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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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                <text>Hourglass Gauntlets</text>
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                <text>armour, gauntlets, hourglass gauntlet, gloves, combat, battle, weapons, weapon, weaponry, protection, Medieval Shoppe, recreation, re-creation, re-enactment, replica, replicas, Parkes, New South Wales, NSW, 14th Century, fourteenth century</text>
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                <text>&lt;p&gt;An image of reproduction hourglass gauntlets, sold by the Medieval Shoppe in Parkes, NSW. The Medieval Shoppe produces and sells replicas of swords, shields, armour, and other historical weapons.&lt;/p&gt;&#13;
&lt;p&gt;Their website provides some information about hourglass gauntlets (&lt;a href="http://www.medievalshoppe.com.au/hourglass-gauntlets.html"&gt;http://www.medievalshoppe.com.au/hourglass-gauntlets.html&lt;/a&gt;):&lt;/p&gt;&#13;
&lt;p&gt;"When fighting was almost entirely hand-to-hand, the thorough protection of the hand was necessarily of paramount importance. Armour for the head and body was, after all, but a second line of defence against the attack which penetrated the guard of the weapon. Any damage to the hand which controlled all offensive movements, as well as all parries, would place a combatant at the mercy of his antagonist. But the armourer had not only to give his attention to the protective qualities of the covering which enclosed a part so vulnerable and so likely to receive a wound, he had also to consider how he should least interfere with the use of so complicated a piece of mechanism as the human hand. It was on account of these very important considerations that one finds the gauntlet always more complicated in the details of its construction than the rest of the protective outfit.&lt;/p&gt;&#13;
&lt;p&gt;Underneath the plate was worn a leather glove, to the fingers and thumb of which small overlapping scales were attached to complete the defence of the hand. Hourglass gauntlets are considered the zenith of medieval gauntlets. An example of this type may be seen on the brass of Sir John de Saint Quintan in Brandesburton Church, Yorkshire, which may be dated at about 1397. The famous effigy of Edward, Prince of Wales, known as the Black Prince, in the cathedral church of Canterbury depicts this masterful warrior wearing this kind of hand defence."&lt;/p&gt;&#13;
&lt;br /&gt;</text>
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                <text>The Medieval Shoppe</text>
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                <text>Accessed 2012.</text>
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                <text>Image used with the permission of The Medieval Shoppe, 2012.</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>&lt;a href="http://www.ironfest.net/images-of-ironfest"&gt;http://www.ironfest.net/images-of-ironfest&lt;/a&gt;</text>
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                <text>Armour, arts festival, art, arts, blacksmith, costume, festival, helmet, jousting, Kingdom of Ironfest, knight, Lithgow, living history, New South Wales, NSW, performance, plate armour, re-enactment, replica, shield, sword, website</text>
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                <text>Billed as â€˜An Arts Festival with a Metal Edgeâ€™ Ironfest is an annual festival held in the New South Wales city of Lithgow. The festival involves artists and blacksmith working with metal, as well as historical re-enactors, musicians, and performers. The re-enactors include those who focus on the medieval period, and the entertainment for the Ironfest 2013 includes jousting. The main page for Ironfest includes a photograph of nine knights wearing plate armour and helmets and carrying shields and swords. The festival began in 2010 and is held at the Kingdom of Ironfest (the Lithgow Showground).&#13;
&#13;
For their website see http://www.ironfest.net/index.php</text>
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                <text>Copyright Â© Ironfest 2012</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>&lt;a href="http://www.battleofthenations.com.au/index.html"&gt;http://www.battleofthenations.com.au/index.html&lt;/a&gt;</text>
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                <text>Archery, armour, axe, Battle of Nations, Battle of Nations Festival, bow, combat, crossbow, Europe, festival, helmet, heraldry, Kit Houston, knight, longsword, plate armour, re-enactment, replica, shield, sword, sword and buckler, television, tournament, tv, website.</text>
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                <text>&lt;p&gt;The Battle of Nations Festival is a full contact medieval tournament held in Europe which began in 2009. Australia will field a team for the first time in 2013 and will be captained by Kit Houston. The event features various combat categories, from one vs one duels to all vs all, and one including mounted knights on horses. There is also a side archery event for bows and crossbows. Contestants are expected to use historically accurate weapons and armour, and heraldry. Weapons featured include sword, longsword, shields, axes, and sword and buckler. The event also has an six-part online television show.&lt;/p&gt;&#13;
&lt;p&gt;For their website see &lt;a href="http://www.battleofthenations.com.au/index.html"&gt;http://www.battleofthenations.com.au/index.html&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</text>
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                <text>(c) Battle of the Nations Australia and European Medieval Martial Arts Academy</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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                <text>&lt;p&gt;Billed as &amp;lsquo;An Arts Festival with a Metal Edge&amp;rsquo; Ironfest is an annual festival held in the New South Wales city of Lithgow. The festival involves artists and blacksmith working with metal, as well as historical re-enactors, musicians, and performers. The re-enactors include those who focus on the medieval period, and the entertainment for the Ironfest 2013 includes jousting. The main page for Ironfest includes a photograph of nine knights wearing plate armour and helmets and carrying shields and swords. The festival began in 2010 and&amp;nbsp;is held at the Kingdom of Ironfest (the Lithgow Showground).&lt;/p&gt;&#13;
