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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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                <text>The Australasian Living History Federation (ALHF)</text>
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                <text>"The Australasian Living History Federation (ALHF) was established in 2002 to source and manage appropriate and affordable Public Liability insurance for Historical Reenactment societies and Living History groups across Australia.&#13;
&#13;
As of September 2012, ALHF has 83 member groups of living history and historical reenactment societies and clubs. Member groups focus on different historical periods and locations from the Ancient Greeks through to Australians in the Second World War. There are over 1,500 individual members across Australia.&#13;
&#13;
Aside from organising public liability insurance, ALHF also acts to represent membersâ€™ interests in areas such as legislation that affects reenactment activities, and to foster communication and cooperation amongst individuals and groups in the Australian living history community."&#13;
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(Description sourced from the ALHF website link provided).&#13;
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The ALHF offers advice and guidance to members, event organisers and the public on such things as performance and display safety, and the presentation of historical accuracy in our activities." </text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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                <text>An online article by The West Australian with fourteen images of the 2011 Balingup Medieval Festival. The caption reads: "The Balingup Medieval Festival was a knock-out success at the weekend with people travelling from Perth and further afield to enjoy a community letting its hair down."</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>&lt;p&gt;&lt;a href="http://users.tpg.com.au/gpost/nemas08/index.html%20"&gt;http://users.tpg.com.au/gpost/nemas08/index.html &lt;/a&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/p&gt;</text>
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                <text>'Close Combat'</text>
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                <text>Armidale, armor, armour, battle, beading, blacksmithing, blacksmith, brewing, chain mail, chainmail, combat, helmet, kettle hats, medieval crafts, medieval fair, NEMAS, New England Medieval Arts Society, New South Wales, Norman style helmet, NSW, pottery, re-enactment, reenactment, shield, spinning, sword, tanning, war, warfare, weaving, woodworking</text>
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                <text>This is one of several â€˜battleâ€™ images from the NEMAS Easter Gathering in Armidale, NSW, in 2008. A number of medieval re-creation enthusiasts are engaged in close combat. They are armed with swords and what look to be mostly kite shields, and wear an assortment of different early medieval helmet styles. These include Norman style helmets with nasal bars and kettle hats. &#13;
The Gathering is a biannual assembly of re-enactment societies from Australasia traditionally hosted by the New England Medieval Arts Society Inc (or NEMAS). At these gatherings, members aim to recreate medieval arts and craft such as woodworking, blacksmithing, tanning, spinning and weaving, as well as arms and armour construction. The photo gallery depicts scenes of daily life: market stalls, people sitting around campfires, even a King and his attendants, as well as recreated battles. &#13;
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                <text>Unknown photographer at event</text>
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                <text>Â© NEMAS 2011</text>
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                <text>armor, armour, body armour, caparison, combat, Full Tilt, greave, heraldry, horse, â€˜Ironfest,â€™ joust, jousting, kneecup, knight, Lithgow, New South Wales, NSW, plate armour, poleyns, re-enactment, reenactment, Richard Taylor</text>
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                <text>This close-up image of a mounted knightâ€™s leg was taken at Ironfest in 2008 by the photographer Richard Taylor. It reveals a blend of contemporary customs and traditional workmanship, for modern re-enactments of jousting require utmost mobility with as little weight as possible. The horse, rather than being burdened by plate armour, is heavily padded and covered with an ornamental cloth trapper (or caparison) displaying the riders heraldry. The knight wears plates known as greaves to cover the legs, and rounded poleyns (c. 1350s) to protect the knees. The soft leather shoes are spurred, but not otherwise protected, which is unusual. However, this knight will not be required to dismount and fight on foot, so comfort probably took precedence over veracity in this instance. </text>
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                <text>Â© Richard Taylor. Some rights reserved dicktay2000</text>
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                <text>This is a â€˜frozenâ€™ combat image taken at the Blacktown Medieval Fayre by photographer Richard Taylor in 2011. It depicts a participant dressed in a Norman style helmet complete with a chainmail collar known as an avential or camal, and engaged in combat. The participants and combatants in medieval re-enactment groups generally pay considerable attention to detail. Their clothing and war gear is researched and often handcrafted, and when it comes to re-enacting â€˜combatâ€™ all bouts are marshalled. However, the combat is also based on an honour system, in which â€œevery fighter must decide which blows hit hard enough for him to yield or fall deadâ€  (For more on this, see Patrick Oâ€™Donnell, The Knights Next Door: Everyday People Living Middle Ages Dreams, Lincoln, iUniverse Inc., 2004). Re-enacted combat combines medieval fighting techniques and entertainment. In Medieval Fantasy as Performance: The Society for Creative Anachronism and the Current Middle Ages (Lanham, The Scarecrow Press, 2010), Michael Cramer observes that participation in creative anachronistic events is largely performance-driven (p.xii). That is to say, historical re-enactment is essentially theatre, and this is a significant part of the appeal.&#13;
