        <name>knight</name>
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