&lt;p&gt;For their website see http://www.ironfest.net/index.php&lt;/p&gt;</text>
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                <text>Copyright Â© Ironfest 2012</text>
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                <text>&lt;p&gt;Medieval FightClub is an online store with a warehouse in the New South Wales town of Wyee. They sell &amp;lsquo;Historical replica products from Medieval and Ancient times&amp;rsquo; including various weapons, clothing, drinking horns, accessories, jewellery, shoes, tents and pavilions. There are also less historic items such as Crusader cross buttons, t-shirts,&amp;nbsp;and brightly coloured synthetic sword blades. Although in general the store organises the products according to era rather than &amp;lsquo;peoples&amp;rsquo;, there is a special sections for Viking and Crusader&amp;nbsp;products. The website includes a &amp;lsquo;Helpful Info&amp;rsquo; section with tips on sword care, shoe and ring sizes, and DIY guides. Customers are also able to sign up for Ye-Mail Subscription.&lt;/p&gt;&#13;
&lt;p&gt;For their website see &lt;a href="http://www.medieval-fightclub.com/"&gt;http://www.medieval-fightclub.com/&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</text>
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                <text>An advertisement for The Medieval Shoppe, a store in NSW which produces and sells replicas of swords, shields, armour, and other historical weapons. The advertisement is shot in black and white and features The Medieval Shoppe crest and five men clad in armour and bearing weapons. The five men, representing warriors, knights and infantrymen, are wearing armour from different eras, including chain mail, plate armour, helmets, and leather padding. The weapons include swords and a halberd, a primarily Swiss weapon of the fourteenth and fifteenth centuries. The Medieval Shoppe logo features three arrows. &#13;
&#13;
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Medievalism at the Foundations</text>
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              <description>An account of the resource</description>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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              <text>Digital Photograph; JPEG, &lt;a href="https://www.facebook.com/media/set/?set=a.346382042054194.100191.324391430919922&amp;amp;type=1"&gt;https://www.facebook.com/media/set/?set=a.346382042054194.100191.324391430919922&amp;amp;type=1&lt;/a&gt;&lt;br /&gt;</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Halberd on Display at Gothic Revival Ruin in Central NSW</text>
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                <text>Medieval Shoppe, NSW, New South Wales, Gooloogong, church, churches, ruin, ruined, ruins, architecture, Gothic, Gothic Revival, Catholic, Catholicism, arches, arch, St Malachy, Saint Malachy, St. Malachy, halberd, weapon, weapons, weaponry, replica, replicas, Swiss Guard, Switzerland.</text>
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            <description>An account of the resource</description>
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                <text>An image of a replica of a medieval halberd. The image was taken at the abandoned Catholic church of St. Malachy in Gooloogong, New South Wales. It was featured on the Facebook site for the Medieval Shoppe, who design historical replicas of swords, armour and other weapons.&#13;
&#13;
Halberds were especially popular with infantry in Switzerland in the fouteenth and fifteenth century. The Swiss Guard at the Vatican still use ceremonial halberds.&#13;
&#13;
The church, which fell out of use in 1914, was also used as an infants' school, but was later abandoned and has been ever since. The building possesses many Gothic architectural features, such as a vaulted ceiling, and arched doorways and windows.</text>
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            <name>Creator</name>
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                <text>The Medieval Shoppe</text>
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                <text>The Medieval Shoppe, Facebook page</text>
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            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>Accessed 26/11/2012</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
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                <text>Image used with the permission of The Medieval Shoppe, 2012</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Digital Photograph; JPEG</text>
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              <description>An account of the resource</description>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>&lt;p&gt;&lt;a href="http://www.abc.net.au/news/2012-09-18/viking-ship-spotted-off-nt/4266796"&gt;http://www.abc.net.au/news/2012-09-18/viking-ship-spotted-off-nt/4266796&lt;/a&gt;&lt;/p&gt;</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>'Viking ship spotted off remote NT island'</text>
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                <text>&lt;p&gt;&amp;lsquo;Viking ship spotted off remote NT island&amp;rsquo; appeared on the online version of ABC News on September 18, 2012. The replica Viking ship was seen off the coast of Elcho&lt;br /&gt;Island in Arnhem Land, Northern Territory. The ship was sailed by a crew of six Russians from Europe and was heading for a museum in Sydney. The Viking longship&lt;br /&gt;is often referred to as a dragon ship due to the carved figure-head on the bow, as seen in the photograph of the replica by Tim Wethers.&lt;/p&gt;&#13;
&lt;p&gt;The article is available&lt;br /&gt;at &lt;a href="http://www.abc.net.au/news/2012-09-18/viking-ship-spotted-off-nt/4266796"&gt;http://www.abc.net.au/news/2012-09-18/viking-ship-spotted-off-nt/4266796&lt;/a&gt;&lt;/p&gt;</text>
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                <text>Wethers, Tim</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="26159">
                <text>Australian Broadcasting Corporation</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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