&#13;
The Blacktown Medieval Fayre is billed as â€œa world of medieval magic,â€ and is part of the annual Blacktown Fiesta, an eight day extravaganza hosted by Blacktown City Council. It is just one of several interesting medieval events held throughout the country at different times of the year.</text>
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                <text>Â© Richard Taylor. Some rights reserved dicktay2000</text>
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                <text>â€˜The Black Knightâ€™</text>
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                <text>This detailed action photograph of two knights jousting was taken at the Blacktown Medieval Fayre by Richard Taylor in 2011. Considerable attention to detail is evidenced by quality gear and trappings. Note the blunt headed lance and knightly accoutrements. The combatants shown here are members of Full Tilt, â€œa world renowned quality jousting outfit,â€ that could have been extracted from the pages of a novel by Sir Walter Scott. The knights in this photograph wear plate armour, which fits with the rising popularity of jousting tournaments in the fifteenth century. By this time plate armour had largely replaced chain mail as the protective garment of choice for knights. The black colouring of the armour adds to the theatricality of the event.&#13;
&#13;
The Blacktown Medieval Fayre is billed as â€œa world of medieval magic,â€ and is part of the annual Blacktown Fiesta, an eight day extravaganza hosted by Blacktown City Council. It is just one of several interesting medieval events held throughout the country at different times of the year.&#13;
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                <text>Â© Richard Taylor. Some rights reserved dicktay2000</text>
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                <text>This photo, taken by photographer Wendi Donaldson at the Gumeracha Medieval Fair in South Australia in May 2011, provides a unique glimpse of a â€˜livingâ€™ early medieval warrior (who could be from almost anywhere in Europe). It depicts a participant at the Fair wearing chain-mail gloves, known as mitons, and a â€˜Normanâ€™ style helmet complete with the distinctive nasal bar which was designed to protect the face from injury. He carries a francisca throwing axe, which is a weapon that was developed by the Franks but also used by early Anglo-Saxons, in one hand and a second weapon that is not clear but that is probably a long knife known as a seax (given the sheath tied to his belt) in the other. Great care is taken by festival organisers and participants alike to ensure that costumes and weapons are within the recognised parameters of the era; however, this warrior does mix early medieval chronologies. For example, both Anglo-Saxons and Normans are depicted wearing this style of helmet in the Bayeaux Tapestry at the Battle of Hastings in 1066, but no-one in the Tapestry has chain-mail gloves. &#13;
The Gumeracha Medieval Fair is an annual event sponsored by the Adelaide Hills Council. The Fair features a host of re-enactment groups from around the world, including handcraft stallholders, wandering musicians and entertainers. This is just one of several interesting medieval events held throughout the country at different times of the year. &#13;
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="18171">
                <text>Donaldson, Wendi</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="18172">
                <text>May 2011</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="18173">
                <text>Â© All images copyright Wendi Donaldson 2011</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="18174">
                <text>Hyperlink</text>
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        <name>Adelaide Hills</name>
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      <tag tagId="2785">
        <name>Anglo-Saxons</name>
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      <tag tagId="3393">
        <name>Armor</name>
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      <tag tagId="153">
        <name>Armour</name>
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      <tag tagId="2770">
        <name>Arms</name>
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        <name>axe</name>
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      <tag tagId="4104">
        <name>Battle of Hastings</name>
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      <tag tagId="4105">
        <name>Bayeux Tapestry</name>
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      <tag tagId="2009">
        <name>chain mail</name>
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      <tag tagId="140">
        <name>chainmail</name>
      </tag>
      <tag tagId="4106">
        <name>francisca</name>
      </tag>
      <tag tagId="4107">
        <name>Franks</name>
      </tag>
      <tag tagId="4108">
        <name>gloves</name>
      </tag>
      <tag tagId="3901">
        <name>Gumeracha Medieval Fair</name>
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      <tag tagId="4109">
        <name>knife</name>
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      <tag tagId="4110">
        <name>long knife</name>
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      <tag tagId="4111">
        <name>medieval fair</name>
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      <tag tagId="2024">
        <name>mitons</name>
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      <tag tagId="3464">
        <name>Normans</name>
      </tag>
      <tag tagId="173">
        <name>re-enactment</name>
      </tag>
      <tag tagId="3943">
        <name>reenactment</name>
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      <tag tagId="887">
        <name>SA</name>
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      <tag tagId="4112">
        <name>seax</name>
      </tag>
      <tag tagId="885">
        <name>South Australia</name>
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      <tag tagId="2777">
        <name>throwing axe</name>
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      <tag tagId="4113">
        <name>Wendi Donaldson</name>
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          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="34454">
                  <text>Medievalism on the Streets</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="34455">
                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
                </elementText>
              </elementTextContainer>
            </element>
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    </collection>
    <itemType itemTypeId="11">
      <name>Hyperlink</name>
      <description>Title, URL, Description or annotation.</description>
      <elementContainer>
        <element elementId="28">
          <name>URL</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="18021">
              <text>&lt;p&gt;&lt;a href="http://www.mainlymedieval.com/store/product_info.php?cPath=171_111_101&amp;amp;products_id=488"&gt;http://www.mainlymedieval.com/store/product_info.php?cPath=171_111_101&amp;amp;products_id=488&lt;/a&gt;.&lt;/p&gt;</text>
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        </element>
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    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="18013">
                <text>Replica Thirteenth-Century Devotional Candleholder</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="18014">
                <text>artefact, blessing, candle, candles, candleholder, candle-holder, Christ, Christian, Christianity, devotion, devotional, light, â€˜Mainly Medievalâ€™, material culture, New South Wales, NSW, re-enactment, reenactment, replica, symbolism</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="18015">
                <text>An advertisement for a replica thirteenth-century devotional candleholder distributed by â€˜Mainly Medievalâ€™, an online re-enactor supplies company based in New South Wales. In purified Christianised logic, the candle is a symbol of â€˜devotion,â€™ and (prayerful) â€˜studyâ€™ (See Gertrude Jobes, Dictionary of Mythology Folklore and Symbols, New York, The Scarecrow Press, 1962, vol. 1, p.284). The candle also symbolises light and, by extension, Christ. This candleholder is a heavy pewter artefact, designed for maximum stability and utility. It contains a blessing which states, â€œGod bless those present and those that made meâ€. Candles and candleholders were used in the homes of the wealthy, especially in the libraries of those able to read and write, as well as in monasteries, churches, and universities. It seems unlikely, however, that such an expensive candleholder as this would be found in peasant dwellings, where rushlights and light from the fire would be sufficient to see after dark. </text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="18016">
                <text>Mainly Medieval</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="18017">
                <text>2011</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="18018">
                <text>Copyright Â© 2011 Mainly Medieval</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="18019">
                <text>Hyperlink</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="18020">
                <text>English</text>
              </elementText>
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          </element>
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    </elementSetContainer>
    <tagContainer>
      <tag tagId="3941">
        <name>â€˜Mainly Medievalâ€™</name>
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      <tag tagId="4018">
        <name>artefact</name>
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      <tag tagId="4019">
        <name>blessing</name>
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      <tag tagId="4020">
        <name>candle</name>
      </tag>
      <tag tagId="4022">
        <name>candle-holder</name>
      </tag>
      <tag tagId="4021">
        <name>candleholder</name>
      </tag>
      <tag tagId="2459">
        <name>candles</name>
      </tag>
      <tag tagId="3800">
        <name>Christ</name>
      </tag>
      <tag tagId="86">
        <name>Christian</name>
      </tag>
      <tag tagId="227">
        <name>Christianity</name>
      </tag>
      <tag tagId="4023">
        <name>devotion</name>
      </tag>
      <tag tagId="244">
        <name>devotional</name>
      </tag>
      <tag tagId="4024">
        <name>light</name>
      </tag>
      <tag tagId="3942">
        <name>material culture</name>
      </tag>
      <tag tagId="106">
        <name>New South Wales</name>
      </tag>
      <tag tagId="338">
        <name>NSW</name>
      </tag>
      <tag tagId="173">
        <name>re-enactment</name>
      </tag>
      <tag tagId="3943">
        <name>reenactment</name>
      </tag>
      <tag tagId="114">
        <name>replica</name>
      </tag>
      <tag tagId="4013">
        <name>symbolism</name>
      </tag>
    </tagContainer>
  </item>
</itemContainer>
